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    Music

    What the Riff Next Gen

    Every episode of “WHAT THE RIFF NEXT GEN” brings a ROCK AND ROLL album that debuted on the U.S. Billboard charts during a random month between 1995 and 2005. Four Classic Rock fans discuss the artist and 4 tracks from the album as it plays in the background. Then we riff on 3 additional “staff picks” of other artists that were also on the charts during that month and year. You’ll hear Classic Rock bands that were still producing new work, as well as some newer Alternative and Grunge bands that were gaining momentum during this Millennium Y2K Period. We encourage you to find and purchase the tracks and albums from Apple Music, Spotify or your other favorite music service. Please subscribe so you don’t miss any release! In addition to “Next Gen” you can search our ORIGINAL “What the Riff?!?” episodes (1-373) covering 1965 – 1995. We also invite you to follow us and learn more about us @whattheriff on Facebook.

    Disclaimer: What the Riff?!? is a music commentary and review podcast that highlights classic rock music through historical context, personal insights, and artist appreciation. We do not claim ownership of the songs featured, which remain the property of the original artists and rights holders. All music is used under the Fair Use doctrine for purposes of criticism, commentary, and education. We encourage our listeners to support the artists by purchasing and streaming their music legally.

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    Copyright: What the Riff ©2018

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    Latest Episodes:
    1965 - June: Tom Jones “Along Came Jones” Jun 07, 2021
    Show notes

    This week we introduce you to the debut album from a 24 year-old lad from Wales. Thomas John Woodward - today Sir Thomas John Woodward - is better known as Tom Jones. He got his start as the front man for a beat group called Tommy Scott and the Senators, but they really didn't go anywhere beyond South Wales. Gordo Mills became his manager, took him to London, and renamed him Tom Jones after the Academy Award winning film of the same name released in 1963.

    Jones' first hit would be the one for which he is always remembered. "It's Not Unusual" went to number 1 in the UK within a month of its release, and it went to number 10 on the Billboard Hot 100 when released in America. Mills and Les Reed worked quickely with Jones to get an album out to take advantage of the quick success, and the result is this album - Along Came Jones. Jones would have only moderate success with the rest of the songs on the album, but would see more fame when he recorded songs from movies, including "What's New Pussycat," by Burt Bacharach, and the theme song to the James Bond film "Thunderball."

    Tom Jones is synonymous with Las Vegas, and he spend a good bit of time there almost from the beginning. His first stint was at the Flamingo in 1967. He made a lot of money in club performances in Vegas rather than in extensive recording. After moderate success with his first few albums, Mills directed Jones more in the direction of the crooner we know today.

    We hope you enjoy this early foray into this iconic singer.

    I've Got A Heart This is the opening track on the album, and a very positive song. The boy is singing about having "a heart that really needs somebody, " and "a mind to keep her, to hold her tight, oh yeah, yeah, yeah." Not the most sophisticated lyrics you will encounter, but it is early in the rock era after all..

    Whatcha Gonna Do The album was a mix of cover songs and songs written for Jones, and this is one of the covers. Originally written by American blues and rock singer Chuck Willis, it cautions against running around on your girl.

    The Rose Gordon Mills wrote this song for Jones. It is basically the knights errand to win his love by finding the rose of love. "For my true love I yearn, but I'll never, ever return till I find where that red lady grows."

    It's Not Unusual This is where it all started for Tom Jones. Gordon Mills and Les Reed wrote this song which was released in February 1965, and it entered the charts the week it was released. It was number 1 on the UK charts a month later, and would define Tom Jones' career.

    ENTERTAINMENT TRACK:

    What's New Pussycat? by Burt Bacharach (from the motion picture What's New Pussycat?) Woody Allen's first screenplay would become this comedy film. Peter Sellers and Peter O'Toole starred in this movie. Tom Jones would achieve success from singing this song for the soundtrack as well.

    STAFF PICKS:

    I'll Keep Holding On by The Marvelettes Rob starts off our staff picks with this female Motown act. They were the first successful Motown act after The Miracles. This song was written by Mickey Stevenson and Ivy Jo Hunter, and peaked at number 34 on the Billboard Hot 100. The original members were Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart Motley, and Wanda Young. Young is on lead for this one.

    Help Me Rhonda by The Beach Boys Brian brings us a well known surfing standard and rebound song. This song has guitarist Al Jardine on lead vocals, and Glen Campbell was playing lead guitar as a session musician. Darryl Dragon (aka The Captain from Captain & Tennille ) is also playing on this track.

    Take a Heart by The Sorrows Wayne's staff pick is the title track off the debut album from “Freakbeat” band The Sorrows. One of the most aggressive R&B bands of their time, The Sorrows were known for their fast guitar solos and thudding drums. They never achieved much success, perhaps because their style of music was just ahead of its time. The song itself cautions against breaking hearts and turnabout.

    Feeling Good by Nina Simone Bruce's staff pick is a song from Broadway recorded by Nina Simone in 1965. It was not released as a single at the time, but has seen a resurgence recently in period pieces and commercials.

    INSTRUMENTAL TRACK:

    No Matter What Shape (Your Stomach's In) by the T-Bones This instrumental drew its inspiration from an Alka-Seltzer commercial and was recorded by Dave Pell and members of The Wrecking Crew.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1976 - May: Peter Frampton “Frampton Comes Alive” May 31, 2021
    Show notes

    When you think of the greatest live albums of all time, the one at - or very near - the top of the list will be Frampton Comes Alive!, the double album that was the best selling album of 1976, and Rolling Stone magazine's choice for "Album of the Year." While Peter Frampton was well known in rock circles for his guitar work and his previous stints with Humble Pie and the Herd, his solo work was catapulted into the stratosphere with this live album.

    Much of the album was recorded in the summer and fall of 1975 at Winterland in San Francisco and the Long Island area of New York. In addition to Peter Frampton on lead vocals, guitar and "talk box," musicians included Bob Mayo on rhythm guitar, keyboards, and vocals; Stanley Sheldon on bass and vocals; and John Siomos on drums.

    Frampton left Humble Pie in 1971 when the group began to move towards a harder sound that didn't fit his style. After many years and four studio albums as a soloist, Peter Frampton has achieved some modest success. However, Frampton Comes Alive would change all that, not only by being the best selling album of 1976, but having so much staying power that it would be the 14th best selling album of 1977. It would also result in an invitation for Frampton and manager Dee Anthony to President Gerald Ford's White House at the insistence of Steven Ford, the President's son.

    Something's Happening
    This track leads off the album. It originally appeared on his third studio album, also entitled "Something's Happening." The energy of the album is obvious from the introduction on through, and the album does an excellent job balancing both the musical quality and the energy of the crowd.

    Doobie Wah
    Also originally on his third studio album, this tune feels a lot like the Doobie Brothers. This deeper cut is a funky jam. "Do what everybody says is wrong, I don't believe nobody takes too long. Changing your mind, well now, let me up. I don't believe that kind would drink my cup."

    Show Me the Way
    Now, this one has received considerable air play, and you can hear a little of Frampton's "talk box" in it. It is the first single released from the album. The lyrics are a man seeking guidance like a drowning person seeking a life preserver.

    Baby, I Love Your Way
    Another popular cut from the album, this romantic cut features acoustic guitars and a mellow keyboard part. The lyrics describe a man wanting to spend every moment with his love. This song has been successfully covered by Will to Power and Big Mountain.

    ENTERTAINMENT TRACK:

    Get the Funk Out Ma Face The Brothers Johnson (from the motion picture “Mother, Jugs and Speed”
    This comedy starred Bill Cosby (Mother), Raquel Welch (Jugs), and Harvey Keitel (Speed) as employees of an ambulance service.

    STAFF PICKS:

    Takin' It To the Streets by the Doobie Brothers
    Bruce starts the staff picks with the first single from the album of the same name. This is the first Doobie Brothers song with Michael McDonald on lead. McDonald wrote the lyrics to this song inspired by a college essay from his sister Maureen, and the lyrics are from the perspective of a person living in poverty in the inner city.

    Let Your Love Flow by the Bellamy Brothers
    Rob features a country/rock crossover written by Larry Williams in 1975. The Bellamy brothers were session musicians from Tampa, and covered this song after Neil Diamond passed on it. It made number 2 on the adult contemporary charts and number 21 on the country charts. "Let your love flow like the mountain streams."

    E.T.I. (Extra Terrestrial Intelligence) by Blue Oyster Cult
    Wayne's staff pick rocks out on this tune from BOC's album "Agents of Fortune." The lyrics describe a search for UFO's and extraterrestrials in a stream-of-consciousness style.

    Strange Magic by Electric Light Orchestra
    Brian's pick finishes off our staff picks with a softer piece from Jeff Lynne and E.L.O. off the album "Face the Music." The song is about a captivating woman in a trippy style with the strings you have come to expect from E.L.O.

    INSTRUMENTAL TRACK:

    Breezin' by George Benson
    George Benson's album of the same name won multiple Grammys and became one of the best selling jazz albums of all time. This instrumental number leads off the album.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1979 - December: Cheap Trick “Dream Police” May 24, 2021
    Show notes

    Dream Police is the fourth and most successful studio album from Cheap Trick. It hit number 6 on the Billboard 200 Album chart, and was certified platinum only a few months after its release. Robin Zander (lead vocals, rhythm guitar), Rick Nielsen (lead guitar, backing vocals), Tom Petersson (bass, backing vocals), and Bun. E. Carlos (percussion) would get more complex on this album, incorporating orchestration and lengthening the tracks.

    Cheap Trick formed in 1973 by Tom Petersson and Rick Nielsen, and this album’s line up is the original members. Dream Police was completed and ready to release in early 1979, but the group decided to delay the release due to the success of their live album “Cheap Trick at Budokan.” Cheap Trick had a big following in Japan, and that energy really shows on the live album.

    Cheap Trick has a feel somewhere between new wave and rock, and their hits are spread out fairly evenly on their albums. In this case, there are two hits, the title track and "Voices," and the rest of the album would be deeper cuts. This makes this album an enjoyable one to hear from start to finish.

    Cheap Trick was inducted into the Rock and Roll Hall of Fame in 2016.

    Dream Police
    The title track and lead song off the album reached the top 30 on the charts, all the way to number 26. Songwriter and guitarist Rick Nielsen describes the song as part "Big Brother is watching you" and part trying to capture a deep thought from R.E.M. sleep.

    Way of the World
    One of the more orchestral tracks, this song was co-written by Zander and Nielsen. It was released as a single, but didn't get much airplay. The orchestration reminded all of us of E.L.O.

    I'll Be With You Tonight
    A deep track off the album, this song was co-written by the entire band. It has a classic "Cheap Trick" feel to it, that you would recognize as the band even if you hadn't heard it before.

    Voices
    This song was the second single released from the album in December, and reached number 32. When it was originally recorded, bassist Tom Petersson sang lead, but it was re-recorded for the album with Robin Zander on lead. Many vocals are layered in on this track, and session guitarist and Toto band member Steve Lukather plays on this track.

    ENTERTAINMENT TRACK:

    Rainbow Connection by Kermit (from the motion picture “The Muppet Movie”)
    Kermit, Fozzie Bear, Miss Piggy, and the rest of the Muppets made their big screen debut with this hit movie.

    STAFF PICKS:

    This Is It by Kenny Loggins
    Bruce's staff pick moved from a love song to a more spiritual thing when Loggins' father faced a serious health issue. Loggins' lyrics reflected a person who is suffering through pain, looking for a miracle, and needs to "stand up and fight." Michael McDonald co-wrote the song and his distinctive voice is easy to pick up as backing vocals. It reached number 11 on the Billboard Hot 100 and won a Grammy Award.

    An American Dream (featuring Linda Ronstadt) by the Dirt Band
    Wayne features the group formerly known as the Nitty Gritty Dirt Band, dealing with the issue of wanting to go to Jamaica and not having the money to live so richly. Rodney Crowell originally wrote this song in 1978, and The Dirt Band would take it to number 13 on the Billboard Hot 100 as a cover.

    We Don't Talk by Cliff Richard
    Brian's staff pick is a synth-heavy breakup song from UK superstar Cliff Richard. Richard became a Christian in the 60's, and releases a Christmas song every December which is usually a top 20 song in the UK. This is Richard's biggest selling song globally.

    Tusk by Fleetwood Mac
    Rob brings us the title track from Fleetwood Mac's follow-up to the highly successful Rumors album. This song is famous for utilizing the USC Trojan marching band, setting a record for the most number of musicians performing on a single.

    COMEDY TRACK:

    Money by The Flying Lizards
    This spoken word novelty song picks up where the Beatles left off on this Motown song.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1966 - March: The Standells “The Live Ones” May 17, 2021
    Show notes

    The Standells were a Los Angeles garage band formed in the early 60's, often referred to as an early punk band. The lineup was Larry Tamblyn on organ and vocals, Tony Valentino on guitar, Gary Lane on bass, and former Mouseketeer Dick Dodd on drums and lead vocals. The name came from Tamblyn and Valentino, and referenced their standing around booking agents, trying to get a job.

    The group made use of their Los Angeles roots by appearing in several low budget films in the 1960's including “Get Yourself a College Girl” in 1964 and the cult classic “Riot on Sunset Strip” in 1967. They also appeared on the television series “The Munsters” as themselves in the episode “Far Out Munster.” They also appeared on The Bing Crosby Show under a pseudonym “The Love Bugs.”

    The Live Ones EP was recorded in March 1966, and showcases both the sound and the attitude of The Standells. The songs are short like most songs of the era, and make extensive use of the organ in the music.

    The Standells big hit was “Dirty Water,” a reference to Boston Harbor and Charles River which was notorious for its pollution at the time. Their first major gig was at The Oasis in Honolulu, which may explain the surfer influence. In 1966, The Standells toured with The Rolling Stones.

    The Standells continue to perform today, though the lineup has changed over time.

    Mr. Nobody This song is about a guy hitting on the author's girlfriend. He isn't having any of it. “So you can take your fancy car and drive away real far. The world is full of nobodies like you are.”

    Why Pick On Me? If you've ever been attracted to a flirtatious girl who is there one moment and gone the next, you can identify with this tune. The lyrics that bring it home are, “candy kisses don't mean a thing if only flies those kisses bring.”

    Sometimes Good Guys Don't Wear White This track references the contrast between blue collar workers and white collar workers. When white collar workers thumb their nose at blue collar workers, sometimes the good guy isn't the one wearing white! “Everyday I work Hard. At night I spend restless time. Those rich kids and all their lazy money, they can't hold a candle to mine.”

    Gloria The Standells covered this garage band standard by Van Morrison and his band Them. Many bands covered this song, perhaps the most popular of these covers was done by The Doors.

    ENTERTAINMENT TRACK:

    “Born Free” by Matt Monro (Main Theme to the motion picture “Born Free”) This movie was released in March 1966, and told the tale of a couple who raised a lion cub and released it back into the wild.

    STAFF PICKS:

    Batman by Jan and Dean Rob starts our staff picks with a cover from the campy cult classic superhero show of the 60's. A number of groups covered the song from the television show. Jan and Dean were football players who met while singing in the shower after practice and decided to form a band. They had a number of surfer inspired hits at the time.

    I Fought The Law by The Bobby Fuller Four Bruce's staff pick is a song covered by The Clash in 1978. The Bobby Fuller Four had success covering this song in 1966, but the original goes back to 1959 when Sonny Curtis recorded it with the Crickets after he took the place of the late Buddy Holly. Just six months after the song hit the charts, Bobby Fuller was found dead from asphyxiation in his mother's car. The death was ruled a suicide, but many believe he was murdered.

    The Ballad of the Green Berets by Staff Sargent Barry Sadler Brian's staff pick is a positive, popular patriotic song. This would prove an unusual popular song as the protest song became more entrenched in rock music. This was the number 1 song of 1966. Barry Sadler released an album by the end of the year, though none of his other songs would prove as popular.

    I Spy (for the FBI) by Jamo Thomas Wayne's closes out our staff picks this week with a Chicago group taking a Motown feel. It peaked at number 98 in the US, though it did slightly better in the UK.

    INSTRUMENTAL TRACK:

    Hi Heel Sneaker by the Ramsey Lewis Trio We close out this episode with a jazzy number from Chicago-based Ramsey Lewis.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1985 - May: Dire Straits “Brothers In Arms” May 10, 2021
    Show notes

    Although they had been steadily growing in popularity since their debut in the mid-70's, Dire Straits would become a household name with their fifth studio album, Brothers In Arms. Between the catchy hooks accessible on both rock and adult contemporary radio, and the video-driven appeal of the group on MTV, DIre Strats became an arena group in 1985.

    This album found Dire Straits composed of John Illsley on bass, Terry Williams on drums, Alan Clark on piano and organ, Guy Fletcher on synthesizer, and of course the primary driver, songwriter, and co-producer for the album was Mark Knopfler. Additionally, Jazz drummer Omar Hakim was brought in to re-record much of the percussion work, though Williams remained the drummer for the band.

    Knopfler was quite the perfectionist when it came to sound, and this album would be the first to be recorded entirely digitally. It is listed in the Guinness Book of World Records as the first compact disc to sell a million copies.

    The success Dire Straits had with this album may have led to the groups undoing. Knopfler was uncomfortable with the fame, thinking that people were coming to the shows for the celebrity rather than the music. The group would take a hiatus following the "Brothers In Arms" tour, and would produce one more studio album before disbanding. Knopfler would go on to produce solo work as well as collaborate with other artists including Eric Clapton , Thomas Dolby, and Bob Dylan. Dire Straits was inducted into the Rock and Roll Hall of Fame in 2018.

    So Far Away This is the opening track on the album and the lead single in the UK, released in April of 1985, ahead of the album. It would be the third single in the US where it hit number 9 on the Billboard Hot 100. It is about carrying on a long-distance relationship.

    Your Latest Trick A melancholy deep cut, this song features Randy Brecker on trumpet and Michael Brecker on saxophone. It is clearly referencing prostitution, but it has a feel of loneliness and emptiness. Some say it is about a relationship and some say it is about society in general. The night is over, everyone is going home, and the guy is left alone wondering what happened.

    One World Another deep cut, and more blues-oriented. "Can't get no remedy on my TV, it's nothing but the same old news. Well, they can't find a way to be one world in harmony. Can't get no antidote for blues." Tony Levin was brought in to play bass on this one.

    Walk of Life This hit almost didn't make the album. Co-producer Neil Dorfsman voted against its being included, but the band outvoted him. It made it to number 7 on the US charts, and was one of their biggest commercial hits in the UK, peaking at number 2 there. It is about the street musicians in London playing standards in the subways.

    ENTERTAINMENT TRACK:

    This is Not America by Pat Metheny and David Bowie (from the motion picture The Falcon and the Snowman) This show about American kids turned Soviet spies was in the theaters in February 1985, and this song was on the charts in May.

    STAFF PICKS:

    Obsession by Animotion Wayne kicks off our staff picks with a synth pop hit that was a staple of every dance floor in 1985. Animotion covered this song, originally performed by Holly Knight and Michael Des Barres in 1983. The song was developed at first thinking about the obsession of drugs, but it transformed into an obsession with a person when it was done.

    Smuggler's Blues by Glenn Frey Brian's staff pick was well known at the time from Miami Vice. "You be cool for 20 hours and I'll pay you 20 grand." One of the things that made Miami Vice such a popular draw was its use not just of cool actors in Miami, but also using cameos from the music world. Glenn Frey appeared as a smuggler in the episode where "Smuggler's Blues" was played.

    Sussudio by Phil Collins Rob's staff pick is the lead track from Collins' third solo album "No Jacket Required." The drum machine and horns made this a polarizing song, with lots of people loving it and lots hating it. It was a big hit in the summer of 1985, and Phil Collins has mentioned that this song is the one most often sung to him when strangers approach.

    Marlene on the Wall by Suzanne Vega Bruce closes out the staff picks with a song inspired by Marlene Dietrich. Singer songwriter Suzanne Vega heard Dietrich responding to a controversial statement, "You have lead many men to death with your body." with the perfect response, "Give me a kiss." This was the lead track off Vega's debut album, dealing with loneliness and a strained relationship.

    INSTRUMENTAL TRACK:

    The Lady In My Life by Stanley Jordan Jazz guitarist Stanley Jordan covers a deep cut from Michael Jackson's Thriller album to close out this week's podcast.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1977 - November: Steely Dan “Aja” May 03, 2021
    Show notes

    Quick! Name a song by Steely Dan. Chances are good that the song you picked is off this sixth studio album, the iconic Aja. Steely Dan had already become a successful jazz rock group by this time, but Donald Fagen and Walter Becker created their most successful album by far with this one.

    By the time this album was produced, the group had been reduced to the duo who were responsible for the lion's share of the music. Fagen and Becker assembled a large group of session musicians to make this album, including well known vocalists like Michael McDonald of the Doobie Brothers and Timothy B. Schmit of the Eagles.

    Donald Fagen has said that the album name was inspired by a high school friend whose Korean wife’s name was Aja.

    Many consider this album and Gaucho, the following Steely Dan studio album, to be two of the founding albums to a genre that would become known as yacht rock. However, the heart of this music is undoubtedly jazz.

    Black Cow The album starts with this song which has been interpreted a lot of ways, from a commentary on a troubled relationship to self-doubt, to a track inspired by Thelonious Monk. The song describes a girl sitting at a counter, and a Black Cow is a fountain drink like a Coke float.

    Deacon Blues The opening lines describing the "expanding man" may have been inspired from sci-fi author Alfred Brester's 1950's novel "The Demolished Man." The song itself is about having a name for the nerds and the losers of the world, and compares football powerhouse Alabama and their name as "the Crimson Tide," to the proposed name for the loser. Becker and Fagen considered this song somewhat autobiographical.

    Peg This track features backing vocals from Michael McDonald. The song is about an actress in a photo shoot being promised fame. While some speculated that the song referenced Broadway and Hollywood star Peg Entwistle, Donald Fagen stated that "we just wanted a dotted half note for that spot and Peg was short enough to fit with the music."

    Josie This song finishes off the album and is a bit more influenced by Delta blues than the more jazzy tracks on the album. This may be because the song was written well before the rest of the recordings for Aja. The song tells about a popular girl from a blue collar town, who always creates excitement when she returns to town. Timothy B. Schmit plays bass and is on background vocals for this track.

    ENTERTAINMENT TRACK:

    “The Lonely Man” - theme from the television series “The Incredible Hulk” Long before the MCU, we were introduced to David Banner in this weekly show, who struggled to escape the curse of turning into the Hulk when he became angry. Bill Bixby played David Banner, and Lou Ferrigno became famous as the green-muscled Hulk.

    STAFF PICKS:

    “Free 'n' Easy” by Uriah Heep Wayne's rocking staff pick highlights an underrated prog rock/heavy metal group. This is not a single, but a deep cut off Uriah Heep's eleventh album.

    “Baby What a Big Surprise” by Chicago Rob brings us this well known tune with Peter Cetera taking his turn as lead vocalist of Chicago. Cetera was attempting to repeat the success of "If You Leave Me Now" with this song. Interestingly, this song is the only one on the album Chicago XI to feature Cetera on lead vocals.

    “I Know a Little” by Lynyrd Skynyrd Bruce's staff pick was written by guitarist Steve Gaines, and features his talented picking. This song is off the last Skynyrd album before the plane crash that killed several band members including front man Ronnie Van Zant and Steve Gaines. Gaines had just joined the band, so this would be his first and last studio album as a member of Lynyrd Skynyrd.

    “Cold As Ice” by Foreigner Brian's pick is a great tragic song about a materialistic woman who will some day face the consequences of her selfish ways. This is off Foreigner's debut and self-titled album.

    INSTRUMENTAL TRACK:

    “The Entertainer” by Scott Joplin Billy Dee Williams starred in the biographical film "Scott Joplin," which was released in November 1977.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1991 - October: Red Hot Chili Peppers “Blood Sugar Sex Magik” Apr 26, 2021
    Show notes

    Today the Red Hot Chili Peppers are a well known by all as one of the alternative rock founders, and that fame began with Blood Sugar Sex Magik, their fifth studio album. This was the first album created under their new Warner Brothers label, and was recorded at the Houdini mansion in Los Angeles. Front man Anthony Kiedis, guitarist John Frusciante, and bassist Flea moved into the former house of Harry Houdini for the duration of the recording session, but drummer Chad Smith did not. Kiedis claims that Smith wouldn't stay in the house because he thought it was haunted, through Smith denies this.

    Flea and Kiedis met in high school during a brawl, and eventually decided to form a band. The original lineup consisted of Hillel Slovak on guitar and Jack Irons on drums. Slovak died of a drug overdose after the group's third album, replaced by Frusciante. Irons left the group in reaction to Slovak's death, not wanting to be in a group where his friends were dying. Irons would be replaced by Chad Smith. Unfortunately, drug use and abuse would plague the group long after Slovak's overdose.

    The band's fourth album entitled Mother's Milk would become a success, with the single cover of Stevie Wonder's “Higher Ground” leading to mainstream interest.

    While Blood Sugar Sex Magik was the start of mainstream popularity for the Red Hot Chili Peppers, it would mark the end for guitarist John Frusciante. Frusciante enjoyed being in the underground music scene, and hated the popularity the group was experiencing. He left the group in 1992 in the middle of their world tour. Frusciante would eventually rejoin the group in 1998.

    Under the Bridge
    This is the track that put the Red Hot Chili Peppers on the mainstream map. Anthony Kiedis wrote this song about the hopelessness and loneliness he felt as a result of dependence on narcotics. He was reluctant to share the lyrics with the group, because he didn't think it fit well with the rest of their repertoire. However, the group took it in and it became a big breakthrough hit for them.

    Give It Away
    The first single from the album originated in an ongoing jam session between John Frusciante and bassist Flea. The lyrics were inspired by selflessness that Kiedis observed from his girlfriend when she gave away clothes in her closet that Kiedis liked. The idea of giving things away was new to him, as he expected from his upbringing that you had to take what you wanted, because no one would give it to you.

    If You Have to Ask
    This is a deeper cut from the album, with a funky guitar intro and stream-of-consciousness rap lyrics.

    Breaking the Girl
    The fourth single from the album was inspired by the turbulent relationship between Anthony Kiedis and his former girlfriend, Carmen Hawk. Frusciante wrote the music under inspiration from Led Zeppelin's "The Battle of Evermore." The video features a cameo by River Phoenix, and features guitarist Arik Marshall on guitar. Marshall briefly replaced Frusciante, though he did not play on the track itself.

    ENTERTAINMENT TRACK:

    Theme from the animated television series “X-Men”
    The animated series for Marvel's X-Men premiered in October of 1991, ushering in a new era of superhero cartoons.

    STAFF PICKS:

    Rush by Big Audio Dynamite II
    Wayne starts the staff picks with the second iteration of a group headed by Mick Jones of The Clash after leaving that group. The song mixes disparate styles and samples, including The Who's "Baba O'Riley." "Somehow I stayed thin while other guys got fat."

    Dreamline by Rush
    Bruce's staff pick is the lead track from Rush's Roll the Bones. Dreamline is about being young and ready to test your mettle against the world, "learning that we're only immortal for a limited time."

    Shiny Happy People by R.E.M.
    Brian features Athens, Georgia's favorite sons playing a piece inspired by a line from Chinese propaganda posters, “shiny happy people holding hands.” It was used ironically, as this was only two years after the Tiananmen Square crackdown in which hundreds were killed. Kate Pierce of the B-52's, another Athens band, joins for the female vocals.

    Hole Hearted by Extreme
    Rob finishes out the staff picks with an acoustic driven song with great harmonies off the fourth single from Exreme's Pornograffiti. Nuno Bettencourt wrote this - on the toilet - when he got his first 12-string. Led Zeppelin's third album was an inspiration.

    INSTRUMENTAL TRACK:

    Wham! by Stevie Ray Vaughan and Double Trouble
    This blues instrumental is off "The Sky Is Crying," a compilation of songs released in November of 1991 after the death of Stevie Ray Vaughan.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

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    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1979 - November: Tom Petty and the Heartbreakers “Damn the Torpedoes” Apr 19, 2021
    Show notes

    Damn the Torpedoes is the third studio album by Tom Petty and the Heartbreakers, and is the album where the group truly broke out into serious commercial success. They had done well with their first album, with "Breakdown" breaking into the top 40, and "American Girl" receiving some air play. But this album took the group to a different level. Damn the Torpedoes was their first top 10 album, peaking at number 2 on the Billboard album charts for 7 weeks. They were unfortunately kept out of the number 1 slot by the release of Pink Floyd's The Wall.

    Tom Petty and the Heartbreakers are Mike Campbell on guitars and keyboards, Benmont Tench on keyboards and backing vocals, Ron Blair on bass, Stan Lynch on drums and backing vocals, and of course Tom Petty on lead, rhythm guitar, and harmonica. Petty also produced the album.

    Damn the Torpedoes takes its name from Admiral Farragut's famous Civil War quote, but also reflects an attitude that the band was feeling. At the time ABC Records was their distributor and assigned the contract to MCA. Petty said that they couldn't assign the contract without permission. MCA sued, and Petty declared bankruptcy as a strategic move to keep MCA at bay. They finally settled by signing a new contract with Backstreet Records, which was an MCA subsidiary.

    The times were good for Petty's style of throwback rock and roll. Disco was quite commercial and beginning to wane, and New Wave was just beginning its run. MTV would also be a couple of years in the future. The rock world was starved of solid rock and roll, and Petty was ready to step into the void with tight, radio-friendly singles

    We think this album is a winner, but as you know, even the losers get lucky sometimes!

    Refugee
    This is the second single from the album, released in January 1980. It went to number 15 on the Billboard Hot 100. Petty and Mike Campbell wrote this, and it was one of the first songs Campbell wrote. The song reflects the band's reaction to the pressures of the music business, and the struggle they had with MCA.

    What Are You Doin' In My Life?
    A deeper cut, this track is about a stalker girl that the guy can't make go away. "Well, you're the last woman in the world that thrills me. Now you got my girlfriend trying to kill me. Honey, my friends think that I've gone crazy. Can't you figure out that you ain't my baby?"

    Even The Losers
    Believe it or not, this was not released as a single on the album outside of Australia. There's a story behind this song. Petty had a crush on a girl named Cindy in junior high school. Years later in Gainesville, Florida, he hooked up with Cindy. The next morning, Cindy told him their relationship consisted of only that night. During that night, Petty realized that he needed to be in a rock and roll band, and this song sums up that night.

    Don't Do Me Like That
    This is the first single from the album. Petty wrote the song back in 1974 with a band called Mudcrutch. This was Petty's first top 10 hit, reaching number 10 on the Billboard Hot 100. The singer relays the story of a friend who got his heart broken, and asks that his girlfriend not do the same. I really like the sound of the organ on this piece.

    ENTERTAINMENT TRACK:

    The Rose by Bette Midler (Main Theme from the motion picture The Rose)
    The song was a huge hit for Midler. She played the main character, Mary Rose Foster, in this movie loosely based on the life of Janis Joplin.

    STAFF PICKS:

    You're Only Lonely by JD Souther
    Rob starts off the staff picks with a track from Detroit born, Amarillo raised JD Souther. His former roommate, Glenn Frey, sings backup on this song, along with Phil Everly and Jackson Browne. JD Souther co-wrote a number of songs for the Eagles, which explains why this song may have a bit of an Eagles sound to it.

    Driver's Seat by Sniff N' The Tears
    Wayne's brings us a one hit wonder. It maintains a simple chord structure throughout, but builds in intensity as the song progresses. Although we think of it as a driving song, the lyrics are really about disjointed feelings following a breakup, and not understanding how things would be over with someone you had been with so long.

    Good Girls Don't by The Knack
    Brian's staff pick was the follow-up to the massive hit "My Sharona." Lead man Doug Fieger wrote this song in 1972, but couldn't get anyone to pick it up at the time. He hated it by the time The Knack tried it, and they got it right in one take.

    Jane by Jefferson Starship
    Bruce brings us a hit from Jefferson Starship while Georgia native Mickey Thomas was front man. It peaked at number 14 on the Billboard Hot 100. Bassist David Freiberg wrote the lyrics (along with Jim McPherson) inspired by an old girlfriend.

    INSTRUMENTAL TRACK:

    Is There Anybody Out There by Pink Floyd
    When The Wall kept Damn the Torpedoes stuck at number two, Tom Petty told Westwood One, "I love Pink Floyd but I hated them that year."

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1975 - March: Nazareth “Hair of the Dog” Apr 12, 2021
    Show notes

    Scottish band Nazareth finally found international success with their sixth studio album, Hair of the Dog. This album featured the well known (but often mislabeled) title track as well as an unusual but highly popular cover of the Everly Brothers song “Love Hurts.”

    Nazareth was originally formed in 1968 from the remaining members of a group called the Shadettes. They took the name Nazareth from the town of Nazareth, Pennsylvania. The classic rock song "The Weight" by The Band names this town in it's first lines, "I pulled into Nazareth, was feelin' about half past dead..." The band members were Darrell Sweet on drums, Pete Agnew on bass, Manny Charlton on guitar and synthesizer, and Dan McCafferty on vocals. They moved to London in 1970 and slowly built success over their first five studio albums and opening on tour for acts like Deep Purple.

    Although their success was building, Hair of the Dog was simply at a different level that gave the group the appearance of overnight success. The album has a raw feel and attitude. It was the first one produced by Manny Charlton, who would later produce the iconic album "Appetite for Destruction" for Guns N Roses.

    Nazareth continues to tour today, though Peter Agnew is the remaining original member. Darrel Sweet died in 1999 of a heart attack while on tour. Manny Charlton left the group in the 80's to focus on producing. Front man Dan McCafferty retired in 2013 for health reasons.

    Folks, this is straight up mid-70's rock. Enjoy!

    Love Hurts
    A surprising choice for a 70's rock band, this Everly Brothers cover was quite good, and was Nazareth's biggest hit, entering the top 10 in ten countries. Somehow Nazareth tapped a raw emotion in this song, and Dan McCafferty's choice to sing it an octave higher contributes to that. Perhaps it was a precursor to the hair ballads that were to come in the 80's.

    Rose in the Heather
    This deeper cut is a lower tempo instrumental that finishes off "Beggars Day" on side two, written by Nils Lofgren, a member of the E. Street Band.

    Whiskey Drinkin' Woman
    This is where this Scottish band takes inspiration from Southern Rock, and pulls it off well. The song tells a story of blues, where a man is in love with an alcoholic and doesn't know what to do. "That whiskey drinkin' woman is makin' a poor man out of me."

    Hair of the Dog
    An iconic track, complete with talking guitar and more cowbell! This song is often assumed to be entitled "Son of a B***h," but the record label knew that no song with that title would sell in Sears and other stores. The name chosen was a play on words, as it was originally spelled "Heir of the Dog."

    ENTERTAINMENT TRACK:

    The theme from the television series “Gunsmoke”
    This long running western finished it's television run in March 1975. It began as a radio series in 1952 and the television series began in 1955, making it one of the longest running TV series in history.

    STAFF PICKS:

    How Long by Ace
    Rob's staff pick has a distinctive bass opening, and is the debut single by Ace. It might seem like a story of infidelity in relationships, but Ace's bass player Terry "Tex" Comer was found to be secretly playing for two other bands. This is a favorite song for Phil Collins. Lead singer Paul Carrack would have a further connection with Genesis when he joined Genesis guitarist Mike Rutherford in the band Mike and the Mechanics.

    Roll on Down the Highway by Bachman Turner Overdrive
    Bruce's staff pick channels the popularity of truckers and trucking in the mid 70's. Fred Turner and Robbie Bachman wrote the song. Randy Bachman had been contracted by Ford to do music for a commercial, but they didn't take the jingle. The band worked it into a full song.

    Fire by the Ohio Players
    Brian cranks up the funk with this Billboard number 1 hit. Leroy "Sugarfoot" Bonner wrote the lyrics about a woman so hit she's starting a fire. Stevie Wonder heard an early demo of the song and predicted it would be a hit.

    Long Tall Glasses by Leo Sayer
    Wayne finishes off the staff picks with a song about a hobo looking for a meal in a fancy restaurant. When he sits down, "then somebody grabbed me, threw me out of my chair, said 'before you can eat, you gotta dance like Fred Astaire.'"

    INSTRUMENTAL TRACK:

    Constipated Duck by Jeff Beck
    The guitar virtuoso Jeff Beck closes us out this week with an interestingly-named instrumental piece from his album Blow by Blow.

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


    1991 - November: U2 ”Achtung Baby” Apr 05, 2021
    Show notes

    If "The Joshua Tree" was the album that propelled Irish band U2 to the stratosphere of rock success, Achtung Baby was the album that would cement them in that status permanently. The band was coming off mixed success with their hybrid live/studio album "Rattle and Hum," and were struggling directionally. The band felt that they were not prepared for the success they had received, or as drummer Larry Mullin, Jr. put it, "we were the biggest, but we weren't the best.”

    Achtung Baby draws its inspiration from German reunification, much like the Joshua Tree and Rattle and Hum drew inspiration from America. U2 began recording in Berlin at Hansa Studios. They arrived just before German reunification. Rather than being inspired by reunification, the band found places gloomy and neglected. Morale continued to falter as they struggled with the direction of the album, and actually considered breaking up. With the encouragement of producer Brian Eno, the band continued on, and recommitted themselves to the group after returning to Dublin during Christmas. Recording was relocated to Dublin in February of 1991.

    Musically, the album has a more Eurocentric feel. Bono and the Edge were gravitating to electronica and new sounds while Clayton and Mullin, Jr. preferred sounds more reminiscent of classic rock. The synthesis created a sound that was less "over the top" than previous U2 works, and really opened up the commercial success of the group.

    While the sound might be less "over the top," the forthcoming tour called "Zoo TV" was the epitome of "over the top." By this time, U2 was performing not in concert halls, but in stadiums.

    This is an album that will definitely get your attention.

    Even Better Than the Real Thing This second track on the album was the fourth single released. The song originated from a guitar riff created during the "Rattle and Hum" sessions. The song is about the instant gratification of commercialism and its effects on society. There's a more "techno" sound in this song, with the guitar delays and the double octaves throughout.

    Mysterious Ways What a great hook at the start of this song! Jesus Jones was an influence on the group at the time, and you can feel it on this track. The song itself is an idealization of women, and the trap of separating them into angels and devils. The video was shot in Morocco and used a belly dancer to portray that "she moves in mysterious ways."

    One This is the song that brought the group back together when they were struggling in their recording sessions in Berlin. The song itself is vaguely about relationships and may have been influenced by the dissolution of the Edge's marriage to Aislinn O'Sullivan.

    Until the End of the World This deeper cut from the album is set in a Biblical setting with Bono singing as Judas in a conversation with Jesus. "We ate the food, we drank the wine. Everybody having a good time except you. You were talking about the end of the world." It was never released as a single.

    ENTERTAINMENT TRACK:

    Theme from the motion picture “The Addams Family” The movie based on the 60's television series was released in November.

    STAFF PICKS:

    “Everything About You” by Ugly Kid Joe Wayne kicks off the staff picks with a song off the EP Ugly As They Wanna Be. The song describes everything the singer hates. The name of the group is a spoof on the name of the group "Pretty Boy Floyd," and they have been described as the last glam metal band.

    “Lies” by EMF Rob takes us into the British alternative rock scene. This is off EMF's debut album Schubert Dip. EMF takes its name from a fan club of the band New Order called "Epsom Mad Funkers." The album made it to number 3 on the UK charts, though it didn't do as well in the United States.

    “The Sky is Crying” by Stevie Ray Vaughan and Double Trouble Bruce's Brings us a song posthumously released after Vaughan's helicopter crash in 1990. It was originally recorded by Elmore James in 1959, and was performed by The AllmanBrothers Band at Duane Allman's funeral in 1971. Jimmie Vaughan compiled the songs on this album, also called "The Sky is Crying," and all but one song had not been released previously.

    “Something to Talk About” by Bonnie Raitt Brian's pick is Bonnie Raitt's breakout single. Originally written by Shirley Eikhard, the song is about friends in a small town where everyone knows everyone else's business. If everyone is assuming we're a couple, maybe we should give them something to talk about!

    INSTRUMENTAL TRACK:

    “Where's My Thing” by Rush This instrumental from Roll the Bones came after several songs started as instrumentals but became perfect for a particular lyric. Finally, drummer and lyricist told the band “You keep promising to do this instrumental, and I'm not giving you any more lyrics until you write this thing.”

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.


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