Stay ConnectedViewers Like Us explores who gets to tell America’s multitude of stories in public media today. Host and independent filmmaker, Grace Lee, along with reporter and filmmaker Akintunde Ahmad, investigate a history of systemic inequities at PBS, the Public Broadcasting System, and envision what the future could look and sound like if PBS centered a diversity of experiences and perspectives.
Explore our website at https://viewerslikeus.com/
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In the decades-long struggle toward an equitable public media system, what will it take to move from mere talk to actionable change?
As you’ve heard throughout the series, countless BIPOC creators have dedicated themselves for decades to keeping PBS’s mission and relevance on track. Many people working within the system have done the same. With so many wanting to see PBS thrive, what's holding it back? In our fifth episode, we dig into two essential components for delivering on long-overdue change in public media: data transparency and accountability. We speak to Dacia Mitchell, Director of Diversity, Equity, & Inclusion at San Francisco’s KQED, about the necessity of white leaders and media makers moving through their fear and discomfort in order to actively dismantle systemic racism. We hear from Representative Joaquin Castro on why public TV has to be front and center in terms of combating cultural exclusion in media. Darnell Hunt, Dean of Social Sciences at UCLA, shares some revealing data about PBS scripted dramas. Richard Jean So, a professor at McGill University who’s studied racial inequities in the publishing industry, guides us on taking data collection into our own hands. Plus, we embark on our own not-so-scientific study using an official PBS publication: the Shop PBS catalog.
Explore show notes, episode transcript and more at: https://viewerslikeus.com/podcast/episode-5-dont-go-chasing-watersheds/
Grace and Tunde discuss what it feels like to be a token. Myrton Running Wolf, a professor of race and media at the University of Nevada, shares his experiences of participating in an aughts-era Native American mentorship program run by Boston’s GBH—and underscores the lasting harm of whitewashed narratives when telling Indigenous history. Episode 4 also uplifts the work of visionary filmmaker and producer, Henry Hampton. His essential 1987 series “Eyes on the Prize,” chronicling the civil rights movement, offers a relevant example of how to tell stories with authenticity, integrity and nuance, while ensuring that everyone contributing to the creative process is valued. Callie Crossley, veteran journalist at GBH who directed two of the original “Eyes” episodes, reflects on how this series might inform the ways PBS creates space for and invests in BIPOC-led, community-centered productions today.
Explore show notes, episode transcript and more at: https://viewerslikeus.com/podcast/episode-4-an-american-experience/
Viewers Like Us is committed to preserving a history of BIPOC makers and their contributions to PBS over the years. We’ve published a timeline on our website listing the ups and downs of PBS’s record with people of color. We invite you to explore our new resource and submit ideas for this work-in-progress via hello@viewerslikeus.com or through the Engage page on our website, https://viewerslikeus.com/engage/
The words “diversity, equity, and inclusion”—DEI for short—seem to be everywhere these days: from Fortune 500 companies to government agencies and...public media. Episode 3 reveals what happened to a PBS Diversity Report filed 14 years ago, and explores the limits of a system whose leaders repeatedly promise to ‘do better’ over the years without building in true accountability and specific goals. This episode also breaks down CPB (the Corporation for Public Broadcasting), the complex system that makes public television’s structure so confusing to grasp, and examines who’s holding it accountable to meeting its mission. And after facing rejections from several PBS gatekeepers, Grace and Tunde are surprised when one major station leader responds right away to join them for a conversation.
Explore show notes, episode transcript and more at: https://viewerslikeus.com/podcast/episode-3-minority-report/
Grace Lee and fellow Beyond Inclusion members meet with PBS leaders in spring 2021. Latinx organizers, journalists and filmmakers confront PBS about the erasure of Latinx voices and stories in Ken Burns’ 2007 seven-part series, The War. And in 1987 at a U.S. Senate subcommittee hearing, Chinese American filmmaker Loni Ding asks a prophetic question: “Where is the public in today’s public broadcasting?”
Explore show notes, episode transcript and more at: https://viewerslikeus.com/podcast/episode-2-endless-loop/
Since its founding in the late 1960s, PBS has presented itself as a trusted home for America’s multitude of stories and experiences. An inclusive space of exploration and education, for all. So when independent filmmaker Grace Lee published an essay in 2020—calling out public broadcasting’s overreliance on “America’s storyteller,” documentarian Ken Burns—her words set off a chain of events that reached the highest levels of PBS leadership. Soon after, a group of filmmakers joined Grace in asking PBS why they relied so heavily on one white male director’s perspective to tell the history of our country and its people. They were left with more questions than answers. Welcome to Viewers Like Us, a new podcast series that explores: What will it take to restore the entire public to public media?
Explore show notes, episode transcript and more at: https://viewerslikeus.com/podcast/episode-1-americas-storyteller/
Viewers Like Us explores who gets to tell America’s multitude of stories in public media today. Host and independent filmmaker, Grace Lee, along with reporter and filmmaker Akintunde Ahmad, investigate a history of systemic inequities at PBS, the Public Broadcasting System, and envision what the future could look and sound like if PBS centered a diversity of experiences and perspectives.
Listen and learn more at viewerslikeus.com; join the conversation about public media’s past, present and future using the hashtag #viewerslikeus on Twitter and Instagram; and email us at hello@viewerslikeus.com.
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