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Guest Guru: Robben Ford's Universal Groove Jun 30, 2010

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With his stinging, soulful solos and flawless pocket, Robben Ford has an uncanny knack for making complex music seem simple. Conversely, the guitarist can elevate a mundane one-chord vamp into something divine. Perhaps this is because Ford has successfully tackled so many genres. What has Ford learned from all of his musical adventures? “We’re all playing the same things,” he says. To prove that common threads abound in music, Ford will take a I-VI-II-V progression and show that whether it’s played with a doo-wop group’s simplicity or a bebop pianist’s extended chords and slick substitutions, the underlying vibe is the same—just one more universal phrase in the language of music. This lesson includes Power Tab and is featured on the following CD compilations: JAZZ U, BLUES U, TWANG U.

6-String Counterpoint Jun 23, 2010

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Phillips, a classical virtuoso, endeavors into the daunting world of counterpoint: the simultaneous sounding of two or more contrasting melodic lines. This lesson is an exercise in helping you get started. Learn each line separately, then slowly learn to play the lines together. Six-string counterpoint is not easy stuff, but if you have classical ambitions - or if you merely want a challenge - look this way. This lesson includes Power Tab and is featured on the following CD compilations: LICK-A-DAY: 365 Daily Doses, ACOUSTIC U.

Divide And Conquer For A Buff Right Hand Jun 16, 2010

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Classical virtuoso Eliot Fisk divides the major scale by note value, rhythmic accent and tone, conquers weaknesses in attack, and leaves your right hand looking like Popeye. Well maybe that's an exaggeration, but only slightly. Fisk offers a range of insights into dynamics and sound production, tidbits about Bach, and some stellar playing in this engaging, informative Classical lesson. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.

Brutal But Fruitful Practice Routine Jun 09, 2010

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Ben lays out a take-no-prisoners practice regimen that is virtually guaranteed to yield results. It's designed to help you master passages that are giving you trouble. It involves a lot of hard work, but hard work with a plan. Ben mixes up the regimen so that you steer clear of drudgery. He says that, even while practicing, keep in touch with the emotional content of the phrase. It will make practicing a more musical, and ultimately a more satisfying experience. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.

Jigsaw Chords Jun 02, 2010

Show notes

The first time you play a C#dim7—such as the one in Ex. 1a—you may find yourself wondering why you’d ever need such a dissonant cluster of notes. Truth is, diminished 7s and other such strident grips are, ironically, incredibly useful for making progressions sound smoother. Plug that C#dim7 between C and Dm7 (Ex. 1b), and its jagged shape all but disappears—like the last piece of a jigsaw puzzle. Get hip to its pungent sound; you’ll start hearing it everywhere —not just in jazz, but also in rock, soul, blues, and other genres. This lesson includes Power Tab and is featured on the following CD compilations: JAZZ U, ACOUSTIC U.

Chromatic Swinger May 26, 2010

Show notes

Roger demonstrates a classic swing phrase using chromatics (half steps), first in single notes then harmonized in chords. You've heard it- now you'll know how to use it! This lesson includes Power Tab and is featured on the following CD compilations: LICK-A-DAY: 365 Daily Doses, ACOUSTIC U.

Four On The Floor May 19, 2010

Show notes

In this "Lick of the Month" from Berklee instructor and noted author Charles Chapman, you'll learn an extremely useful technique: how to combine a walking bass line with chord punches to simulate a jazz rhythm section arrangement on the guitar. Bass players, drummers...who needs 'em anyway? This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U, JAZZ U.

Summing Triads May 12, 2010

Show notes

Major and minor triads are the building blocks of harmony, with a simple, emotionally direct sound. Bob Stanton shows you how the argpeggios of these uncomplicated structures can be "summed" together with each other to create more complex melodic effects, including altered sounds. It's a great addition to your playing... This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.

New Nail Tips May 05, 2010

Show notes

You know the cliche image of the idle-minded secretary who works on her nails to kill time. Well for classical guitarist, the idea of 'doing your nails' is a much more serious affair. You need to keep them smooth and in shape - and free of hooks or other imperfections - in order to make beautiful music with precision. Ben plays three lovely short pieces to demonstrate how they should sound if your nails are well kept. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.

Chord Melody Secrets: Part 1 Apr 28, 2010

Show notes

When Charles plays a chord-melody arrangement, people invariably ask, "How'd you do that?" Here, he shows you how. The staple is knowing how to rearrange standard chord voicings, moving notes up or down an octave to create different melodies and textures. Pretty soon you too could be hearing that satisfying refrain: "How'd you do that?" This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U, JAZZ U.

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