TrueFire's Guitabulary - TopPodcast.com

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James Burton's Brawny Twang Nov 10, 2010

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You don't normally associate Ricky Nelson songs with hard-hitting guitar breaks, but not so when James Burton was wielding the axe. Joe looks at several Burton breaks from Nelson sessions - 'Believe What You Say,' 'It's Late' and others -vibing his double-stops, cross-rhythms, off-the-beat accents and overall rippin' rockabilly feel. This lesson includes Power Tab and is featured on the following CD compilations: TWANG U.

Rockabilly Stretches Of Doom Nov 10, 2010

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With rockabilly, guitarists often try to evoke a revved-up kinda big band sound. You can accomplish this with closed-voice chords. These require a lot of wide stretches, but your efforts will pay off with some truly smooth-sounding stuff that will also help you in chord-to-chord transitions. This lesson includes Power Tab and is featured on the following CD compilations: TWANG U.

Hot Guitar: Some Rockabilly Flash Nov 10, 2010

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That unmistakable sound of rockabilly guitar may be rootsy, but it ain't easy. In this lesson, Arlen breaks some of the techniques down. Key to the style is playing bass and lead simultaneously, creating a 'two-guitar' effect. He explains how to keep a steady bass with the pick while fingering the lead notes. You don't need no ducktail 'do to dig this rockabilly vibe. This lesson includes Power Tab and is featured on the following CD compilations: TWANG U.

All Thumbs: Rockabilly Fingerstyle Nov 03, 2010

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Rockabilly, that mutant outgrowth of early rock 'n' roll and country, is still one of the most vibrant six-string sounds around. And learning these rockabilly licks will only enhance your more traditional playing. Arlen pitches Travis picking too, but gets an edgier attack by using a pick on the bass. You'll learn how to keep a clean separation between bass and lead notes. You'll pick up some timeless licks, and you'll infuse your twang with a little blues. This lesson includes Power Tab and is featured on the following CD compilations: HOW TO PLAY GUITAR: Anthology , TWANG U.

Country Rhythm: Going Chordless Oct 27, 2010

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It's the daring rhythm guitarist who is willing to have a go at it without chords. You'll dial into some lean twang with Joe's lesson, which concentrates on single-note lines and double-stops, gussied up with heel muting, long sustained notes, volume swells, Western swing horn-style parts and lots more. This lesson includes Power Tab and is featured on the following CD compilations: Rhythm Guitar SWAT Camp, TWANG U, HOW TO PLAY GUITAR: Anthology .

Swamp Music: Solo Guitar, Muddy Waters Style Oct 20, 2010

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This stellar lesson introduces you to the basic vocabulary of blues phrasing that came out of the pre-WWII Delta style via the legendary Muddy Waters. As Keith says, this stuff is easier to play than it is to read, so he walks you through it - the droning bass on the low E (with pick or thumb), the accompanying finger-picked high E, the gritty but simple lines taken from the basic blues scale. In short order, you can become your own down-home blues rhythm section, which will strengthen your work when you play with a group. This lesson includes Power Tab and is featured on the following CD compilations: BLUES U, Rhythm Guitar SWAT Camp, Blues Bash.

Delta-Style Strumming Oct 13, 2010

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The queen of Delta blues guitar sits in and serves up a lesson on authentic country blues strumming. If you want to get next to the concepts laid down by Tommy Johnson, Charley Patton, Robert Johnson, Skip James, and Willie Brown, you'll find this lesson a watershed. Rory uses Tommy Johnson's classic "Big Road Blues" as a foundation for teaching a series of techniques: bass notes followed by one or two strums; strumming sixteenth notes; pounding (hitting your guitar top in conjunction with a strum) and snapping (pulling a string away from the fretboard for an enticing percussive effect). As a bonus, Rory ties it all together by playing her own version of "Big Road Blues." This lesson includes Power Tab and is featured on the following CD compilations: HOW TO PLAY GUITAR: Anthology , BLUES U, ACOUSTIC U.

Pedal-Point Comping Oct 06, 2010

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Guitarists spend so much time sharpening their lead playing that they often forget how exciting it is to be an accompanist. Ironically, if you do build comping skills, you’ll have a head start on one of the most challenging lead-guitar styles of all: chord melody. The trick is to keep evolving by learning new approaches to harmony. For instance, try your hand at the hypnotic device known as pedal point. Learn to handle these wide grips, and you’ll have a hip new way to play! This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.

Flaming Flamenco Chords Sep 29, 2010

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So you may not be interested in becoming a flamenco master. It'd be a longshot even if you are. You can still factor in this exciting Spanish sound into your work. Tim takes a barre chord and enriches it by adding a Flat-9 with the fourth finger. Then he factors in some open strings for gypsy-style exotica. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.

Blue Pathways Sep 15, 2010

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Here are a couple "rules of thumb" from Jon Finn in how to most effectively use the blues scale - i.e. play the flatted 3rd before the major 3rd and the flatted 5th before the natural 5th. Don't make these absolutes, Jon insists, but rather use the rules as guidelines into the finer points of blues scale. Don't hesitate to let your ears come up with their own rules. This lesson includes Power Tab and is featured on the following CD compilations: 280 Killer GUITAR LICKS, BLUES U.

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