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    TV & Film

    theblerdgurl Podcast with Karama Horne

    A Different Side of Geek

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    Copyright: © 2019 theblerdgurl a Registered Trademark of Tiy, Inc.

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    LeSean Thomas discusses his anime Yasuke Jul 28, 2021
    Show notes

    This little podcast interview is a conversation that I had with the creator, co-writer and animator LeSean Thomas about Netflix Animation’s Yasuke. A trippy mech fantasy anime loosely based on the real life Black samurai of the same name. He co-produced the project with award-wining actor Lakeith Stanfield and Grammy Award winning visionary artist and musician Flying Lotus. The show was written by Nick Jones, Jr. (I have an interview coming up with him soon).

    LeSean Thomas on the anime Yasuke for Netflix Animation

    Now a portion of the interview is up on NERDIST (and if you’d like to learn more about the show itself please check out the link in the show notes. That article dropped the week the show came out on Netflix but I wanted you to hear the full convo because it’s really interesting. We discuss his previous anime work, Canon Busters and Children of Ether and the man that inspired Yasuke. We also talk about what it was like working with some of his anime heroes.

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    If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it!

    Show Notes

    • Learn more about Nobunaga here
    • Learn more about Yasuke here
    • Read my NERDIST Yasuke coverage here
    • Watch Yasuke on NETFLIX here
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    Orlando Jones on Evolution and dragons Jul 23, 2021
    Show notes

    Welcome back to THEBLERDGURL podcast! I always wanted to make THEBLERDGURL LIVE show available in podcast form, but I kind of got overwhelmed by how popular it became and the craziness of 2020 in general. But for those of you still subscribed, or those of you who are new to the podcast I’m reposting past episodes in there entirety along with a few other interviews that are unreleased. This episode is with the amazingly talented Orlando Jones. Now, the last time Orlando Jones was on the podcast was actually at the end of 2019, when he gave me the scoop about why he was fired from STARZ American Gods franchise in his own words. A lot has happened since then, but I was lucky enough to have him on THEBLERDGURL LIVE as my second guest. This interview was originally recorded back in June of 2020 smack dab in the middle of the pandemic. We were all still reeling from the deaths of George Floyd, Breonna Taylor and Ahmad Arberry and from the protests that followed. Not to mention the COVID-19 lockdown. We talked about how he’s explaining what’s been going on to his little girls, why he’d be down to reboot Evolution and how he balances his acting with his activism and of course, how he keeps a dragon in his basement. Because dragons. CLICK HERE TO LISTEN ON YOUR FAVORITE PODCATCHER If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it! Show Notes Watch the video of this episodeListen to Orlando’s last visit to the podcast Transcript Email Download New Tab 45_ORlando Jones ' visit to TBGL 070220[00:00:00] Karama: [00:00:00] Hey, everyone. Welcome to THEBLERDGURL podcast. I'm Karama Horne aka theblerdgurl Now 2020 was a right Royal mess. And there's a lot of things that should just stay there. But one thing that I was able to start that I was really happy about was THEBLERDGURL live show on Twitch on the OS operating system channel.[00:00:20] Well, I always wanted to make the post available in podcast form, but I kind of got overwhelmed by how popular. it got Now I'm finally getting around to reposting those episodes here in podcast form. For for those of you who might have missed them. And this interview is with the amazingly talented Orlando Jones.[00:00:42] Now, the last time he was on the podcast was actually at the end of 2019. When he gave me the scoop about why he was fired from STARZ American gods franchise in his own words. Now a lot has happened since then, but I was lucky enough to have him on the live show as my second guest. So this interview was [00:01:00] originally recorded back in June of 2020 smack dab in the middle of the pandemic.[00:01:04] And we were all still reeling from everything, from the protests to what we were seeing every day, play out over and over again, the violence on screen. And we talk about that. You can watch the entire video version up on YouTube, which I will link in the show notes. We talked about how he's explaining what's been going on to his little girls, how he balances his acting with his activism.[00:01:29] And of course, how he keeps a dragon in his basement. Don't we all. So after I pay some bills, check out my interview with actor writer, producer, and activist, Orlando Jones. Hey everyone. It's Karama here. I just want to thank you for listening to THEBLERDGURL podcast and for your continuing support. And I wanted to let you know that I now have a PATREON That's right. If you are interested in supporting THEBLERDGURL podcast or THEBLERDGURL LIVE show on Twitch or any of the other [00:02:00] content that I bring you on a regular basis, you can now go to patreon.com/theblerdgurland support. Now I use those funds only for theblerdgurl projects, buying gear, paying for software subscriptions, and hopefully.[00:02:13] hiring a team I a team with your help, I can do all that. So please support the show at patreon.com/theblerdgurl[00:02:27] Orlando: [00:02:27] But what we ain't going to do though, is we ain't go accept these ridiculous terms that you're talking about, where we know we second class citizens. Now we supposed to shut up, be quiet and be thankful for second classes.[00:02:48] Karama: [00:02:48] What's up everybody. Thank you for joining me tonight. Of the blurred girl live. My name is Kara horn, AKA blurred girl. And I hope you all have had an amazing week and [00:03:00] that you learned something from my very first guest, April, April rain all week. Folks were asking me about how to work for her when I promise her company has not started yet, I will let you know when it does, but tonight's guest is going to really.[00:03:14] Drive some knowledge and keep you entertained. I have been smiling like this for the past half hour. Hanging out with him. I am super excited to invite to the show. Actor writer, producer, director, activist, and troll assess. Orlando Jones. Welcome Orlando doing[00:03:42] so I gotta, I gotta ask just off the top. How are you? How's the family. How are you holding up in COVID and all the crazy[00:03:53] Orlando: [00:03:53] that's good. I just, you know, my girls are amazing, so that's always fun. And, uh, you know, I, I love [00:04:00] the fact that I get to, you know, spend. Gobs of time with my daughter. So I got no complaints about that, frankly, my life hasn't changed a lot because I'll never go away anyway, as you can see, I'm sitting, uh, in, in the dungeon.[00:04:13] Yeah.[00:04:21] So sorry guys.[00:04:25] Karama: [00:04:25] Obsidian.[00:04:27] Orlando: [00:04:27] Yeah, he think he blends[00:04:31] Karama: [00:04:31] south of Westeros. Where is he[00:04:34] Orlando: [00:04:34] is way south we down, uh, in the, uh, North Carolina region. He has out around here and, uh, and the Cape fear area and, you know, You know, he got cakes, you know what I'm saying? And he gives fear and a lot of people think his name for the river, but it's not his name for the city because Jackson.[00:04:54] Yeah. Because you know, he has a Cape and he brings fear because he's been eating cows and, you know, [00:05:00] just he'll go through here and grab, you know, dolphins, whales, just to just shrimp, like just having a party, like he had red lobster one Sunday. Yeah. It's, you know, it's ridiculous.[00:05:10] Karama: [00:05:10] Well, I hope you're safe.[00:05:11] Cause I don't want this to turn into leg horror film in the middle of the live show.[00:05:18] Orlando: [00:05:18] We have a, you know, alpha type of relationship, you know what I mean? Um, alpha run. If he blow his breath on me and that's pretty much the way it works.[00:05:29] Karama: [00:05:29] So listen, what are you, what are you relaxing with now? What are you watching besides your dragon?[00:05:34] What are you kicking out over? Are you watching shows with the girls?[00:05:38] Orlando: [00:05:38] You know, we, they are funny, um, to watch some of the same things over and over again. So we have enjoyed Peabody Sherman, which we love both the show. And of course the movie and, uh, uh, so where a girl is, is the giant [00:06:00] on, uh, we had a strong Phineas and Ferb thing going on.[00:06:05] Yeah, we, we rock that. We've now moved. We went through spirit like a brush fire. It was amazing just watching that horse run and watching chicken, Linda, and, uh, all those wonderful characters. Um, uh, we have princess and frog got way recently. Uh, and then we, uh, did a swing back to the aristocrat. Uh, which was interesting.[00:06:29] And the old 76 animated Robin hood, uh, was a big hood. Now. They hate all of that. Everything I just mentioned is horrible. Uh, my youngest one wants Papa troll and, uh, baby Yoda mandolin. So respect. That's a three-year-old by the way, she requests Mandalorian. She's three years old. It's amazing. Yeah,[00:06:56] Karama: [00:06:56] I was.[00:06:56] She's also your child. So[00:06:57] Orlando: [00:06:57] there's that I'm not mad at [00:07:00] her. I was like, you know, you right you, right. I ain't, I can't say nothing. Magda bought man Dubai in Magda, Florian.[00:07:13] Completely that it didn't just happen immediately. Like told you man servant, I'm a man servant. That's how it works. Um, and I think my oldest actually likes the cooking show. Um, that make the desserts and she loves that. Yeah. Yeah. Yeah. So sugar, candy, sugar rush. We've been watching that. Um, of course we went through the land of sugar on record Ralph, um, and, uh, We, uh, we, we do a lot, we do a lot, uh, with those crew and then we have a documentary, uh, you know, films that we'll check out occasionally, particularly those telling stories of, you know, the different lives of different, you know, indigenous children, just children around the world, just to get a clear sense of what their privilege [00:08:00] is up close and personal, rather than, you know, saying the word, just seeing what it's like to have to walk, you know, seven, eight miles to get to school.[00:08:11] And just what that process is.[00:08:14] Karama: [00:08:14] In the, in the past few weeks, so many people have been, uh, speaking of privilege, there's been so much discussion about teaching people about their privilege. One of the things I was telling April when she came to visit was okay, we're going to, for the next hour, you do not have to explain racism to white people.[00:08:36] It's been really interesting. Um, you just gotta ask, you have been an, you know, an activist and an entertainer and. So you, you walk those paths simultaneously, but now everybody is a behind a keyboard and being a social media activist and stuff. What do you, what do you think of this newfound? Not at not newfound black lives matter.[00:08:59] Cause this has [00:09:00] been a word that's been around for awhile, but this newfound interest in what we folks have been doing and saying all this time,[00:09:09] Orlando: [00:09:09] I mean, I guess good. Uh, There's just a huge difference between social activism and actual activism. So I think it's imperative that there would be a plan and a clear focus.[00:09:23] And I think that simply means. Go to your city council meeting, get involved in your children's school. Look at what the curriculum is. Look at what they're actually teaching in those institutions of higher learning and lower learning, like actually get involved, um, is one way to do it. And then secondly, I think it's to recognize you're dealing with the community that has suffered a great deal of trouble.[00:09:47] And hasn't had anyone treat them as trauma victims. They've just been treated as criminal. So if we simply applied, you know, the care that is required to the disenfranchised communities, and while at the same time, [00:10:00] helping those gifted kids get where they belong. Um, and that means that when you recognize this aptitude in fourth and fifth and sixth grade math, which is when you would recognize the aptitude of a coder, um, that you now help that child get the 10,000 hours of math and the access and resources that that child needs to become a million dollar code or so.[00:10:22] Focusing in both of those areas and our immediate communities, I believe is a sure-fire way to make a change because you've changed that life for real, you help that kid get where he or she needed to go. And at the same token, you help this kid get where they needed to go by helping them through their trauma.[00:10:39] So I think in doing so you empower real authentic change, um, by, uh, uh, by helping helping someone. And I think that's activism, I think. Great to tweet about and great to post about what pissed you off today, but, um, actually empowering another life is true.[00:10:59] Karama: [00:10:59] No, I [00:11:00] completely agree. Although I do have to say that I am thoroughly entertained by your Twitter page.[00:11:09] And, um, so many of us, yes. I feel like you show more of your activism on, um, although I've seen it on Twitter too, but I feel like you show more of your activism on Instagram, but all of your personal personalities on Twitter, like troll Lando. And Olivia, wait, let's, let's roll down the list of some of your, uh, your lovely personas on Twitter.[00:11:38] Orlando: [00:11:38] So the fun of Twitter to me is that it's, um, it's a bit of a scream Fest, uh, in many ways, little bit of a scream Fest. Um, and everybody likes to scream with certain. And I like to scream something that you will never know what's going to come. That's the way I [00:12:00] prefer it because it's more entertaining for me.[00:12:02] So sometimes I'm talking as trow, Lando. TRO Lando is a as a troll. He is there to troll. If you get in your feelings, it is just more entertaining to him because he tells you upfront that he was a trolley full disclosure. Yourself. If you, I used to get mad at a troll, well, then you deserve everything that's coming.[00:12:26] Right. And that's through Orlando. Now I was raised by, you know, a collection of very, very strong black. There was not a weak one in the bunch. And because of that, they had no problem telling you what it was, what it was going to be, what it wasn't going to be, what you was and what you wasn't going to do and what you bet not do.[00:12:51] That was all laid out very clearly. What they was fixing to do or what they was fin to do, [00:13:00] they was fixing to do it. Then they was going to do a whole bunch of other stuff before they did it. But if they was spending whoop your ass, it was imminent. It was moments away from that ass whooping comment. So.[00:13:12] Alandra is my inner black woman. And she is, oh, Landro. And Alandra is here to tell you what it is going to be, what it ain't going to be, what it looked like and what it don't look like at all. What's the Napa. See? So Alandra don't want to hear that. Um, Olivia is high inner white girl. She got a lot going on and you know, she's, she doesn't understand, I past it all.[00:13:48] And she's just, you know,[00:13:54] because reasons because of reasons, you know? Yeah. So that's [00:14:00] Olivia and she's always in her feelings. It doesn't matter what you say. Yeah.[00:14:09] And then there's, um, Sapphire, but his stage name is Dawn. So, so Sapphire is a, is a, is a drag queen. And, uh, he performs at a last school Lita, uh, right across from port authority in New York city. That's what came from that's his state. Okay,[00:14:27] Karama: [00:14:27] I'm done. I'm mad that he's on 42nd and eighth. I'm mad. That's right.[00:14:32] Orlando: [00:14:32] That's exactly where he is. He said, first of all, he's real winded in like these bougie drag frees. Okay. That's the bottle of whiskey on the table and a real show going down. How dare you talk about stuff. His real name is doin. So sometimes the one, sometimes Sapphire whose real name is doin, you know, it just has to let you know what time it is.[00:14:59] And [00:15:00] then sometimes it's Orlando, it's Orlando Jones, occasionally it's Atlanta Jones. And then occasionally, you know, it might be Mr. Nancy sometimes just for. Or a dig McCaffrey from say it is. And so I dragged him up a lot just cause he's a, he's a paraplegic cocaine addict. Uh, I just liked the idea of talking to somebody like a paraplegic cocaine addict, um, and Dick McCaffrey doesn't care.[00:15:26] And, um, and that's it. Those are, those are my goals. Those are my go-to is if I'm being honest, um, and those are my Twitter voices and I, I enjoy…

    Full show notes at the publisher

    Alex Kurtzman and Olatunde Osunsanmi discuss Star Trek: Discovery S3 Jan 09, 2021
    Show notes

    Welcome to a bonus episode of theblerdgurl Podcast! In this interview, I get a chance to talk to Star Trek: Discovery executive producer and Creator Alex Kurtzman along with co-executive producer and director Olatunde Osunsanmi.

    So I’m really really excited to bring you this episode because, since the season 3 finale dropped, we were free to talk about the whole season. We talked about everything from how the pandemic has affected production, to saying goodbye to Michelle Yeoh’s character Georgiou, even directing Doug Jones out of makeup, and the future of the Federation. Tunde also shared why the season 3 finale of DISCO is so important to him.

    CLICK HERE TO LISTEN ON YOUR FAVORITE PODCATCHER

    If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it!

    Show Notes

    • Watch season 3 of Star Trek: Discovery
    • David Ajala Interview
    • Wilson Cruz Interview
    • The Ones Who Walk Away from Omelas (the book Alex was referring to)

    David Ajala talks about Cleveland Booker of DISCO Jan 08, 2021
    Show notes

    Hey Star Trek fans guess what? I had an amazing chat with David Ajala, the new star of Star Trek: Discovery Season 3. He plays Cleveland Booker, the rogue pilot that Michael Burnham (Sonequa Martin-Green) meets when she crash lands in the future after the events of the season 2 finale. In this timeline, there is no federation…or is there?

    If Ajala looks familiar, that’s because he has been on theblerdgurl podcast before. And he starred as Manchester Black on Supergirl and as the elusive Captain Roy Eros on SYFY’s Nightflyers. He’s also had guest-starring roles on Black Mirror and the video game franchise Mass Effect.

    This is the podcast version of my youtube interview with Ajala last year. Now that Season 3 is all over, see if you pick up all of the hints he was dropping! Plus he lives!

    CLICK HERE TO LISTEN ON YOUR FAVORITE PODCATCHER

    If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out.. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it!


    Raven the Science Maven looks like a Scientist Nov 25, 2020
    Show notes

    On World Science Day a couple of weeks ago I had the opportunity to speak with a woman reshaping the image of Black women in science, Raven Baxter. (a.k.a. “Raven the Science Maven”) . I first heard about Raven when her music video Big Ole Geeks, a “science parody” of Megan Thee Stallion’s Big Ole Freak, popped up on my Twitter feed last summer. Needless to say it blew up. Since then, she has created more videos, including Wipe it Down, (about the Coronavirus), she’s given a TED Talk and was named Fortune Magazine’s 40 under 40 in Health this year! Raven is an American science communicator and doctoral student completing a Ph.D. in science education. I wanted to talk to her about her journey as a Black woman within the science space. We talked about how lonely being incorporate science can be, how she stopped codeswitching and got real in the lab and why she is dedicated to teaching a creative approach to science so that kids actually enjoy it!. So check out my interview with Raven the Science Maven! If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out.. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it! CLICK HERE TO LISTEN ON YOUR FAVORITE PODCATCHER Raven the SCeince Maven WebsiteRaven Baxter on Twitter Transcript Email Download New Tab Karama: Hey folks. I'm Karama a.k.a theblerdgurland welcome back to theblerdgurl podcast. Now I know I talk a lot about comics and anime and fantasy and stuff here, but today I'm talking science. And my guest this episode is Raven Baxter, a.k.a "Raven the science Maven". She's an American science communicator and doctoral student completing a PhD in science education.Now I first heard about Raven when she dropped a single actually called "Big Ole Geeks", sort of a parody to make these stallions "Big Ole Freaks" last summer. Since then she's created more videos, including "Wipe it Down" a parody about the coronavirus, then a Ted talk and was on Fortune Magazine's 40, under 40 List.I can't wait to share with you this amazing conversation I had with this amazing woman. But first we've got to pay some bills.She's been busy. We talked about how lonely it is being in corporate science, how she stopped code switching and got real in the lab and why she's dedicated to teaching a creative approach to science so that kids actually enjoy it. So up next, my interview with Raven Baxter, a.k.a "Raven, the Science Maven".Raven, welcome. It's nice to like talk to you again and you blowin up!Raven: Yeah. I mean, that's what they say, you know, I'm just out here doing my thing.Karama: I mean, and you were still a full-time employee working as a scientist too, as well. So and Happy World Science Day. It's so nice to be able to say that, knowing that we're going to have a new President that cares about science.Raven: Yeah, it makes me feel really good.You know, knowing, I mean, I was watching the President Elect Biden's speech and just to see how much appreciation he has for science was incredibly refreshing. You know, him making full sentences was music to my ears. You know what I'm saying?Karama: Never saw that never saw phonics and actually a properly worded sentence would sound like music to our ears.But here we are.So for everybody who doesn't know your full title, what is your official like scientific type title? What do you do and what branch of science are you currently in?Raven: Sure. So I am a molecular biologist and I am also now working as a full-time science communicator. And what molecular biology is, is the study of molecules and how they generate our life processes. And like, as you know, we are made up of molecules and they all do very special things in our bodies. And so that's what I'm interested in learning about. Um, and then as a science communicator, I basically engage the public in science. And makeconcepts and science fun and interesting and relatable for people who are under the sound of my voice. And I, I try to extend that reach to especially communities that are left out of mainstream science education efforts.Karama: And when you grew up, when you were growing up, did you know you wanted to be a molecular biologist said that we're a molecular biologist?Raven: I did not, I knew what molecules were, but I didn't know how cool they were until I maybe got into college. I definitely always knew I wanted to be a scientist. And really what science has always been to me is just asking questions about the world around you. And being curious. And so the different branches of science are really just asking different kinds of questions about the world around you and things that you can see and things that you can't see and using tools around you to answer those questions.So yeah, science. I'm a ride-or-die scientist my whole life.Karama: For those of us who were in a pandemic lockdown, you've been like giving Ted talks. You got married. Congratulations. You've you've been busy. Your Ted talk, you talked about wanting to be an astronaut as a little girl.What changed? Why not? Astrophysics?Raven: I personally think that when you work in the space industry, there's, there's so many things that you can do first of all. There is you can be a physicist and work on theories on how the world operates and how the universe and space and time operate.Or you could be a geologist and look at how like the terrain on different planets are formed and what they're made of. but I think that the most exciting part of working in the space industry is actually going to space, right? And like being an astronaut and making that trip to wherever and having that very extremely rare experience.So I went to space camp when I was around 12 or 13. And what space camp is, is a. Basically a sleep away camp where you spend a week at the U S space and Rocket center, and they train you on basically skills that astronauts need to learn to get to space and to run a successful space mission. So, um, with that being said, once I got into the simulations that wereputting us high in the air and like simulating like high altitude space travel. I quickly realized I did not want to be an astronaut, um, because I'm afraid of Heights. So I actually found out I was afraid.Karama: That can be problematic. Yeah.Raven: Yeah. And like, once I figured out, like I can't do the most fun part about working in the space industry.I'm like, all right, well, let me just figure something else out. Cause it's just not going to work.Karama: That's too funny. You will like, so yeah, I regret this decision as they're shaking you around the simulator. You said you always wanted to be a scientist, which is great. And it's wonderful that your parents like encouraged that.When did you feel like you might be alone or one of the few people that was interested in that. Did you go through that in high school? Where people were like, "Ooh, science geek", or was it c that you realized, like, I don't really know that many people who want to do what I do".Honestly, I I've grown up in, uh, the suburbs and the white suburbs specifically of New York State.And. You know, like I didn't, I never had any negative experiences with science there. I, you know, I recognized that I was a racial minority and I just assumed that like being the racial minority is just always finding that you're the only person in the room. Fortunately, I didn't have any bad experiences until, um, I got into corporate, you know, and that's when that really became a factor in how I saw the world around me.Um, as far as my treatment goes. But as far as science goes, it wasn't until college when I would talk to my friends, you know, and they would be like, "Oh, what's your major?" And I'm like ,"Biology". And they said, "Biology?!Like, Really?" And I'm like, "Yeah. Like, why is that weird?" And they're like, "Oh, I didn't know that we was out here doing biology". I'm like, "It's a major at this school". "Why wouldn't we be in the major programs?" "Like I just didn't know, you know, black people were interested in science" And this is other black people telling me this. So that was the first time I realized that what I was doing was not common.Interesting. I, I went through something similar. I grew up in a suburban New Jersey. And again, one of the few black people. Definitely in my school all the way through. So I would say, I didn't know, I was weird, like for like a comics and geekdom and like, you know, animation and science-y stuff until I was in college because I was so busy being the only black girl.Raven: Right.Karama: When I think corporate, I don't think science, so help me out and for lay people who are listening, what is a corporate science job?Raven: So corporate science is different from like, academic science jobs in that academic scientists work for universities and colleges and they they're conducting research usually on a grant. And that money goes to the school. Um, and they just work at the university versus a corporate scientist, works for a for-profit organization and key word for profit.Okay? That means that we are working to make money for a corporation where, um, You know, depending on the type of company working for, you can be doing projects for bigger pharmaceutical companies like Johnson and Johnson or Pfizer or Bayer, um, or you could just be your own biotech in, uh, like your single biotech company.That's making its own, um, discoveries and X, Y, and Z. So I was working at a contract research organization, which is a, for a for-profit, research facility that conducts, um, contract work for larger biotech companies.Karama: So you said you were treated differently in corporate. I think we all have had that type of experience, but what is it like in the lab?Raven: Working in the lab?Karama: Or being treated differently in the lab?Raven: I guess maybe I should preface this by explaining the nature of the work that I was doing. You know, I don't think scientists really explain what lab work looks like. It's never really quick, like at least the work that I was doing,Karama: it's not like on CSI.It's not with the pretty lab. They, the results come back. Like, you know, 20 minutes they don't have.Raven: Yeah, no, it's not like that. Oftentimes you're sitting around, you're waiting for things to happen and there's a lot of downtime. Time for chit-chat, you know, you're still watching your experiments, you're running data, generating reports. But like, you know, there, there is a lot of opportunity to, to speak to coworkers, et cetera.And like, I often kind of found that I didn't have, I wasn't included like the company culture was not very inclusive of me. Um, but like they definitely, you know, were inclusive of each other. Right. Like I felt like. The only times that I really got was spoken to were times where I changed my hairstyle.Like I didn't have dreadlocks. Then I had a different Afro. Sometimes that would straighten it, then people would be like, "Ooh, let's talk to Raven". Or like, I don't know, I'd wear a cute outfit and people who want to talk to me and I'm like,"Is anybody going to ask me like how my day's going?" You know, or like ask me to lunch or anything other thanwhat is super superficial about me?Karama: Did you see, you saw other people doing that you saw other people like cliques and things like that?Raven: Oh yeah. You know, people like were really deep into each other's lives. Like, you know, they knew each other's kids, their kids are playing together.You know, they were like inviting each other out to like, after work beers and stuff and baby showers and all of these things that I would just be like, never. It almost got to the point where, like, I knew that if. People were talking about like there's like a super fun thing happening. I just automatically knew that I wasn't going to be invited and I never was. Like, you know, it was just, it was just that kind of thingKarama: For your tenure at that particular company were you always the only black woman or the black only black person period?Raven: As a scientist? Yeah.Karama: Oh, so there was like, janitors and things like that. Yeah. I've been there. And that sounds lonely.Raven: Yeah. I mean it's especially was for me because I'm super social and like, I love having fun conversations.I love doing fun things. I'm actually a big extrovert. And like, so me having to walk into a situation every day where I really. There's no place for me. Right? And nobody's really interested. It was kinda like unnerving, like I had so much to offer. I just felt invisible for real. Like, it just, it did feel lonely.Karama: Wow. Now was it there that you decided that you wanted to teach? Did you make the decision then? Like, you know what, let me get out and get, let me teach the next generation. So they won't be by themselves. Is that when that decision got made?Raven: Kind of, yeah. You know, like I, throughout my professional career, whether I was working in corporate or working as, you know, working as a professor at a community college, I always saw the need for me to kind of stop what I was doing and use my skills and talents in a way that would make big impacts for the future generations of scientists.And, um, That's kind of like a part of the reason why I turned around and went into science education for my PhD. And also ultimately why I decided to start working full time, like kind of for myself, but really for the community as a science communicator and bridging these gaps that I see in the science community.Karama: Do you feel, since you at least came from that corporate job, that things have changed a little bit, that there's, there have been things have gotten a little bit more inclusive.Raven: I really can't speak to it because I've. Kind of been marching to the beat of my own drum since then. Like, um, I I'm hearing about efforts that people are making to make their workplace more inclusive, but I don't work in those workplaces.And you know, if I don't have firsthand experience then it's all talk to me. You know, I want to see something.Karama: I know absolutely.Raven: I couldn't even tell you. I'm hoping though that there, there are actual tangible improvements.Karama: When did you decide, uh, to actually become faculty? Cause I know that was like one of the steps towards what are your, what you're doing now.What was that experience like? And what were you teaching biology at that point?Raven: Yeah. So I actually left my corporate position to become a, an assistant professor of biology at, a community college. And I made that decision because I felt like working in corporate would be safer or not. Corporate working in a college would be a little safer for me, especially the nature of the college.Um, their student population was very diverse. And I just kind of felt like it will be more fun to work with diversity. Right? So that's ultimately what happened.Karama: But I heard, uh, um, this might've been a new Ted talk. I might've heard it someplace else. There was like a, a mailroom incident. Was that at that school? Tell everybody what that was about.Because that blew my mind.Raven: Yeah. I mean, long story short, I was trying to get my mail and, um, one of the faculty members didn't think I worked the…

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    Lovecraft Country Blues with Ashley C. Ford & Shannon Houston Sep 19, 2020
    Show notes

    If you are a fan of the HBO’s Lovecraft Country, then this episode is for you. This week my guests the hosts of the official HBO Lovecraft Country Radio podcast. Ashley C. Ford and Lovecraft Country writer Shannon Houston. Every week on their show they break down each episode of Lovecraft Country after it airs. But on this podcast epsiode we are going to break down some of our favorite moments from the show, how they work together and discuss some of the choices that were made in adapting the original book by Matt Ruff. We get into a lot including some of the things that did not work on the show. I can’t wait for you to hear this one!

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    If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out.. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it! If you REALLY want to support what I’m doing, please contribute to my Ko-Fi page! Your contribution really helps me keep the show going and eventually pay for expenses like mixing, transcription, a video editor and so much more!

    CLICK HERE TO LISTEN ON YOUR FAVORITE PODCATCHER

    • HBO Lovecraft Country Radio
    • AfroComicCon Sign up Info
    • NYCC/Metaverse Info
    • NATIVE JUSTICE COALITION

    Cartoonist Keith Knight is WOKE Sep 12, 2020
    Show notes

    My latest guest is someone I’ve actually known for a few years now, Keith Knight. Keith is an American cartoonist and musician known for his comic strips The K Chronicles, ink, and The Knight Life. While his work is humorous and universal in appeal, he also often deals with political, social, and racial issues. The new show Woke is based on his life and some of the people in it. I have seen all 6 episode and I will warn you that towards the end of this episode we get a little spoilery but nothing too heavy. Woke is basically what happens when the white guy’s best friend in a comedy, gets his own show. But I’ll let Keith explain it.

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    If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out.. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it! If you REALLY want to support what I’m doing, please contribute to my Ko-Fi page! Your contribution really helps me keep the show going and eventually pay for expenses like mixing, transcription, a video editor and so much more!

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    • Keith Knight’s K Chronicles
    • SYFYWIRE Interview with the cast of Woke
    • DCFandome
    • theblerdgurlLIVE Season 1 Replay

    April Reign and her new media company Ensemble Jul 10, 2020
    Show notes

    This is the podcast edition of the premiere episode oftheblerdgurlLIVE in podcast form. It’s edited slightly for clarity, and there is a transcript available below! It was great having April back and I was able to get the scoop on her new venture Ensemble with Overture Global! We also talked about some great Scifi shows we’re watching on streaming. Please take a listen and let me know what you think! If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out.. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it! If you REALLY want to support what I’m doing, please contribute to my Ko-Fi page! Your contribution really helps me keep the show going and eventually pay for expenses like mixing, transcription, a video editor and so much more! CLICK HERE TO LISTEN ON YOUR FAVORITE PODCATCHER April Reign on TwitterApril Reign on InstagramOverture GlobalAmazing Stories – AppleTVTwilight Zone – CBS AllAccess Transcript Email Download New Tab POD_Ep39 TBG Live _April Reign [00:00:00] Karama: [00:00:00] Hey folks. It�s Karama Horne aka theblerdgurl. And welcome back to theblerdgurl podcast. Starting this week, I will be sharing with you the audio version of theblerdgurl LIVE a brand new show I'm doing over on Twitch on the OS_NYC channel. Yes, that's right. I'm on Twitch. [00:00:17] And my very first guest on the show was friend of the podcast and hopefully friend in real life. Activist and now media company, co-owner April Reign. She stopped by to talk about her new venture Ensemble. It's a new media company collab between her and Overture Global. She gives us the details on that. Plus we talk about some of our favorite scifi shows we're watching right now. [00:00:42] I'm super excited she agreed to be my first guest on my live show from my home office. And I can't wait for you to hear it, but first let's pay some bills. [00:00:52] (LIVE SHOW) [00:00:52]Hey, everybody. Welcome to the premiere of theblerdgurlLIVE. My name is Karama Horne and I am a culture journalist, content, creator, and host parked at the intersection of geekdom and diversity. Welcome to the show where I talk to creators about everything, basically from anime and superheroes to activism and diversity within the geek space. [00:01:15] and this is sort of an extension of my podcast. So my first guest who I'm really excited to have with me is none other than media activist, equity advocate, and creator of the #oscarsowhite hashtag. April Reign. [00:01:30] She's also a killer on Twitter. [00:01:32] Um, she's hanging out today with me to talk about a couple of scifi shows, share a bit of tea about her brand new venture Ensemble. It's like this lab between her and Overture Global. So. I'm going to read this. So I don't do it wrong. "Ensemble will be a digital content studio that will accelerate opportunities around content and develop it in front of, and behind the camera for people of color". [00:01:56] So I'm really, really excited. Welcome April. [00:02:01] April: [00:02:01] Thank you so much for having me. I am honored to be your very first guest. [00:02:06] Karama: [00:02:06] Yeah, I'm so excited actually. And I'm so happy that you agreed to do this. I've I've talked to you about things before I consider you a friend. I also want to be you when I grow up. [00:02:15] Thank you so much for gracing us with your presence. Now, basically folks, how this is going to work is, um, We're gonna talk about a couple of shows in the scifi/fantasy space that we've watched. And then we're going to talk about what April's doing, what my guest is doing, my illustrious guest, and in the last 20 minutes so, we're gonna take some questions. [00:02:39] So April, I think that the last time I talked to you, it was back in February, right before the Oscars were announced and, uh, Ever since then we've had what? [00:02:51] Pandemic, killer wasps, now we have killer dust. During all that time. We had Black people being killed [00:03:00] on video. Uh, so yeah, it's been an interesting few months. How you been? [00:03:04] April: [00:03:04] You know it, I'm fine. Thank you very much for asking. I am actually an introvert. [00:03:11] Usually, or at least an ambivert, which means I can turn it on when I want to and be an extrovert, but I'd much rather be at home, um, on my couch. Uh, and I don't really like people anyway, that part of the pandemic, the social distancing I'm doing okay with. Um, you know, my kids are 16 and 20, so one is home from college. [00:03:32] And when, um, you know, I was doing high school, her last several weeks, there were several months actually online. So yeah. So that's been a challenge, but you know, I'm, I'm very privileged. You know, I, I recognize I've got a roof over my head, you know, my immediate family is still healthy. Um, and, and so, you know, It's it's a different lifestyle than what we're used to from six months ago, but I have absolutely no complaints. [00:04:00]Karama: [00:04:00] That's good. Um, are you now a homeschool master? [00:04:06] April: [00:04:06] Oh, no ma'am no, no, no. Ma'am uh, no, no. I'm very thankful that both the college and the high school were taken care of things. Cause my daughter was taking classes. She's the high schooler and she was taking like AP computer science and honors English. And I know no. [00:04:26] I mean, if they had been in like, Third grade or something maybe, [00:04:30] but it's like, gnosis you, you you're on your own. You better dial up .Com Academy or something. Cause mama can't help you. [00:04:36]Karama: [00:04:36] The new math is throwing you off. [00:04:38] April: [00:04:38] New math, old math, not my business. That's what calculators are for. Nope. [00:04:44] Karama: [00:04:44] Also, um, just, I didn't know the amount of spreadsheets that I've been making, like for all of the black lives matter now, allies that we have, there's so many now in every company on the planet, um, and everybody's "hiring". [00:05:03] April: [00:05:03] So they say. so they say. [00:05:05]Karama: [00:05:05] .But so many of us have been like trying to get this information down and share it with as many people as possible. And had anybody told me that the revolution was going to take spreadsheets. [00:05:14] I would have gotten a new computer, cause this is a lot. [00:05:17] April: [00:05:17] It is a lot! Just trying to keep up with the organizations and the corporations who are really, you know, walking the walk and not just putting up a black screen on their Instagram or whatever the case may be. And, you know, the type of hiring they're doing.... [00:05:30] I literally earlier today, um, I got a posting from an organization that I know well, and they were like, you know, it's tough right now, but we're still looking for all these people and content strategist and whatever, whatever. Um, so, you know, please, you know, amplify on your networks. [00:05:45] And I wrote back to them. I said, okay, number one, you don't have salary in your job listings. So what are you doing? It's 2020, right? You need to have it in there. And number two, we're in the midst of a global pandemic. And there's no mention [00:06:00] whatsoever about working from home telework, remote work. What have you, you're telling me you're based in this particular city, but why does that even matter? [00:06:06] Like is your office even open today? So I think that, um, All kinds. Yeah. Everything is on the table. I just keep saying that everything is on the table right now. And the companies that are, that are going to come out of this the best are the ones that are really being thoughtful, um, about, you know, their hiring practices, their retention policies, all of that. [00:06:28] Karama: [00:06:28] I completely agree. Um, Now I'm curious what you're doing to relax because after a hard day of spreadsheet making and making sure people are getting paid and explaining what racism is, what are you, what are you streaming? What are you geeking out over? [00:06:51] April: [00:06:51] So, um, I guess it was earlier this year or late last year, I got all of these promotions for Hulu and Disney Plus, and you know, a lot of channels that I didn't have, which led to their own different channels. [00:07:03] And, um, Amazon prime and now I have Apple TV and I just started the other day. I know I'm months old. So please nobody in the comments, give me any spoilers, but what is it called? I think "Truth be Told" on a Apple TV, which is like a trick. It's one of the thing with, yes, with Octavia Spencer. I am really enjoying that ...because [00:07:24] Right because [00:07:24] Karama: [00:07:24] it's like a podcast or something that she has, or, or she's investigative reporter. [00:07:29] April: [00:07:29] Right. She [00:07:30] plays a journalist who started writing a story about, um, a young man who was accused of murdering his friend's father and, um, based on her journalism, um, he. Ended up getting sentenced to life in prison. And so now she has a whole podcast, like a True Crime podcasts about it. So she, and this is Octavia Spenser's character, and she made a whole bunch of money, you know, telling everybody that this guy was guilty basically. [00:07:58] And so now she has second thoughts. So now she's trying, so now she's using the podcast to flip it and figure out if in fact this guy is guilty and he's already been on, um, in prison for S 20 years or something like that. So yeah. I find it really interesting. [00:08:14]Karama: [00:08:14] Something else I've been watching on that Apple TV thing. And it's weird because I'm not loving all the shows, but I was kind of excited when I found out that Amazing Stories was going to be on there because I remember watching reruns of Amazing Stories. The original one, when I was a kid, um, George Lucas re rebooted. [00:08:35] This it's like, they're calling it a horror series, but it's not really horror. It's really more suspense. I don't know. And there was a magazine that went with it. I didn't know there was a magazine, but apparently somebody told me this was like the original Stranger Things. [00:08:48] This is like what it originally like. [00:08:50] April: [00:08:50] Oh! Okay. [00:08:51]Karama: [00:08:51] Um, so one of the episodes, one called "The HEAT" which was episode three. I was [00:09:00] really blown away by this one. I was stunned because it was basically all black people first. So, uh, and it was basically two black girls who were in high school. [00:09:11] Anybody who didn't know, it's two black girls who were in high schooltrack and they're these stars, these track stars. And they're, you know, basical ltrying to get that college scholarship, trying to, you know, basically make, go to the Olympics and everything else. Um, I'm about to get a little spoiler-y here. [00:09:26] Do you think you think that this spoiler length of time matters when you're in a pandemic? [00:09:33] No. And plus it's been out for a while. I mean it's not like it was last week's episode. [00:09:39] No, it was out, I think March, beginning of March. End of February. So yeah, if you haven't watched it, I'm gonna spoil this one for you. So basically for all intents and purposes, this is a glorified ghost story because one of the girls is for the most part, a ghost. [00:09:53] Um, but this isn't like for those of you who are anime or like real horror have fishy analysis is not like Japanese anime with a girl on the corner. That's upside down that her hair head spins around. Not this it's not like gory like that. It is really more, like I said, suspenseful. Um, but just the new one, lots of it, these two girls in high school, in the hood, but actually it's a ghost story and we're talking about a couple of different dimensions and, and, and love and things like that. [00:10:28] What did you think about it? [00:10:30] [00:10:30] April: [00:10:30] I thought it was really interesting, you know, and this all goes back to whose story is being told and who is telling the story. Right? Which I talk about with respect to # OscarSoWhite all the time, you know? And so we're definitely, definitely, yeah. Little pieces in there. That's like, okay, you had to live in the hood or know something about the hood to put that in there. [00:10:52] [00:10:52] Karama: [00:10:52] Thank you! Yeah, like the, like the drag race and stuff. [00:10:55] It is realistic because it feels like somebody was there, right? Somebody that somebody who lived in the hood was there and it was directed. That episode was directed by Sylvan white, who was the person that one of the people that directed The Rookie several episodes, and he also did a lot of directing on Sleepy Hollow. [00:11:14] Uh, I think he also did some work on Hawaii-Five-O. Oh, Sylvan is a black, I'm going to say person of color because it's definitely mixed. Um, But I think it did make a difference. And it was written by Chinaka Hodge who wrote several episodes of, uh, this season as well as Snowpiercer. [00:11:33]Were you surprised by, and yeah, we're spoiling things. Were you surprised by the end? [00:11:40] April: [00:11:40] I didn't fully understand it. Like I'm going to lose all of my gleek my geek blerd credibility here in the first six minutes of this lovely episode. Yes. I was surprised cause it didn't make sense. And I was like, Oh, you should have just left it with, you know, the apparition. I'm trying not to spoil it. Right? You [00:12:00] know, you should do this left. [00:12:00] Karama: [00:12:00] We can spoil it! [laughs] [00:12:02] April: [00:12:02] It just didn't make sense to me that she would actually be alive. Like my daughter was like, and she was like, "Oh, she just gets up? She doesn't even have a limp?" Like that. I'm thinking, you know, it doesn't make any sense. Like, I, you know, I need a little trickle of blood or, you know, or something, you know, you know, if they had kissed and then she had gone into whatever the afterlife or whatever, we're calling it and ended it there. I would have been great. [00:12:29] You know, but then they went back and it's like, Oh, okay. All of it was in somebody's mind because there's still, they're both two human living people and I didn't need that revolution. [00:12:40] Karama: [00:12:40] Well, I, it's funny because, um, Twilight Zone does this Black Mirror does this Tales from the Loop does this, and it's fine that you haven't watched these shows. But this is a sci-fi trope where it, I shouldn't even say scifi trope. It's a Disney trope, like Cinderella gets kissed and comes back from the brink of poison, you know, like from death, you know, I mean not Cinderella, Sleeping Beauty. See what I mean? Disney. [00:13:03] April: [00:13:03] Yeah, yeah. Right. They're the same thing [00:13:06] Karama: [00:13:06] Like interchangeable princesses. Um, [00:13:09] April: [00:13:09] but you're right. Princess and the Frog, you know, they do the kids and you know, and so then we can talk about tech, toxic masculinity. Why has gotta be a man that can, yes. Right. And so he flipped it on its head with respect to sexual orientation. And I was thrilled to see that portion of it, but, you know, I still, you know, I just, yeah. [00:13:30] [00:13:30] Karama: [00:13:30] But I, and without getting…

    Full show notes at the publisher

    Palika Makam and the new rules of social media activism Jun 28, 2020
    Show notes

    Did you know that if you go to a protest, take pictures and share them on social media, not only can your location be tracked, but the location and identities of everyone whose face you’ve shown in a video can also be traced? Did you know that if you are recording a crime or some other form of injustice, that if you change the name of the file when you download it, it might be inadmissible in court? Well, my guest today is Palika Makam, the US Senior Program Coordinator with the global human rights organization WITNESS. They are actually the oldest organization working in video advocacy. And this episode is chock full of tips, tricks and facts that you can use to properly bear witness to many of the events that we are seeing in the streets today. This episode is the class that you never knew you needed! I can’t wait to share it with you! If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out.. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it! If you REALLY want to support what I’m doing, please contribute to my Ko-Fi page! Your contribution really helps me keep the show going and eventually pay for expenses like mixing, transcription, a video editor and so much more! CLICK HERE TO LISTEN ON YOUR FAVORITE PODCATCHER Palika Makam on TwitterPalika Makam on InstagramWITNESS.ORGWITNESS Library on How to Cover ProtestsSignal AppImage Scrubber Webtool Transcript Email Download New Tab Karama: Hey folks, Karama Horne aka theblerdgurl. And welcome back to to theblerdgurl podcast, where I interview some of the most amazing creators in the geek space. Now, this week's show is a little different. Did you know that if you go to a protest and take pictures and share them on social media, [00:00:18] not only can your location be tracked, but the location and identities of everyone whose face you've shown in that picture can also be tracked? Did you also know that if you are recording a crime or some other form of injustice, that if you change the name of the file cwhen you download it, it might be inadmissible in court? [00:00:39] Well, my guest today is Palika Makam, the U S senior program coordinator with the global human rights organization. WITNESS.org. Now WITNESS is actually the oldest organization. Working in video advocacy. And this episode is chock full of tips, tricks, and facts that you can use to properly bear witness to many of the events that we're seeing in the streets today. [00:01:05]This is really amazing information. And this episode is like a class that I never knew I needed. I can't wait to share it with you, but first let's pay some bills. [00:01:13]Welcome back now, please consider subscribing and leaving me a rating and a comment over on iTunes. It really helps the show out. And if you're feeling extra helpful, I'd really love it. If you could screenshot this episode and tag theblerdgurlover on IG stories in a post, just tell me what you think. Now that doesn't really help my numbers, but it does make my day. [00:01:40] And don't forget, I have a Ko-Fi page now. to support, go to ko-fi.com/theblerdgurl. [00:01:55] my guest today is activist Palika Makam. Palika is a media activist and the US senior program coordinator at WITNESS. She has produced video advocacy campaigns and trained activists all over the world from Ferguson to the West bank. At witness Polica leads the us immigration focused work with Eyes on ICE. A project dedicated to supporting directly impacted communities and allies to document abuses against immigrant communities and use video to fight deportations and advocate for immigrant rights. [00:02:32] Prior to coming to witness Palika co-founded and ran The Babel Project, a nonprofit that teaches youth activists to use storytelling and documentary film, to advocate for their communities and specific policy change. [00:02:46]Media she has helped produce has been used in evidence in human rights, abuse court cases, and an advocacy campaigns around education, police violence and immigration reform films have been screened everywhere from the United nations to high school classrooms. I personally was fascinated by a conversation Palika had when she was featured on AJ Plus recently about the Black Lives Matter Movement. [00:03:10] And I reached out. I was thrilled when she agreed to be interviewed. Now, I'm going to tell you right now, you better have a pen and a piece of paper ready, because she's going to be giving a lot of amazing info in this discussion. So up next, my interview with Palika Makam. [00:03:27] So Palika thank you so much for joining me today. And I would love it. [00:03:33] If you could tell everybody about basically where, how you got into this and what witnessed.org is about. [00:03:42] Palika : Sure, thank you so much for having me on today. so I'm a media activist. I have been working at the intersection of video and technology and human rights for about a decade now. I used to run my own nonprofit called the Babel project, which I started, you know, I was like 22, 23. [00:04:00] I got an amazing grant from a university to start a nonprofit and, myself and a handful of trainers. We would go, To different communities and train youth organizers and activists, to be able to use video and storytelling as another tool in their activists tool belt. so I did that work in South Africa and Cape town in Palestine, Ferguson, New York, all over the place, really. [00:04:25]And, around 2014, you know, when Mike Brown Jr was killed when Eric Garner was killed, You know, I felt compelled to take kind of all of the knowledge and privilege that I had had from traveling and meeting grassroots activists and working in movements and different countries and spaces, and, and really bring that back home and focus that work in the country where I was born and raised. And in the country where I'm implicated in that movement and in that struggle. [00:04:51]so a few years ago, I saw a job, opening it, witness and witness is, you know, kind of the oldest organization working in this very niche space of video advocacy. I remember learning about witness when I was in college, you know, witnesses on my, my syllabus at the time. And so. When I saw that Witness was starting officially a U S program, it seems like the perfect opportunity for me to really route myself here, back home in the United States. [00:05:22]So at witness, I am the U S Senior Program Coordinator. Witness is a global human rights organization. We support communities around the world to use video and documentation and technology and. Storytelling to be able to expose abuses and advocate for human rights. We are a global team. but we're tiny, you know, we have small teams all around the world and one of those places is the United States, which is the team that I work on. [00:05:49]and here we mainly focus on supporting communities to film and expose, police abuse. And also to use that video to tell a larger story of systemic violence through creating databases and archives. We also support immigrant rights through projects called Eyes on ICE, which is the project that I actually lead. [00:06:06]and we train immigrant communities and advocates and lawyers to use video to document abuses, and then use that video to fight deportations in court. And also for advocacy purposes outside of court. I also lead a project called Legal Video Advocacy, which is more focused on storytelling and, and traditional documentary style. [00:06:25]and through the project, we train public defenders and their clients to create videos, interviewing their clients and family and friends, and then submit those videos to DA's and judges as a way to reduce harsh sentences and even support folks to get out of prison on clemency and parole. So everything that we do at witness, at the core of our work is using video both to expose abuses and serve as evidence, but also as a storytelling and advocacy tool to help change policies and practices and behaviors. [00:06:55] And I really think the two go hand in hand. [00:06:58] Karama: Yes, that's absolutely. incredible. I did not know about, Eyes on ICE or the Legal Video Academy. . I have a quick question about that last one . WIth the video that you're able to have defenders in their families create, is the video almost acting as a character witness in certain cases? [00:07:15] Palika : Exactly. And in a lot of situations, we're able to interview people who wouldn't otherwise be able to come into court as witnesses for, you know, a handful of reasons. And it's really an opportunity to, you know, bring the courtroom into the community or the community into the courtroom and, and, you know, be able to show a part of a person's life. [00:07:34] Beyond just their rap sheet or their, you know, "criminal history". It's really humanizing people, which seems like such a horrible thing to say, because we're already human. We shouldn't need to be humanized, but unfortunately in the criminal justice system, it is something that needs to happen. [00:07:51]and we've had a ton of success. It's one of our newer projects, but it's really been exciting to see lawyers and, you know, social workers. Look for and be excited about using a more creative strategy. And we've even been able to do this work during COVID-19 by, recording phone interviews and Skype interviews and zoom interviews with incarcerated individuals and their community members, and still be able to submit that video. [00:08:16]and we've actually had success in getting a handful of folks out of Rikers right now who were vulnerable to infection by COVID-19. [00:08:26] Karama: Wow. That's, that's incredible. Do you ever partner with organizations like the Innocence project and things like that ..?. [00:08:32] Palika : we haven't partnered with them yet. I actually have one of my childhood friends works there. So we're always kind of in communication and finding ways that we can collaborate. But, you know, we, for the most part, our target audience is, you know, directly impacted communities, public defenders, investigators journalists... you know, grassroots communities, advocates. To really be able to give them the tools they need to document abuses. [00:09:00]Karama: And also you'd mentioned that you've been an activist for so long, and you talked about Palestine and South Africa, and many of the places that you've been. Is it a little bit surreal now to be here, home in the States and seeing images that you probably have used to just seeing in other countries? [00:09:19] Palika : It is strange. But that's a really good question. It's, it's strange, but it's so important. You know, I remember even, when I worked in South Africa, there was a win that we had where the organization I worked with, took the Prime Minister of Basic Education to court and won. and it was a huge, huge victory for black and Brown students throughout the country, who were living in a post apartheid, South Africa. [00:09:46] So dealing with institutional racism and systemic oppression all throughout the education system. And I just remember seeing their faces that day on the day that the news came out and, and it was, you know, obviously like I'm a human, I have empathy. I'd been working with them. I was incredibly happy for them. But there's something about being from that community that you can never replicate. And so I feel the pain here. I feel the lows here, but I also feel the wind here in a really different way, because it's not just my work now. It's my entire life. It's the conversations I'm having with my friends and my family. And I, you know, I'm doing so much work on learning my own, you know, ingrained racism coming from a South Asian community. [00:10:30] It impacts every part of my life here. because I'm working in the country where, where I'm from. [00:10:35]Karama: There's no compartmentalizing it, [00:10:37] Palika : Right. [00:10:37] Karama: Cause it's, it's all around you all the time. Now. Let's, let's bring that, to how Witness has been helping people document a lot of the, I don't want to say the Black Lives Matter Movement like it started yesterday, because it didnt. [00:10:53] These videos are humanizing people. And we shouldn't have to say that, but the whole term Black Lives Matter is a humanizing statement because people I think are desensitized to a lot of what they, they see. How has witnessed our org been able to, and the work that you've been doing, I've been able to help some of the protests and the protesters that we've been seeing around the country. [00:11:17] Palika : So what we've really been focusing on, and we've really been in like our emergency rapid response mode the past few weeks. And, and we've been, you know, we can't be everywhere at once. We're a small team and on the US team, it's actually just me and another colleague and she's on maternity leave right now. [00:11:32] So it's just me. So I can't be everywhere at once. So one of our goals is to really be able to. Create resources and get those in the hands of as many advocates and communities as we can so that they could spread that information. And we make sure those resources are accessible, different languages, you know, accessible to communities. [00:11:49] It's not, you know, we don't use a lot of legal jargon or jargon in general. and we make sure that things are in multiple different languages. But really we've been wanting to support. Communities, not protesters, not to film because you know, people are already inclined to whip out their phones and film when they see something happen. [00:12:07]So it's not about that, but it's about making sure that they're doing it in a way that actually leads to some impact, you know, unfortunately, so many of the videos that we see showing police violence and abuse, whether at a protest or not, don't actually lead to any sense of accountability in, or out of a courtroom. But the few cases that have, we've seen that there's strategy involved, things were filmed a certain way. They were stored a certain way. They were shared a certain way. And we really see ourselves in this interesting kind of connector space, where we work with the lawyers. We work with the journalists and we work with the activists on the ground. [00:12:43] So we can be able to help those three groups of people communicate with each other better to make sure that this eyewitness footage is crucial footage, that sometimes people are. You know, risking their lives to document actually leads to impact. and you know, the main ways that we do that are by listening, learning, observing, and really figuring out what the gaps and the needs are and then creating resources and trainings as well. [00:13:07]So for example, just through, you know, going to the protest, myself, talking to people, you know, being online, reading the news, opening myself up as a resource, checking my DMS, everything. I realized that what people are really looking for is advice around sharing. You know, what do you do after you've filmed a video who should you share it with? [00:13:27] How can you protect protesters identities? What's the strategy to actually make sure that people see this and make some sort of impact. So two of the rapid response resources that we've created over the past couple of weeks in two different languages has been a guide. And it's just kind of a one page guide that you can even just pull out on your cell phone. [00:13:47] And it just reminds you th…

    Full show notes at the publisher

    Malcolm Barrett on Acting, Activism and Allies Jun 13, 2020
    Show notes

    So today my guest today is actor, writer and playwright Malcolm Barrett. Many of you remember him as Lem from Better off Ted and Rufus from the sci-fi show Timeless but he’s also a playwright and rapper, (his alias is “Verbal”.) In addition, he’s also the co-founder and artistic director of the nonprofit Los Angeles-based Ammunition Theatre Company. You may have also seen him on a hilarious episode of Blackman Beyond with my previous guest Hollywood scriptwriter and podcaster Marc Bernardin.

    In this conversation, we talk about growing up in Brooklyn, his very first speaking role, the hazards of auditioning while black, whey he hates basketball and how he literally has a license to poet. We also have a serious convo about why Malcolm is so discerning about picking roles, what it’s like being an actor an activist right now, and where he would take the Lifeboat (Timeless’ time machine) if he had it right now. We laughed, we cried, this was one emotional roller coaster folks but Ir really hope you enjoy it.

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    If you enjoy this episode please subscribe and leave a comment over on iTunes for me if you can, it really helps me out.. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it! If you REALLY want to support what I’m doing, please contribute to my Ko-Fi page! Your contribution really helps me keep the show going and eventually pay for expenses like a mixer, a video editor and so much more!

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