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    TV & Film

    The T Stop Inn

    A series of relaxed conversations between Ben Allan ACS CSI and some of the most interesting people in the industry today talking about the film industry and the craft of cinematography.

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    Copyright: © Ben Allan ACS CSI

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    Latest Episodes:
    Intelligent Storytelling: Kate Armstrong-Smith Aug 21, 2024
    Show notes

    Kate Armstrong-Smith is the co-founder and CEO of Othelia Technology, which has a powerful set of tools which enable film makers to use AI to enhance the process without sacrificing creative control and the human element of creative storytelling.


    A Gentleman In London: Callan Green ACS NZCS Jul 25, 2024
    Show notes

    Callan Green ACS NZCS talks about his his career and recent work on THE GENTLEMEN, GANGS OF LONDON, MASTERS OF THE AIR and much more.


    Film Making Without A Frame Jul 11, 2024
    Show notes

    Ben Allan and Clara Chong discuss the new Immersive format for the Apple Vision Pro and what it means for professional film makers including discussion of the Blackmagic Design URSA Cine Immersive camera.


    Camera Czech: Mark Bliss ACK Mar 07, 2023
    Show notes

    The career of Mark Bliss ACK unfolds like a cold war adventure novel with a daring escape from behind the iron curtain leading to starting over as a refugee in Australia and an incredible career in cinematography. Starting down under with music videos and commercials his work eventually lead him back to Europe where he has had an incredible run of work for over a decade, recently leading him to the red carpet of the Cannes Film Festival.


    Intelligence Briefing: Dr Mike Seymour & AI in Film Jan 27, 2023
    Show notes

    Dr Mike Seymour shares his insights into how Artificial Intelligence and Machine Learning technology will change the way that every department in film production works over the next two years.


    Clooney, Netflix & The Midnight Sky: Martin Ruhe ASC Jan 11, 2023
    Show notes

    Martin Ruhe ASC talks about his recurring collaborations with George Clooney and the NETFLIX science fiction epic THE MIDNIGHT SKY. Martin discusses the practicalities of the ambitious film including the choice of ARRI ALEXA 65 & DNA Prime Lenses, shooting on an Arctic glacier, LED volume in studio, the lighting approach and working with Clooney's dual roles as director and star. Martin also talks about the virtues of shooting single camera, doing his own operating and how he grounds the visuals in the story and character while working film style with digital cameras as well as working with legendary colorist Stefan Sonnenfeld at Company 3.


    Gimmick or Game Changer? Da Vinci comes to the iPad Dec 23, 2022
    Show notes

    Ben Allan ACS CSI and Clara Chong discuss the realities of editing and grading in Da Vinci Resolve on the new M2 iPad Pro.


    Dances With Oscars: Dean Semler AM ACS ASC - Part 2 Nov 15, 2022
    Show notes

    From "Dances With Wolves" to working with Tom Cruise, Angelina Jolie, Jim Carey, Eddie Murphy, Renee Zellwegger and Arnold Schwarzenegger, this is an inspiring and hilarious rollercoaster ride through Hollywood and the world of big movies. Dean Semler opens up about experiences and insights from one of the most remarkable careers of a generation.


    From Renmark to Hollywood: Dean Semler AM ACS ASC - Part 1 Jul 01, 2021
    Show notes

    In Part 1 of this special, Dean Semler AM ACS ASC explains how he got his start in the industry, his early experiences in TV and shooting documentaries and then the making of MAD MAX: ROAD WARRIOR, DEAD CALM, COCKTAIL, YOUNG GUNS, LONESOME DOVE, K9 and DANCES WITH WOLVES and shares some of the best things he learned along the way.


    Shooting "RAMS": Steve Arnold ACS May 26, 2021
    Show notes

    Steve Arnold ACS talks about his experience shooting the hit Aussie film "RAMS" with Sam Neill, Michael Caton and director Jeremy Sims. Steve tells us about the process of testing and comparing the full range of Panavision Anamorphic lenses, creating custom LUT's for the film and how he works to get a much of the look as possible captured in camera.

    This episode was recorded with a live audience at the United Cinemas Opera Quays in Sydney as a special event with the NSW ACS.


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