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    Arts

    The Samuel Andreyev Podcast

    Samuel Andreyev talks with the performers and composers who are changing the music world today.

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    Copyright: © 2021 The Samuel Andreyev Podcast

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    Latest Episodes:
    Richard Haynes: Introducing the clarinet d'amore Dec 11, 2020
    Show notes

    Clarinetist Richard Haynes performs music spanning the 18th to 21st centuries all over the world in a multitude of contexts. During the course of undergraduate study at the Queensland Conservatorium of Music and further study at the University of Arts Bern his teachers included Brian Catchlove, Paul Dean, Ernesto Molinari, Diana Tolmie, Donna Wagner-Molinari and Floyd Williams.

    Since his solo debut with the Queensland Symphony Orchestra at the age of 17 performing the Clarinet Concerto by John Veale, Richard Haynes has performed further concerti by Copland, Mozart, Rankine, Smetanin, Westlake and Xenakis to acclaim, won the title of Australia's Young Performer of the Year and the Australian Art Music Award for Performance of the Year and has received invitations to the academies of Acanthes, Bang on a Can, Darmstadt, Ensemble Modern, impuls and Lucerne Festival. Richard Haynes has maintained regular concert activity in Europe, the USA, Asia, Australia and New Zealand over the last 15 years and is a 1st Prize Winner of the International Concours Nicati Switzerland and the 2008 recipient of the Tschumi Music Prize.
    More about Richard Haynes here
    Order Richard's new CD, Ghosts of Motion
    Musical excerpts, in order:
    Samuel Andreyev, A Line Alone, for solo clarinet d’amore (2020)
    Chris Dench, Ghosts of Motion, for solo clarinet d'amore (2020)
    Richard Haynes, clarinet d'amore
    from the new CD, Ghosts of Motion (www.cubus-records.ch)
    SUPPORT THIS PODCAST
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    ORDER SAMUEL ANDREYEV’S NEWEST RELEASE
    Iridescent Notation
    LINKS
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

    Support the show


    Ian Pace: pianist and musicologist Nov 30, 2020
    Show notes

    Ian Pace is a pianist of long-established reputation, specialising in the farthest reaches of musical modernism and transcendental virtuosity, as well as a writer and musicologist focusing on issues of performance, music and society and the avant-garde. He was born in Hartlepool, England in 1968, and studied at Chetham’s School of Music, The Queen’s College, Oxford and, as a Fulbright Scholar, at the Juilliard School in New York. His main teacher, and a major influence upon his work, was the Hungarian pianist György Sándor, a student of Bartók.
    He has played in many countries, recorded over 40 CDs, and given over 300 world premieres. He is Head of the Department of Music at City, University of London, where he has worked since 2010, having previously worked at Southampton University and Dartington College of the Arts.
    More about Ian Pace

    Excerpts from Ian Pace's forthcoming CD of the complete piano music of Brian Ferneyhough on Divine Art Records (in order of appearance):
    • Brian Ferneyhough, Quirl (2011-13)
    • Brian Ferneyhough, Lemma Icon Epigram (1981)
    Thanks to Divine Art records for kindly authorizing the use of these excerpts.
    **
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    Iridescent Notation
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    On Extended Techniques Oct 27, 2020
    Show notes

    In this episode, Samuel Andreyev presents a short introduction to the world of 'extended techniques', those unconventional ways of playing musical instruments that have become an almost ubiquitous feature of contemporary composition.
    **
    SUPPORT THIS PODCAST
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    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Andy Creeggan, composer and erstwhile pop star Oct 02, 2020
    Show notes

    The Canadian composer, pianist and percussionist Andrew (Andy) Creeggan is equally at home in the worlds of classical composition and pop music. A member of the wildly successful Canadian band Barenaked Ladies from 1989 to 1995, he experienced fame early in life. Deciding that being a member of a band was not for him in the long run, he left to study composition at Montréal's McGill University. Since then, he has recorded and performed in The Brothers Creeggan, a band formed with his brother Jim Creeggan, and released three CDs of his compositions: Andiwork I, II and III (order from Bongo Beat Records). In addition, he has composed chamber music and worked as an arranger.
    Musical excerpts, in order of appearance:
    • Viola n° 5 (from Andiwork II)
    • Tongue A (from Andiwork III)
    **
    SUPPORT THIS PODCAST
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Bill Harkleroad (Zoot Horn Rollo): the making of Trout Mask Replica Aug 24, 2020
    Show notes

    Bill Harkleroad was the longest-serving guitarist of Captain Beefheart's Magic Band, playing on such essential recordings as Trout Mask Replica, Lick My Decals Off, Baby and Clear Spot. His significant artistic and practical contributions to these works have largely gone unacknowledged. Bill subsequently formed the band Mallard, released masterful solo recordings including 2001's We Saw a Bozo Under the Sea, authored the book Lunar Notes, and taught extensively. He can be contacted for lessons here.
    **
    ORDER SAMUEL ANDREYEV’S NEWEST RELEASE
    Iridescent Notation
    SUPPORT THIS PODCAST
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    LINKS
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

    Support the show


    Anthony Etherin: From Punk to Palindromes Aug 14, 2020
    Show notes

    Anthony Etherin is a formalist poet, a publisher, and a musician. He tweets poetry @Anthony_Etherin and archives his published works online at anthonyetherin.wordpress.com. He founded Penteract Press and he invented the aelindrome. He hosts a (neglected, but soon to be revised) YouTube channel. He lives in the United Kingdom, on the border of England and Wales.
    **
    ORDER SAMUEL ANDREYEV’S NEWEST RELEASE
    Iridescent Notation
    SUPPORT THIS PODCAST
    Patreon
    Donorbox
    LINKS
    YouTube channel
    Official Website
    Twitter
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

    Support the show


    The Labyrinthine Worlds of Chris Dench Jul 26, 2020
    Show notes

    Chris Dench was born in London in 1953. After periods living in Tuscany and West Berlin, the latter as a guest of the DAAD Berliner Kunstlerprogramm, he finally arrived to settle in Australia; he became an Australian citizen in 1992.

    He has had works commissioned by ensembles and individuals on three continents and is particularly recognized as a composer for solo woodwind instruments, having composed fourteen pieces for the genre at last count. He has enjoyed a close relationship with Australia's ELISION ensemble for over fifteen years; he has also had fruitful collaborations with other musicians, including, in the last few years, Kathleen Gallagher, Mark Knoop, Geoffrey Morris, Peter Neville, Marilyn Nonken, Michael Norsworthy, Carl Rosman, and the Libra ensemble.

    His works have enjoyed extensive performances, recordings, and broadcasts in Europe, Australia, North America, and Asia, including the Huddersfield Festival, the Darmstadt Ferienkurse fur Neue Musik, Music of Changes in Los Angeles, the Clarice Smith Performing Arts Center at Maryland, the Hong Kong ISCM/ACL World Music Days, ForumMusic Taipei, and the Gobi Desert.

    In 2002 Peter Neville, Guy DeBlét, Elizabeth Davis, Eugene Ughetti, Mark Knoop, and conductor Carl Rosman gave the long-delayed first performances of his 1994 percussion quartet beyond status geometry. More recently, ELISION recorded for NMC a disc of his music including ik(s)land[s] and the blinding access of the grace of flesh.
    Chris Dench’s website
    **
    MUSICAL EXCERPTS (in order):
    Funk, by Chris Dench
    Carl Rosman, clarinet; Peter Neville, percussion
    From the NMC Records release ik(s)land[s]
    Ik(s)land[s], by Chris Dench
    ELISION
    Deborah Kayser, mezzo-soprano
    Carl Rosman, conductor
    **
    ORDER SAMUEL ANDREYEV’S NEWEST RELEASE
    Iridescent Notation
    SUPPORT THIS PODCAST
    Patreon
    Donorbox
    LINKS
    YouTube channel
    Official Website
    Twitter
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

    Support the show


    Jonathan Bell: From Ars Subtilior to Artificial Intelligence Jul 22, 2020
    Show notes

    The music of Franco-British composer Jonathan Bell is influenced by Franco-Flemish polyphony, American minimalism (Morton Feldman), and spectral music. He graduated from the Paris Conservatoire with 4 prizes, and the Guildhall School of Music and Drama (Doctorate in Musical Composition). Since 2007, he has collaborated intensely with the vocal ensemble De Caelis, which produces his music in numerous festivals (Île-de-France, European church music festival…), France Musique, and in collaboration with other ensembles (Links ensemble, choirs of several cathedrals). In Germany, he has received commissions from the Zafraan ensemble (Berlin) and SKAM (Stuttgart). In 2014-16, he followed a two-year IRCAM residency, where he developed the SmartVox web application, dedicated to the interpretation of computer-assisted speech polyphony. Since September 2017 he has been a lecturer in music at Aix-Marseille University and researcher at PRISM-lab-CNRS. In 2018, he was named a resident at the Casa de Velasquez/Membre de l’académie de France à Madrid; His music is played and presented in computer music symposiums ICMC (New-York), NIME (Porto Allegre), SMC and Tenor (Melbourne).
    Jonathan Bell's website
    **
    MUSICAL EXCERPTS (in order):
    Fumeux Fume par Fumée, by Solange (14th century)
    Ensemble P.A.N.
    Common Ground, by Jonathan Bell
    Judith Dodsworth, conductor
    De joye interdict, by Jonathan Bell
    Ensemble De Caelis
    Laurence Brisset, conductor
    **
    ORDER MY NEW CD
    Iridescent Notation
    SUPPORT THIS PODCAST
    Patreon
    Donorbox
    LINKS
    YouTube channel
    Official Website
    Twitter
    Instagram
    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

    Support the show


    Art Tripp’s journey from Stockhausen to Zappa May 27, 2020
    Show notes

    Percussionist and drummer Art Tripp talks with composer Samuel Andreyev in a wide-ranging interview about his fascinating career working with John Cage, Frank Zappa, Don Van Vliet (Captain Beefheart), Robert Austin Boudreau, and many others. He also discusses meeting such luminaries as Morton Feldman, and performing avant-garde music by Stockhausen and others in the 1960s. His important contributions to albums such as Uncle Meat and Lick My Decals off Baby are covered in detail.
    **
    ORDER MY NEW CD
    Iridescent Notation
    SUPPORT THIS PODCAST
    Patreon
    Donorbox
    LINKS
    YouTube channel
    Official Website
    Twitter
    Instagram
    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

    Support the show


    Questions and Answers May 14, 2020
    Show notes

    This episode reproduces the audio from my May 10th, 2020 Livestream Q&A on YouTube. Viewers typed their questions into a chat window and I answered them in real time. Due to the large volume of questions received, and my inability to answer even a small fraction of them, I am considering making this a weekly feature of my channel.
    **
    ORDER MY NEW CD
    Iridescent Notation
    SUPPORT THIS PODCAST
    Patreon
    Donorbox
    LINKS
    YouTube channel
    Official Website
    Twitter
    Instagram
    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Spoken introduction: Maya Rasmussen
    Podcast artwork photograph © 2019 Philippe Stirnweiss

    Support the show


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