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    Arts

    The Samuel Andreyev Podcast

    Samuel Andreyev talks with the performers and composers who are changing the music world today.

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    Copyright: © 2021 The Samuel Andreyev Podcast

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    Latest Episodes:
    Augusta Read Thomas, composer Dec 14, 2021
    Show notes

    The music of Augusta Read Thomas has been performed all over the world by conductors such as Daniel Barenboim, Pierre Boulez, Mstislav Rostropovich, Seiji Ozawa, Oliver Knussen, George Benjamin, Vimbayi Kaziboni, Christoph Eschenbach and many others. She is Vice President for Music at The American Academy of Arts and Letters, among many other distinctions, and is a long-standing, exemplary citizen of the profession at large supporting the work of others. Her music is published by G Schirmer and, since 2016, by Nimbus Music Publishing. Her music has been featured on nearly 100 commercial CDs. Since 2013, Nimbus Records has been recording her complete works. She is currently a University Professor of Composition in Music at The University of Chicago.

    Thomas played piano as a young child, starting private lessons at age four. In third grade, she took up the trumpet and played for 14 years, attending Northwestern University as a trumpet performance major. She played trumpet in brass quintet, chamber orchestra, orchestra, band, and Jazz band and she sang in choirs for many years.

    Thomas also had the distinction of having her work performed more frequently in 2013-2014 than any other living composer, according to statistics from performing rights organization ASCAP.
    MUSICAL EXCERPTS (in order)
    Words of the Sea for orchestra (3rd movement)
    Chicago Symphony Orchestra
    Pierre Boulez, conductor
    Carillon Sky for violin and chamber orchestra
    Baird Dodge, violin
    Chicago Symphony Orchestra MusicNOW ensemble
    Oliver Knussen, conductor

    Augusta Read Thomas official website
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    Iridescent Notation
    LINKS
    YouTube channel
    Official Website
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Martin Iddon: The Musical Riddles of John Cage Nov 01, 2021
    Show notes

    In 2020, the composer and musicologist Martin Iddon and the pianist Philip Thomas published a 400-page monograph outlining, in extraordinary detail, the genesis and the substance of one of John Cage’s most enigmatic compositions: the Concert for Piano and Orchestra (1957-58). In this episode, Martin Iddon reveals why this single work exerts such a powerful draw, 60 years after its premiere.
    EPISODE LINKS
    Philip Thomas explains the piano part, 'Solo for Piano'
    Download the 'Solo for Piano’ app
    Order Martin Iddon’s latest CD
    Order the book
    Martin Iddon’s website
    Philip Thomas’ website
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    ORDER SAMUEL ANDREYEV’S NEWEST RELEASE
    Iridescent Notation
    LINKS
    YouTube channel
    Official Website
    Twitter
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Christian Bök and the Aesthetics of Impossibility Oct 28, 2021
    Show notes

    Born in Toronto, Christian Bök focuses on the intersection of language and science in his work. His first book of poetry, Crystallography, was nominated for the Gerald Lampert Award. His book Eunoia, which won the Griffin Poetry Prize in 2002, is the best-selling Canadian poetry book of all time. Bök has also created artificial languages for science fiction television. His most recent book is The Xenotext (Book One). He lives in Melbourne, Australia.
    SUPPORT THIS PODCAST
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    Iridescent Notation
    LINKS
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Julian Nott: How to be a Film Composer Sep 09, 2021
    Show notes

    Julian Nott came to music relatively late. After studying Music and Politics and Economics at Oxford University, he worked for a management consultancy firm in the City for a number of years. Finding that not entirely to his liking, he enrolled in the UK’s National Film And Television School, funding his studies by simultaneously working freelance for the Economist Publications. After film school, Julian worked as an independent documentary film producer, making films for Channel Four Television, Arte Channel and WGBH Boston. Along the way he qualified as a (non-practising) barrister.

    At film school, Julian met the animator Nick Park, writing the music for his early Wallace and Gromit films. When these films became such a huge success, the offers starting come in and Julian switched to film scoring full time. His work still includes much animation (“Wallace and Gromit in the The Curse of the Wererabbit”, “Peppa Pig”, “Ben and Holly’s Little Kingdom”, “The Hungry Caterpillar”). Feature films credits include “The Decoy Bride”, “My Mother’s Courage”, “Heavy Petting” and “A Man Of No Importance”. On television, credits include all four series of the BBC’s popular “Lark Rise to Candleford”, ITV's "The Vice" and David Jason’s comedy “The Royal Bodyguard”.
    Julian Nott’s website
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    Iridescent Notation
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    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    In the Composer's Atelier Aug 23, 2021
    Show notes In 2020, Edition Impronta published Samuel Andreyev’s second volume of solo piano pieces, n°s V—VIII. In this episode, he speaks about the genesis of this work, its aims, and presents each piece individually. The podcast includes recordings of each piece by Jana Luksts.
    MUSIC HEARD IN THIS EPISODE
    Samuel Andreyev, Piano Pieces V-VIII (2019-20)
    Publisher: Edition Impronta
    Performer: Jana Luksts
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    Iridescent Notation

    LINKS

    YouTube channel
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Betsy Jolas: My Trip to Bali with Xenakis and Takemitsu Jul 29, 2021
    Show notes

    In 1972, Betsy Jolas (b. 1926) traveled to Indonesia with Iannis Xenakis, Toru Takemitsu, Henri-Louis de la Grange, Maurice Fleuret and several others. While there, she encountered the Topeng dance, which, nearly 50 years later, inspired the composition of her 8th quartet, Topeng. This piece was written for the Arditti Quartet in 2019. In anticipation of her 95th birthday on 5 August 2021, she tells us what happened on that trip, what it was like traveling with Takemitsu and Xenakis, and why it is that Bali left such an indelible imprint on her music.
    MUSIC HEARD IN THIS EPISODE
    Betsy Jolas, Topeng for string quartet (2019)
    Performed live by the Arditti String Quartet
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    Iridescent Notation
    LINKS
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Larry Schoenberg: Arnold Schoenberg, My Father Jul 19, 2021
    Show notes

    On the occasion of the 70th anniversary of Arnold Schoenberg’s passing in July 13, 1951, Samuel Andreyev speaks with his son Lawrence Adam (Larry) Schoenberg. They discuss what it was like having Arnold Schoenberg as a father; Larry’s thoughts on his father's artistic legacy; Schoenberg’s teaching philosophy; and the work of the Arnold Schoenberg Center in Vienna.
    SUPPORT THIS PODCAST
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    Iridescent Notation
    LINKS
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Martin Keary (Tantacrul): composer, designer, polymath Jul 08, 2021
    Show notes

    Martin Keary: biography
    I'm the head of design at MuseScore, with 14 years of experience working on applications and games for IOS, Android, Windows, Hololens, Ubuntu Touch, Voice Assistant (Cortana), Xbox One and Playstation 3.

    I'm an active musician with a MMUS in composition from the Royal Conservatoire in Scotland. I regularly write music for live performances, films and video games.

    I also run a YouTube channel called Tantacrul, where I discuss various topics related to music and design. Based on the growing popularity of this channel, I occasionally get invited to speak at conferences too. My favourite topics to discuss are music philosophy, visual music (an archaic discipline from the early 20th century) and design methodology.
    SUPPORT THIS PODCAST
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    Iridescent Notation
    LINKS
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    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    John Moraitis: harpsichordist and musicologist Jul 02, 2021
    Show notes

    John Moraitis is a musicologist, harpsichordist, and pianist currently residing in Athens. He holds a Bachelor of Music degree in Piano Performance from Shorter College, a Master in Musicology from the University of Georgia in Athens, and a Ph.D. in Musicology from the University of Wisconsin-Madison. His main fields of interest are historical performance practice and twentieth-century modernism. He has taught and conducted master classes in the United States, Austria, and Greece.
    Musical excerpts, in order:
    J. S. Bach, Invention n° 2 in C minor
    Jean-Philippe Rameau, Les tendres plaintes
    Louis Couperin, La petite pince-sans-rire
    John Moraitis, harpsichord
    Subscribe to John’s Youtube channel

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    Iridescent Notation
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    Edition Impronta, publisher of Samuel Andreyev’s scores
    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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    Matthew Ricketts, composer Jun 22, 2021
    Show notes

    Matthew Ricketts (b. 1986, British Columbia) is a Canadian composer currently based in New York City. His music moves from extremes of presence and absence, from clamor to quietude, at once reticent and flamboyant. Matthew’s music has been called “lyrical, contrapuntal, rhythmically complex and highly nuanced” (The American Academy of Arts and Letters) and is noted for his “effervescent and at times prickly sounds,” “hypnotically churning exploration of melody” (ICareIfYouListen) as well as its “tart harmonies and perky sputterings” (The New York Times). He is a 2020 Gaudeamus Finalist and a 2019 Guggenheim Fellow.

    In 2018 Ricketts’ multilingual opera Chaakapesh: The Trickster’s Quest (written in collaboration with renowned Cree playwright Tomson Highway) opened the Montreal Symphony’s 84th season to great critical acclaim and went on to tour Indigenous communities throughout Québec.

    Matthew is the recipient of fellowships from Civitella Ranieri (2020/2021), The American Academy of Arts and Letters (2020), MacDowell (2019), the Tanglewood Music Center (2018 Elliott Carter Memorial Fellowship) and the Aspen Music Festival (2017), in addition to the 2016 Lili Boulanger Memorial Fund Prize, the 2016 Jacob Druckman Prize (Aspen Music Festival), the 2016 Mivos/Kanter Prize, the 2015 Salvatore Martirano Memorial Composition Award, a 2013 ASCAP Morton Gould Young Composer Award and eight prizes in the SOCAN Foundation’s Awards for Young Composers.

    Matthew holds degrees in music composition and theory from McGill University’s Schulich School of Music (B.Mus. 2009) and Columbia University (DMA 2017). Matthew’s principal mentors include Brian Cherney, John Rea, Chris Paul Harman, George Lewis and Fred Lerdahl. He was a Core Lecturer at Columbia University from 2017-2020.
    Musical excerpt:
    Adrift (2020), concerto for clarinet and orchestra
    Philharmonisches Staatsorchester Hamburg
    Rupert Wachter, clarinet
    Kent Nagano, conductor
    More about Matthew Ricketts

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    EPISODE CREDITS
    Podcast artwork photograph © 2019 Philippe Stirnweiss

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