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Kathryn MacDonald : Dr Jeff MacDonald Ft Bragg Murders
At 3:42 a.m. on February 17, 1970, dispatchers at Fort Bragg received an emergency phone call from MacDonald, who reported a "stabbing." Four responding military police officers arrived at his house located at 544 Castle Drive, initially believing that they were being called to settle a domestic disturbance. They found the front door closed and locked and the house dark inside. When no one answered the door, they circled to the back of the house, where they found the back screen door closed and unlocked and the back door wide open. Upon entering, they found Jeffrey's wife Colette and his daughters Kimberly and Kristen dead in their respective bedrooms.
Five-year-old Kimberly was found in her bed, having been clubbed in the head and stabbed in the neck with a knife between eight and ten times. Two-year-old Kristen was found in her own bed; she had been stabbed 33 times with a knife and 15 times with an ice pick. Colette, who was pregnant with her third child and first son, was lying on the floor of her bedroom. She had been repeatedly clubbed (both her arms were broken) and stabbed 21 times with an ice pick and 16 times with a knife. MacDonald's torn pajama top was draped upon her chest. On the headboard of her bed, the word "pig" was written in blood.[4][5][6]
MacDonald was found next to his wife alive but wounded. His wounds were not as severe nor as numerous as those his family had suffered. He was immediately taken to nearby Womack Hospital. MacDonald suffered cuts and bruises on his face and chest, along with a mild concussion. He also had a stab wound on his left torso that a staff surgeon described as a "clean, small, sharp" incision that caused his left lung to partially collapse. He was released from the hospital after one week.[7]
MacDonald's account
MacDonald told investigators that on the evening of February 16, he had fallen asleep on the living room couch. He told investigators that he did so because Kristen had been in bed with Colette and had wet his side of it. He was later awakened by Colette and Kimberly's screams. As he rose from the couch to go to their aid, he was attacked by three male intruders, one black and two white. A fourth intruder, described as a white female with long blonde hair and wearing high heeled boots and a white floppy hat partially covering her face, stood nearby with a lighted candle and chanted, "Acid is groovy, kill the pigs." The three males attacked him with a club and ice pick. During the struggle, he claimed that his pajama top was pulled over his head to his wrists and he then used it to ward off thrusts from the ice pick. Eventually, he stated that he was overcome by his assailants and was knocked unconscious in the living room end of the hallway leading to the bedrooms.[8]
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The shocking, definitive account of the lawyers and media tycoons who enabled the rise of Donald Trump, featuring new revelations from a Pulitzer Prize-winning Wall Street Journal team
With his blunt-force fame and the myths he’s propagated about himself, Donald Trump has always moved in a world of gossip barons, crooked lawyers, and porn stars. But when he became the Republican nominee for the presidency in 2016, all of these characters crawled out from the underbelly of Trump’s stardom and stumbled onto the global stage with him.
In The Fixers, Joe Palazzolo and Michael Rothfeld have produced a deeply reported and exquisitely drawn portrait of that world, full of secret phone calls, hidden texts, and desperate deals, unearthing the practice of “catch and kill” by which Trump surrogates paid hush money to cover up his affairs, and detailing Trump’s historic relationship with his fixers—from his early, influential relationship with Roy Cohn to his reliance on Michael Cohen, National Enquirer publisher David Pecker, and former New York mayor Rudy Giuliani. It traces the arc of their interactions from the 1970s through the 2016 campaign and beyond. It is a distinctly American saga that navigates the worlds of reality TV, cash-for-trash tabloids, single-shingle law shops, celebrity bashes, high-end real estate, pornography, and politics. The characters and settings of this book are part of a vulgar circus that crisscrosses the country, from New York to L.A. to D.C.
Terrifying, darkly comic, and compulsively readable, The Fixers is an epic political adventure in which greed, corruption, lust, and ambition collide, and that leads, ultimately, to the White House.
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The Last Undercover: The True Story of an FBI Agent's Dangerous Dance with Evil
Undercover FBI agent Bob Hamer knows the battle between good and evil is not just a great TV plot, but is waged daily on the streets of America. In this text he shares his role in the war and how he managed to keep faith and family first.
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The authoritative biography of the 60s countercultural icon who wrote SCUM Manifesto, shot Andy Warhol, and made an unforgettable mark on feminist history.
Too drastic, too crazy, too "out there," too early, too late, too damaged, too much—Valerie Solanas has been dismissed but never forgotten. She has become, unwittingly, a figurehead for women's unexpressed rage, and stands at the center of many worlds. She inhabited Andy Warhol's Factory scene, circulated among feminists and the countercultural underground, charged men money for conversation, despised "daddy's girls," and outlined a vision for radical gender dystopia.
Known for shooting Andy Warhol in 1968 and for writing the polemical diatribe SCUM Manifesto, Solanas is one of the most famous women of her era. SCUM Manifesto—which predicted ATMs, test-tube babies, the Internet, and artificial insemination long before they existed—has sold more copies, and has been translated into more languages, than nearly all other feminist texts of its time.
Shockingly little work has interrogated Solanas's life. This book is the first biography about Solanas, including original interviews with family, friends (and enemies), and numerous living Warhol associates. It reveals surprising details about her life: the children nearly no one knew she had, her drive for control over her own writing and copyright, and her elusive personal and professional relationships.
Valerie Solanas reveals the tragic, remarkable life of an iconic figure. It is “not only a remarkable biographical feat but also a delicate navigation of an unwieldy, demanding, and complex life story” (BOMB Magazine).
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