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40 years after the infamous Tate-LaBianca murder case of August 1969, Creation Books presents a definitive account of those killings and their perpetrators, the Charles Manson Family.
In this revised and updated edition of The Shadow Over Santa Susana, investigative journalist Adam Gorightly takes his readers on a black magic carpet ride from the Hollywood "Beautiful People" scene of the late 60's through to the vast desert landscapes of a Death Valley gone mad - with all the love-ins and murderous creepy-crawls that happened along the way. The result is the most complete document published to date on Manson and his "Love and Terror Cult", an illustrated kill-bible for the coffee-tables of all self-respecting true crime buffs, counter-culture freaks and aspiring teenage satanists.
Foreword by Mike Marinacci, author, Mysterious California, and co-author, Weird California. Includes over 100 photographic illustrations.
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DOUGLAS CADDY is an attorney in Houston, admitted to the Texas and District of Columbia Bars. He is a graduate of the Georgetown University School of Foreign Service and New York University Law School. He is the author of six books, three published by the Texas A&M University Press. His biography appears in Who’sWho in American Law, Who’sWho in America, and Who’sWho in the World.
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DOUGLAS CADDY is an attorney in Houston, admitted to the Texas and District of Columbia Bars. He is a graduate of the Georgetown University School of Foreign Service and New York University Law School. He is the author of six books, three published by the Texas A&M University Press. His biography appears in Who’sWho in American Law, Who’sWho in America, and Who’sWho in the World.
Memoir on Being the Original Attorney for the Watergate Seven
http://educationforum.ipbhost.com/ind...
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Follow the fascinating story of one man’s journey into the realm of the fantastic: the CIA-sponsored psychic spies with the ability to extend their consciousness to accurately describe targets not only half a world away but to look into the future as well. It all sounded like science fiction to John Herlosky after reading an expose by former member of the CIA’s Project Stargate, Dr. David Morehouse. Two years later, skeptical but intrigued by the possibilities implied, John entered the classroom of Dr. Morehouse to find out the truth—and never looked back. Sorcerer’s Apprentice is an autobiographical account of the author’s experience learning the CIA-sponsored scientifically validated form of extrasensory perception called “remote viewing.” The book chronicles the author’s journey from interested skeptic to operational remote viewer working his first mission as well as his former life as a police officer and private military contractor. He takes you on a journey from the crushing depths and pathos of the wreck of the Titanic to the fate of a downed pilot missing for 19 years from the first Gulf War. Witness the personal turmoil as the author’s long-held beliefs clash with the powerful implications of his experiences.
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Fuzz One is the staggering, outrageous, true story of a raucous and wholly unsupervised childhood in the Bronx of the 1970s. Through Vincent Fedorchak's hilarious deadpan narration of a wild existence wrought with adolescent braggadocio, we are taken on a rough journey through a deteriorating Bronx jungle-wonderland where property value was plummeting and kids ruled the streets. Whether executing a bizarre graffiti mission in another borough with all the insanity of a special ops soldier, fearlessly tracking down Satan-worshippers camped out in the old castles in Van Cortlandt Park, or being the first white boy inducted into the infamous Ebony Dukes street gang, Fedorchak never flinches. Filled with hundreds of never-before-published photos of graffiti art and Bronx cityscapes, as well as first-hand accounts of the exploits of legendary graffiti artists such as DONDI, BLADE, COMET, NOC 167, BOOTS 119, and others, Fuzz One is a guided tour of a heretofore uncharted Bronx underworld. This epic tale of youth gone awry fully captures an important era of cultural upheaval in New York City's history. It is set apart from other memoirs via the inclusion of more than 300 images, nearly all in color, that give the volume strong historical, anthropological and cultural appeal.
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