A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more.
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A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more.
newcriterion.com
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Roger Kimball, the Editor and Publisher of The New Criterion, discusses highlights of the February 2021 issue and reads from its opening pages.
James Panero, the Executive Editor of The New Criterion, discusses the history of Pennsylvania Station and the new Moynihan Train Hall in Manhattan.
In 1913, Vachel Lindsay wrote “General William Booth Enters into Heaven.” It speaks of the founder of the Salvation Army. Peggy Noonan cited this poem in a recent column. In 1914, Charles Ives set the poem to music. You will hear it in this episode. Also a Beatles concerto (yes), a rag by an early Metropolitan Opera soprano (yes), some American standards, and, at the end, transcendent Mahler. Jay plays off a good amount of reader mail. An amazingly eclectic, interesting episode. Shchedrin, Piano Concerto No. 1 Robison, “Think Well of Me” Rutter, “Beatles Concerto,” first movement Pinkard-Alexander-Mitchell, “Sugar” Ives, “General William Booth Enters into Heaven” Pinkard-Bernie-Casey, “Sweet Georgia Brown” Case, “Metropolitan Rag” Handel, “Rejoice greatly,” from “Messiah” Mahler, Symphony No. 2, “Resurrection”
Roger Kimball, the Editor and Publisher of The New Criterion, discusses highlights of the January 2021 issue and reads from its opening pages.
Jay has an assortment for you—some Bach, some jazz, some Russian, some French, a spiritual . . . It all ends with a thrilling “First Nowell.” Bach, “Jauchzet, frohlocket,” Christmas Oratorio Berlin, “White Christmas” Bach, “Nun seid ihr wohl gerochen,” Christmas Oratorio Gauntlett, “Once in Royal David’s City” Trad., “God Rest Ye Merry, Gentlemen” Chesnokov, “Gabriel Appeared” Trad., “Il est né, le divin Enfant” Trad., “Somebody Talkin’ ’bout Jesus” Trad., “The First Nowell”
James Panero, Benjamin Riley & Andrew L. Shea discuss the 2020 art issue and look ahead to 2021. Read “Albert Pinkham Ryder: isolato of the brush,” by Andrew L. Shea: https://newcriterion.com/issues/2020/12/albert-pinkham-ryder-isolato-of-the-brush Read Benjamin Riley’s interview with Clive Aslet & Dylan Thomas: https://newcriterion.com/issues/2020/12/an-interview-with-clive-aslet-dylan-thomas Read “Unmaking the met,” by James Panero: https://newcriterion.com/issues/2020/12/unmaking-the-met
This episode is a real smorgasbord—works, mainly short, by Domenico Scarlatti, Rachmaninoff, Duparc, Stravinsky, Jonathan Dove, and Jerome Kern, among others. A tasty, diverse spread. You may well want it all. Scarlatti, D., Sonata in G, K. 14 Rachmaninoff, Andante, Cello Sonata Duparc, Lento, Cello Sonata Lachenmann, “Five Variations on a Theme by Franz Schubert” Stravinsky, Piece for Solo Clarinet Shostakovich, Impromptu (for viola and piano) Dove, “Fair Ship,” from “Under Alter’d Skies” Kern-Tatum, “The Way You Look Tonight”
James Panero, the Executive Editor of The New Criterion, discusses the past, present, and future of the Metropolitan Museum of Art. https://newcriterion.com/issues/2020/12/unmaking-the-met
Roger Kimball, the Editor and Publisher of The New Criterion, discusses highlights of the December 2020 issue and reads from its opening pages.
In honor of the recent “blue moon,” Jay plays four songs about the moon—two classical, two popular. He also has some Quincy Jones, some Cannibal Corpse (yup), some Villa-Lobos, and some Bruckner. Complain if you will, but not about a lack of variety. Rodgers & Hart, “Blue Moon” Bellini, “Vaga luna, che inargenti” Dvořák, “Song to the Moon,” from “Rusalka” Howard, “Fly Me to the Moon” Jones, “The Streetbeater” Cannibal Corpse, “Frantic Disembowelment” Villa-Lobos, “Punch,” from “The Baby’s Family” Villa-Lobos, “Lullaby” from “The Baby’s Family” Bruckner, Symphony No. 4