The New Criterion Podcasts

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Music for a While #44: Stomping, singing, exulting May 07, 2021

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In this episode, Jay begins with some playing by Maxim Lando, a teenage pianist. There is also a solo-violin piece by John Corigliano: “Stomp.” At the end, Jay pays tribute to Christa Ludwig, one of the greatest singers of all time, who has passed away at 93. In a life of interviewing, he has been starstruck very few times, he says. He was by Christa Ludwig. Sibelius, Piano Sonata in F, Op. 12 Led Zeppelin / Maxim Lando, “Stairway to Heaven” Glazunov, finale, Symphony No. 5, “Heroic” Corigliano, “Stomp” Mancini, Theme to “Peter Gunn” Brahms, “Wie Melodien zieht es mir”

James Panero on “Man & beast” Apr 19, 2021

Show notes

James Panero, the Executive Editor of The New Criterion, reads the essay “Man & beast,” his reflections on the zoo from the May issue of The New Criterion.

Music for a While #43: Embraceability Apr 08, 2021

Show notes

This episode ends with “Embraceable You,” the Gershwin song—but in a piano arrangement by Earl Wild. An extraordinary thing. The episode begins with some Bach—the same piece, more or less, two different ways. Jay also has some music by Samuel Coleridge-Taylor, known by some as “the African Mahler.” There is a story, too, about French horn playing. Does your pulse race when you have a big solo? You bet it does. Much to savor here. Bach, Prelude in E minor from Book I of “The Well-Tempered Clavier” Bach-Siloti, Prelude in B minor Coleridge-Taylor, Clarinet Quintet in F-sharp minor, Op. 10, first movement Dove, “Departure,” from “Airport Scenes” Tchaikovsky, Symphony No. 5, slow movement Gershwin-Wild, “Embraceable You”

Roger Kimball introduces the April issue Apr 05, 2021

Show notes

Roger Kimball, the Editor and Publisher of The New Criterion, discusses highlights of the April 2021 issue and reads from its opening pages.

Adam Kirsch & James Panero “On ‘getting‘ poetry” Mar 29, 2021

Show notes

“Like many adult pleasures, poetry is an acquired taste. We don’t grow up surrounded by it, the way we do pop music and movies, whose conventions become second nature. Rather, poetry is to our usual ways of reading and writing as classical music is to pop, or as ballet is to dancing at parties.” That’s from “On ‘getting’ poetry,” a feature essay in the April 2021 issue by our poetry editor, Adam Kirsch. Adam joins James Panero to discuss the state of poetry and the special April poetry section, for which he served as lead editor.

James Panero on “Sublet with Bellini” Mar 22, 2021

Show notes

James Panero, the Executive Editor of The New Criterion, reads his essay from the April issue of The New Criterion on the rehanging of The Frick Collection in the former home of the Whitney Museum.

Roger Kimball introduces the March issue Mar 10, 2021

Show notes

Roger Kimball, the Editor and Publisher of The New Criterion, discusses highlights of the March 2021 issue and reads from its opening pages.

Music for a While #42: From a toast to a prayer Feb 28, 2021

Show notes

Jay begins with a toast from “La rondine,” Puccini’s opera; he ends with “The Lord’s Prayer,” sung by Leontyne Price on “The Ed Sullivan Show.” Lots in between, of course: including tributes to the jazz pianist and composer Claude Bolling; the jazz guitarist Pat Metheny; and the organist John Weaver. A delicious program. Puccini, “Bevo al tuo fresco sorriso,” from “La rondine” Fauré, “Reflets dans l’eau” Bolling, “Baroque and Blue,” from Suite for Flute and Jazz Piano Prokofiev, Piano Sonata No. 7 Metheny, “Have You Heard” Weaver, Variation on “Sine Nomine” Malotte, “The Lord’s Prayer”

Music for a While #41: Well-tempered and Catalan Feb 03, 2021

Show notes

What a strange title. What could it mean? That Jay addresses “The Well-Tempered Clavier” (both books), that masterpiece by Bach. And that he addresses music by Catalan composers. A successful mixture, we think you will find. Bach, Prelude and Fugue in C major, “The Well-Tempered Clavier,” Book II Montsalvatge, two songs from “Cinco canciones negras” Mompou, “Secreto,” from “Impresiones íntimas” Mompou, “Damunt de tu només les flors,” from “Combat del somni” Fábregas, Elisenda, “Pluja brodada,” from “Imitació del foc” Bach, Prelude and Fugue in F-sharp minor, “The Well-Tempered Clavier,” Book I Bach, “Gigue” Fugue in G major

Isaac Sligh & James Panero discuss Russia & beyond Jan 29, 2021

Show notes

James Panero, the Executive Editor of The New Criterion, sits down with Isaac Sligh, the 2020–21 Hilton Kramer Fellow, to discuss Isaac’s travels in the Russian Arctic and in the Caucasus Mountains of Georgia.

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