The Messy Studio with Rebecca Crowell

Latest Episodes:

Episode 210: Interview with Jason Matias Part II Jul 03, 2022

Show notes

Today we are excited to welcome Seattle-based artist, author, and educator Jason Matias back to the Messy Studio. We published the first part of this interview back in January, which focused on Jason's approach to the business side of art. We recorded a second interview that same day so that he could tell us more about his own art, and what it takes to make his striking photographs of the natural world. We are excited to share this second interview with you today.

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What's new at Cold Wax Academy?
Rebecca and Jerry are busy planning the Summer Quarter of their membership program which begins on July 13. These exciting sessions will explore Personal Voice and Composition and continue the topic of Professional Development with some special guests. Member Critiques and Painting Clinics, Cold Wax Academy's new feature, are ongoing. You can join the membership program anytime and catch up with past recorded sessions at your own pace. Please visit http://www.coldwaxacademy.com for more information

Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing info@coldwaxacademy.com. A dedicated Espacio website is coming soon!

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.

For more from The Messy Studio:
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For more from Rebecca Crowell:
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The Messy Studio Podcast is a Tick Digital Media Production.

Special Guest: Jason Matias.

Episode 209: Abstraction and Visual Ideas Jun 25, 2022

Show notes

Abstract artists are known for getting ideas for their work everywhere. If you notice someone taking a photo of a crack in the sidewalk or staring at a piece of rusted metal, chances are good that’s an abstract artist at work, collecting ideas for lines and colors and textures. Even if we don’t depict objects realistically in our work, we are constantly observing the world around us. Today we are talking about the process of gathering and using visual ideas in creating abstract art.

What do we mean by a visual idea in abstraction? It starts with observing something and then using that visual information in your work—not in the sense of literally reproducing it, as you might with realism, but translated into aspects of your abstract work. A visual idea can be thought of as a distillation of something you have observed that enters your abstract work in a way that is removed from its source. Visual ideas can spark imagination and serve as a point of departure into new ways of using techniques, composition, and the visual elements.

Many times, we take in visual information in an unconscious way, gazing at things without mush awareness or analysis or focus, and sometimes these images do come through as we work intuitively. But to use a visual idea consciously, it helps to observe consciously. In abstraction, visual ideas can be taken from any situation you are in—whenever something strikes us as visually interesting, if we have the time and focus to and intention to really examine it.

You are most likely already working with visual ideas if you are observant of the visual world. But it can be interesting to become more conscious or analytic about what you are staring at, at least every so often, and seeing what changes that may bring to your work. Nurturing visual ideas so that they grow their original source or in seeing how they appear in your work and that of others can be exciting and deeply creative.

Episode 208: Counterproductive Habits Jun 19, 2022

Show notes

Being productive in the studio means different things to each artist--but wanting to grow and achieve new levels in our work is basic to the creative process. Yet there are many practices and attitudes that work against productivity, causing frustration and creative blocks, and wasting valuable studio time. Today we will talk about some of these counterproductive situations and how to challenge them in your own studio practice.

If we consider that the definition of counterproductive is “tending to hinder the attainment of a desired goal” it makes sense to try to get a sense of what your own goals are for productivity. For example, some people work consistently for a certain number of days a week, while others are fine working in shorter spans of time that are available to them. Having a good sense of your own goals for productivity helps you recognize any habits that work against that. Counterproductive habits include procrastination, wanting the studio to be in perfect order, or failing to finish work. Overthinking is another major issue for many people, inhibiting their decision-making process, and getting in the way of intuitive flow in the studio.

An interesting perspective on these habits is that you don't have to be the same person in the studio as you are in the rest of life. By making your studio a refuge, separate from the rest of life, you may be able to shed personal counterproductive habits. When you walk into the studio, if you can leave the rest of life behind, shutting out the demands of normal life, you may find that you can better maintain your focus and do what feels exciting and right to you.

Anything that hinders your creative flow can be frustrating and slow your overall development. If art is a big part of your life, it makes sense to challenge attitudes and behaviors as they relate to what you do in the studio.

Right now Michael Harding Artist Oils are 25% off, and Blick disposable palette pads are also marked down!

Episode 207: Art and Aging Jun 11, 2022

Show notes

Many of our listeners to this podcast are in their older years, and the rest of us can only hope to find ourselves there one day. Aging brings with it many challenges—these are as specific and diverse as our own personalities and yet as common as anything else shared by millions of people. While physical abilities and stamina may decline for older artists, aging can also contribute to creative work in positive ways.

Many artists have the drive to keep going despite physical limitations because art is so central to their lives. They adapt to issues like fatigue, aches and pains, the need to be conscious of posture, or coping with sensitivity to the physical aspects or materials of studio work. Repetitive motions required by the art process and lifting and carrying heavy, awkward objects can be problematic.

But there are many very positive and healthy aspects to making art late in life that include not only the great satisfaction of creativity itself, but that support brain health and other aspects of aging well. These include the mental flexibility required to create, a sense of purpose that is part of a commitment to a studio practice, and the personal connections with other artists in the creative community. Artists often tend to connect across generations and other social barriers, recognizing what they have in common and learning from one another.

Art transcends many of the emotional problems of aging in ways that can balance out the more difficult aspects of aging. It is a way of connecting with the reality of the experience of aging. It can help us rise above a potentially negative situation, that of our bodies becoming slower, more painful, and restricted--and to express the more profound and beautiful aspects of a long life.

Right now Gamblin Gamsol Odorless Mineral Spirits are 25% off, and Blick disposable palette pads and artist tape are also marked down!

www.messystudiopodcast.com/blick

What's new at Cold Wax Academy?
Our Spring Quarter membership program is well underway with lots of information about working with Form and Content, and tips about Professional Development for artists at all stages of their careers. We are now looking ahead to our Summer session which begins on July 13. We're excited to be focusing on Personal Voice and Composition and we'll also be hosting some special guests to share more information about Professional Development. Member Critiques and Paintings Clinics, our new feature, are ongoing. You can join anytime and catch up with past recorded sessions at your own pace. Please visit http://www.coldwaxacademy.com for more information

As always, members have access to recordings of all previous sessions including everything from the first year, so it's easy to join anytime. Please visit http://www.coldwaxacademy.com for details about membership levels and to sign up for a year of exciting learning experiences.

Here is what a member named Sandy has to say about her own experience:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Episode 206: Dealing with Hard Times Jun 04, 2022

Show notes

We are really happy to be bringing this podcast episode to you this week, the first one after a long hiatus due to a very difficult situation in Ross's personal life. Today we’ll be talking about how the past few months have gone for us and offering some thoughts about how reconnecting with your creative practice is a solid and healthy step toward getting your life back on track.

Since late January, Ross has devoted all his time and energy to caring for his wife Kara during a long, difficult illness as well as caring for his newborn son, and he was unable to focus on anything outside of this. Like so many people who have had to deal with illness, family losses, job losses, and other challenges especially during the pandemic, he found it hard enough to cope with daily life, let alone do anything creative for self-fulfillment. In today's podcast we talk about these difficult situations and the importance of connecting again with your creative self.

Some suggestions for getting back on track in the aftermath include finding a way to fit your creative practice into a schedule, being patient with the time it may take to regroup, and finding it within yourself to commit to your practice again. Your creative work is so essential to your own strength and self-image that its important to not let that slip away completely.

There are many ways that negativity can impede getting back to creative work, though. We can get so used to living with ongoing difficulties and trauma that it is a huge emotional step to lose that outlook and move into a more positive future. Financial issues can also add to the overall pressure of the situation, especially if your income depends on your creative work.

Everyone and every situation is different. But the core idea here is commitment to your creative work. You can weather so much if you hold to the idea that in time, you will get back to doing what you love. Art has great power to heal and to sustain us in hard times.

Right now Gamblin Gamsol Odorless Mineral Spirits are 25% off, and Blick disposable palette pads and artist tape are also marked down!

www.messystudiopodcast.com/blick

Episode 205: A Brief Explanation For Our Recent Absence Feb 05, 2022

Show notes

Our audience is incredibly supportive, and we feel we owe you an explanation for our recent absence. It isn't fair to leave you completely out of the loop. Thank you for your continued support during this difficult time.

www.messystudiopodcast.com/blick

What's new at Cold Wax Academy? Rebecca and Jerry have an exciting Winter Quarter planned with a focus on working with cold wax medium using both abstract and realistic approaches. Members will enjoy opportunities to participate in portfolio reviews and critiques, and of course, engage with the ongoing weekly live sessions that explore featured topics in depth. Cold Wax Academy is the only online teaching platform devoted exclusively to deepening and developing your painting practice in every aspect. Lessons are centered on the range of uses for cold wax medium, but also include important insights and information about all other aspects of art practice. For information about joining this vibrant, international community of artists, and to learn more about cold wax medium, please visit http://www.coldwaxacademy.com

As always, members have access to recordings of all previous sessions including everything from the first year, so it's easy to join anytime. Winter Quarter begins January 5th. Please visit http://www.coldwaxacademy.com for details about membership levels and to sign up for a year of exciting learning experiences.

Episode 204: Jason Matias Interview - The Art of Selling Art Jan 15, 2022

Show notes

Today we are excited to welcome Jason Mathias to the Messy Studio. Jason is an experienced professional artist, an author, and an educator, who lives in a loft in the woods outside Seattle, Washington. Following seven years of military service, Jason pursued a bachelor's degree in business and a master's in organizational leadership and began to apply what he learned to his passion for photography. These days, in addition to his creating his own artwork, Jason runs the online teaching platform The Art of Selling Art, a membership site that teaches business skills, strategies, and practical approaches to the business side of art practice. His aim is to demystify the art world so that artists can sell more art. We're going to find out much more about what he has to offer other artists in today's episode.

Listeners who are struggling with pricing their work will find his comments on identifying and pricing to a target audience especially helpful. Jason offers other advice about remaining objective in marketing your work, and not allowing self-esteem issues, or other self-defeating habits and perceptions to interfere with your success.

This interview is available as both audio and video on our Facebook page.
Jason's website; https://www.jasonmatias.com/the-art-of-selling-art/home

Special Guest: Jason Matias.

Episode 203: Moving Forward in the New Year Jan 08, 2022

Show notes

The New Year is a traditional time to reflect on the past, set goals for the future, contemplate your current situation, and identify ways to move forward. Even if you are not someone who makes formal New Years' resolutions, most of us feel an underlying urge to take stock of what we’d like to improve upon or work toward in the coming year. Today we’ll talk about evaluating how things are going in the studio and in your art business, and what role your goals and insights may play in 2022.

Goals or intentions tend to fall into two categories that evoke quite different emotions and involve different approaches to reach--things that are problematic and need to be improved, and things that are basically positive and exciting. The first category-- issues and situations that you know you need to work on---can make you anxious and self-critical if you fail to improve. This can lead to a self-defeating loop if you believe you really are not capable of doing better. Instead, realizing what you've accomplished in the past to make progress on these issues, along with small steps you can take to move forward can be helpful.

The other type of goal involves ideas and plans that are exciting, that will help you grow and develop as an artist. These tend to feel energizing and motivating and are the heart of a dynamic art practice. Yet these ideas can also be easily neglected if we don't take them seriously. and implement steps to make them happen. Consider what projects you have abandoned despite your initial interest. What threads in your current work could be pursued in more depth if you give them time and focus? Is it the year for a workshop, artist residency, or a collaborative project? Are there ways you can improve your time management or studio set up to facilitate some new projects?

We all have things we can work on going forward, whether or not we take the New year as that opportunity. As much as anything this is a good time to consider your individual approach to setting and reaching goals, how it works best for you to make changes, in addition to any changes themselves. It is easy to fall into an all or nothing approach with goals and intentions and then feel discouraged and frustrated if you fall short. A middle way in which you accept some change even if you don't entirely succeed can keep you on track and moving forward.

Episode 202: Are You Overthinking? Jan 03, 2022

Show notes

We talk a lot on the podcast about the importance of thinking about your work—of identifying intentions, strategies for developing your ideas, describing your work, researching other artists, and practicing self-critique. All of these are important, but we never want to neglect the more intuitive side of an art practice. So much of what we do is the result of hunches, impulses, and flashes of insight. And the bottom line is that as visual artists, whatever we do needs more than intellectual underpinnings. Today we will talk about the balance of thinking and overthinking when it comes to making art.

Our intellectual function is very different from intuitive response. It's necessary to a point, and there is much to understand about art theory and practice that can enhance your work. But we need to remember that if we are visual artists the primary impact of what we do is visual, despite current trends in conceptual art. After all, we aren’t writing essays, arguing political points, or presenting purely intellectual ideas. The visual impact on our senses, emotions, or thoughts has a very long history in art as its most important function and is basically nonverbal.

Overthinking also can become a problem when we are actually making our work. To be open to intutive responses is especially important during the process of creating, when our productive flow is vulnerable to being interrupted by overthinking. How do we find some kind of balance of trusting our vision and impulses without second guessing and becoming stalled by too much thinking and analyzing?

Finding a rhythm of thinking and doing that works for you is key. Many artists work in a basically intuitive manner for the majority of a studio session, but pause periodically to step back and consider what is working and being expressed. Deeper thinking and intellectualizing may work best in those moments when find a natural point of separation—that is, before a session, afterward, or completely away from the studio. Taking time to play and experiment is also important and as much a component your work as anything more planned or time consuming.

As with many topics about art that we present on the podcast, overthinking is not as easy to avoid as it might seem. We do need a degree of thought and analysis sand finding a balance is a very individualized process. And we also need to accept and celebrate that much visual art is purely or predominantly visual in its impact. If your own work is not based in conceptual concerns, there is no need to make it seem so in how you describe it.

Episode 201: Social Media: Friends and Followers Dec 17, 2021

Show notes

Many of us enjoy social media as a convenient way to share our art with others, for the sense of community it offers, and the easy way it lets us keep up with people we seldom see in person. But artists who are not enthusiastic about social media can feel pressured into participating because of the benefits it offers, yet squeamish and awkward when they do. Today we’ll talk about the role of social media in art practice and how to find a comfort level with participating if you’ve been avoiding it.

Most artists have many friends who are much more like followers because this is how we tend to connect with an artist we like. Even though many artists have professional pages on Facebook, we don’t always think first of following them there when we are interested in an artist's work. Sending a friend request seems to be the default mode to connect.
As a result, your artist page, if you have one, may not really be getting nearly as much traffic as your personal page where you may have thousands of people listed as friends.

Our session today emphasizes the idea that you can consciously use social media to enhance your image as an artist. It is probably wise to exclude anything that may weaken the impact of your artwork. In fact it may discourage people to connect with you if they find your posts either uninteresting, too revealing, or in some way off-putting. ideally, you don't want to post things to your thousands of friends --many of whom are followers rather than personal connections--that will conflict with your image as a serious and focused artist.

Crafting a social media personal to emphasize your work is not presenting a false impression if what you do say is authentic. It's fine to keep large parts of your life private and when you do that, you allow your work to take center stage. It also relieves you rown anxiety about maintaining privacy.

How to navigate the world of social media is a personal decision, and there are plenty of opinions about how to do this. But in terms of enhancing your presence as an artist, consider that is may be best to treat it as a useful tool rather than a platform for a wide variety of topics. You can do a great deal to enhance your professional image of an interesting and thoughtful artist by being conscious of what you post as visible to everyone, especially if you have a lot of followers you don’t know as perosnal friends.

www.messystudiopodcast.com/blick

Rebecca and her partner Jerry McLaughlin are excited to be launching year two of Cold Wax Academy's membership program, which began in October of 2020. In the coming year, live online learning sessions will feature an entirely new set of topics---beginning with a deep dive into technique and the steps involved in developing a painting. Other topics for year 2 include professional development, abstraction and realism, principles of design, and expanded uses for cold wax medium.

As always, members have access to recordings of all previous sessions including everything from the first year, so it's easy to join anytime. Fall Quarter begins October 6th. Please visit http://www.coldwaxacademy.com for details about membership levels and to sign up for a year of exciting learning experiences.

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