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"The Tell-Tale Heart" is a short story by Edgar Allan Poe first published in 1843. It is told by an unnamed narrator who endeavours to convince the reader of his sanity, while describing a murder he committed.
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"Thirteen Phantasms" is a short story by Clark Ashton Smith. The work, which first appeared in the March 1936 edition of The Fantasy Magazine, tells of a series of strange visions that torment a sick man.
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"Skeleton Lake: An Episode in Camp" is a short story by British author, Algernon Blackwood. In the tale, men on a moose hunting trip in Canada find a dead man washed ashore at Skeleton Lake.
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"Sea Curse" by American author Robert E. Howard, first appeared in Weird Tales Magazine in May 1928. The magazine described the tale as follows: “John Kulrek and Lie-lip Canool felt the baneful force of the old woman’s curse—a weird tale of the sea.”
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"In the Dark" by Minnesotan author Ronal Kayser, first appeared in Weird Tales Magazine in August 1936. The story tells of man's desperate confession in the face of something strange and vengeful.
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"The Believers" is a short story by American speculative fiction writer, Robert Arthur, which first appeared in Weird Tales Magazine in July 1941. The story tells of a radio host who takes the decision to broadcast a live show from the confines of crumbling, haunted mansion.
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"The Resurrection of the Rattlesnake" is an October 1931 Weird Tales by the Californian author, Clark Ashton Smith. “A brief story of the terror that lurked in Avilton’s library and the tragic event that ensued.”
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"The Horror in the Museum" is a short story ghostwritten by H. P. Lovecraft for Hazel Heald in October 1932, published in 1933. The tale takes place in a private wax museum that specialises in the grotesque.
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"The Secret of Kralitz" is a Cthulhu Mythos short story by Henry Kuttner. The tale, which first appeared in Weird Tales in October 1936, was described as follows: “A story of the shocking revelation that came to the twenty-first Baron Kralitz.”
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"Witch In-Grain" is a macabre tale of black magic by the English writer, R. Murray Gilchrist, first published in the National Observer in 1893.
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