The Filmmaking Stuff Podcast

Latest Episodes:

3 Mental Shifts That Attract Film Financing Nov 04, 2025

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In this episode, we break down three essential mindset shifts every filmmaker needs before raising money for a movie: getting the right budget, building a valuable project, and developing market awareness. These aren’t just theories — they’re the difference between chasing investors and actually attracting them.

Listen now to learn how to rewire your mindset and make financing your next film feel possible.

After the Deal: What Sales Agents Do with Your Film Oct 30, 2025

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In this episode, we break down what happens after a sales agent signs your independent film. From preparing artwork and trailers to pitching buyers at major film markets like AFM and EFM, you’ll learn how deals are initiated and why the screener is the key to closing. Plus, we talk about how older films transition into library titles over time. If you’re a filmmaker navigating the distribution world, this episode is a must-listen.

Inside AFM: What Sales Agents Look For Oct 28, 2025

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In today’s episode, we break down exactly what sales agents look for in a finished film at markets like the American Film Market. From professional artwork and strong trailers to realistic expectations, you’ll learn how to stand out — and avoid the common mistakes that turn buyers off instantly. If you’re planning to pitch a film this year, don’t miss this insider advice!

Film Aggregator vs Distributor: Which One Actually Works? Oct 23, 2025

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In this episode, we dive into the pros and cons of using a film aggregator versus signing with a distributor. You’ll learn why aggregators can flood platforms with content, how distributors actively champion your film, and when it does make sense to self-upload. Perfect for indie filmmakers deciding how to release their next movie.

Completion Bonds Explained: What Filmmakers Need to Know Oct 21, 2025

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In this episode, we break down what a completion bond is, what it guarantees, and whether indie filmmakers actually need one. Learn how to protect your investors, avoid wasting budget, and keep more money on screen.

🎧 Perfect for producers and investors who want to understand the business side of filmmaking — without the fluff.

H.264 vs ProRes 422 — What Filmmakers Need to Know Oct 16, 2025

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When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.

Producer Credit Hierarchy Explained Oct 14, 2025

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Think you can be both Executive Producer and Producer on the same film? Think again. In this episode, Tom Malloy breaks down how the producer credit hierarchy really works — from “Produced by” to “Associate Producer” — and explains why doubling up credits is a rookie mistake. Perfect for filmmakers, investors, and anyone navigating film finance and production credits.

Which Film Festivals Actually Help You Sell Your Movie Oct 09, 2025

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Most filmmakers assume film festivals are where the deals happen — but the truth is, only a select few festivals actually help you sell your movie. In this episode, I break down the handful of A+ festivals that carry real industry weight, how genre festivals fit into the mix, and why film markets are still where the real money is made. Perfect for any indie filmmaker navigating the festival circuit.

The Biggest Pitch Meeting Mistake Filmmakers Keep Making Oct 07, 2025

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Every filmmaker thinks they’re great in meetings—until they lose a buyer’s attention.
In this episode, I break down the #1 mistake indie filmmakers make in pitch and sales meetings: talking too long.
Learn how to nail a two-minute pitch, make your presentation efficient, and leave with real next steps. Perfect for anyone getting ready for AFM, Cannes, or their next distributor meeting.

Deliverables Demystified: How to Prep Your Film for Distribution Oct 02, 2025

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In this episode, I break down the real film deliverables distributors and sales agents expect. Forget the outdated “wish list” and focus on the essentials: ProRes 422 masters, DME tracks, captions, stills, and trailers. If you’ve got a distribution deal or you’re aiming for one, this is the episode that will save you time, money, and stress.

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