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    TV & Film

    The Film Comment Podcast

    Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.

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    Latest Episodes:
    Toronto 2022 #4, with Adam Nayman, Vadim Rizov, and Beatrice Loayza Sep 16, 2022
    Show notes

    As we head into the last weekend of the 2022 Toronto Film Festival, Film Comment Co-Deputy Editor Devika Girish welcomes Adam Nayman (critic and certified Toronto native), Vadim Rizov (director of operations at Filmmaker Magazine), and Beatrice Loayza (associate web editor at the Criterion Collection) to talk about some of the major titles from this year's lineup, including The Fabelmans, Dry Ground Burning, Women Talking, Glass Onion: A Knives Out Mystery, The Whale, and the Bulgari ad directed by Paolo Sorrentino that plays before every TIFF screening.


    Toronto 2022 #3, with Madeline Whittle and Mark Asch Sep 15, 2022
    Show notes

    We’re reporting this week from one of the major film events of the fall: the Toronto International Film Festival, which runs from September 8 to 18. Throughout this year’s festival, we’ll be on the ground, covering all the highlights (and lowlights) from the lineup with a rotating crew of critics and special guests. For our third podcast dispatch from Toronto, Film Comment Co-Deputy Editor Devika Girish is joined by Film at Lincoln Center programmer Madeline Whittle and critic Mark Asch to talk about Laura Poitras’s All the Beauty and Bloodshed, Davy Chou’s Return to Seoul, Rebecca Zlotowski’s Other People's Children, Sam Mendes’s Empire of Light, and more.


    Toronto 2022 #2, with Chloe Lizotte, Cristina Nord, and Beatrice Loayza Sep 14, 2022
    Show notes

    We’re reporting this week from one of the major film events of the fall: the Toronto International Film Festival, which runs from September 8 to 18. Throughout this year’s screening, we’ll be on the ground, covering all the highlights (and lowlights) from the lineup with a rotating crew of critics and special guests. For our second dispatch from the Tim Horton–studded mean streets of Toronto, Film Comment Co-Deputy Editor Devika Girish welcomes Cristina Nord (head of the Berlinale Forum), Chloe Lizotte (editorial manager at MUBI Notebook), and Beatrice Loayza (associate web editor at the Criterion Collection) to talk about some of their favorites from the fest, including Alice Diop’s Saint Omer, Marie Kreutzer’s Corsage, Lars von Tier’s The Kingdom Exodus, Vera Drew’s The People’s Joker, Moyra Davey’s Horse Opera, Stéphane Lafleur’s Viking, and more.


    Mathieu Amalric & Vicky Krieps on Hold Me Tight Sep 13, 2022
    Show notes

    Hold Me Tight, the latest directorial venture from actor and filmmaker Mathieu Amalric, is a riveting, kaleidoscopic entry to the canon of movies about women on the verge. The film, which opened on September 9, features Vicky Krieps as Clarisse, a young mother on the run who may—or may not, depending on your reading of the story—be going through indescribable grief. The actor turns in a performance of mesmerizing fluidity and mystery, as Amalric’s elliptical storytelling keeps the audience guessing about the nature of Clarisse’s reality. Last week, Film Comment Co-Deputy Editors Clinton Krute and Devika Girish welcomed the director and star for a Film Comment Live talk about their new movie, the narrative and cinematic balancing act of depicting a mind in flux, the film’s imaginative use of music, and much more.


    Toronto 2022 #1, with Jordan Cronk, Inney Prakash, and Bedatri Choudhury Sep 12, 2022
    Show notes

    Once again we’ve arrived at that special time of year known as festival season. Today we kick off our coverage of one of the fall’s major film events, the Toronto International Film Festival, which runs from September 8 to 18. Throughout this year’s festival, we’ll be on the ground, covering all the highlights (and lowlights) from this year’s lineup, alongside our rotating crew of critics and special guests. First up, Film Comment Co-Deputy Editor Devika Girish welcomes critics and programmers Jordan Cronk, Inney Prakash, and Bedatri Choudhury to discuss Jafar Panahi’s No Bears, Daniel Goldhaber’s How to Blow Up a Pipeline, Joanna Hogg’s The Eternal Daughter, the experimental Wavelengths shorts program, and more. Stay tuned for more from the Tim Horton–studded mean streets of Toronto!


    Fall 2022 Rep Report, with Gina Telaroli, Inney Prakash, and Steve Macfarlane Sep 06, 2022
    Show notes

    This week, Clint surveys the wealth of cinematic delights on offer this fall across repertory calendars, both in person in New York City and online. To guide him through the thicket of newly rediscovered gems, lost classics, and thematic programs, he is joined by three experts: critic and filmmaker Gina Telaroli; Inney Prakash, programmer and founder of the Prismatic Ground festival; and Steve Macfarlane, programmer at Spectacle Theater and department assistant at the Museum of Modern Art. They discuss Anthology Film Archives’ ongoing Imageless Films series, the upcoming Hugo Fregonese and Beth and Scott B retrospectives at MoMA, the online series Spectral Grounds: Black Experimental Film, and much more. Check the show notes on filmcomment.com for more information.


    The Future of Attention, with Kevin B. Lee Sep 01, 2022
    Show notes

    At this year’s Locarno Film Festival, Film Comment Co-Deputy Editor Devika Girish participated in a fascinating experimental event called “The Future of Attention”, curated by Rafael Dernbach, a researcher at the Universita della Svizzera italiana. A continuous 24-hour live talk moderated by three hosts—including Devika—and involving a new guest each hour, the event began at noon on August 10 and went on all the way to noon on August 11. Attendees were invited to sit, lounge, or even sleep in the audience as and when they wished. The idea was to not just discuss the workings of attention in contemporary film and media culture, but also to actively experience and challenge the various forms our attention may take over a sustained period of time. We hope you’ve been following along the last two weeks as we’ve shared excerpts from Devika’s hosting shift at the event, featuring conversations with filmmaker Helena Wittman, curator Giovanni Carmine, this year’s Golden Leopard–winner Julia Murat, and others. Our final episode is with a guest who has a job like no other: it’s Kevin B. Lee, Professor for the Future of Cinema and the Audiovisual Arts at Locarno Film Festival and USI. Kevin joined Devika to close out the 24-hour event with a fascinating discussion on how labor, pleasure, and the special state of attention that we call cinema. Listen to the complete series here: https://www.filmcomment.com/blog/category/podcast/the-future-of-attention/


    The Future of Attention with Hito Steyerl Aug 30, 2022
    Show notes

    Welcome to the Film Comment Podcast! I'm Devika Girish, the Co-Deputy Editor of Film Comment. Recently, I was at the Locarno Film Festival in Switzerland, where I participated in a fascinating experimental event called The Future of Attention, curated by Rafael Dernbach, a researcher at the Universita della Svizzera Italiana. It was a continuous 24-hour live talk, moderated by 3 hosts—including yours truly—and involving a new guest each hour. The event began at noon on August 10, and went on all the way to noon on August 11, with attendees invited to sit, lounge, or even sleep in the audience when they wished. The idea was not just to discuss the workings of attention in contemporary film and media culture but also to actively experience and challenge the various ways in which we pay attention over a sustained period of time. We hope you’ve been following along the last two weeks as we’ve shared excerpts from Devika’s hosting shift at the event, featuring conversations with filmmaker Helena Wittman, curator Giovanni Carmine, this year’s Golden Leopard–winner Julia Murat, and others. Next up is a very exciting guest: artist, filmmaker, and critic, Hito Steyerl, who talks about teaching on Minecraft during the pandemic, maintaining techno-optimisim in very pessimistic times, and the distinction between attention and voyeurism.


    The Future of Attention, with Julia Murat Aug 25, 2022
    Show notes

    At this year’s Locarno Film Festival, Film Comment Co-Deputy Editor Devika Girish participated in a fascinating experimental event called “The Future of Attention”, curated by Rafael Dernbach, a researcher at the Universita della Svizzera italiana. A continuous 24-hour live talk moderated by three hosts—including Devika—and involving a new guest each hour, the event began at noon on August 10 and went on all the way to noon on August 11. Attendees were invited to sit, lounge, or even sleep in the audience as and when they wished. The idea was to not just discuss the workings of attention in contemporary film and media culture, but also to actively experience and challenge the various forms our attention may take over a sustained period of time. Over the next two weeks, we’ll be sharing excerpts from Devika’s hosting shift at the event, which featured some exciting guests: filmmakers Helena Wittmann and Kamal Aljafari; curator Giovanni Carmine; this year’s Golden Leopard–winner, Julia Murat; artist Hito Steyerl; and scholars Kevin B. Lee and Noa Levin, among others. Today's episode features the Brazilian filmmaker Julia Murat, whose film, Rule 34, won this year’s Golden Leopard. Check back here for our next episode from “The Future of Attention” at the Locarno Film Festival, featuring filmmaker and writer Hito Steyerl.


    The Future of Attention, with Noa Levin and Giovanni Carmine Aug 23, 2022
    Show notes

    At this year’s Locarno Film Festival, Film Comment Co-Deputy Editor Devika Girish participated in a fascinating experimental event called “The Future of Attention”, curated by Rafael Dernbach, a researcher at the Universita della Svizzera italiana. A continuous 24-hour live talk moderated by three hosts—including Devika—and involving a new guest each hour, the event began at noon on August 10 and went on all the way to noon on August 11. Attendees were invited to sit, lounge, or even sleep in the audience as and when they wished. The idea was to not just discuss the workings of attention in contemporary film and media culture, but also to actively experience and challenge the various forms our attention may take over a sustained period of time. Over the next two weeks, we’ll be sharing excerpts from Devika’s hosting shift at the event, which featured some exciting guests: filmmakers Helena Wittmann and Kamal Aljafari; curator Giovanni Carmine; this year’s Golden Leopard–winner, Julia Murat; artist Hito Steyerl; and scholars Kevin B. Lee and Noa Levin, among others. Today’s conversation explores the spaces and infrastructures of attention with Levin and Carmine, the director of Kunsthalle St. Gallen and the curator of Art Basel's Unlimited Section.


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