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    Arts

    The Ensemblist

    The Ensemblist celebrates the performances and careers of ensemble performers, recognizing the unique contributions they bring to the theatrical landscape. Thanks for eight great years of sharing the stories of Broadway’s unsung heroes!

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    Copyright: ©2013-2019 The Ensemblist. All rights reserved.

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    Latest Episodes:
    #473 - The Addams Family (Rock Ridge High School - feat. Anthony Cimino-Johnson, Rebekah Hess) Feb 10, 2021
    Show notes

    In learning about how The Addams Family found popularity after its initial professional mountings, I wanted to dig one level deeper. Thanks to Jim Hoare at Theatrical Rights Worldwide, I had learned why the show was a popular choice for amateur and student groups.

    Beyond all of the reasons a school would choose The Addams Family, I wanted to know about their experience producing the show: How did their mountings vary from the professional production I had heard about, both those in the U.S. and around the world? And were these students able to experience a kind of joy working on the show that I didn’t experience in the Broadway company?

    Luckily, Jim himself was able and willing to connect me with one of the first high schools to produce an amateur production of The Addams Family: Rock Ridge High School in Ashburn, Virginia. A thriving theatre program with not one, but two full time theatre teachers, Rock Ridge produced the show as its fall musical in the 2017-2018 school year. And lucky for me, I was able to speak to both of those theatre teachers about how their students experienced the show...

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    #230 - Seeking Representation (feat. Aisha Jackson) Feb 06, 2021
    Show notes

    Hailing from Atlanta, Georgia, Aisha Jackson has been a constant presence on Broadway stages for the last five years. Starting as a swing on Beautiful and then creating one of the ensemble tracks in Waitress, this month she finishes her run as the Anna standby in Frozen on Broadway. She joined me in the studio to talk about her experiences as an actress of color, particularly in taking on characters created by her cauasian counterparts. Here’s our conversation...

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    #470 - Tony Telecasts (1999 - Fosse, The Civil War, It Ain’t Nothin But the Blues, Parade) Part 2 Feb 05, 2021
    Show notes

    The 53rd Annual Tony Awards were held at the Gershwin Theatre on June 6, 1999. Unlike every other award ceremony we’ve discussed in this miniseries, the show did not have a formal host. Heading into the ceremony, the closed Lincoln Center Theatre production of Parade led the pack with nine nominations. Following closely behind was the eventual winner for Best Musical: Fosse. Also in the running for Best Musical were It Ain’t Nothin But The Blues and The Civil War with four and two nominations, respectively. In the race for Best Revival of a Musical were You’re a Good Man, Charlie Brown and Little Me with four nominations, and Annie Get Your Gun with three nominations, followed by Peter Pan with a singular nomination, for Best Revival.

    The 1998-1999 Broadway season found itself in a very tumultuous time in US history. Smack-dab in the middle of President Bill Clinton’s second term in office, domestically the country was facing a multitude of newsworthy events: among them were the impeachment and acquittal of said president in the scandal involving Monica Lewinsky, the brutal murder of Matthew Shepard in Laramie, WY, and the mass school shooting in Columbine, CO that would sadly become the first of a number of school shootings in the nation, in what the Washington Post would eventually refer to as a “uniquely American crisis” in 2018. Abroad the world was embroiled in the Kosovo War, which permeated the American zeitgeist as well.

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    #469 - Chris Chats With (feat. Brittany Campbell, Phil., Leo Manzari, Hailes Meecah, J. Hasan, Ari Grooves, Britton & The Sting, Joshua Henry) Feb 04, 2021
    Show notes

    Black History Month… let’s do it. Today I do not want to go on and on and saturate you with more sad news. Key word of the day is celebrate, so we shall do such. The rest of this episode is a party, so go grab your drinks and relax. After a moment of silence for all those we’ve lost, please enjoy the stylings of DJ Malcolm Flex featuring the work of up-and-coming Black artists.

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    #468 - The Addams Family (Student Productions, feat. Jim Hoare) Feb 03, 2021
    Show notes

    In my conversations with the original creative team of The Addams Family, I was learning how the show was refined and restructured to become a success on tour and around the world. But this wasn’t bridging the gap between these professional productions and the success the show has seen in schools and non-professional settings. So I reached out to the folx who were in charge of sharing The Addams Family with legions of schools across North America: Theatrical Rights Worldwide.

    With a mission to cultivate and extend the production life of musicals to all theatrical marketplaces, TRW is responsible for licensing amateur productions of theatrical properties to student and amateur producers across the country and (in fact, as their name suggests) the world. I spoke with Jim Hoare, their Executive Vice President of Education and Community Initiatives about how the show became a part of the TRW catalogue. A former high school theatre teacher himself, he has directed over one hundred shows and musicals, including the first high school production of Once On This Island and the world’s first production of Les Miserables, School Edition. Over the phone, Jim shared expert knowledge of what has made The Addams Family such a popular choice for amateur licensing. Here’s our conversation...

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    #467 - Tony Telecasts (1999 - Fosse, The Civil War, It Ain’t Nothin But the Blues, Parade) Part 1 Feb 02, 2021
    Show notes

    The 53rd Annual Tony Awards were held at the Gershwin Theatre on June 6, 1999. Unlike every other award ceremony we’ve discussed in this miniseries, the show did not have a formal host. Heading into the ceremony, the closed Lincoln Center Theatre production of Parade led the pack with nine nominations. Following closely behind was the eventual winner for Best Musical: Fosse. Also in the running for Best Musical were It Ain’t Nothin But The Blues and The Civil War with four and two nominations, respectively. In the race for Best Revival of a Musical were You’re a Good Man, Charlie Brown and Little Me with four nominations, and Annie Get Your Gun with three nominations, followed by Peter Pan with a singular nomination, for Best Revival.

    The 1998-1999 Broadway season found itself in a very tumultuous time in US history. Smack-dab in the middle of President Bill Clinton’s second term in office, domestically the country was facing a multitude of newsworthy events: among them were the impeachment and acquittal of said president in the scandal involving Monica Lewinsky, the brutal murder of Matthew Shepard in Laramie, WY, and the mass school shooting in Columbine, CO that would sadly become the first of a number of school shootings in the nation, in what the Washington Post would eventually refer to as a “uniquely American crisis” in 2018. Abroad the world was embroiled in the Kosovo War, which permeated the American zeitgeist as well.

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    #466 - Creativity in Coronavirus (Dreamgirls on Clubhouse - feat. Leroy Church) Feb 01, 2021
    Show notes

    What is Clubhouse? Leroy Church, associate producer on the Clubhouse production of Dreamgirls, gives us an inside look at creating theatre on an emerging app with some on Broadway's greatest performers. What has brought Sheryl Lee Ralph, Marisha Wallace, Gerald Caesar, Amber Riley, Kayla Davion, Raena White, Jelani Remy, Nick Rashad Burroughs and more to this show?

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    #465 - The Shows We Need (Soft Power - feat. Raymond J. Lee) Jan 29, 2021
    Show notes

    Today, actor Raymond J. Lee talks about the Grammy nominated off Broadway show Soft Power. Host Michael Fatica was blown away by how cleverly it deals with super touchy topics about race, democracy, traditional theatre and more.

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    #464 - The Addams Family (International Productions, feat. Steve Bebout. Dontee Kiehn) Jan 28, 2021
    Show notes

    In my journey to chronicle the transformation of The Addams Family musical through its many incarnations, I was starting to understand what made the show so unique. Most first national tours are essential replicas of the Broadway production, but The Addams Family’s was not.

    Launching in the fall of 2011, the touring version of the show turned the focus onto the family, including a wedding in the curtain call. It changed the primary conflict from between Wednesday and her parents to between the parents themselves, as I learned from the show’s co-writer Rick Ellis.. It included a lot of new music and musical staging for both Gomez and Morticia that highlighted that conflict, as I heard from associate choreographer Dontee Kiehn. And it doubled down on the humor, adding as many jokes as could fit into the script and staging said associate director Steve Bebout.

    And those changes worked. All three of those original creative members - Rick, Dontee and Steve - said that the continued clarification of the script, score and staging made the national tour an unequivocal success. Chris Jones of the Chicago Tribune wrote, “It’s hard to think of another show that has been revised so heavily and, for the most part, successfully, by its admirably indefatigable original authors and composer.”

    But I started to wonder… was all that success a fluke? Was the tour just a success in comparison to what had come before? So I delved into the show’s next professional stagings, international productions with the same design, staging and style as the show’ national tour. Lovingly referred to as “replica productions,” the first international production opened in Sao Paulo Brazil in 2012, transferring to Rio de Janeiro the following year. Also in 2013, two replica productions were mounted in Australia and Argentina. The final replica production opened in Mexico City the following year. And luckily for my research, both original associate choreographer Dontee Kiehn and original associate director Steve Bebout were involved in mounting many of them...

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    #231 - Can We Award Ensembles? (feat. Celia Keenan-Bolger) Jan 26, 2021
    Show notes

    We're celebrating the birthday of one of our favorite leading ladies, Celia Keenan-Bolger. She is a four-time Tony Award nominee, winning for Best Featured Actress in a Play in 2019 for To Kill A Mockingbird. Beloved in the New York theatre community for almost twenty years, her first theatrical award was in 2005 for Outstanding Ensemble Performing in The 25th Annual Putnam County Spelling Bee. Celia joined me in the studio to talk about her experience - both winning and not winning awards - and how a Best Ensemble Award is the closest to what made her love theatre in the first place. Here’s our conversation...

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