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    Arts

    The Ensemblist

    The Ensemblist celebrates the performances and careers of ensemble performers, recognizing the unique contributions they bring to the theatrical landscape. Thanks for eight great years of sharing the stories of Broadway’s unsung heroes!

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    Copyright: ©2013-2019 The Ensemblist. All rights reserved.

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    Latest Episodes:
    #486 - Reopening Theatre (Come From Away Australia - feat. Daniel Goldstein) Mar 01, 2021
    Show notes

    In this episode, host Kerstin Anderson talks with Daniel Goldstein, the associate director of Come From Away. He was one of the first theatre practitioners in the world to reopen theatre following the shutdown. He talks with Kerstin about traveling to Melbourne Australia to reopen the show, how the theatremaking experience was modified to keep people safe, as well as both the joy and trauma he believes theatregoers will experience as they are allowed to watch live performances once again

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    #484 - Rent: Measured in Love (feat. Rodney Hicks) Feb 25, 2021
    Show notes

    Actor and playwright Rodney Hicks’ RENT journey began 25 years ago at New York Theatre Workshop, when he was just 21 years old. In 2007, Rodney would return to the Nederlander and take on the role of Benny, a part he once understudied a decade prior. Rodney can be seen as Benny in 2008’s RENT: Filmed Live on Broadway, a pro-shot of RENT’s final performance of the original Broadway production.

    Please enjoy our one-on-one with Rodney Hicks as he memorializes his early memories in the show, his personal journey of self growth and discovery, and what RENT means to him.

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    #483 - Reopening Theatre (Frozen Australia - feat. Charlie Williams) Feb 24, 2021
    Show notes

    Choreographer and performer Charlie Williams is no stranger to The Ensemblist, nor is he a stranger to Disney’s mega musical, Frozen, which closed on Broadway last May, but has sparked new life internationally. Charlie has played a critical role in Frozen’s legacy, as both an ensemble performer and Associate Choreographer. When it came to mounting the show in Sydney, Australia, where audiences and performers can finally return to in-door gatherings and performance spaces, Charlie was the obvious choice to step in and train the show’s newest crop of ensemblists.

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    #482 - Aladdin (feat. Michael Callahan, Jacob Gutierrez, Heather Makalani) Feb 23, 2021
    Show notes

    Disney’s Aladdin, beloved animated classic turned hit musical, opened on Broadway at the New Amsterdam theater in March of 2014, directed and choreographed by Casey Nicholaw with score by Alan Menkin, Howard Ashman, Tim Rice and Chad Beguelin. Featuring both iconic songs originally written for the animated movie as well as some brand new tunes, it received five Tony nominations, and gave James Monroe Iglehart his first Tony win. Ho Audiences have been dazzled, not only by 100,000’s of swarovski crystals, but the timeless story of street-rat to prince, and trapped princess turned independent woman. Since then the magic of Agrabah has been brought all over the world and to every corner of North America!

    On today’s episode, we share some of our favorite stories from members of the Broadway and national tour casts of Aladdin, originally shared on the podcast or on our blog.

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    #480 - Tony Telecasts (1984 - Baby, La Cage aux Folles, Sunday in the Park with George, The Tap Dance Kid) Part 2 Feb 19, 2021
    Show notes

    The 38th Annual Tony Awards was hosted by Julie Andrews and Robert Preston on June 3, 1984. Presented at the Gershwin Theatre, current home of the long-running Wicked, the show featured three medleys dedicated to composers: John Kander and Fred Ebb, Jerry Herman and Stephen Sondheim. Heading into the ceremony, two musicals were virtually tied for the most nominations: Sunday in the Park with George with 10 nominations and La Cage aux Folles with nine. Baby and The Tap Dance Kid followed behind with seven nominations each. This season there were no musicals nominated for Best Revival.

    The 1983-84 Broadway season spanned a time with many notable events. Marking the final year of President Ronald Reagan’s first term, 1984 found itself a leap year, an election year, and a Summer Olympics year, which the US hosted in Los Angeles, CA; in an internationally petty move, our long-time Cold War rivals, The Soviet Union, boycotted those games. This season also saw the creation of the federal holiday to commemorate the legacy of Dr. Martin Luther King, Jr., with Reagan having signed its originating bill the previous November. This year also would see the founding of Canada’s famed entertainment company, Cirque du Soleil.

    In New York, one of the largest events to take place, and it is mentioned in the telecast, is that A Chorus Line makes history as the longest running musical on Broadway; after eight years, and 3,389 performances, A Chorus Line broke the record on September 29th, 1983. It would continue to hold that record until 1997, when it was overtaken by Cats. Today it holds the Number 7 spot on the list of longest running Broadway musicals, surpassed only by Phantom, the Chicago revival, The Lion King, the original production of Cats, Wicked, and the original production of Les Miserables.

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    #478 - The Addams Family (Legacy - feat. Steve Bebout, Rick Ellis, Rebekah Hess) Feb 17, 2021
    Show notes

    Following the journey of The Addams Family has been surprising. Before I started, I wasn’t even sure the original creative team would want to go on record with me about the show’s tumultuous development. And yet, their gracious excitement to jump back into the world of The Addams Family showed me something that I hadn’t experienced as a member of the Broadway cast: many people like this show.

    First and foremost on that list was book co-author Rick Elice, who enjoyed getting his hands dirty as he wrote and rewrote the book to uncover clearer and more specific obstacles for his characters. Also on that list were Dontee Kiehn and Steve Bebout who, after closing the Broadway and national tours, went on to stage many, many well-received productions of the musical around the globe. And then there were those who are mounting the show now: the teachers and students creating little Addams Families of their own all across the country.

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    #477 - Tony Telecasts (1984 - Baby, La Cage aux Folles, Sunday in the Park with George, The Tap Dance Kid) Part 1 Feb 16, 2021
    Show notes

    The 38th Annual Tony Awards was hosted by Julie Andrews and Robert Preston on June 3, 1984. Presented at the Gershwin Theatre, current home of the long-running Wicked, the show featured three medleys dedicated to composers: John Kander and Fred Ebb, Jerry Herman and Stephen Sondheim. Heading into the ceremony, two musicals were virtually tied for the most nominations: Sunday in the Park with George with 10 nominations and La Cage aux Folles with nine. Baby and The Tap Dance Kid followed behind with seven nominations each. This season there were no musicals nominated for Best Revival.

    The 1983-84 Broadway season spanned a time with many notable events. Marking the final year of President Ronald Reagan’s first term, 1984 found itself a leap year, an election year, and a Summer Olympics year, which the US hosted in Los Angeles, CA; in an internationally petty move, our long-time Cold War rivals, The Soviet Union, boycotted those games. This season also saw the creation of the federal holiday to commemorate the legacy of Dr. Martin Luther King, Jr., with Reagan having signed its originating bill the previous November. This year also would see the founding of Canada’s famed entertainment company, Cirque du Soleil.

    In New York, one of the largest events to take place, and it is mentioned in the telecast, is that A Chorus Line makes history as the longest running musical on Broadway; after eight years, and 3,389 performances, A Chorus Line broke the record on September 29th, 1983. It would continue to hold that record until 1997, when it was overtaken by Cats. Today it holds the Number 7 spot on the list of longest running Broadway musicals, surpassed only by Phantom, the Chicago revival, The Lion King, the original production of Cats, Wicked, and the original production of Les Miserables.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #228 - Seeking Representation (feat. Bradley Gibson) Feb 13, 2021
    Show notes

    Bradley Gibson made his Broadway debut as a swing on the 2014 musical adaptation of Rocky. Since then, he created the role of Tyrone in A Bronx Tale The Musical and is currently storming the Pridelines as Simba in Broadway’s The Lion King. He joined me in the studio for a candid conversation about how race has played into his career thus far, and where he sees opportunities for better representation on Broadway stages. Here’s our conversation...

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    #475 - The Shows We Need (SpongeBob SquarePants - feat. Oneika Phillips) Feb 12, 2021
    Show notes

    This week, we’re talking about a musical that host Michael Fatica's middle school self would have loved - Spongebob Squarepants. I bet you’re thinking that it's just a musical for kids, but in his conversation with Oneika Phillips, she turns that misconception upside down. We chat about fake news, racism against squirrels, and so much more.

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    #474 - Creativity in Coronavirus (When The Lights Are Bright Again - feat. Andrew Norlen, Stephanie Bissonnette, Brittany Conigatti, Jake Ryan Flynn, Amanda LaMotte, Kevin Raponey, Gabriella Sorrentino) Feb 11, 2021
    Show notes

    Nearly one year ago, Broadway went dark, leading to the longest emergency shutdown in Broadway’s 150 year legacy. Born out of this extended intermission have been a handful of grassroots movements to support those impacted within the theatre community. “When The Lights Are Bright Again,” by and for Broadway professionals, is a creative response to the shutdown, with 90% of proceeds benefiting The Actors Fund.

    We are privileged to present six touching letters to be featured in “When The Lights Are Bright Again,” immortalizing this unprecedented time in history.

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