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On Broken Projector, screenwriter Geoff LaTulippe and movie critic Scott Beggs dole out interesting angles on movie culture, talk to prominent filmmakers and debate topics of gargantuan importance.
Vimeo has launched a new distribution channel for creators, and a major studio is using Kickstarter. It's been quite a week for the future of film financing.
In this episode, we'll talk with Vimeo VP for Creative Development Blake Whitman about Vimeo On Demand, and then Operation Kino co-hosts Matt Patches and Da7e Gonzales join us for a four-way conversation about whether Warner Bros. getting into the crowdfunding game with Veronica Mars is good, bad or ugly.
For more from us on a daily basis, follow the show (@brokenprojector), Geoff (@drgmlatulippe), Scott (@scottmbeggs), Patches (@misterpatches) and Da7e (@da7e) on the Twitter. And, as always, we welcome your feedback.
Rhythm and Hues and several companies at the top of their game have now gone bankrupt; hundreds protested outside the Oscars; the Jaws theme added insult to injury; and it all adds up to the VFX industry being in trouble. But how can something so central to modern filmmaking be struggling to stay alive? If blockbusters earn billions on the back of stunning CGI wizardry, why are the best in the business failing?
Industry veteran Jim Hillin joins us to explain it all in simple terms and to offer a few solutions in the face of a complex, dire situation. Plus, Geoff and Scott share a few big visual effects moments that changed movies by delivering real magic.
For more from us on a daily basis, follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on the Twitter. And, as always, we welcome your feedback.
Nerdist's Alison Haislip joins us this week as we get our hands dirty solving the deep-seeded problem of video game movies. They're pretty much all terrible, but it doesn't have to be that way! They can all be better! Alison explains why they need an Iron Man moment, and we give Hollywood studios permission to take video game stories seriously.
For more from us on a daily basis, follow the show (@brokenprojector), Geoff (@drgmlatulippe), Scott (@scottmbeggs) and Alison (@alisonhaislip) on the Twitter. And, as always, we welcome your feedback.
With painted-on Tuxedos and a foolish bet about who can accurately predict more Oscar winners, we set out to discuss the Academy Awards with the lucky benefit of hindsight. We'll be borrowing expertise from Guy Lodge of HitFix's In Contention blog for a look into how this year shapes up (and what the future may bring).
Plus, one of us is going to be drunkenly reciting the opening monologue from Patton next week. It all comes down to who wins for Best Achievement in Costume Design.
Charlie Day joins us this week to talk about the inventive offensiveness of It's Always Sunny in Philadelphia as well as what it was like to play a hipster scientist for Guillermo del Toro's Pacific Rim.
Plus, Sasha Grey gives us some romance tips after scaring us in Would You Rather, Craig Mazin shares the creation of four Identity Thief script pages, and we answer a listener question about finding viable production partners.
That's a lot of ground to cover, and we're all hung over on discount champagne, so let's get started.
There were far too much news stories about Star Wars this week. It was a shock and awe campaign of rumors, half-truths and legitimate plans that all pointed to Disney making 29 new films featuring all our favorite characters for the next 200 years. To help dig through it all, Full of Sith podcast host Consetta Parker and Jovial Jay from TheForce.net join us to explain whether a movie about Yoda, Boba Fett or Han Solo should shoot first.
Plus, Identity Thief screenwriter Craig Mazin explains how to make an uninteresting character interesting, and Geoff and I tackle a listener question about overcoming the fears of rejection and failure by talking about our own biggest failures.
If you want to sell a movie script, you've got to get in the room. But what do you do once you get there? Geoff answers a listener question by explaining what you need to do when prepping a pitch and presenting it to producers (all of whom are throwing knives at you as you speak).
Plus, we kick off Oscar Month, celebrating the 99th anniversary of Oscar royalty Charlie Chaplin's appearance in film, and Scott engages in an insightful discussion with How to Survive a Plague director David France about his Academy Award-nominated AIDS documentary.
This week on the show, Scott and Geoff discuss Shane Carruth's 9-year hiatus as a viable career option, get some thoughts on Upstream Color from Rob Hunter at Sundance and talk to up-and-coming actor Micah Hauptman about his first big break in the movie Parker.
Plus, in the main event, short filmmaker Aaron Morgan (No Way Out) and Aint It Cool's Eric "Quint" Vespe stop by to discuss the legacy of two titans of filmmaking, asking the all-too-important question: In 50 years, will Steven Spielberg overtake Alfred Hitchcock as the more popular icon of movies?
We praise Girls, a show we hate, and Kate Erbland helps us understand the genuine love for Lena Dunham's terribly average HBO series.
Plus, Broken City director Allen Hughes talks shooting fast, celebrating 20 years of Menace II Society and why he loves crime dramas, and Geoff explains a truly despicable "management" scam that aspiring screenwriters need to protect themselves against.
Don't get suckered. Listen now.
Scott debates HitFix's Drew McWeeny over which Raiders of the Lost Ark sequel is the best, Geoff and Scott pitch two historical wrongs they want Quentin Tarantino to right, Film School Rejects' Rob Hunter reviews Gangster Squad, and Louie is forced to take his kids to the comedy clubon a school night.
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