The Beatles Films Podcast

Latest Episodes:

One to One: John & Yoko Apr 17, 2025

Show notes

First question about this new documentary from Kevin Macdonald and Sam Rice-Edwards: is there anything new in it? It's a resounding yes: we discuss the framing device the film uses to evoke the chaos and political turmoil of Nixon-era early 1970s America. One big selling point for the film is also the archive of recorded phone calls between John Lennon, Yoko Ono, Allen Klein, May Pang, and other assistants, and we look at what this reveals about them. And it's interesting to note that this seems remarkably free of airbrushing: there are editorial decisions made here that don't flatter John or Yoko, and we talk about what this means for the creative direction of the Lennon estate.

As of mid-April 2025, the film is out in UK cinemas. See where it's showing near you: https://shorturl.at/eFZyD
Watch the trailer: https://youtu.be/oxagfYjeMV4
Details of the live box set to be released in 2025: https://www.noise11.com/news/john-lennon-reissue-for-2025-will-be-9-disc-live-box-set-20250407

Meet the Beatles Films Podcast

The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.

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Sam Mendes' four-film Beatles cinematic event: cast announcement Apr 04, 2025

Show notes

Sam Mendes has his cast, then: Harris Dickinson as John Lennon, Paul Mescal as Paul McCartney, Barry Keoghan as Ringo Starr, and Joseph Quinn as George Harrison. What do we think of the official cast announcement? Can fans get past the idea that not every actor looks exactly like the Beatle he's playing? What do these actors' other performances suggest they could do with the Beatles story? Plus we discuss the release strategy, now it's seemingly confirmed that all four films will be released in the same month. How will this work?

Some of the other films we mention here if you want to check out the actors include Dickinson in Triangle of Sadness, currently on BBC iPlayer: https://www.bbc.co.uk/iplayer/episode/m002645p/triangle-of-sadness
The Banshees of Inisherin, with Barry Keoghan, on Disney+: https://www.disneyplus.com/en-nz/movies/the-banshees-of-inisherin/7Cj38ALjonSC
The wonderful All Of Us Strangers, with the double McCartney impact of Paul Mescal and Lennon Naked's Andrew Scott, on Disney+: https://www.disneyplus.com/en-gb/movies/all-of-us-strangers/3J3PiHRIdy65
Mescal's Oscar-nominated turn in Aftersun, on BBC iPlayer: https://www.bbc.co.uk/iplayer/episode/m001w9pm/aftersun

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The Beatles: Eight Days a Week – The Touring Years (part 2) Mar 17, 2025

Show notes

We finish off this season with a look at the film's use of footage that's been colourised from black and white. Was this done, as Iain Lee suggested to Ed on his Talk Radio show in 2016, because American audiences don't like black and white? We think there's a bit of mileage in that: more specifically that the brief here was to present this footage to a new audience with a bit of sheen. We also discuss talking heads in the film like Eddie Izzard, and look at what they contributed, as well as some who appear only in the Blu-ray extras, like Paul Greengrass.

Here's the full audio of the eight-minute call Ed made to Iain Lee's radio show after they'd both seen Eight Days a Week in the same screening, August 2016: https://youtu.be/dOggLQlN8GU
The film we mention coming to IMAX briefly in April 2025 is One to One: John and Yoko: https://www.imax.com/en/gb/movie/one-to-one-john-and-yoko

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The Beatles: Eight Days a Week – The Touring Years (part 1) Mar 10, 2025

Show notes

Has Ron Howard's 2016 documentary effectively been superseded by other films since? Probably the first official Apple film to be released as part of the Beatles legacy project, it's very polished and pays a lot of respect to fan culture, in particular teenage girls. But nine years on, does it cover too much of the same ground as other films, like Beatles '64, to be significant?

You can rent the film online in a few places: https://www.justwatch.com/uk/movie/the-beatles-eight-days-a-week-the-touring-years or pick up the two-disc Blu-ray for the special features, which really complement the film as we discuss.
The detail about Matt White's role in originating the idea for the film comes from this article by his friend David Royle, written after White passed away: https://documentarytelevision.com/case-study/in-memory-of-matt-white-david-royles-tribute-to-the-late-archivist-and-producer/
Read Ed's review from 2016: https://www.theshiznit.co.uk/review/the-beatles-eight-days-a-week--the-touring-years.php
Watch the trailer: https://youtu.be/0fFyZzqPDws
The clip of teenage fans at Shea Stadium in 1965, one of whom may or may not be Meryl Streep: https://youtu.be/x6aNSHLg18Y

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Doctor Who: The Devil's Chord Mar 03, 2025

Show notes

The coming together of two great British cultural institutions feels fated, but how well did Russell T. Davies pull it off? We look, of course, at how accurate they've been when it comes to Beatle detail, and in particular at the characterisations of John Lennon and Paul McCartney. Matt, a Whovian, explains how this episode fits into the canon and how this season of Doctor Who compared tonally to others, while Ed, who thinks he might have seen a couple of the Christopher Eccleston ones 20 years ago, mainly just listens.

Watch the episode on BBC iPlayer if you're in the UK and have a licence: https://www.bbc.co.uk/iplayer/episode/m001z8c7/doctor-who-season-1-2-the-devils-chord
Or on Disney Plus if not: https://www.disneyplus.com/series/doctor-who/1ml73V6phgyZ
Some clips of the a non-Eccleston Doctor playing a Beatle (identities revealed in the episode): https://youtu.be/cOzmhlgwM4E
Hear the Beatles-related Doctor Who audio story, Fanfare for the Common Men, on the "Into the TARDIS" podcast: https://shows.acast.com/into-the-tardis/episodes/doctor-who-1963-fanfare-for-the-common-men-part-1

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Yesterday (1985 Polish film) Feb 24, 2025

Show notes

We look at Radoslaw Piwowarski's Beatles-themed film, which won the Golden Shell at the 1985 San Sebastián International Film Festival. It's the story of teenagers in 1964 communist Poland trying to forge an identity through their love of the Beatles. We talk about cinema behind the Iron Curtain (the Polish People's Republic was under communist rule both in the story and when the film was released) and what that means for freedom of expression, both for the filmmakers and the characters. Is the Beatles' music, which we hear in the film, treated with a special reverence given how it was contraband to the characters? And as the boys are forced to have haircuts we talk about the cultural significance of the Beatles' hair and what that meant in a regime where signifiers of rebellion were more dangerous than in the West.

Watch the film on YouTube with English subtitles: https://youtu.be/ymPnya34a4g
The poster with the four shaved heads we mention is the one we've used for this episode's image (albeit with our logo photoshopped in)
Bruce Channel's Hey Baby from 1959, which briefly popularised the harmonica, a craze which helped with the Beatles' early popularity: https://youtu.be/ik9dxkKriV0
Some more information on El Cóndor Pasa, the folk song popularised by Simon & Garfunkel but which has versions in lots of countries: https://en.wikipedia.org/wiki/El_C%C3%B3ndor_Pasa_(song)

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John Lennon: Murder Without a Trial Feb 17, 2025

Show notes

We weren't big fans of this 2023 Apple TV+ documentary series: it's prurient and invasive, and in the parts where it suggests conspiracy theories but then does nothing to back them up, it's pretty irresponsible. We discuss the techniques it uses in the context of the contemporary true crime boom, and ask whether we'd have liked it more if we had no personal investment in John Lennon's murder. Could it have achieved more by doing what it briefly threatens to, and framed itself around how thinking around criminality and mental illness, and gun control in the United States, has moved on since 1980?

Watch it on Apple TV+: https://tv.apple.com/gb/show/john-lennon-murder-without-a-trial
RFK Must Die: The Assassination of Bobby Kennedy: https://youtu.be/7H8ZV7QrVZY
Netflix film Amanda Knox: https://www.netflix.com/title/80081155
News of the World journalist Paul McMullan defending phone hacking on BBC Newsnight in 2011: https://youtu.be/ZV9Sh_R3wB4
The documentary Ed mentions is Active Shooter: America Under Fire: https://www.justwatch.com/uk/tv-series/active-shooter-america-under-fire
Kenneth Womack's John Lennon 1980: The Last Days in the Life: https://kennethwomack.com/books/beatlesbooks/john-lennon-1980-the-last-days-in-the-life/
John's surgeon Dr David Halloran in the BBC radio series "I Was": https://www.bbc.co.uk/programmes/b08tfsqb
Paul McCartney was interviewed on the March for Our Lives on 24 March 2018: https://en.wikipedia.org/wiki/March_for_Our_Lives

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Sextette Feb 10, 2025

Show notes

Ringo Starr's film career includes the odd misstep, of course, but this 1978 vehicle for Mae West is often cited among the worst films ever made. And fair enough, it's not great. But Ringo is the best thing in it: we talk about how he brings his whole self to the role, further evidence of how committed he was to making acting his primary career at this point in his life. And there are other Beatles connections: Dom DeLuise sings the Lennon/McCartney song Honey Pie in the film, and of course there's the small matter of the cover of Sgt Pepper's Lonely Hearts Club Band.

Watch the film: https://youtu.be/_d7y_ai5oy8
The YouTube supercut of Mae West's best lines we mention: https://youtu.be/FJS670okmZc
If you like one-star reviews, here are the two of Ed's we mention in the episode: What To Expect When You're Expecting: https://www.theshiznit.co.uk/review/what-to-expect-when-youre-expecting.php
And Maniac: https://www.theshiznit.co.uk/review/maniac.php
The bottle episode of Friends we mention is season 3, episode 2, The One Where No One's Ready, which you can watch on Netflix or just close your eyes and recite the entire thing in your head because it's all in there somewhere.

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Rupert and the Frog Song Feb 03, 2025

Show notes

Paul McCartney's 1984 short animated film was a project he'd been planning for years: buying the film rights to the Rupert the Bear character was the first thing he did after leaving The Beatles. The more you get into it, the more you realise the extent of his passion for it. Released alongside Give My Regards to Broad Street in cinemas, the film also serves as a music video for We All Stand Together, also known as The Frog Song. We start by discussing the song: why was it for so long the watchword for "embarrassing Uncle Paul", and how does it measure up today now that image is largely shed? Paul's voiceover work is also worth getting into: it serves the story rather than acting as a showcase for him, and we contrast this with the approach to Broad Street. And with Ringo Starr doing the Thomas the Tank Engine voiceover, and George Harrison writing the foreword to the 1990 book The Secret Life of Sooty, we look at the relationship between psychedelia and the childlike.

Watch the 13-minute film: https://youtu.be/WfEyEp62-l4
You can also get it on the DVD Paul McCartney: The Animation Collection, which also includes Tuesday and Tropic Island Hum
Here's George's foreword to the Sooty book: https://harrisonstories.tumblr.com/post/176977529878/the-secret-life-of-sooty-1990-foreword-by-george
An episode of The Magic Roundabout, which ran on the BBC from 1965 to 1977: https://youtu.be/J2ihhAVLSIk
The similar scenes Ed mentions in which the main character watches a secret ritual from an elevated vantage point, both from films released around the same time as this, are from Indiana Jones and the Temple of Doom (1984): https://youtu.be/ftHyM_KSgE0
And Young Sherlock Holmes (1985): https://youtu.be/QzahXAGAL9I
You can also listen to our episode on Give My Regards to Broad Street in this feed

Meet the Beatles Films Podcast

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An Accidental Studio Jan 27, 2025

Show notes

An Accidental Studio is the story of HandMade Films, the production company set up by Beatle George Harrison and his business partner Denis O'Brien, which produced or distributed Monty Python's Life of Brian, Time Bandits, The Long Good Friday, Withnail and I, and Mona Lisa. We discuss George's contribution and what it says about his creative instincts. He seems to have been very happy to trust creative people with more film expertise than he to make the films. Was this good creative sense or commercial naivety? What does the film tell us about Denis O'Brien, whom George later sued for financial mismanagement, and about investors wanting to make creative decisions?

If you're in the UK you can currently watch An Accidental Studio on ITVX: https://www.itv.com/watch/an-accidental-studio/10a6252a0001B. If not, you can rent it very cheaply on various platforms.
A playlist of the songs recorded by George Harrison for the soundtracks of Time Bandits and Shanghai Surprise, later used mainly on Cloud Nine. https://youtube.com/playlist?list=PL6VJrPcjROto7LZO6-CVzJtcqAp4osHVk