Two film writers and Fab Four fans discuss movies and TV about, starring, and inspired by The Beatles: John Lennon, Paul McCartney, George Harrison and Ringo Starr.
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Two film writers and Fab Four fans discuss movies and TV about, starring, and inspired by The Beatles: John Lennon, Paul McCartney, George Harrison and Ringo Starr.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: © Ed Williamson and Matt Looker
1972's Imagine was part-longform music video for John Lennon's Imagine and Yoko Ono's Fly albums, and part-bonkers conceptual art film. We try and get to the bottom of it: does it mean anything, and does a work of art's meaning have to be intentional in order to be, well, meaningful? Plus some key themes: mass isolation, intimacy in celebrity, male femininity through submission: sure, why not?
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
We love an iconic Beatle interview, and here's one: the first time two Beatles had been interviewed together on TV since the band split up. It's fascinating for a few reasons. We talk about Ringo's alcoholism (he went into rehab later that year), and how George gently prevents his drunk friend from going too far. Plus some discussion of the When We Was Fab video, which George was there to promote. Was Paul McCartney in the walrus costume? And was Michael Aspel the founder of the Traveling Wilburys?
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
Based on Lars Saabye Christensen's 1984 book, a huge success in Norway, it's another coming-of-age story! Why does teenage Beatles fandom dovetail so well with this genre? We look at the use of music in the film, which secured the rights to use a few Beatles songs, as well as how successfully it marries up the four teenage boy characters with their respective Beatles.
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
Given a short cinema release in April 2026, this film remixes and restores John Lennon and Yoko Ono's 1972 One to One concerts at Madison Square Garden, New York, John's only full-length post-Beatles concerts. We look at the context: this is shortly after the release of Sometime in New York City, an album which hadn't gone down well with fans or critics. Does this explain the audience's seeming relief at hearing songs from other albums? We also look at Yoko Ono as an "anti-rock" vocalist, and discuss Imagine: as this was its only concert performance by its author, did the song escape the singalong anthem status it might otherwise have had?
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
In 1972, Paul McCartney's original 1961 Höfner bass guitar went missing. Then he got it back! Is there enough for a whole BBC documentary in it? Well, as we'll see, this film tells the story very well, but maybe the story itself is a bit unsatisfying. Still, a decent line-up of talking heads, including Paul himself, Klaus Voormann and Elvis Costello. What's not to like? Especially if you're into watching Klaus act out the middle section from A Day in the Life for no obvious reason.
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
Morgan Neville's new documentary, released in conjunction with MPL and with Paul McCartney's cooperation, covers the 1970s and what Paul did next after leaving The Beatles. It could've been a hagiography. But anyone who's seen it will have noticed it allows a lot more criticism of Paul than you'd expect. We look at the reasons for this and the effect of it: is this a Paul acknowledging his shortcomings, or just taking the opportunity to frame the narrative around them? We also discuss the effect of Sean Ono Lennon's contribution to the film, and whether it constitutes some public validation for Paul about his relationship with John Lennon.
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
Time for some wild speculation, now we've got a lot of the Beatle wives and fifth Beatle candidates' casting confirmed. We look in particular at Saoirse Ronan as Linda McCartney, and discuss the film Foe, in which she and Paul Mescal played a couple living in an isolated setting. A bit like Paul McCartney and Linda's Scottish farmhouse exile? We've been watching lots of films featuring the cast too, and we look at what their performances suggest they'll bring to these roles. Does the casting of high-profile actors to play wives and Beatle family members suggest big roles for them, and does this in turn suggest these films will have a focus on the band's home lives, and how fame affected them?
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
Happy Christmas! Let's have a look at Dave Mullins' film, co-written with Sean Ono Lennon, which won Best Animated Short Film at the 2024 Oscars. We discuss the animation techniques, including use of the Unreal Engine, and talk about how John Lennon and Yoko Ono's Christmas song Happy Xmas (War Is Over) came about in 1971, and how it came to be used in the film.
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
What did we expect from the new episode? Well: the big decision here is not to include any new interviews with Paul McCartney and Ringo Starr from the 2020s. We discuss the effect that decision has on this episode, and on how it rounds off the series as a whole. Does the episode work as a general making-of-Anthology, or as a patchwork of unused clips from the other eight episodes? And is there any more Threetles footage to come, or is that your lot?
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on:
Hosted on Acast. See acast.com/privacy for more information.
They couldn't let it lie, could they? Well, fair enough: The Beatles Anthology felt like a sleeping giant for Apple: gathering dust on a lot of fortysomethings' DVD shelves when it could be out there, brand spanking new and showing a whole new generation how great these guys were.
And of course these episodes have been altered: we talk about what's new, and what's been removed and why. Plus there's the subject of the AI upscaling of some of the early performance footage: what effect does it have and what are the implications?
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