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    Arts

    The Archive Project

    In partnership with Oregon Public Broadcasting, Literary Arts is building a retrospective of some of the most engaging talks from the world’s best writers over the first 40 years of Portland Arts & Lectures in Portland.

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    Latest Episodes:
    High Stakes: Rebellion & Resistance Nov 01, 2020
    Show notes
    The 2020 Portland Book Festival, presented by bank of america, will take place November 5-21, and will be presented virtually with most events available to view for free. For more information, including our lineup of authors & presenters, visit: literary-arts.org/pdxbookfest

    In this episode of The Archive Project, we revisit a panel discussion from the 2019 Portland Book Festival. The panel, titled High Stakes: Rebellion & Resistance, features Young Adult (YA) authors April Henry, Tehlor Kay Mejia, and Renée Watson, with moderator Emily Suvada. The three authors’ books center on young women who find themselves in precarious situations in which they must decide whether or not to take the risk and step up to the fight—be the fight against an active shooter, a corrupt regime, or a high school principal.

    The joy of reading these works and listening to these authors in conversation is that they all meet their young characters where they are. This is a conversation about activism and the role of art, the meaning of community and family, and about the sometimes indirect and messy ways we arrive at new levels of awareness of who we are, and who we want to be.

    For more information about the books discussed in this episode:
    Run, Hide, Fight Back by April Henry
    We Set the Dark on Fire by Tehlor Kay Mejia
    Watch Us Rise by Renée Watson

    “You can be an activist and still have flaws and still have some learning to do. That’s an important part of learning how to advocate for people. You don’t have to be perfect, you just have to be willing to learn and open to listening.” – Renée Watson

    “I want people who read my books to feel like they could do brave things even if they don’t feel brave. You don’t have to feel brave to act bravely.” – April Henry

    “It’s okay to love your culture and love your people but also want your expression of that identity to evolve.” – Tehlor Kay Mejia

    April Henry is the New York Times bestselling author of many acclaimed mysteries for adults and young adults, including the YA novels Girl, Stolen,The Night She Disappeared, Face of Betrayal co-authored with Lis Wiehl, and Run, Hide, Fight Back. She is from Oregon.

    Tehlor Kay Mejia is an Oregon native and the author of the YA novels We Set the Dark on Fire and We Unleash the Merciless Storm and the middle grade novel Paola Santiago and the Drowned Palace. Her short fiction has appeared in the All Out and Toil & Trouble anthologies from Harlequin Teen.

    Renée Watson is a New York Times-bestselling author, educator, and activist. Her young adult novel, Piecing Me Together received a Coretta Scott King Award and Newbery Honor. Her books include Ways to Make Sunshine, Some Places More Than Others, This Side of Home, What Momma Left Me, Betty Before X, cowritten with Ilyasah Shabazz, and Watch Us Rise, cowritten with Ellen Hagan, as well as two acclaimed picture books: A Place Where Hurricanes Happen and Harlem’s Little Blackbird, which was nominated for an NAACP Image Award. Renée grew up in Portland, Oregon, and splits her time between Portland and New York City.

    Emily Suvada was born and raised in Australia, where she went on to earn a degree in mathematics. She previously worked as a data scientist, and still spends hours writing algorithms to perform tasks which would only take her minutes to complete on her own. When not writing, she can be found hiking, cycling, and conducting chemistry experiments in her kitchen. The third book in her This Mortal Coil series, This Vicious Cure, was released in winter 2020. She currently lives in Portland, Oregon, with her husband and son.


    Marissa Meyer & Tochi Onyebuchi (Rebroadcast) Oct 25, 2020
    Show notes
    The 2020 Portland Book Festival, presented by bank of america, will take place November 5-21, and will be presented virtually with most events available to view for free. For more information, including our lineup of authors & presenters, visit: literary-arts.org/pdxbookfest

    Deadly Magic: Vengeance, Justice, and Destiny – a discussion on fantasy writing and craft from the 2018 Portland Book Festival. Secrets, magic, and extraordinary powers run through two fantastical YA series. Marissa Meyer, author of the Lunar Chronicles, presents a new world in the Renegades series. Book two, Archenemies, finds Nova, our heroine, confronted with the possible destruction of Gatlon City and the world as she knows it. In Tochi Onyebuchi’s debut series, Beasts Made of Night, a young man, Taj, finds himself at the center of a dark conspiracy. The sequel, Crown of Thunder, has Taj on the run and questioning his true identity. Moderated by Alicia Tate of Multnomah County Library.

    I would read a lot of science fiction and fantasy growing up, but I didn’t see anybody who looked like me having these adventures, or falling in love, or saving the day. And to be able to see that in a book now, I think, is part of that relief [found in reading fantasy]. Because you’re living in this world that’s taking every opportunity to tell you that you don’t matter, but then you can crack open this book and you can see that you’re the love interest, like somebody who looks like you is the love interest, somebody who looks like you is the hero. That’s a very important element [of writing] for me.

    Onyebuchi

    Marissa Meyer is the #1 New York Times-bestselling author of The Lunar Chronicles series, as well as the Wires and Nerve graphic novels and The Lunar Chronicles Coloring Book. Her first stand-alone novel, Heartless, was also a #1 New York Times bestseller. She visited the Portland Book Festival with Archenemies, the fiercely awaited second installment of her Renegade Trilogy, after the New York Times-bestselling Renegades.

    Tochi Onyebuchi holds a BA from Yale, an MFA in screenwriting from Tisch, a master’s degree in global economic law from L’institut d’études politiques, and a JD from Columbia Law School. His writing has appeared in Asimov’s Science Fiction and Ideomancer, among other places. His most recent book is Crown of Thunder (Beasts Made of Night #2). Tochi resides in Connecticut, where he works in the tech industry.

    Alicia Tate is a Multnomah County librarian with a focus on teen librarianship. Alicia graduated from the Information School at the University of Washington. As a member of the My Librarian service at the Multnomah County Library, she offers reading recommendations focused on YA fiction and graphic novels, especially in the genres of horror and scientific fiction.


    Look Closer: Poetry & Myth Remaking Oct 18, 2020
    Show notes

    In this episode of The Archive Project we revisit an event that took place at the 2019 Portland Book Festival. The panel, titled Look Closer: Poetry & Myth Remaking, features poets Sally Wen Mao, Paisley Rekdal, and Jake Skeets, with moderator Dao Strom.

    Myths come in many forms. There are the formal myths of different cultures such as gods and heroes, the creation of the world; there are national myths that define countries; and also childhood myths, family myths and personal myths. All are stories that attempt to explain some aspect of the world, and can come to guide our beliefs about who we are.

    In this conversation, these three poets question who is given voice in our myths and why. What has been left out? Their work questions the received interpretation, and wisdom, of these stories. In some case re-writes them from a different perspective to reveal new meanings. And in this way, these poets are doing the important work of re-interpreting our assumptions about our past, to help us understand the present.

    For more information about the books discussed in this episode:
    Oculus by Sally Wen Mao
    Nightingale by Paisley Rekdal
    Eyes Bottle Dark with a Mouthful of Flowers by Jake Skeets

    Sally Wen Mao is the author of a previous poetry collection, Mad Honey Symposium. Her work has won a Pushcart Prize and fellowships at Kundiman, George Washington University, and the New York Public Library Cullman Center.

    Paisley Rekdal is the author of six collections of poetry, in addition to three nonfiction and hybrid-genre books. Her honors include being named Utah’s Poet Laureate.

    Jake Skeets is Black Streak Wood, born for Water’s Edge. He is Diné from Vanderwagen, New Mexico. He holds an MFA in poetry from the Institute of American Indian Arts. Skeets is a winner of the 2018 Discovery/Boston Review Poetry Contest and has been nominated for a Pushcart Prize. Skeets edits an online publication called Cloudthroat and organizes a poetry salon and reading series called Pollentongue, based in the Southwest. He is a member of Saad Bee Hózhǫ́: A Diné Writers’ Collective and currently teaches at Diné College in Tsaile, Arizona.

    Dao Strom is the author/musician of two books of fiction and the hybrid-forms memoir We Were Meant to Be a Gentle People plus music album East/West. She is also the author of a bilingual poetry book You Will Always Be Someone From Somewhere Else. Dao’s work has received support from RACC, the National Endowment for the Arts, the Precipice Fund, and the Creative Capital Foundation. She is the editor of diaCRITICS and co-founder of the collective She Who Has No Master(s).


    Colson Whitehead & Yaa Gyasi (Rebroadcast) Oct 11, 2020
    Show notes

    In this episode of The Archive Project, Colson Whitehead and Yaa Gyasi discuss the intersection of race and fiction. In his novel, The Underground Railroad, Whitehead explores a world in which the infamous Underground Railroad is not a euphemism, but a reality—a subterranean railroad system connecting alternate versions of America in each state along its route. In Homegoing, Gyasi tells the story of one family, spread over 250 years and split by the slave trade across two continents. Both Whitehead and Gyasi use fiction as a tool to get at larger truths about race, slavery, and their legacies in America and abroad. This discussion is moderated by Rukaiyah Adams.

    “I didn’t have to force comparisons between law enforcement in 1850 and 2015; the language that I would use to describe my experience is the same way a slave would describe his or her experience with a slave patroller.” –Colson Whitehead

    “For me, this book is so much about the fact that a lot of these things, a lot of these issues that we are dealing with in the present, particularly issues around racial justice…they don’t appear out of nowhere. There has been groundwork laid for them over the course of many, many, many years. And it’s important to kind of not take things out of context and just start to believe that we’re living kind of divorced from history. Because we aren’t.” –Yaa Gyasi

    Yaa Gyasi was born in Ghana and raised in Huntsville, Alabama. She holds a BA in English from Stanford University and an MFA from the Iowa Writers’ Workshop, where she held a Dean’s Graduate Research Fellowship. She lives in Brooklyn.

    Colson Whitehead is the #1 New York Times bestselling author of The Underground Railroad, which in 2016 won the Pulitzer Prize in Fiction and the National Book Award and was named one of the Ten Best Books of the Year by The New York Times Book Review, as well as The Noble Hustle, Zone One, Sag Harbor, The Intuitionist, John Henry Days, Apex Hides the Hurt, and The Colossus of New York. He is also a Pulitzer Prize finalist and a recipient of the MacArthur and Guggenheim Fellowships. He lives in New York City.

    Rukaiyah Adams is an avid reader and lover of American History. For work, she is the Chief Investment Officer at Meyer Memorial Trust. She is responsible for leading all investment activities to ensure the long-term financial strength of the organization, including investment policy, asset allocation, performance measurement, manager selection, and risk management. Before joining Meyer, she ran the $6.5 Billion capital markets fund at The Standard. Rukaiyah is the Vice Chair of the Oregon Investment Council, the board that manages approximately $90 Billion for the State of Oregon and PERS; she also serves on the board of OPB. Rukaiyah holds a BA in African American Studies with academic distinction from Carleton College and a JD from Stanford Law, where she was on the Law and Policy Review and the Co-President of the Law Student Association. She also has an MBA from the Stanford Graduate School of Business.


    Kesha Ajose Fisher, Ashley Toliver, & Anis Mojgani Oct 04, 2020
    Show notes

    This episode of The Archive Project features a conversation between 2020 Oregon Book Award winners Kesha Ajose Fisher and Ashley Toliver, with Oregon Poet Laureate Anis Mojgani. Much of their conversation focuses on craft—writing from the space of the unknown, writing as self-discovery, the role of time in the creative process—but they also discuss what it is like to cultivate a diligent writing practice while juggling motherhood, family, and all the other human demands during these especially trying times. These three are among some of the most exciting writers at work today, and their conversation provides insight and depth into how a creative piece of work makes its way into a reader’s hands.

    “To me, writing is an act of listening. Most of the time what I hear I don’t understand, but I write it anyway.” – Ashley Toliver

    Kesha Ajose Fisher was born in Chicago and raised in Lagos, Nigeria. She now lives in Oregon with her family. Kesha’s debut collection of fictional stories, No God Like the Mother, focuses on the lives and realities of women who have been tasked with holding up the sky, all while the world whispers “you’re doing it wrong”. Fisher has won the 2020 Oregon Book Award for Fiction and The Phoenix Literary Magazine’s Editor’s Choice Award for Short Fiction in both 2011 and 2012. Her writing has been published in several online and print collections, and in such publications as Multicultural Familia Magazine, the Alchemy Literary Magazine, and twice in Beyond Black & White Magazine. She works in social services, is a vocal advocate for immigrants and refugees, and she champions equality and education while opposing the poverty that plagues humanity.

    Ashley Toliver is the author of Ideal Machine (Poor Claudia, 2014) and Spectra (Coffee House Press, 2018). A poetry editor at Moss., her work has been supported by fellowships from Oregon Literary Arts, the Cave Canem Foundation, and the Academy of American Poets. She received her MFA from Brown University in 2013.

    Anis Mojgani is the current Poet Laureate of Oregon. A two-time individual champion of the National Poetry Slam and winner of the International World Cup Poetry Slam, he has been awarded residencies from the Vermont Studio Center, AIR Serenbe, The Bloedel Nature Reserve, The Sou’wester, and the Oregon Literary Arts Writers-In-The-Schools program. The author of five books of poetry, he has done commissioned work for the Getty Museum and the Peabody Essex Museum, given multiple TEDx talks, and April 2021 will see the premiere of his first opera libretto, Sanctuaries. Anis’ work has appeared on HBO, National Public Radio, and as part of the Academy of American Poets Poem-A-Day series; and in the pages of such journals as Rattle, Platypus, Winter Tangerine, Forklift Ohio, and Bat City Review. Originally from New Orleans, Anis currently lives in Portland Oregon.


    Self-Portrait: Memoir, Auto-Fiction, & History Sep 27, 2020
    Show notes
    The 2020 Portland Book Festival will take place November 5-21, and will be presented virtually with most events available to view for free. For more information, including our lineup of authors & presenters, visit: literary-arts.org/pdxbookfest

    In this episode of The Archive Project we revisit an event that took place at the 2019 Portland Book Festival. The panel, titled Self Portrait: Memoir, Auto-Fiction and History, features three incredible Oregonian writers: Debra Gwartney, Mitchell S. Jackson, and Peter Rock, and was moderated by Elena Passarello.

    What is shared between these writers are projects that attempt to reconstruct a past in order to understand the present. They have not simply written personal accounts of their lives, but they have widened the lens and scope of their books to account for the communities that shaped them, the historical forces that shaped their communities, and the lives they have led—both their interior lives and as actors in the world. This work is exhilarating because it connects us all to the course of time, helping us see we are not merely alone in shaping our lives, but part of the mysterious current of the past—personal and historical—that play a role in defining who we are.

    For more information about the books discussed in this episode:
    I Am a Stranger Here Myself by Debra Gwartney
    Survival Math: Notes on an All-American Family by Mitchell S. Jackson
    The Night Swimmers by Peter Rock

    “A memoir is like a story; a story with a person at the heart of it.” – Mitchell S. Jackson

    Debra Gwartney is the winner of the 2018 RiverTeeth Nonfiction Prize, judged by Gretel Ehrlich, for her memoir, I Am a Stranger Here Myself. Her 2009 memoir, Live Through This, was a finalist for the National Book Critics Circle Award, the Pacific Northwest Booksellers Award, and the Oregon Book Award. Debra has published in such journals as Granta, Tin House, American Scholar, The Normal School, Creative Nonfiction, Prairie Schooner, Triquarterly Review, the NYT “Modern Love” column, among others. She is the 2018 winner of the Real Simple essay contest and is a contributing editor at Poets & Writers magazine. She has received fellowships from Hedgebrook, Playa, UCross, and the Wurlitzer Foundation. She teaches in the MFA Program at Pacific University and lives in Western Oregon with her husband, the writer Barry Lopez.

    Mitchell S. Jackson’s debut novel won the Ernest J. Gaines Award for Literary Excellence. His honors include a Whiting Award and fellowships from the Cullman Center of the New York Public Library, TED, the Lannan Foundation, the Ford Foundation, PEN, NYFA (New York Foundation for the Arts), and the Center for Fiction. His writing has appeared in The New Yorker, Harper’s Magazine, The New York Times Book Review, The Paris Review, The Guardian,and elsewhere. The author of Survival Math, he is an Assistant Professor of Creative Writing at the University of Chicago.

    Peter Rock is the author of the novels The Night Swimmers, SPELLS, Klickitat, The Shelter Cycle, My Abandonment, The Bewildered, The Ambidextrist, Carnival Wolves and This Is the Place, as well as a story collection, The Unsettling. The recipient of a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, an Alex Award and others, he is a Professor in the English Department of Reed College.

    Elena Passarello is an actor, essayist, and recipient of a 2015 Whiting Award. Her work has appeared in the New York Times, Paris Review, and The Best American Science and Nature Writing 2018, and has been translated into German, Italian, French, and Mandarin. She is the author of the essay collections Let Me Clear My Throat and Animals Strike Curious Poses, the latter of which won the 2018 Oregon Book Award in Creative Nonfiction and made the Best Books of 2017 lists in the New York Times, Guardian, and Publisher’s Weekly. Passarello teaches creative writing at Oregon State University and appears weekly on the nationally-syndicated PRI radio variety show LiveWire!.


    Reckoning: Memoir of Trauma and Resilience Sep 20, 2020
    Show notes

    The 2020 Portland Book Festival will take place November 5-21, and will be presented virtually with most events available to view for free. For more information, including our lineup of authors & presenters, visit: literary-arts.org/pdxbookfest

    Note: Portions of this episode contain mature themes that may not be suitable for all audiences.

    This episode of The Archive Project features a panel conversation from the 2019 Portland Book Festival between Laurie Halse Anderson, Saeed Jones, and T Kira Madden, with moderator Michele Filgate. All three of these writers crafted memoirs about coming of age as a writer that question how to be in your body in the world and in your own mind. They contemplate the repercussions of physical and psychological trauma, and how we become the person we imagine ourselves to be—and how that changes over time. Resilience, vulnerability, and writing as healing all feature as themes in this frank and inspiring discussion.

    For more information about the books discussed in this episode:
    Shout by Laurie Halse Anderson
    How We Fight for Our Lives by Saeed Jones
    Long Live the Tribe of Fatherless Girls by T Kira Madden

    “You can’t dream until the nightmares are slain.” – Laurie Halse Anderson

    “To me, as a writer, it feel like this is my mission. I know I’m an excellent writer. Writing is the only thing that I will never let anyone convince me that I am not excellent at. With America being what it is—and it’s always been this way, this is not new—I feel as if I owe it to the America that we live and are dying in to do the best I can. And if I am excellent at writing, how could I not use this tool to contribute?” – Saeed Jones

    “I would say always lean in to letting your form and content be in conversation. If that’s how it feels, let the words spill, let the chapters mesh; just follow the messiness.” – T Kira Madden

    Laurie Halse Anderson is a New York Times bestselling author whose writing spans young readers, teens, and adults. Combined, her books have sold more than 8 million copies. Her new book, SHOUT, a memoir-in-verse about surviving sexual assault at the age of thirteen and a manifesta for the #MeToo era, has received widespread critical acclaim and appeared on the New York Times bestseller list for seven consecutive weeks. Laurie has been nominated for the Astrid Lindgren Memorial Award three times. Two of her books, Speak and Chains, were National Book Award finalists, and Chains was short-listed for the prestigious Carnegie medal. Laurie was selected by the American Library Association for the 2009 Margaret A. Edwards Award and has been honored for her battles for intellectual freedom by the National Coalition Against Censorship and the National Council of Teachers of English.

    Saeed Jones is the author of How We Fight for Our Lives and Prelude to Bruise, winner of the 2015 PEN/Joyce Osterweil Award for Poetry and the 2015 Stonewall Book Award/Barbara Gittings Literature Award. The poetry collection was also a finalist for the 2015 National Book Critics Circle Award, as well as awards from Lambda Literary and the Publishing Triangle in 2015. Jones is a co-host of BuzzFeed’s morning show, AM to DM, and previously served as BuzzFeed’s LGBT editor and Culture editor.Jones was born in Memphis, Tennessee, and grew up in Lewisville, Texas. He earned a BA at Western Kentucky University and an MFA at Rutgers University-Newark. He lives in New York City.

    T Kira Madden is an APIA writer, photographer, and amateur magician. She is the founding editor-in-chief of No Tokens, and facilitates writing workshops for homeless and formerly incarcerated individuals. A 2017 NYSCA/NYFA Artist Fellow in nonfiction literature, she has received fellowships from The MacDowell Colony, Hedgebrook, Tin House, DISQUIET, Summer Literary Seminars, and Yaddo, where she was selected for the 2017 Linda Collins Endowed Residency Award. She lives in New York City and teaches at Sarah Lawrence College.

    Michele Filgate’s work has appeared in Longreads; The Washington Post; the Los Angeles Times; The Boston Globe; The Paris Review Daily; Tin House; Gulf Coast; O, The Oprah Magazine; BuzzFeed; Refinery29; and many other publications. Currently, she is an MFA student at NYU, where she is the recipient of the Stein Fellowship. She’s a contributing editor at Literary Hub and teaches at the Sackett Street Writers’ Workshop and Catapult. What My Mother and I Don’t Talk About is her first book.


    Tayari Jones (Rebroadcast) Sep 09, 2020
    Show notes

    In this humorous and personal lecture, Tayari Jones discusses her complex journey to literary success, and her novel, An American Marriage. She describes the path her career has taken, from childhood to university and beyond, in which she’s made decisions to pursue writing despite receiving varying levels of support from educators, family, and the publishing industry. She finishes the talk by sharing a short selection from An American Marriage.

    An American Marriage is a stirring love story and a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. A masterpiece of storytelling, it’s an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

    “For me, the novel lives in the place of moral ambiguity. And moral ambiguity happens when there’s a conflict and the people don’t agree, but nobody’s wrong.”

    “I got all the way to about fifty pages from the end, and I hit a wall. I couldn’t figure out how to end the book. It was stressful. It was as though me and this book were in a relationship in New York City…we had broken up, but we couldn’t afford to move out. I felt like the book was sleeping on my couch. I would wake up in the morning: there’s the book. It’s not speaking to me, I’m not speaking to it. I can’t bring any new books home because this book is on my couch. And it went like this for a year.”

    New York Times best-selling author Tayari Jones is the author of the novels Leaving Atlanta, The Untelling, Silver Sparrow, and An American Marriage. Her writing has appeared in Tin House, The Believer, the New York Times, and Callaloo. A member of the Fellowship of Southern Writers, she has also been a recipient of the Hurston/Wright Legacy Award, Lifetime Achievement Award in Fine Arts from the Congressional Black Caucus Foundation, United States Artist Fellowship, NEA Fellowship and Radcliffe Institute Bunting Fellowship. Silver Sparrow was added to the NEA Big Read Library of classics in 2016. Jones is a graduate of Spelman College, University of Iowa, and Arizona State University. She is a Professor of Creative Writing at Emory University.


    Jonathan Lethem (Rebroadcast) Sep 02, 2020
    Show notes

    This episode of The Archive Project, features a lecture from prolific author Jonathan Lethem from 2007. As a writer, Lethem melds genres, often mixing crime and sci-fi with more traditional fiction. He is also known for his unpretentious incorporation of American pop-culture into his works. In this lecture, Lethem’s dry humor, sincerity, literary allusions, and post-modern sensibility are on full display as he discusses what has shaped him as a writer, including growing up in New York during the 70s, and the tragic loss of his mother when he was just fourteen years old. He also speaks to the debate on the generative function of art, calling out writers in particular. This is a great introduction to Lethem and also entertaining chance for existing fans to get to know him even better.

    “Ruined things, after all, can be transformed. Shattered things can reconstitute and be repurposed. Artists do this all the time. And loss itself can be repurposed, which is exactly what I did. I’ve made my career, in a sense, on that black hole of loss. That missing mom, my argument with her departure, with the unreplying ghost she left behind, became my whole enterprise of selfhood.”

    “Should we resent the distraction or be relieved? We live, I think, in a world of punch lines taken seriously. To watch television is to be immersed in practically nothing else.”

    “Who are these people? Who invited them to the convention, let alone gave them the floor? Are they starting the important conversation, the one we so desperately need to hear, or are they ending it—dissolving it in schemes and nonsense?”

    Jonathan Lethem is the New York Times bestselling author of eleven novels including The Fortress of Solitude, Dissident Gardens, Chronic City, The Feral Detective, and Motherless Brooklyn, winner of National Book Critics Circle Award. A recipient of a MacArthur Fellowship, Lethem has been published in The New Yorker, Harper’s Magazine, Rolling Stone, Esquire, and The New York Times, among others. He currently teaches creative writing at Pomona College in California.


    Azar Nafisi (Rebroadcast) Aug 26, 2020
    Show notes

    This episode of The Archive Project features Azar Nafisi, author of the acclaimed Reading Lolita in Tehran: A Memoir in Books. In her lecture, Nafisi discusses Iranian literature and how it serves as a source of identity. She examines the fundamentalist Muslim identity in comparison to the national identity, concluding that people must focus on the literature of a nation in order to truly understand a culture. She also reflects on her life in England and her personal need to preserve Iran in her memory, and how that drive ultimately lead her to fall in love with fiction.

    “The worst crime you can commit is to be blind towards others—to impose the dreams you have on the reality of other people.”

    “Fiction is so important because against the fragility and fickleness of life, literature preserves all the passing moments that are constantly dying and we are constantly losing.”

    “The way I discovered what Nabokov calls a ‘portable world’ is of course through literature and art. I didn’t know much about England, and my classmates didn’t know much about Iran, but I knew about Great Expectations, and I knew about Pride and Prejudice—so that is how I made my home in England and, later, in America.”

    Azar Nafisi is an acclaimed writer, journalist, teacher, and activist. Her most famous book, Reading Lolita in Tehran, is a memoir about her experience as an educator during the Islamic Revolution in Iran. The book spent 117 weeks on the New York Times bestseller list and has been translated into 32 languages. Nafisi’s teaching experience includes Oxford University, Johns Hopkins University, and the University of Tehran, where she advocated for Iranian intellectuals and youth, specifically young women. Nafisi was dismissed from the University of Tehran in 1981 for her refusal to wear the mandatory Islamic veil. She returned to the United States in 1997 and began working on Reading Lolita in Tehran, writing, “I left Iran, but Iran did not leave me.” Nafisi’s essays have been featured in The New York Times, The Washington Post, and The Wall Street Journal, and her 1999 cover story for The New Republic, “The Veiled Threat: The Iranian Revolution’s Woman Problem,” has been reprinted into several different languages. Her 2014 book, The Republic of Imagination, examines the vital importance of fiction in a democratic society and serves as a long-awaited companion piece to Reading Lolita in Tehran.


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