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    Arts

    The Archive Project

    In partnership with Oregon Public Broadcasting, Literary Arts is building a retrospective of some of the most engaging talks from the world’s best writers over the first 40 years of Portland Arts & Lectures in Portland.

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    Latest Episodes:
    Tribute to Ursula K. Le Guin (Rebroadcast) Jan 18, 2021
    Show notes

    For over 50 years, Ursula K. Le Guin’s science fiction and fantasy books offered hope and inspiration to readers and writers everywhere. Le Guin passed away on January 22, 2018.

    This live event, presented in Portland, Oregon on June 13, 2018, featured tributes from writers and friends who represent the wide-ranging influence Le Guin has had on international literature for more than 50 years, including Margaret Atwood (by video), Molly Gloss, Walidah Imarisha, Jonathan Lethem, Kelly Link, China Miéville, and Daniel José Older. Andrea Schulz, Le Guin’s editor at Harcourt, and Julie Phillips, Le Guin’s biographer, also spoke at the tribute. The tribute included rare documentary footage of Le Guin, along with photos and images from her life and work. The full event is available to watch online here.

    As a genre-defying writer, Ursula K. Le Guin authored more than 50 works, including novels, poetry collections, and children’s books that explore issues of race, gender, and environmentalism. Her books have been translated into more than 40 languages and have sold millions of copies worldwide. Her many honors include the Hugo, Nebula, National Book Award, and PEN-Malamud. In 2014, she was awarded the National Book Foundation Medal for Distinguished contribution to American Letters.

    While her speculative fiction urged readers to explore new worlds and distant futures, Le Guin was an active guardian of her writing community and her home state of Oregon. She was an ardent supporter for writers and independent publishers and actively used her platform to defend free speech. Le Guin was involved with Literary Arts for 31 years, as a participant, trusted advisor, and ardent supporter. Her dedication helped shape Literary Arts’ programs that serve more than 20,000 readers and writers each year.

    Molly Gloss is a fourth-generation Oregonian who lives in Portland. She is the bestselling author of The Jump-Off Creek, The Dazzle of Day, Wild Life, The Hearts of Horses and Falling From Horses. Her work has earned numerous awards, including an Oregon Book Award, a Pacific Northwest Booksellers Award, the PEN West Fiction Prize, the James Tiptree Jr. Award; and a Whiting Writers Award.

    Walidah Imarisha is a writer, organizer, educator, and spoken-word artist. She is the author of the poetry collection Scars/Stars, the nonfiction Angels with Dirty Faces, and co-editor of Octavia’s Brood: Science Fiction Stories from Social Justice Movements. She has facilitated writing workshops at schools, community centers, youth detention facilities, and women’s prisons.

    Jonathan Lethem is an American novelist, essayist, and short story writer. His works include his début novel Gun with Occasional Music, a finalist for the 1994 Nebula Award; Motherless Brooklyn, winner of both the National Book Critics Circle Award and the Macallan Gold Dagger for crime fiction; and The Fortress of Solitude, a New York Times best-seller. His writing has appeared in The New Yorker, Harper’s, Rolling Stone, Esquire, and The New York Times. Lethem is also a 2005 recipient of a MacArthur Fellowship.

    Daniel José Older is the New York Times bestselling author of Salsa Nocturna, the Bone Street Rumba urban fantasy series, and the Young Adult novel Shadowshaper, a New York Times Notable Book of 2015, which won the International Latino Book Award and was shortlisted for the Kirkus Prize in Young Readers’ Literature, the Andre Norton Award, the Locus, the Mythopoeic Award, and named one of Esquire’s 80 Books Every Person Should Read.


    Margaret Atwood, interviewed by Karen Russell Jan 11, 2021
    Show notes

    This episode features a conversation between Margaret Atwood and Portland’s own Karen Russell, which took place during the virtual 2020 Portland Book Festival. With a career spanning decades, genres, and forms, Margaret Atwood is easily one of the most important writers alive today. She has been published in 45 countries, and written seminal works of fiction that have become a part of the cultural fabric and touchstones for millions of readers. But while many are familiar with Atwood’s fiction, she has also been, from the beginning of her career, one of our most significant contemporary poets. We welcomed Atwood to the Portland Book Festival to talk about her first collection of poetry in over a decade, entitled Dearly.

    What is so engrossing about this conversation is that it ranges Atwood’s entire career and cuts across her broad sets of interests, from her first book, a collection of poetry called The Circle Game, to the primitive book tours of the 1960s, to vampires, Shakespeare, and the way poetry has evolved through the decades. Atwood gets to all of these subjects and more with incredible insight, humor, and vision.

    “If an artform doesn’t reinvent itself, it will die. If it doesn’t keep moving to new kinds of creators and new kinds of audiences, it will die. The arts move. They don’t just sit there being arts.”

    Margaret Atwood, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. In addition to The Handmaid’s Tale, now an award-winning TV series, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; The MaddAddam Trilogy; The Heart Goes Last; and Hag-Seed. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the Los Angeles Times Innovator’s Award. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. In 2019, The Testaments won the Booker Prize and was long-listed for The Giller Prize. She lives in Toronto.

    Karen Russell won the 2012 and the 2018 National Magazine Award for fiction, and her first novel, Swamplandia! (2011), was a finalist for the Pulitzer Prize. She has also written Orange World and, most recently, Sleep Donation. She has received a MacArthur Fellowship and a Guggenheim Fellowship, the “5 under 35” prize from the National Book Foundation, the NYPL Young Lions Award, the Bard Fiction Prize, and is a former fellow of the Cullman Center and the American Academy in Berlin. She currently holds the Endowed Chair at Texas State University’s MFA program, and lives in Portland, Oregon with her husband and son.


    Barry Lopez: Horizon (Rebroadcast) Dec 28, 2020
    Show notes

    Barry Lopez: 1945–2020

    In this episode, one of Oregon’s most celebrated authors, Barry Lopez, discussed his latest nonfiction book, Horizon, with Andrew Proctor, Executive Director of Literary Arts. The two discussed the themes behind the book, including the environmental crisis at hand. A work thirty years in the making, Horizon defies category. It is not merely travel, science, or nature writing. It is not only a memoir, or a book of natural history. Within the book’s nearly 600 pages, Lopez explores the six regions of the world: from Western Oregon to the High Arctic; from the Galápagos to the Kenyan desert; from Botany Bay in Australia to the ice shelves of Antarctica. As he takes us on these myriad travels, Lopez probes the long history of humanity’s quests and explorations.

    This work challenged Lopez to answer his own question: “Having seen so many parts of the world, what had I learned about human menace, human triumph, and human failure?” Lopez reads passages from the book while also weaving anecdotes about his decades of fieldwork. He leaves us with an urgent call to take ownership of the health and the future of our world and its inhabitants.

    Barry Lopez is the author of Arctic Dreams, for which he received a National Book Award and an Oregon Book Award; Of Wolves and Men, a National Book Award finalist; and eight works of fiction, including Light Action in the Caribbean and Resistance, which also won Oregon Book Awards.

    Barry Lopez passed away on December 25, 2020, at the age of 75 after a long battle with cancer.


    Helen Macdonald Dec 21, 2020
    Show notes

    In this episode of The Archive Project, we feature Helen Macdonald from an online Portland Arts & Lectures event in October 2020. Helen Macdonald is a multitalented naturalist, illustrator, writer, and historian of science at the University of Cambridge. She has worked as a professional falconer and has assisted with raptor research and conservation projects across Eurasia. Her 2016 book, H Is for Hawk, much like Macdonald herself, defies any single label. At once memoir, natural history, literary biography, it explores grief and loss, the relationships between humans and animals, obsession, memory, myth, and history.

    Macdonald joined us to talk about her most recent book, the essay collection Vesper Flights. In the collection and in this episode, Macdonald moves back and forth through topics ranging from scientists to swans, and into childhood memories and then forward into an ominous future. Macdonald skillfully links her own experiences not only with the natural, wild world but with a very human world. There is grief, but also abundant wonder. Helen Macdonald will change the way you see the world, and all of its creatures—yourself included.

    A little later in the show, Macdonald will be joined by the Oregon writer Elena Passarello for a conversation and a few audience questions.

    “When you talk about nature, what you’re really doing is talking about yourself. Nature lets us articulate and reinforce stories we tell about the way the world is.”

    Helen Macdonald is a writer, poet, illustrator and naturalist, and an affiliated research scholar at the Department of History and Philosophy of Science at the University of Cambridge. She is the author of the bestselling H Is for Hawk, as well as a cultural history of falcons, titled Falcon, and three collections of poetry, including Shaler’s Fish. Macdonald was a Research Fellow at Jesus College, Cambridge, has worked as a professional falconer, and has assisted with the management of raptor research and conservation projects across Eurasia. She now writes for the New York Times Magazine.

    Elena Passarello is an actor, essayist, and recipient of a 2015 Whiting Award. Her work has appeared in the New York Times, Paris Review, and The Best American Science and Nature Writing 2018, and has been translated into German, Italian, French, and Mandarin. She is the author of the essay collections Let Me Clear My Throat and Animals Strike Curious Poses, the latter of which won the 2018 Oregon Book Award in Creative Nonfiction and made the Best Books of 2017 lists in the New York Times, Guardian, and Publisher’s Weekly. Passarello teaches creative writing at Oregon State University and appears weekly on the nationally-syndicated PRI radio variety show LiveWire!.

    “Animals are always more than we want them to be.”

    “These small beasts expanded my home beyond the walls of my house. They made the natural world seem a place of complicated and beautiful safety. I think so many of the myths we have about the natural world are about us testing ourselves against it, setting ourselves against it, defining our humanity against it; but this was nothing like that at all. It was a child’s way of looking at the world.”


    Isabel Wilkerson, interviewed by Viet Thanh Nguyen Dec 14, 2020
    Show notes

    In this episode, we feature Isabel Wilkerson, interviewed by Viet Thanh Nguyen, from the 2020 Portland Book Festival. In 2016, President Barack Obama awarded Isabel Wilkerson the National Humanities Medal for “her masterful combination of intimate human narratives with broader societal trends” and for “championing an unsung history.” This was for her first book The Warmth of Other Suns, which chronicles one of the great untold stories of American history: The decades-long migration of Black citizens who fled the south for northern and western cities, in search of a better life. It went on to spend months on The New York Times Best Sellers list and has been hailed as a modern classic.

    Wilkerson joined us at the Portland Book Festival to talk about her new book, Caste: The Origins of Our Discontents. It is an astonishing re-framing of American history and our founding myths that is vital to understanding what is happening in the country today – socially and politically. Wilkerson is in conversation with writer Viet Thanh Nguyen, author of numerous works of fiction and nonfiction, including the Pulitzer Prize-winning novel, The Sympathizer.

    “We can’t fix what we don’t know. We can’t fix what we cannot name. We can’t repair what we have not yet fully understood. We can’t heal what we haven’t diagnosed.”

    “‘Caste’ as an idea, as a phenomenon, is thousands upon thousands of years old. It pre-dates the idea of ‘race’. And any hierarchy that’s set up could choose any number of metrics in order to apportion, to divide, and to rank people. In this country, this fairly new concept known as ‘race,’ which only goes back four or five hundred years, was the metric that was used in order to identify, characterize, apportion, and assign people to a fixed place in what was ultimately going to become the United States. We live with the after-effects of that to the current day.”

    “These are longstanding assumptions, stereotypes, and power relationships that transcend any one election, any one campaign, any one politician. This hierarchy, this caste system… is part of the foundation of what we have inherited as Americans. It’s about the enduring legacy that we’ve inherited, and the ways it manifests itself. Many of the things we might be seeing [today] are merely manifestations of the inheritance that has not been dealt with up until now.”

    “People who are from the historically subjugated group in this country—who have to bear the brunt of this caste system on a daily basis—are not the group that the [United States] should be leaning on now. The people who were born to the subjugated group already bear the brunt and have born the burden for far too long. It is up to others in this country to do the work.”

    Isabel Wilkerson’s first book, The Warmth of Other Suns: The Epic Story of America’s Great Migration, won the National Book Critics Circle Award, the Lynton History Prize, the Heartland Award and was a finalist for the Dayton Literary Peace Prize. It was named one of the 10 best books of the year by The New York Times, USA Today, O: The Oprah Magazine, The New Yorker, The Washington Post and many others. In 2019, Time Magazine named The Warmth of Other Suns to its list of the 10 best nonfiction books of the decade. Wilkerson is the first African-American woman to win the Pulitzer Prize in Journalism and the first African-American to win for individual reporting. In 2016, President Barack Obama awarded her the National Humanities Medal for “her masterful combination of intimate human narratives with broader societal trends” and for “championing an unsung history.” Her most recent book is Caste: The Origins of Our Discontents.

    Viet Thanh Nguyen was born in Vietnam and raised in America. He has written the novels The Refugees and The Sympathizer, which won the 2016 Pulitzer Prize for Fiction, as well as five other awards. He is also the author of the nonfiction books The Displaced, Nothing Ever Dies, and Race and Resistance. He has also released the children’s book Chicken of the Sea, co-written with his son, Ellison Nguyen. The Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California, he lives in Los Angeles.


    Colson Whitehead, interviewed by Mitchell S. Jackson Dec 07, 2020
    Show notes

    In this episode of The Archive Project, we feature Colson Whitehead interviewed by Mitchell S. Jackson in September 2020. There are few writers who are both as versatile and accomplished as Colson Whitehead. His subjects have ranged from elevator inspectors, to middle-class Black American suburbia, to the World Series of Poker; he has written noir, a zombie thriller, a semi-autobiographical coming-of-age novel, and historical fiction. At the same time, he has won dozens of awards and accolades, most recently culminating in two Pulitzer Prizes—one for The Underground Railroad, and the other for the novel The Nickel Boys.

    Whitehead’s significant contributions to literature come about not only because of his mastery of the craft, but also because he has range—he deploys pop culture, history, and a variety of literary techniques. And by doing so, he gives his stories new life, helping readers see sometimes familiar subjects in a new light. His interview here with Mitchell S. Jackson explores Whitehead’s writing craft, inspirations, and thoughts on current events in America.

    Colson Whitehead is the #1 New York Times bestselling author of The Underground Railroad, which in 2016 won the Pulitzer Prize in Fiction and the National Book Award and was named one of the Ten Best Books of the Year by The New York Times Book Review, as well as The Noble Hustle, Zone One, Sag Harbor, The Intuitionist, John Henry Days, Apex Hides the Hurt, and The Colossus of New York. He is also a Pulitzer Prize finalist and a recipient of the MacArthur and Guggenheim Fellowships. He lives in New York City.

    Mitchell S. Jackson’s debut novel won the Ernest J. Gaines Award for Literary Excellence. His honors include a Whiting Award and fellowships from the Cullman Center of the New York Public Library, TED, the Lannan Foundation, the Ford Foundation, PEN, NYFA (New York Foundation for the Arts), and the Center for Fiction. His writing has appeared in The New Yorker, Harper’s Magazine, The New York Times Book Review, The Paris Review, The Guardian,and elsewhere. The author of Survival Math, he is an Assistant Professor of Creative Writing at the University of Chicago.


    Susan Orlean (Rebroadcast) Nov 30, 2020
    Show notes

    In this episode of The Archive Project, journalist and bestselling author, Susan Orlean, talks about what kinds of topics spark her interest and her process of researching and writing The Library Book. Orlean shares the two kinds of stories that she is drawn to as a writer: Stories of new discoveries, and stories that are hiding in plain sight. The Library Book combines both of these qualities. On April 29, 1986, Los Angeles’s Central Library burned in a mysterious fire. 400,000 books were destroyed in the blaze, 700,000 more were damaged, and the library shut down for seven years. The Library Book explores this heartbreaking story and, more broadly, the deep, meaningful impact that libraries have on societies and humanity as a whole. Orlean shares how she stumbled upon this remarkable story and reads a selection from the book.

    “There is something about libraries—something about books—that is connected so much more deeply than I ever imagined. I thought, someone should write a book about that.”

    “There is some way that we feel connected to books that’s not logical, it’s not rational, but it’s been a feature of human experience since we first began writing.”

    Susan Orlean has been a staff writer at The New Yorker since 1992. She is the author of seven books, including Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film Adaptation. She lives with her family and her animals in upstate New York.


    2020 Portland Book Festival Highlights, Week 3 Nov 23, 2020
    Show notes

    This episode of The Archive Project features highlights from the opening day of the 2020 Portland Book Festival, presented by Bank of America. Listen to excerpts from longer discussions. Novelists Emily Nemens, National Book Award-winner Charles Yu, and moderator Jon Raymond talk about ambition, disappointment, family, and the possibility of a new story. Claire Messud and Lydia Millet get into a cross-genre discussion, moderated by Alexander Chee. And finally, poets Nate Marshall, Jennifer Perrine, and moderator Anis Mojgani discuss language and the ways words shape our collective American cultural consciousness.

    To listen to full discussions from this episode, and the rest of the Festival, visit the Video Library tab at PDXBookFest.org.

    Each year, the Portland Book Festival presents a diverse range of writers who have recently published novels, story collections, works of nonfiction and poetry. There are over 100 writers in the festival this year and they hail from all over the country. Some are among our most famous writers at work today, and some publishing their first book. All are accomplished artists with powerful ideas and stories that can illuminate our understanding of ourselves and our world.

    Alexander Chee is a novelist and essayist and an associate professor of English and Creative Writing at Dartmouth College. He is a contributing editor at The New Republic, an editor at large at The Virginia Quarterly Review, and a critic at large at The Los Angeles Times. He has written the books How to Write an Autobiographical Novel, The Queen of the Night, and Edinburgh.

    Nate Marshall is an award-winning writer, rapper, educator, and editor. He is the author and editor of numerous works including Wild Hundreds, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop and Finna. Nate is a member of The Dark Noise Collective and co-directs Crescendo Literary. He is an assistant professor of English at Colorado College. He is from the South Side of Chicago.

    Claire Messud is the author of six works of fiction, including the New York Times bestsellers The Emperor’s Children and The Burning Girl, which was also a finalist for the Los Angeles Times Book Prize. Her most recent book is the essay collection Kant’s Little Prussian Head and Other Reasons Why I Write. A recipient of Guggenheim and Radcliffe Fellowships and the Strauss Living Award from the American Academy of Arts and Letters, she lives in Cambridge, Massachusetts, with her family.

    Lydia Millet has written twelve works of fiction including, most recently, A Children’s Bible. She has won awards from PEN Center USA and the American Academy of Arts and Letters, and her books have been longlisted for the National Book Award, shortlisted for the National Book Critics Circle Award and Los Angeles Times Book Prize, and named as New York Times Notable Books. Her story collection Love in Infant Monkeys was a Pulitzer Prize finalist. She lives outside Tucson, Arizona.

    Anis Mojgani is Oregon’s current Poet Laureate and the author of five books of poetry. His work has appeared on HBO, NPR, and in journals Bat City Review, Rattle, Buzzfeed Reader, Thrush, and Forklift Ohio, amongst others. A two time National Poetry Slam Champion and winner of the International World Cup Poetry Slam, Anis has done commissioned work for the Getty Museum, the Peabody Essex Museum, and the Portland Timbers, and has been awarded artist residencies from the Vermont Studio Center, AIR Serenbe, and the Bloedel Nature Reserve. Originally from New Orleans, Anis currently lives in Portland, OR, where he serves on the Board of Directors for Literary Arts.

    Emily Nemens is the editor of The Paris Review. She was previously the co-editor of The Southern Review. Her work has been published in Esquire, n+1, The Gettysburg Review, Hobart and elsewhere, and she is the author of The Cactus League.

    Jennifer Perrine is the author of four books of poetry, most recently Again (Airlie Press, 2020). Their other books include No Confession, No Mass, winner of the Publishing Triangle Audre Lorde Award and the Prairie Schooner Book Prize; In the Human Zoo, which was selected for the Agha Shahid Ali Poetry Prize; and The Body Is No Machine. A recipient of fellowships from Literary Arts and the Vermont Studio Center, Perrine lives in Portland.

    Jon Raymond is the author of three novels, Rain Dragon, The Half-Life, and Freebird, and the short-story collection Livability. His work has appeared in Tin House, the Village Voice, Bookforum, and other places. He lives in Portland, Oregon.

    Charles Yu is the author of three books, including the novel How to Live Safely in a Science Fictional Universe (a New York Times Notable Book and a Time magazine best book of the year) and, most recently, Interior Chinatown. He received the National Book Foundation’s 5 Under 35 Award and was nominated for two Writers Guild of America Awards for his work on the HBO series, Westworld. He has also written for shows on FX, AMC, and HBO. His fiction and nonfiction have appeared in The New Yorker, The New York Times, The Wall Street Journal, and Wired, among other publications.


    2020 Portland Book Festival Highlights, Week 2 Nov 16, 2020
    Show notes

    This episode of The Archive Project features highlights from the first week of the 2020 Portland Book Festival, presented by Bank of America. Listen to excerpts from longer discussions. Evette Dionne and Anne Helen Petersen discuss burnout, politics, and the unique pressures on millennials; poets Hafizah Geter, Justin Phillip Reed, and moderator Ashley Toliver explore displacement, violence, myth and memory in their collections; and Aimee Nezhukumatathil, Kawai Strong Washburn, with John Freeman talk environmental justice and the inseparableness of the climate crisis and economic inequality.

    To listen to full discussions from this episode, and the rest of the Festival, visit PDXBookFest.org.

    The Portland Book Festival (running now through November 21, 2020) presents a diverse range of writers who have recently published novels, story collections, works of nonfiction and poetry. There are over 100 writers in the festival this year and they hail from all over the country. Some are among our most famous writers at work today, and some publishing their first book. All are accomplished artists with powerful ideas and stories that can illuminate our understanding of ourselves and our world.

    Evette Dionne is a journalist, pop culture critic, and magazine editor. She’s the author of Lifting As We Climb: Black Women’s Battle for the Ballot Box, and she currently serves as the editor-in-chief of Bitch Media. Evette writes extensively about pop culture through the lenses of race, gender, and size for a number of print and digital publications, including NBC News, Cosmopolitan, Glamour, Time, the New York Times, the Guardian, SELF, and Harper’s Bazaar.

    John Freeman is the editor of Freeman’s, a literary annual published by Grove Press. He has written several books of nonfiction including, How to Read a Novelist and Dictionary of the Undoing, as well as two collections of poems, Maps and The Park. The former editor of Granta, he is now Artist-in-Residence at NYU and executive editor of The Literary Hub. Between 2014 and 2020, he edited a series of anthologies on inequality, concluding with Tales of Two Planets, which focuses on the climate crisis and global inequality. Freeman’s work has been translated into more than 20 languages and appears in The New Yorker, The Paris Review, and Zyzzyva. He lives in London.

    Born in Zaria, Nigeria, Hafizah Geter is the author of Un-American (Wesleyan University Press, 2020) and an editor whose poetry and prose have appeared in The New Yorker, Boston Review, Los Angeles Review of Books, and Longreads, among others. She lives in Brooklyn, New York.

    Aimee Nezhukumatathil is the author World of Wonders, an illustrated essay collection, as well as of four books of poetry, most recently, Oceanic, winner of the Mississippi Institute of Arts and Letters Award. Other awards for her writing include fellowships and grants from the National Endowment for the Arts, Mississippi Arts Council, and MacDowell. Her writing appears in Poetry, the New York Times Magazine, ESPN, and Tin House. She serves as poetry faculty for the Writing Workshops in Greece and is professor of English and Creative Writing in the University of Mississippi’s MFA program.

    A former senior culture writer for BuzzFeed, Anne Helen Petersen now writes her newsletter, Culture Study, as a full-time venture on Substack. Petersen received her PhD at the University of Texas at Austin, where she focused on the history of celebrity gossip. Her previous books, Too Fat, Too Slutty, Too Loud and Scandals of Classic Hollywood, were featured in NPR, Elle, and the Atlantic. Her latest book is Can’t Even: How Millennials Became the Burnout Generation. She lives in Missoula, Montana.

    Justin Phillip Reed is an American poet, essayist, and amateur bass guitarist whose preoccupations include horror cinema, poetic form, morphological transgressions, and uses of the grotesque. He is the author of two poetry collections, The Malevolent Volume (2020) and Indecency(2018), both published by Coffee House Press. Born and raised in South Carolina, he participates in vague spirituality and alternative rock music cultures and enjoys smelling like outside. He is the 2019-2021 Fellow in Creative Writing at the Center for African American Poetry and Poetics at the University of Pittsburgh.

    Ashley Toliver is the author of Ideal Machine (Poor Claudia, 2014) and Spectra (Coffee House Press, 2018). A poetry editor at Moss., her work has been supported by fellowships from Oregon Literary Arts, the Cave Canem Foundation, and the Academy of American Poets. She received her MFA from Brown University in 2013.

    Kawai Strong Washburn was born and raised on the Hamakua coast of the Big Island of Hawai‘i. His work has appeared in Best American Nonrequired Reading, McSweeney’s, and Electric Literature’s Recommended Reading, among other outlets. He was a 2015 Tin House Summer Scholar and 2015 Bread Loaf work-study scholar. Today, he lives with his wife and daughters in Minneapolis. Sharks in the Time of Saviors is his first novel.


    2020 Portland Book Festival Highlights, Week 1 Nov 09, 2020
    Show notes

    This episode of The Archive Project features highlights from the opening day of the 2020 Portland Book Festival, presented by Bank of America. Listen to excerpts from longer discussions between short story writers Souvankham Thammavongsa and Lidia Yuknavitch, with moderator Marisa Siegel; novelists Chelsea Bieker and Kelli Jo Ford, with moderator Kesha Ajose Fisher; and memoirist Dr. Michele Harper in conversation with poet Ruth Dickey.

    To listen to full discussions from this episode, and the rest of the Festival, visit PDXBookFest.org.

    The Portland Book Festival (running from November 5-21, 2020) presents a diverse range of writers who have recently published novels, story collections, works of nonfiction and poetry. There are over 100 writers in the festival this year and they hail from all over the country. Some are among our most famous writers at work today, and some publishing their first book. All are accomplished artists with powerful ideas and stories that can illuminate our understanding of ourselves and our world.

    Chelsea Bieker is from California’s Central Valley. She is the recipient of a Rona Jaffe Writer’s Foundation Award and her fiction and essays have been published in Granta, McSweeney’s, Catapult magazine, Electric Literature, and Joyland, among others. She has been awarded a MacDowell Colony fellowship, and holds an MFA in creative writing from Portland State University. Godshot is her first novel.

    Ruth E. Dickey has spent 25 years working at the intersection of community building, writing, and art. The recipient of a Mayor’s Arts Award from Washington DC, and an individual artist grant from the DC Commission and Arts and Humanities, Ruth’s poems and essays have been nominated for a Pushcart Prize and won three Larry Neal Writing Awards. She is the author of the chapbook, Paper Houses, Sky Ceilings (Pudding House Press 2006), and her work has appeared widely, including in Alimentum, The Baltimore Review, Cincinnati Review, Ocean State Review, The Potomac Review, and Sonora Review. Her first full-length collection of poems is titled Mud Blooms.

    Kesha Ajose Fisher was born in Chicago and raised in Lagos, Nigeria. She now lives in Oregon with her family. Kesha’s debut collection of fictional stories, No God Like the Mother, focuses on the lives and realities of women who have been tasked with holding up the sky, all while the world whispers “you’re doing it wrong”. Fisher has won the 2020 Oregon Book Award for Fiction and The Phoenix Literary Magazine’s Editor’s Choice Award for Short Fiction in both 2011 and 2012. Her writing has been published in several online and print collections, and in such publications as Multicultural Familia Magazine, the Alchemy Literary Magazine, and twice in Beyond Black & White Magazine.

    Kelli Jo Ford is a citizen of the Cherokee Nation of Oklahoma. She is the recipient of numerous awards and fellowships, including the Paris Review’s Plimpton Prize, the Everett Southwest Literary Award, the Katherine Bakeless Nason Award at Bread Loaf, a National Artist Fellowship by the Native Arts & Cultures Foundation, and a Dobie Paisano Fellowship. Her fiction has appeared in the Paris Review, Virginia Quarterly Review, Missouri Review, and the anthology Forty Stories: New Writing from Harper Perennial, among other places. Crooked Hallelujah is her first book.

    Michele Harper has worked as an emergency room physician for more than a decade at various institutions, including as chief resident at Lincoln Hospital in the South Bronx and in the emergency department at the Veterans Affairs Medical Center in Philadelphia. She is a graduate of Harvard University and the Renaissance School of Medicine at Stony Brook University. The Beauty in Breaking is her first book.

    Marisa Siegel lives, writes, and edits near NYC. She holds an MFA in Poetry from Mills College in Oakland, CA. Her essay “Inherited Anger” appears in the anthology Burn It Down (Seal Press, 2019) and her debut poetry chapbook, Fixed Stars, is forthcoming from Burrow Press in 2022. She is editor-in-chief and owner of The Rumpus.

    Souvankham Thammavongsa was born in the Lao refugee camp in Nong Khai, Thailand and was raised and educated in Toronto. She is the award-winning author of four books of poetry and her fiction has appeared in Harper’s, Granta, the Paris Review, Ploughshares, Best American Non-Required Reading 2018, and the O. Henry Prize Stories 2019. Her most recent book is the short story collection How to Pronounce Knife.

    Lidia Yuknavitch is the nationally bestselling author of the novels The Book of Joan, The Small Backs of Children, Dora: A Headcase, and the memoir The Chronology of Water. Her most recent book is Verge. She is the recipient of two Oregon Book Awards and a Willamette Writers Award, and has been a finalist for the Brooklyn Public Library Literary Prize and the PEN Center Creative Nonfiction Award. She lives in Portland, Oregon.


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