Southern Songs and Stories is a documentary series about the music of the South and the artists who make it. We showcase their performances and discover the stories behind their songs with a look at their lives on stage, in the studio and at home as well as the family, friends, fans and music professionals around them.
Not Jazz, nor Funk, nor Brass Band: Exploring the Living Edges of New Orleans Music With Andrew Duhon
Sep 11, 2025
Show notes
Is there such a thing as coincidence? Recently I read an essay by Henrik Karllson, in his Substack page Escaping Flatland, titled “Almost Anything You Give Sustained Attention to Will Begin To Loop on Itself and Bloom”, and I was especially struck by his comment that "Art is guided meditation". This was, to me, a new way of thinking about paying attention and slowing down, of being in the moment. It rang true.
This coincided with working on this episode, and listening to Andrew Duhon’s song “Slow Down”, which features the lyrics “We’ve got to slow down/ All we’ll ever have is right here right now/ Right here right now/ I think we need to slow down/ Our eyes on the horizon line/ All these years/ It’s the things we keep our eyes on/ Seem to be the things that disappear when we get there”. Coincidence? I say that has to be a long shot.
Slowing down can be helpful in a lot of situations, creative endeavors especially. Do you ever find yourself in a spot where you wish you could simply jump to the finish line, like in a project, or even with cooking dinner? I feel that way a lot when starting work on the scripts for Southern Songs and Stories episodes. The blank page is always the hardest part — just those first paragraphs can take up the better part of a day sometimes. You have heard the phrase “like pulling teeth”, I bet. The creative process can feel that way, at times: a painful slog, with no guarantees of any gain, that makes you question why you put yourself through it.
Slowing down is key to making something worthwhile, whether that brings material gain or simply self satisfaction with a job well done. With patience, with letting things come to you, with sitting still and actively listening for the muse, good things can happen. There is no way to reap the rewards without paying the cost, and part of the bargain is giving something of yourself, something that might be as hard as pulling teeth.
I hope you can slow down with us, and enjoy this episode on Andrew Duhon. Here, he expounds on his music and his band, while he also touches on religion, politics, and a lot more, including the hardest song that he has ever written, why he does not have a place to call home in New Orleans currently, and his own eye-catching chapeau, a vintage baseball cap that says “Cuban Boatlift 1980”. All that and more, including more of Andrew’s music, especially from his recent appearance at The Albino Skunk Music Festival in Greer, SC, awaits you in this episode.
Andrew Duhon gives the thumbs up to this podcast, and to you, too
Not Jazz, nor Funk, nor Brass Band: Andrew Duhon Explores the Living Edges of New Orleans Music
Joe Kendrick
Songs heard in this episode:
“Bayou La Batre” by Andrew Duhon, from The Parish Record
“Girl From Plaquemine” by Andrew Duhon, performed live at Albino Skunk Music Festival 05/08/25, excerpt
“Waco Kool-Aid” by Andrew Duhon, performed live at the Albino Skunk Music Festival 05/08-25, excerpt
“Just Another Beautiful Girl” by Andrew Duhon, performed live at Albino Skunk Music Festival 05/08/25, excerpt
“Just In Case” by Andrew Duhon, performed live at the Albino Skunk Music Festival 05/08/25
Thank you for visiting! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us onApple here,Spotify hereandYouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radioWNCW and Osiris Media, with all of the Osiris shows availablehere. You can also hear new episodes on Bluegrass Planet Radiohere. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now onSubstack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed.
- Joe Kendrick
Where Are We at With the Blues? Dirt and Funk at Albino Skunk With Eddie 9V
Aug 26, 2025
Show notes
What do the following styles of music have in common: Ragtime, New Wave, Dubstep, and Doo-wop? This group may seem quite divergent, but they all share a common characteristic: they are mostly types of music that no one plays much anymore. Then again, you could easily argue that these are simply sub-genres of larger categories like Jazz, Rock, Reggae and R&B, and live on in some form or another in the echoes of their sound within the broader contexts, such as they are, and here and there in all manner of newer sub-genres.
And those broader contexts, those foundational genres, how are they holding up these days? Jazz has gone from ruling the airwaves, dance floors and record stores to being a mostly boutique, albeit diverse, corner of the American music map. Rock has long been declared dead, but soldiers on in bands both old and new. Reggae rose to international acclaim with Bob Marley but has not approached those heights following his untimely death. R&B may be the most robust of this small sample, with artists like The Weeknd and SZA amongst its current stars.
Blues music has gone through sea changes of its own over the decades, and today, it is facing headwinds with younger audiences. As our guest Brooks Mason (known by his stage name Eddie 9V) puts it, younger music fans especially often think they will not like the blues because of its perceived predictability and reliance on old formulas. And while he is not wrong, he is also a prime example of how Blues music can garner new audiences with a new approach to the genre. Part of Eddie 9V’s approach is to, as he put it, lead a band that is not really a Blues band anymore.
Brooks Mason, better known as Eddie 9V
Where Are We at With the Blues? Dirt and Funk at Albino Skunk With Eddie 9V
Joe Kendrick
Songs heard in this episode:
“Saratoga“ by Eddie 9V, performed live at The Albino Skunk Music Festival, 05/10/25
“Check It Out” by Sean Costello, from At His Best - Live, excerpt
“Love Moves Slow” by Eddie 9V, performed live at The Albino Skunk Music Festival 05/10/25, excerpt
“Yella Alligator” by Eddie 9V, performed live at The Albino Skunk Music Festival 05/10/25, excerpt
“Driving Wheel” by Eddie 9V, performed live at The Albino Skunk Music Festival, 05/10/25
Thank you for visiting! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us onApple here,Spotify hereandYouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radioWNCW and Osiris Media, with all of the Osiris shows availablehere. You can also hear new episodes on Bluegrass Planet Radiohere. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now onSubstack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed.
Way Over Yonder in the Minor Key: The Return of Alison Krauss & Union Station With Jerry Douglas
Aug 12, 2025
Show notes
Jerry Douglas is never not entertaining. On stage, on record, or in conversation, Flux, as Bela Fleck famously dubbed him, is full of wit, joy and inventiveness. His talents have garnered him 16 Grammy Awards, 28 IBMA Awards, 3 Country Music Association Awards, 3 Americana Music Association Awards, an NEA National Heritage Fellowship, and an artist residency at the Country Music Hall Of Fame and Museum. I heard once that his style playing Dobro was so popular that practically every other player emulated it, to the point that he had to reinvent his own style to distinguish himself from the rest of the pack. This story could very well be apocryphal, but it points to the fact that his influence is everywhere in bluegrass and bluegrass-adjacent acoustic music. And Jerry Douglas has stories. Ask him about anyone in bluegrass, or even a ton of artists outside the genre, and chances are that he knows them and can spin a yarn or two about playing with them or being in their orbit. Get him going, and he may even tell you about his ancestor David Douglas, of Douglas fir fame, and the spectacular and mysterious way he met his end in Hawaii.
Here, we bring Jerry Douglas back to Southern Songs and Stories for a second time, following his 2021 episode “It’s Always Roots Music 12 O’Clock With Jerry Douglas”. Since then, Jerry has been inducted into the International Bluegrass Music Association’s Hall of Fame; he has served as festival host and solo performer as well as in his tribute band The Earls Of Leicester for the Earl Scruggs Music Festival, with frequent guest appearances for a number of other artists and bands there; he also fell right back in with Alison Krauss & Union Station for their first album since 2011, Arcadia.
Jerry Douglas will be the host once again at the Earl Scruggs Music Festival in late August 2025, where he will perform with the Earls of Leicester as well as Alison Krauss & Union Station, The Nitty Gritty Dirt Band, and who knows how many artists as their on stage guest. Recently, he spoke with me on a video call while on tour with AKUS, where he gives us a preview of Scruggs Fest, plus he details a lot of what went into Arcadia. We also find out what he believes is the best key for playing bluegrass music, and learn how he approaches his instrument in Union Station differently than on his own.
Jerry Douglas plays at the Earl Scruggs Music Festival 09-01-24 (photo: Jess Maples)
Way Over Yonder in the Minor Key: The Return of Alison Krauss & Union Station With Jerry Douglas
Joe Kendrick
Songs heard in this episode:
“When You Say Nothing At All” by Alison Krauss & Union Station, from Alison Krauss & Union Station Live
“Nashville Blues” by Nitty Gritty Dirt Band, from Will the Circle Be Unbroken, excerpt
“The Hangman” by Alison Krauss & Union Station, from Arcadia, excerpt
“One Ray Of Shine” by Alison Krauss & Union Station, from Arcadia
Thank you for visiting! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us onApple here,Spotify hereandYouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radioWNCW and Osiris Media, with all of the Osiris shows availablehere. You can also hear new episodes on Bluegrass Planet Radiohere. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now onSubstack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed.
Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. - Joe Kendrick
Wrango Bites, Ken Writes: Ken Pomeroy on Vulnerability, Faith, and Folk
Jul 29, 2025
Show notes
What do Paul McCartney, up-and-coming singer songwriter Ken Pomeroy, and a guy I passed on the street tugging along a French bulldog have in common? They all support my theory that pets inevitably resemble their owners–sometimes in looks, sometimes in spirit, but always in energy. When Ken Pomeroy introduced her song “Wrango” opening for I’m with Her and Iron & Wine at Asheville Yards on July 12, 2025, she described how the song was inspired by the liability her new dog had become from its quick temper. After WNCW’s Joe Kendrick and I spent some time with her, we slowly got to see where the pup’s feistiness came from. We talked about what it means to carry songs from childhood into adulthood, the tension between writing for yourself and performing for others, and the unexpected ways public commentary can rattle even the most grounded artists. As Ken says, “I never thought I’d care about online comments. But wow. I didn’t know how sensitive I’d be.”
And then there’s “Flannel Cowboy”, Ken Pomeroy’s closing track at her show, that isn’t a love song, despite what you might assume. It's a quietly devastating reflection on friendship, ego, and the confusing wreckage of emotional fallout. It’s a song about looking in the mirror and realizing that, sometimes, the thing biting at you isn’t your dog, or your critics—it’s you.
Her vulnerability isn’t just evident in the lyrics of her 2025 album, Cruel Joke, but in the way she speaks about songwriting as a spiritual act—one that gives form to feelings too big to hold alone. As a writer, I can relate to the need to shed some weight onto the page. Sometimes things get a little too loud and the only way to bring back the quiet is to release.
Ken also told us about her connection to Cherokee heritage, her experience contributing to the language revitalization album ᎠᏅᏛᏁᎵᏍᎩ (Anvdvnelisgi), and what it meant to contribute to a project to empower young people to connect with their heritage.
Whether she's reflecting on faith, feeling everything too deeply, or setting boundaries on what parts of her soul she's willing to hand over to strangers, Ken Pomeroy is an artist in full bloom. She's a songwriter first, a performer reluctantly, and a truth-teller always. — Elena Dickson
Ken Pomeroy (photo: Kali Spitzer)
Wrango Bites, Ken Writes: Ken Pomeroy on Vulnerability, Faith, and Folk
Elena Dickson/Joe Kendrick
Songs heard in this episode:
John Denver “Leaving On A Jet Plane”
“Wrango” by Ken Pomeroy, from Cruel Joke, excerpt
“Grey Skies” by Ken Pomeroy, from Cruel Joke, excerpt
“Flannel Cowboy” by Ken Pomeroy, from Cruel Joke, excerpt
“Galvladi” by Ken Pomeroy, from Anvdvnelisgi
Thank you for being here! We hope you enjoy this episode, and can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us onApple here,Spotify hereandYouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radioWNCW and Osiris Media, with all of the Osiris shows availablehere. You can also hear new episodes on Bluegrass Planet Radiohere. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now onSubstack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed.
The radio adaptation of this episode is part of the programming lineup during Morning Edition on public radio WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This episode was written and hosted by WNCW internElena Dickson, with myself as editor and Ken Pomeroy’s co-interviewer.
- Joe Kendrick
The Muse Never Worries: Making It Mellow With Seth Walker
Jul 17, 2025
Show notes
If you can make it as a professional musician in Austin, that is saying something. And if you can make it in Nashville, New Orleans, and also New York, that is saying something in all caps.Seth Walker has made it in all of the above locales. Making it as a professional musician in all of those iconic music scenes is not only impressive, but it also requires playing a variety of styles that sync with each city’s musical tastes. With his 12th album, Why the Worry, Seth Walker shows off what he has learned (and unlearned) from all of those years gigging and recording with a who’s who of roots music luminaries.
In recent years, he has called western North Carolina home, which is not terribly far from his childhood home in a Quaker commune, a couple hundred miles to the east in Burlington. That is where his music journey began, and is the place which serves as the backdrop to his forthcoming novella, about a young girl on a tobacco farm. I imagine Seth Walker may even make some paintings to go along with that story, as he is also an accomplished visual artist.
Seth is as laid back as he is intriguing, and we enjoyed a relaxed conversation at his home in Fairview, NC, nestled in the Appalachian mountains. Joining us was WNCW intern Elena Dickson, who hosted our recent episode on fellow western NC artist Sally Anne Morgan. We spoke about Seth’s musical past and present, ranging from his love of jump blues to how an inspired take of Al Green’s “Take Me to the River” set the wheels in motion for his latest album, to how Hurricane Helene very nearly left it in a ditch. All that and more, including music from Why the Worry, awaits you in this podcast.
Seth Walker with his Waterloo acoustic guitar
The Muse Never Worries: Making It Mellow With Seth Walker
Joe Kendrick
Songs heard in this episode:
“Why the Worry” by Seth Walker, from Why the Worry
“Magnolia” by Seth Walker, from Why the Worry, excerpt
“Take Me to the River” by Seth Walker, from Why the Worry, excerpt
“Strollin’ With Bones” by T-Bone Walker, excerpt
“Up on the Mountain” by Seth Walker, from Why the Worry
Thank you for dropping by! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us onApple here,Spotify hereandYouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radioWNCW and Osiris Media, with all of the Osiris shows availablehere. You can also hear new episodes on Bluegrass Planet Radiohere. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now onSubstack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed.
Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This episode features WNCW internElena Dickson, who co-produced the episode, and took part in Seth’s interview.
- Joe Kendrick
Old but Not Dead: Sally Anne Morgan and the Living Tradition of Old Time Music
Jul 01, 2025
Show notes
In this episode, we welcome WNCW intern Elena Dickson to the podcast. Elena is a student at the University of Michigan, and here, she takes a turn at the helm for our episode on western North Carolina artist Sally Anne Morgan:
My favorite Ralph Waldo Emerson quote reads, “Cause and effect, means and ends, seed and fruit, cannot be severed; for the effect already blooms in the cause, the end preexists in the means, the fruit in the seed.” It makes me think of the interconnectedness that lies beneath all our actions and that everything we do–from deciding what to eat for breakfast to moving across the country–has a deep impact on our lives in areas we don’t even realize.
Sally Anne Morgan embodies Emerson’s coda. Even as a visual artist, musician, mother, and brewery owner, she emphasized how circular life feels: we are nothing without where we came from and where we came from wouldn’t have been possible without what we have become. She embodies this through her music through her traditional techniques to create innovative elements. Rooting herself in tradition while employing new age elements, she resists the conformity and neatness that recording software, and certain genres, often demands. While she views old time and other music traditions as a living artform rather than something that belongs in the archives. Her stories have a background and history but they have nothing close to an end.
When I decided to apply to WNCW to enhance my senior thesis on Appalachian storytelling, I had to explain why I was doing what I was doing to a few more people than I would have liked. Next time someone asks, I will send them this podcast so they can see the fluidity of storytelling and how deeply enmeshed it is with all other aspects of our lives. Telling a story does not require a defined beginning, middle, and end. Instead, it requires a conversation and a dedication to honoring what the story was and what it is going to become. Sally Anne Morgan creates in a way that makes you want to participate in the conversation and keep the story alive.
Sally Anne Morgan (Photo: Charlie Boss, published by KLOF mag)
Old but Not Dead: Sally Anne Morgan and the Living Tradition of Old Time Music
Joe Kendrick
Songs heard in this episode:
“Eye Is The First” by Sally Anne Morgan, from Second Circle the Horizon, excerpt
“Flowers Of Shandihar” by Sally Anne Morgan, from Second Circle the Horizon, excerpt
“I Saw A Heron” by Sally Anne Morgan, from Second Circle the Eye, excerpt
“Blind Man’s Lament” by Black Twig Pickers, from Rough Carpenters, excerpt
“Dog’s Dream” by Sally Anne Morgan, from Second Circle the Eye, excerpt
“Callahan” by Sally Anne Morgan, from Second Circle the Eye, excerpt
“Night Mint” by Sally Anne Morgan, from Second Circle the Eye
So glad you visited! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify hereand YouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This episode was written and produced by WNCW intern Elena Dickson, with editorial assistance from myself. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick
Notes From Country, Cajun and Bluegrass’ Far Western Bureau With Caleb Klauder and Reeb Willms
Jun 17, 2025
Show notes
Caleb Klauder and Reeb Willms make their home in the San Juan Islands, in Washington State, and their latest spring tour saw them make a stop at the Albino Skunk Music Festival in May 2025. This was two weeks ahead of their own festival, the inaugural East Sound Music Ramble, and part of an eastern swing that preceded other engagements including Telluride Bluegrass Festival. The duo has been very much on the go lately, which is in keeping with their recent past: sojourns to Louisiana, to celebrate the music of Cajun and country legend Jimmy C Newman; to The Last Frontier state for the Alaska Folk Festival; and to Vermont, where Caleb connected with Noam Pikelny, which led to becoming a guest member of bluegrass supergroup Mighty Poplar, to name a few.
I spoke with Caleb Klauder and Reeb Willms on a picture perfect spring afternoon in Greer, SC, in between their two sets at Skunk Fest, where we touched on all of these travels, both physical and musical; their own region’s musical “rogue-ness”; the raw simplicity and danceability of their take on country music; and the importance of slowing down and being present. That and more awaits you, including their music, both live and on record, in this episode.
(L to R) Caleb Klauder, Mike Bub and Reeb Willms perform at the Albino Skunk Music Festival 05/10/25
Photo: John Gillespie Photography & Design
Notes From Country, Cajun and Bluegrass’ Far Western Bureau With Caleb Klauder and Reeb Willms
Joe Kendrick
This is the second time Caleb Klauder has been on the series: the first was from 2019, when he spoke about producing feature guest Town Mountain’s album New Freedom Blues in the episode Town Mountain: There’s Never a Last Ride in the Van.
Songs heard in this episode:
“Gold In Your Pocket” by Caleb Klauder and Reeb Willms, performed live at Albino Skunk Music Festival 05/10/25
“You Gotta Roll the Dice To Win” by Caleb Klauder and Reeb Willms, performed live at Albino Skunk Music Festival 05/10/25, excerpt
“Sing Me A Sad Song To Make Me Happy” by Caleb Klauder and Reeb Willms, performed live at Albino Skunk Music Festival 05/10/25, excerpt
“Alligator Man“ by Joel Savoy, Kelli Jones, Reeb Willms and Caleb Klauder, from Farewell Alligator Man, excerpt
“Key To Life” by Caleb Klauder and Reeb Willms, performed live at Albino Skunk Music Festival 05/10/25, excerpt
“Church With No Walls” by Caleb Klauder and Reeb Willms, performed live at Albino Skunk Music Festival 05/10/25, excerpt
“He’s Gone” by Caleb Klauder and Reeb Willms, performed live at Albino Skunk Music Festival 05/10/25
Thanks for dropping by! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify hereand YouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This June, we welcomed WNCW intern Elena Dickson to this series as a producer as well, and she will be with us through July. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick
When Country Is One Color in a Grand Kaleidoscope: Wrangling Multiple Genres With Neon Cowgirl Tami Neilson
Jun 05, 2025
Show notes
In 2024, I had the idea to produce podcasts based on interviews from MerleFest, with the theme being a focus on both first-time performers and veterans. Combining two artists who made their debuts resulted in the episode “Rural Roots That Run Deep With Nick Shoulders and Adeem The Artist”, we followed that with two of the festival’s mainstays in the episode “Jim Lauderdale, Donna the Buffalo and the Many Collaborations Of MerleFest”. It was great fun to compare and contrast artist experiences at the venerated event between newcomers and returning veterans, as well as dive into their stories and music along the way.
This year, I picked up on the approach once again, interviewing bluegrass heroes Woody Platt and Buddy Melton in the episode that immediately precedes this one, titled “A New Team For Two Heavy Hitters Of Bluegrass: Woody Platt and Buddy Melton”. Now, we celebrate another MerleFest newcomer, Tami Neilson. Although she just made her first stop at the festival, she is no novice in the roots music scene, having grown up in a family band and having made records since 2008; I was all smiles when I saw her on the MerleFest lineup for 2025. Fun fact: when I sent in the request to feature Tami on this podcast, her publicist replied, “So just to be clear here — Tami is for Southern Songs & Stories? She is originally Canadian and lives in New Zealand so just checking!” I chuckled and replied, “Yes, that’s correct. I break my own rules every so often. I’ve featured Ruen Brothers, Colin Hay and others over the years. New Zealand is south too right? ;-)”
I spoke with Tami Neilson late at night, after her rousing Dance Tent performance, where she talked about her love of wide ranging musical journeys, her own journey to her adopted country of New Zealand, growing up in a family band and now bringing her sons on stage from time to time, playing the Grand Ole Opry and making music with greats like Willie Nelson, and a whole lot more.
Tami Neilson playing her first of two sets at MerleFest on April 25, 2025. Photo: Willa Stein
Wrangling Multiple Genres With Neon Cowgirl Tami Neilson
Joe Kendrick
Songs heard in this episode:
“Baby, You’re A Gun” by Tami Neilson, from Kingmaker
“Learn To Try Again” by The Chills, from Spring Board: The Early Unrecorded Songs, excerpt
“Borrow My Boots” by Tami Neilson, from Neon Cowgirl, excerpt
“Beyond The Stars” by Tami Neilson, featuring Willie Nelson, from Kingmaker, excerpt
“You’re Gonna Fall” by Tami Neilson, featuring JD McPherson, from Neon Cowgirl
Thanks for reading and listening! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify hereand YouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. WNCW intern Elena Dickson deserves a big thanks for jumping in on production work for this episode in her very first week! Thanks as well to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick
A New Team for Two Heavy Hitters of Bluegrass: Woody Platt and Buddy Melton
May 23, 2025
Show notes
It was Friday at MerleFest and I had already taken in an afternoon and evening of music the day before, which threatened more rain than it delivered. The one downpour that hit the festival grounds coincided with my campsite assembly, though, which made for an especially challenging time with raising my tent. Pouring rain makes tents heavy and unwieldy, but luckily for me, not impossible to put together — just fairly comical to passersby. The inside of it was a mess after that, but it was the only weather incident I experienced all weekend. It would not be MerleFest without at least a little rain, after all.
As it would be an outlier for MerleFest to be without rain, it would be similarly unlikely for MerleFest to go without at least one of two contemporary bluegrass stars from western NC: Woody Platt and Buddy Melton. Fans have enjoyed Woody Platt’s former band Steep Canyon Rangers thirteen times at the festival since 2006, while Buddy Melton’s former group Balsam Range has made five appearances there since 2010. This year, they appeared in a new lineup: Woody Platt and the Bluegrass Gentlemen.
I had the pleasure of catching up with Woody Platt and Buddy Melton in one of the few quiet spots available on the festival grounds, in the band’s motor coach, where we talked about how this project began; how their region is recovering from Hurricane Helene and more recently, widespread wildfires; a certain Crosby, Stills, Nash & Young cover they played live at the festival, as well as how they love to hear other players cover their songs. That and a lot more, including excerpts of music from Woody Platt’s 2024 album Far Away With You awaits you in this episode.
Woody Platt and the Bluegrass Gentlemen perform on Creekside Stage at MerleFest in Wilkesboro NC 04-25-25
A New Team for Two Heavy Hitters of Bluegrass: Woody Platt and Buddy Melton
Joe Kendrick
Songs heard in this episode:
“Long Time Coming” by Woody Platt, from Far Away With You
“Like The Rain Does” by Woody Platt, from Far Away With You, excerpt
“Find the Cost of Freedom” by Crosby, Stills Nash & Young, from Live At Fillmore East, 1969, excerpt
“Walk Along With Me” by Woody Platt, from Far Away With You, excerpt
“One Last Goodbye” by Woody Platt, from Far Away With You
Thanks for reading and listening! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify hereand YouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick
Forget the Morning Crew and the Long Distance Dedications: Radio’s Original Hit Format Lives On With the Martha Bassett Show
May 07, 2025
Show notes
The town of Elkin, NC, boasts only 4000 residents, but its downtown seems to resemble a town much larger than that. What looks to me like a downtown about half the size of my home town of Shelby, NC, turns out to be a good bit less populated than its footprint suggests. But making a bigger impression than expected is in keeping with everything I have experienced in this foothills town in the northwest part of the state — Elkin likes to punch above its weight.
My first trip to Elkin was for the Reevestock Music Festival, created by the band Time Sawyer, whose members largely grew up there. It is a festival that garners national artists as well as regional favorites, and every time I returned, it came up a winner: well balanced, with enough star power but also plenty of pleasant surprises and new discoveries, plus it was almost intimate with its crowd of hundreds rather than thousands in attendance. Elkin remains a favorite destination for that festival alone, and now I can add to that list, with The Martha Bassett Show producing live events at the Reeves Theater for eight years running.
Martha Bassett celebrates with guests and house band at the finale of The Martha Bassett Show 04/03/25
Photo: Steel String Photography
The Martha Bassett Show put on its 100th episode in April of this year, which seemed like the perfect time to trek up and take it all in. The show featured guests Liz Longley from Nashville, Hank Pattie & the Current from the Triangle region of NC, and a VA music artist who is best known for building guitars for stars like Eric Clapton, Gillian Welch, Vince Gill, Peter Rowan (and hundreds of others, famous or not), Wayne Henderson.
I spoke with both Martha Bassett and Wayne Henderson while there, where we talked with Martha about the extraordinary nature of the show with collaboration amongst its guests a built-in feature, the ever-changing and now perhaps especially challenging landscape for the arts, and with Wayne about his world famous instruments as well as memories of Doc Watson, and current Grand Ole Opry member and client Marty Stuart. All of that and a lot more is here, including musical excerpts from The Martha Bassett Show on this episode of Southern Songs and Stories.
Radio's Original Hit Format Lives On With the Martha Bassett Show
Joe Kendrick
Songs heard in this episode:
Wayne Henderson and Friends “Sweet Georgia Brown” from The Martha Bassett Show 04/03/25
Wayne Henderson and Friends intro from Martha Bassett into “Panhandle Rag” from The Martha Bassett Show 04/03/25, excerpt
“I’ll Fly Away” Martha Bassett with Liz Longley, Hank Pattie & the Current, Wayne Henderson and Friends and house band from The Martha Bassett Show 04/03/25
Thanks for dropping by! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify hereand YouTube here— hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.
This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick
Our TOPPODCAST Picks 
Stay Connected
