In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films.
Episode 349: Carter Burwell On His Score For The Banshees Of Inisherin
Jan 23, 2023
Show notes
Fresh off the back of its huge success at the Golden Globes - and multiple BAFTA nominations - we're delighted to welcome The Banshees Of Inisherin composer Carter Burwell back to Soundtracking. Little did we know when we recorded this interview at the end of last year that the film would win best picture in a musical or comedy AND best screenplay for Martin McDonagh, as well as a best actor gong for Colin Farrell. Carter was pipped in the Best Score category by our last guest on Soundtracking, Justin Hurwitz, but that takes nothing away from the excellence of his work on the project
Episode 348: Justin Hurwitz & Damien Chazelle On The Music Of Babylon
Jan 20, 2023
Show notes
We have a bonus episode for you today, as two friends of the podcast return (separately, we should say) to discuss their work together on the extraordinary Babylon. Director Damien Chazelle and composer Justin Hurwitz have worked their magic once again, bringing to life a tale of decadence, depravity, and outrageous excess in 1920s Hollywood. What we do is share the interview with Justin first, as that goes into great detail about the music; then we'll get an overview from Damien about the score and the movie as a whole.
Episode 347: Cate Blanchett On The Music Of Tár
Jan 16, 2023
Show notes
We've got an incredible run of guests coming up with you over the next fortnight - so much so that we'll be doing a couple of bonus episodes. But what a treat we have to kick off with today. Cate Blanchett is magnificent in Todd Field's new film, Tár, which charts the downfall of the eponymous composer and conductor, Lydia Tar. We won't say too much more about it, except for the fact that Cate has real musical chops, and puts her heart an soul into her incredible performance, and that it is scored by the wonderful Hildur Guonadottir
Episode 346: Screenwriter David Kajganich On Bones And All
Jan 10, 2023
Show notes
This might be a first for Soundtracking, but if it isn't, it certainly doesn't happen very often. For in speaking to Bones And All script writer David Kajganich, we've now completed the triumvirate of director Luca Guadagnino and composers Trent Reznor and Atticus Ross. David is so insightful about the process, and also how music is fundamentally important to it. It's a fascinating listen. We're also giving away a pair of tickets to a screening of The Fabelmans in this episode - so have a listen to find out how to win!
Episode 345: Rian Johnson On The Music Of Glass Onion: A Knives Out Mystery
Jan 02, 2023
Show notes
Having chatted to Daniel Craig on the podcast a couple of weeks ago, we're delighted to share Edith's conversation with Rian Johnson, the writer and director of Glass Onion: A Knives Out Mystery. Rian is a great lover of music, and we'll hear about his thinking when it came to the sound of this film - both in terms of the needle drops and the score, which was provided by his cousin, Nathan Johnson.
Episode 344: Trent Reznor & Atticus Ross Return!
Dec 26, 2022
Show notes
Now, Christmas week is just about to get a whole lot cooler, as we welcome Trent Reznor and Atticus Ross to Soundtracking for a second time Edith LOVES talking to this dynamic duo about film music, and the good news is we have two of their scores to unpack: the first being for Luca Guadagnino's Bones And All and the second for Sam Mendes' Empire Of Light.
Episode 343: Krysty Wilson-Cairns On The Music Of The Good Nurse
Dec 24, 2022
Show notes
If you harbour ambitions to write film scripts, you must listen to this - a very welcome return to the podcast to Krysty Wilson-Cairns, who joins us discuss her truly excellent Netflix vehicle, The Good Nurse. Starring Jessica Chastain and Eddie Redmayne, The Good Nurse tells the story of Amy Loughren, a night nurse who suspects that her co-worker is the serial killer Charles Cullen. Perhaps more importantly for our purposes, Krysty offers a truly fascinating insight into the creative workings of the screenwriter. Merry Christmas, everyone!!!
Episode 342: Daniel Craig Talks Music & Film
Dec 19, 2022
Show notes
Bonus episodes of Soundtracking abound this festive season with so many great film offerings out there - one of which is Glass Onion: A Knives Out Mystery So it is that we welcome Daniel Craig to the podcast to discuss his relationship with music and his role as the returning master detective Benoit Blanc in Rian Johnson's smart comedic mystery - soon to be showing on Netflix We don't want to say too much about the plot, but suffice to say it has all the humour, twists and turns of the first film, with an incredible ensemble cast including Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline, Kate Hudson, and Dave Bautista.
Episode 341: Alejandro González Iñárritu On The Music Of Bardo
Dec 19, 2022
Show notes
Very excited about our latest guest on Soundtracking - the Mexican filmmaker Alejandro González Iñárritu Alejandro's latest offering is Bardo: False Chronicle Of A Handful Of Truths - a semi-autobiographical tale that follows a journalist & documentarian who returns to his native country of Mexico and begins having an existential crisis in the form of dreamlike visions. As well as co-writing and directing the film, Alejandro also collaborated with friend of the pod Bryce Dessner on the score
Epsiode 340: Frances O'Connor & Abel Korzeniowski On The Music Of Emily
Dec 13, 2022
Show notes
There are so many cracking releases at the moment, we getting as much out to you as we can in something of a festive giveaway. We dropped Michael Giacchino earlier in the week, and now we bring you Frances O'Connor and Abel Korzeniowski, who joined me to discuss Emily. Frances wrote and directed the film, while Abel provided the score. It's a fictionalised version of the life of Emily Bronte, and concentrates on her romantic relationship with the curate William Weightman - there is no evidence that such a relationship ever occurred.
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