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    Shop Talk Live – Fine Woodworking

    Fine Woodworking magazine editors and contributors answer your questions and share woodworking tips and techniques.

    Advertise

    Copyright: © The Taunton Press

    • Apple Podcasts
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    Latest Episodes:
    STL186: Machinery Placement Guidelines Mar 29, 2019
    Show notes

    Question 1: From Harry: How can I prevent Camellia from becoming all gummy. After letting a plane set for a few weeks that had been wiped down with Camellia Oil it was next to impossible to get the plane apart. I actually caused some minor damage it was stuck so hard.

    Rollie's answer: On tools if you have areas that the oil is applied to that don't see use it can build a bit, but not much and over a long period of time. A quick wipe with a bit of naphtha or acetone will clean it off. Those solvents are essential because they are fully volatile and won't leave any oily residue, which mineral spirits will do.

    Question 2: From Mike: In in a couple months I will be building a house and I will be putting my shop in the basement. Currently I have a small shop, but in my new shop it will be large (about 25x35). Since I have this rare opportunity, I want to put power in the floor and dust collection the floor. Therefore, I have to decide where to put my tools and I will not be able to move them. Are there general guidelines on placement of tools? How far should a table saw be away from a wall? What about a bandsaw, how far from a wall or in the sides? Same question for a router table, jointer and thickness planer.

    • Grizzly's online shop-layout planner
    • A Layout Kit for Small Shops by John Yurko #174–Tools & Shops 2004 Issue

    Segment: All-Time Favorite Technique

    Mike: Using a bendy stick to hold in moldings as you glue them

    Anissa: A Box Worth Repeating by Laura Mays #240–May/June 2014 Issue

    Ben: Using blue tape and CA glue as a stand-in for double-sided tape

    • StewMac's YouTube Channel
    • Marc Spagnuolo's video

    Mike's double-down technique: Using a bendy ruler clamped in a pipe clamp as a curve bow

    • Shopmade Drawing Bow by Tim Coleman #260–Mar/Apr 2017 Issue

    Question 3:

    From Chris: Do those of you with kids suffer like I do from a never ending queue of fix it items that are piled on the workbench and take precedence over projects? It's fun to hack together solutions for beloved toys, and see the delight on their faces when it works, but it sucks up most of my limited shop time. Any tips on quick fixes, or do I just need to wait this period out until they are teenagers?

    Question 4:

    From Jim: I recently upgraded table saws with a killer deal on a used Delta Unisaw with a Unifence. I'm used to a Biesemeyer fence, and have a number of jigs utilizing the parallel faces of the fence, such as an L fence. I do not think I can use these jigs on the Unifence because it lacks the parallel faces necessary to track or clamp the jigs. Any ideas for Unifence modification or other tricks to increase the utility of the Unifence?

    Recommendations:

    Ben - StewMac's YouTube Channel Anissa - Jonathan Livingston Seagull Mike - Lee Valley - Lee Valley Toggle Clamp Plate

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


    STL185: Reading Bob Van Dyke's Mind Mar 15, 2019
    Show notes

    Enter for your chance to win Fine Woodworking's Shop Giveaway: Upgrade to Laguna! The winner will receive a prize that includes:

    • 14|12 Bandsaw
    • F2 Fusion Tablesaw
    • 1 HP Dust Collector
    • REVO 12|16
    • 6″ Jointer ShearTec II

    Question 1: From Shawn: I'm working on a Christmas present for my sister. It's a hallway table with 2 drawers in cherry. This is the first piece I've made with cherry. Some of the surfaces have a quarter sawn grain orientation and I'm finding them highly prone to tear out. My card scraper seems to be the only tool I've got that can tackle it, and even then I still have to pay really close attention to the changing grain direction. I'd like to hear any recommendations you might have about tools and techniques to deal with tear out, and also about other tear out prone woods you've worked with. I've found quarter sawn maple to be difficult as well.

    • Video: Taming Tough Grain with a Bevel-Up Plane by Bob Van Dyke #264-Nov/Dec 2017 Issue
    • Video: Get Sharp Fast by Bob Van Dyke #254–May/June 2016 Issue

    Question 2: From Joe: To build a bed for my grandson I ordered 50 bd ft of rough lumber, Black walnut. The wood was beautiful but this is where my confusion began. I got the job done but I don't know if I went about it the best way. The bed with headboard, frame, 6 drawers underneath, and footboard had over 100 pieces. All the lumber was about 8 inches wide and about 10 feet long. Is it better to mill the long boards and then layout all the parts, or layout the parts oversize and cut them out and send smaller pieces through the planer and jointer?

    Segment: All-Time Favorite Tool

    Mike: 6-in. Combo Square Bob: Stanley #4–Type 11 Ben: Lie Nielsen honing guide

    • Video: Modifying an inexpensive honing guide by Bob Van Dyke

    Question 3: From Mike: I've come to realize my jointer needs tuning, and i recall you guys saying how you set your outfeed table a hair lower than your cutter head. I can't find the episode that contains this discussion, but i don't recall there being any reasoning for this. I adjusted mine as y'all suggested but found this was causing the trailing ends of the boards to not touch the blades. After reading my powermatic manual, it says to have the outfeed table level with blade, so what's up with your hack causing me this grief?

    • Video Workshop: Machine Setup – The Jointer with Matt Wajda

    Recommendations:

    • Ben - Apple Music's Wes Montgomery Essentials playist
    • Mike - Pickles from Rein's Deli in Vernon, CT

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


    STL184.5: Chris Schwarz Mar 08, 2019
    Show notes

    Chris Schwarz is a furniture maker and writer who works from a German barroom built in 1896 in Covington, Ky. He is one of the founders of Lost Art Press, a book-publishing company that specializes in handwork, and Crucible Tool, a company that makes hand tools for woodwork. Chris is the author of several books, including Workbenches: From Design & Theory to Construction & Use (F+W Media), The Anarchist's Tool Chest, Campaign Furniture, The Anarchist's Design Book and Ingenious Mechanics (Lost Art Press). In addition to his publishing efforts, he builds casework and Welsh stick chairs for clients all over the world.

    Chris' class at Fine Woodworking Live is titled: Compound-Angle Joinery, Minus the Math Mastering compound angles typically means mastering trigonometry. But it doesn't have to be that way. Compound angles can be measured, laid out, and cut without any math—or even numbers. Chris will show you the methods he uses for replicating unusual (sometimes radical) compound angles to build his Welsh stick chairs. The method requires just a wire clothes hanger, a sliding bevel, and a ruler. (Oh, and you'll also need to bring an open mind.) The technique allows you to replicate compound angles from photos or drawings, or to create new designs using half-scale models (made with that clothes hanger).

    Register now for Fine Woodworking Live 2019!

    Enter for your chance to win Fine Woodworking's Shop Giveaway: Upgrade to Laguna!

    The winner will receive a prize that includes:

    • 14|12 Bandsaw
    • F2 Fusion Tablesaw
    • 1 HP Dust Collector
    • REVO 12|16
    • 6″ Jointer ShearTec II

    STL184: Is it time to stockpile ash? Mar 01, 2019
    Show notes

    Enter for your chance to win Fine Woodworking's Shop Giveaway: Upgrade to Laguna! The winner will receive a prize that includes:

    • 14|12 Bandsaw
    • F2 Fusion Tablesaw
    • 1 HP Dust Collector
    • REVO 12|16
    • 6″ Jointer ShearTec II

    Question 1:

    From William: I live in Ohio where the Emerald Ash Borer is ravaging every ash tree around. With all these ash trees coming down and the infestation of the Ash Borer, are we looking at a future shortage of ash trees? Should we, as woodworkers, stock up on quality ash boards while we can get them and while they're fairly inexpensive?

    Question 2:

    From Paul: I've started looking for a better sketchbook and am overwhelmed by the choices. I've heard Mike talk about the books he uses, but I've never heard him mention the brand or "model" he favors. On STL 155 he mentioned 60-80 lb paper, spiral bound, unruled, 6x9 size. Frankly, that limits it to about half a zillion options and it's very hard to judge quality even touching the book at the local art supply place. So please spill, Mike!

    Segment: All-Time Favorite Tool

    • Mike: Japanese saw with the handle trimmed off
    • Barry: His new benchtop mortiser
    • Ben: Dovetail marker made by Christian Becksvoort

    Question 3:

    From Caleb: I'm wondering if any of you have used a hollow chisel mortiser as a drill press? Is this a viable way to get around buying a drill press?

    Question 4:

    From Chris: What books inspire you to get out to your shop and build something? Any favorite books on the history of woodworking and maybe different trends through the ages? Or books specific to a style of working, like Shaker or arts & crafts, etc.? And from Larry: I would love to see a Live Talk episode on "go to books" reference books for novice woodworkers.

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


    STL183: The Call of the Cordless Tool Feb 15, 2019
    Show notes

    Leave a comment on this episodes show notes page to be entered in the giveaway of Craig Thibodeau's book, The Craft of Veneering.

    Peter Galbert's FWW Live 2018 Keynote Speech - Unsurprisingly, the journey of a windsor chairmaker is rarely a straight line

    Question 1:

    From David: I have avoided cordless power tools because as a hobbyist and renter, I seldom use the tools outside of the basement workshop. I've been told I don't know what I'm missing, but it seems my wallet prefers it that way. I'm most concerned about trying to commit to one brand/manufacturer or contend with the expense and hassle of having multiple chargers and batteries that aren't compatible. Do you feel as though it makes sense to keep all of your cordless power tools within the same brand? Or is my concern unfounded? If you had to commit to a brand, what would they be and why?

    Question 2:

    From Harry: How can I prevent Camellia from becoming all gummy. After letting a plane set for a few weeks that had been wiped down with Camellia Oil it was next to impossible to get the plane apart. I actually caused some minor damage it was stuck so hard.

    Segment: Smooth Move Ben: Not looking at the fine print on a router bearing Anissa: Not looking at the sticker telling her which way to assemble a part on a dust collector

    Question 3:

    From J: Hey folks, I recently volunteered to be the shop manager for my local guild of woodworkers. We have a 16" Oliver that apparently, according to some, must never have its bed waxed. They prefer it is cleaned only with kerosene, the reason being that it's believed waxing a jointer bed will cause glue joints to fail. Any merit to this train of thought? Or can I just wax it and make everyone's lives easier.

    • Mike recommendation of TopCote is now called GlideCote
    • Ben uses and recommends SlipIt

    Question 4:

    From Joe: I've gotten very good at sharpening my hand plane blades as well as making my wood surface feel silky smooth off the hand plane. When using a 2 pound cut shellac as a finish, do I need to rough up wood surface with sandpaper (such as 300 grit) so the shellac can stick better to the wood surface?

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


    STL182.5 - Veneer Master Craig Thibodeau Feb 08, 2019
    Show notes

    Normally here I post a bunch of links. I'm going to be honest, you just need one link on this, Craig's website. Everything he discusses is easily found on his website, and the site itself is wonderfully done. It's worth going to just to see how a real pro presents their work. Plus, while you're there you can buy a signed copy of his book! -Ben

    https://ctfinefurniture.com/


    STL 182: Tiny Scratches On My Blade Feb 01, 2019
    Show notes

    How Ben finished Mike's spoon - Finish Greenwood Spoons Like a Pro by Emmet Van Driesche

    Question 1: From Fabian: I have a sliding table saw and struggle to convert all the jigs mentioned in the magazine to fit my saw. How would you attach for example a kumiko grid jig as used by Mike in the article "Spice up your work with kumiko" to the saw? Do I fasten it with bolts to the crosscut fence or just let it ride in the one miter slot in the sliding table? In either case it is just secured on the left side of the blade.

    • Spice up your work with kumiko by Michael Pekovich #259–Jan/Feb 2017 Issue
    • Sliding Tablesaws: Is One Right for You? by Daniel Chaffin #272–Tools & Shops 2019 Issue

    Question 2: From Chris: I'm on the lookout for a new paste wax solution. I'm totally over the petroleum smell of commercial options, and would love something simple with just a bit of luster to apply to my projects. Has Mike ever shared his recipe to attempt to recreate the non-longer-available Goddard's Cabinet Makers Wax? I never used the product in its original form, but I'm sold on his description of it. Something natural, simple, and lemon-scented sounds like the perfect solution for me.

    • Which Waxes Work Best? by Mark Schofield
    • Custom Blending Paste Wax in the Shop - Don Williams site Don'sBarn.com
    • Briwax - Natural Creamed Beeswax

    Segment: All Time Favorite Tool of All Time… for this week Tom: Cabinet scraper and card scraper Mike: Dead blow mallet to straighten his folded-back backsaw Ben: ARK Shark Guard for his Delta Unisaw

    Question 3: From Josh: I see pictures posted online where people have gotten a completely mirror polished edge on a chisel or plane iron. I'm using a Norton 1000 water stone, followed by a King 3000, followed by a Norton 8000 stone. I can't seem to get that mirror polish. I still end up with some scratches, no matter how long I work with the 8000 stone, even when honing a new blade. I know Mike recommends 1000/4000/8000, but Lie Nielsen skips the intermediate grit, so I don't think the 3000 stone is my problem. I've thought about trying to get a finer stone than the 8000 I have, but I don't want a $100 experiment.

    Question 4: From Peter: The cement floor of my shop is unsealed and kind of wrecks my feet after a day in the shop. Keeping in mind that it's a rental, do you have any recommendations for an affordable flooring option that may help my feet and also protect my equipment from the sludge that melts off my wife's car? It needs to be solid enough that I can have my lathe on that won't increase vibration.

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


    STL181: Will a Jobsite Saw Cut It? Jan 18, 2019
    Show notes

    Check out our newest video workshop, Enfield Cupboard with Hand Tools featuring Chris Gochnour and be sure to help us make our video workshops even better by filling out this quick survey.

    Question 1: From Dean: I have an enjoyable dilemma. I am building a garage with adjacent shop space at our north home. The shop is 200 sq-ft, one third the size of my St. Paul shop, and thus creates a challenge adapting to a small space. I have been devouring all the FWW articles on small shops and believe I can make this space workable but I will have to make some concessions, mainly my tablesaw, jointer, and planer. Will I be satisfied and served by a portable, contractor-style table saw and a combination jointer-planer?

    • Portable Tablesaws by Patrick McCombe #209–Tools & Shops 2010 Issue

    Question 2: From Tanc: Is there a guideline for when stretchers are needed to strengthen a piece? I am looking to build an entryway table from oak that is 32-in. high, 60-in. long, 12-in. deep, with a 2 ½-in. apron and 2-in. legs that taper down to 1-in. I prefer simple designs, and would rather not have stretchers.

    • Floating-Top Table by Michael Pekovich #263-Sep/Oct 2017 Issue
    • Engineer Shelves With The Sagulator by Bill Kovalick #190–Mar/April 2007 Issue
    • Brass Stretcher Brightens a Bench by Michael Robbins #267–Mar/Apr 2018 Issue
    • Given a common inspiration, three furniture makers create a diversity of designs by Mark Schofield #184–May/June 2006 Issue

    Ben's mockup of Tanc's table with the given dimensions:

    Benside Table:

    Segment: Smooth Moves

    • John: Not cleaning the lint off of a new floor finish applicator
    • Anissa: Touching a friends piece of furniture while the finish was still wet
    • Ben: Trusting a tool that should never have been trusted

    Question 3: When I set up my workshop, I positioned the bench facing a south-facing window and installed fluorescents directly above the bench at about eight feet above the floor. If I have a board on edge, any markings on the side facing my body are difficult to see because that area is in shadow. I want to avoid using task lights wherever possible, as they just get in the way. I'm thinking that more overhead lighting is the answer. Do you have any thoughts about where this should be positioned to minimize shadow areas when working at the bench?

    • Let There Be Light by Nancy McCoy #209–Tools & Shops 2010 Issue

    Question 4: From David: I am baffled that some ash stock I milled a couple months ago is now nearly impossible to plane. I cut and milled the ash for a small box a while ago. It was wonderful to work with and easy to plane. I put the pieces aside to enjoy the far too short Minnesota summer. I kept it in the same place all my wood stock lives; my basement workshop. I was looking forward to getting back to work on the box. I decided to plane all the pieces again, assuming it wouldn't be flat and square as it was months ago. I was dumbfounded that it was nearly impossible to plane. I used the exact same plane I used originally. I ended up resharpening the blade twice and adjusted it to take the finest possible shaving. Still it would stick and chatter across the board and leave tear out in the middle of smooth grain. To make sure I wasn't hallucinating, I tried planing some oak and some twisty walnut. It performed beautifully. It was as though it had developed a skin of steel in the time since I first milled it. Any ideas about what/why this happened?

    Recommendations:

    • Ben - PBS's Craft in America episode–Visionaries
    • Anissa - American violin maker–James Reynold Carlisle

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


    STL181: Will a Jobsite Saw Cut It? Jan 18, 2019
    Show notes

    Check out our newest video workshop, Enfield Cupboard with Hand Tools featuring Chris Gochnour and be sure to help us make our video workshops even better by filling out this quick survey.

    Question 1: From Dean: I have an enjoyable dilemma. I am building a garage with adjacent shop space at our north home. The shop is 200 sq-ft, one third the size of my St. Paul shop, and thus creates a challenge adapting to a small space. I have been devouring all the FWW articles on small shops and believe I can make this space workable but I will have to make some concessions, mainly my tablesaw, jointer, and planer. Will I be satisfied and served by a portable, contractor-style table saw and a combination jointer-planer?

    • Portable Tablesaws by Patrick McCombe #209–Tools & Shops 2010 Issue

    Question 2: From Tanc: Is there a guideline for when stretchers are needed to strengthen a piece? I am looking to build an entryway table from oak that is 32-in. high, 60-in. long, 12-in. deep, with a 2 ½-in. apron and 2-in. legs that taper down to 1-in. I prefer simple designs, and would rather not have stretchers.

    • Floating-Top Table by Michael Pekovich #263-Sep/Oct 2017 Issue
    • Engineer Shelves With The Sagulator by Bill Kovalick #190–Mar/April 2007 Issue
    • Brass Stretcher Brightens a Bench by Michael Robbins #267–Mar/Apr 2018 Issue
    • Given a common inspiration, three furniture makers create a diversity of designs by Mark Schofield #184–May/June 2006 Issue

    Ben's mockup of Tanc's table with the given dimensions:

    Benside Table:

    Segment: Smooth Moves

    • John: Not cleaning the lint off of a new floor finish applicator
    • Anissa: Touching a friends piece of furniture while the finish was still wet
    • Ben: Trusting a tool that should never have been trusted

    Question 3: When I set up my workshop, I positioned the bench facing a south-facing window and installed fluorescents directly above the bench at about eight feet above the floor. If I have a board on edge, any markings on the side facing my body are difficult to see because that area is in shadow. I want to avoid using task lights wherever possible, as they just get in the way. I'm thinking that more overhead lighting is the answer. Do you have any thoughts about where this should be positioned to minimize shadow areas when working at the bench?

    • Let There Be Light by Nancy McCoy #209–Tools & Shops 2010 Issue

    Question 4: From David: I am baffled that some ash stock I milled a couple months ago is now nearly impossible to plane. I cut and milled the ash for a small box a while ago. It was wonderful to work with and easy to plane. I put the pieces aside to enjoy the far too short Minnesota summer. I kept it in the same place all my wood stock lives; my basement workshop. I was looking forward to getting back to work on the box. I decided to plane all the pieces again, assuming it wouldn't be flat and square as it was months ago. I was dumbfounded that it was nearly impossible to plane. I used the exact same plane I used originally. I ended up resharpening the blade twice and adjusted it to take the finest possible shaving. Still it would stick and chatter across the board and leave tear out in the middle of smooth grain. To make sure I wasn't hallucinating, I tried planing some oak and some twisty walnut. It performed beautifully. It was as though it had developed a skin of steel in the time since I first milled it. Any ideas about what/why this happened?

    Recommendations:

    • Ben - PBS's Craft in America episode–Visionaries
    • Anissa - American violin maker–James Reynold Carlisle

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


    STL180: Designing Without Drawing Jan 04, 2019
    Show notes

    Question 1: From Cameron: I'm thinking of making a bench inspired by Mark Edmundson's "Modern Danish Cord Bench" from issue #194-Nov/Dec 2007. I'm want to stretch the width to 6' to use at my 7' table. Will the front and rear rails be enough to support 4 well fed adults or will I have a hilarious story to tell for the next 30 year about the thanksgiving collapse of 2019?

    • Mark Edmundson's "Modern Danish Cord Bench" from issue #194-Nov/Dec 2007
    • Strategies For Building Stronger Furniture by Mike Korsak #269–July/August 2018 Issue

    Question 2: From Mark: I saw a video where Matt Wajda drew a tool chest, full scale by hand. Is this a common method? I draw Architecture for a living, I am tired of drawing. I'm not interested in SketchUp, I already spend way too much time with AutoCAD. Woodworking is my release. I completely understand that you can work issues out on paper long before you even touch a board. I am curious about designing without drawing. Does anyone you know use a design process that does not involve drawing?

    • Behind the Design: Tim Coleman's Arabesque by Tim Coleman and Ben Strano #270–Sep/Oct 2018 Issue
    • Mike's post showing the 1/4-piece mirror trick

    Segment: Shop Resolutions

    • Mike - Learn a new skill this year
    • Anissa - Draw every day
    • Ben - Finish working on his shop, and start working in his shop… by May

    Question 3: From Andy: Any idea how to go about achieving the finish in the attached image? I've never seen a finish like this one that's pretty vibrant, yet maintains the appearance of the grain. Is it just a watered down paint?

    • Real Milk Paint's Color Chart
    • Old Fashioned Milk Paint's Color Chart

    Question 4: From Bob: I have some Japanese chisels that I'm starting to use. About 3/16" behind the edge of the blade is a cove. When you grind back to that cove, the back will no longer be flat. Do you have to toss the chisel out at that point?

    • Tapping Out a Japanese Plane Blade with Andrew Hunter by Andrew Hunter #260–Mar/Apr 2017 Issue

    Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking's biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.


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