Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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In a year when seeing concerts became impossible, listener Chris T. commissioned a movie about four teenagers doing the impossible to see the greatest show of their lives: "Detroit Rock City."
You wanted the best? You got ... the Shat Crew talking dead siblings, paper concert tickets, shitty moms, cutting class, dream Volvos, Detroit landmarks, Gene's old band, shaking your wee wee, Amanda Finch, and of course KISS.
Will Shat The Movies give "Detroit Rock City" the respect it never got at the box office, or is it time to acknowledge this Edward Furlong movie flopped for a reason? Time to paint your face, pour some cold gin, crank up the pod, and find out.
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If you love soccer and the world's nicest Nazis, then "Escape to Victory" is the movie for you. Listener Joe T commissioned this World War II POW tale from across the pond, then was kind enough to call in with the most professional voicemail we've ever received.
"Victory" is a movie that proved actors want to be footballers, and footballers want to be actors, and the French Resistance always gets the short end of the stick. Hear Gene's frustration with the shower scene, Big D's disappointment in Pele, and Ash's indignation with butchered French.
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"Fast Times at Ridgemont High" did everything an '80s high school movie was supposed to do. It did it first, and it did it best. The cast of young actors grew up to be some of the biggest names in Hollywood, Cameron Crowe went on to write "Jerry McGuire" and "Almost Famous," and director Amy Heckerling changed America's view of teens again when she created "Clueless."
Find out how "Fast Times" taught Big D about women's struggles; why Ash's mom calls it "the abortion movie," and why Gene thinks shopping malls will make a comeback.
Also ... the bikini scene ... yeah, it still holds up.
Roy Nemerson Articles: https://variety.com/2001/scene/people-news/roy-e-nemerson-1117850384/ https://ew.com/article/1994/06/24/selling-scripts-mean-money-maybe-not-fame/
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"Regulators, mount up!" Few words inspire more '80s Western nostalgia, and few movies manage to mix hot young actors with dusty old history the way "Young Guns" did.
This film about the Lincoln County War has it all: Emilio Estevez in a likable role, Keifer Sutherland looking like a dream, Charlie Sheen being sorta normal. The kill count is high, the complexity is low, and through it all runs a wild vein of '80s teen pluck.
Big D loved the peyote scene but hated Lou Diamond Phillips' performance. Ash turned up her nose at the beginning but bought in by the end. And Gene busted out his gunslinging history books like any good Arizonan would.
Get ready for gratuitous slow-motion, questionable escapes, an unnecessary wedding, and Old West sex. Reap the whirlwind!
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"Fear and Loathing in Las Vegas" might be the movie the Shat crew was born to cover: Gene's a career journalist. Ash launched an entire podcast on addiction and recovery. And Big D really, really, really likes hallucinogens.
So it's no surprise we had a lot to say about Johnny Depp's unforgettable performance as Hunter S. Thompson chronicling an insane assignment at Las Vegas motorcycle race. The surprise came in how much meaning we found—more than two decades later—in a film largely dismissed as disorganized, unfocused, pointless, and immature.
"Fear and Loathing" changed listener Kipp's life enough to warrant a Shat The Movies commission, and it gave all three Shat hosts a lot to think about—even if some of those things were a bloated Benicio del Toro, a balding Tobey Maguire, the deep symbolism of vomit-covered cars, or the many nights chemicals erased from our memories.
Find out what happened to Dick Ebert's clothes, what Ash discovered about adrenochrome, and why Gene wants to remodel in this edition of Shat The Movies.
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Do you love adventure films? Sexy guys and gals on camelback your thing? Do you pine for the golden age of Brendan Fraser's film career? If the answer to any of those questions is yes, listener Ryan G commissioned just the movie for you- 1999's "The Mummy."
In this episode, Big D walks us through how to avoid death by quicksand. Gene swoons over Anck-Su-Namun's golden painted body. And Ashley pines for Ardeth, face tattoos and all.
Also, the crew talks about the movie's missed opportunities to weaponize cats (catpacks, anyone?), the benefits of camels over horses, the sketchy motivations of the Pharaoh's priests, and whether Imhotep is the victim, not the bad guy.
In the end, we ask, "Is 'The Mummy' a great movie?" Maybe not. But it sure is one heck of a fun ride on this week's Shat the Movies.
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Sequels can be hit or miss but return commissioner Adam decided to take the chance on the 1989 sequel to a classic Chevy Chase film, "Fletch Lives." A critical failure but box office success, "Fletch Lives" revives the role of the costume-wearing reporter as he goes to Louisiana to claim a surprise inheritance.
The movie harkens back to a time of journalism past where reporters made actual money, had company cars, and endless supplies of disguises. From the cover art to jaw-dropping musical numbers, the Shat hosts were surprised by many of the movie's turns including totally underappreciated actors, completely incorrect accents, and a seemingly angry leading man.
Big D, Gene, and Ash try their best to answer the many questions "Fletch Lives" leaves with its viewer. Was any woman in this film attracted to Chevy Chase? Does God want his followers to worship him by going to amusement parks? And was Fletch fooling anyone with those get-ups? Discover the answers to these questions and more as the Shat crew goes down South on this episode of "Shat the Movies."
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In 1999, the world stood on the brink of massive change: a new millennium, a new reality, the future of our dreams sitting right on our doorstep. Big D had just joined the Army. Roger readied himself for deployment to sleep away camp, and Mister C was just a boy. On the horizon, launching movies into a new era, was "The Phantom Menace."
Star Wars' first film after 16 years frozen in carbonite was a prequel, and nobody thought to question at the time what a strange paradox we were about to experience. Episode I promised to show us how it all began by adding big-name actors, mind-blowing computer effects, and exciting new characters.
And while that promise was fulfilled, "The Phantom Menace" also opened a sarlacc pit of missteps—inconsistent Jedi powers, an unsatisfying Anakin Skywalker, reckless parents, an abused C3PO, unnecessary characters, and the hyper-animated elephant in the room: Jar Jar Binks.
How could a movie with such rich lineage stumble so horribly out of the gate? The cringe-worthy love story, impotent Jedi council, confounding battle scenes, and objectionable politics hit us out of nowhere, overshadowing a valiant performance by Liam Neeson and betraying other success stories in the Star Wars franchise.
Any movie worthy of Fan-Tom Edits is worth of the Shat treatment, and our crew was up to the job. With lightsabers bright and prospects dim, let us begin the Star Wars saga where it started ... before it started ... again.
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We all know the "Adventures in Babysitting" cover art, but do you really know what this 1987 comedy is all about?
It's Elizabeth Shue at her feel-good-movie best. It's also the major motion picture version of an afterschool special about the dangers of the city. It might even be an attempt to lampoon the fears of '80s suburbanites.
Putting Christopher Columbus' box office debut under the Shat microscope reveals a lot of things: like a horribly miscast Vincent D'Onofrio, a hidden hero, and the fact Big D no longer likes fun.
This anniversary gift of a Shat The Movies episode takes us back to a simpler time when Playboy magazines were the center of young boys' world, girls pretended their hairbrushes were microphones, Thor didn't need big muscles, parents partied in skyscrapers with open windows, and blue clubs catered to teens who couldn't dance.
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These dark times call for dark movies, and '80s comedies didn't get any darker than "Heathers." The Winona Ryder and Christian Slater box office flop found a way to laugh at teenage suicide, bulimia, date rape, homosexuality, religion, hypocrisy, cynicism, sex, and murder in a way that made Big D blush.
Gene Lyons and Ash Duke join Shat The Movies to relive their high school years, forced emotional outpourings, and Shannen Doherty's face on this episode commissioned by longtime listener Dan Fletcher and spooky podcaster Carmelita Valdez McKoy.
How did Stanley Kubrick impact "Heathers"? Was the pep rally scene inspiration for "Smells Like Teen Spirit"? Why did young Ashley own a monocle? And most importantly: Is Heathers a truly groundbreaking film or just a cult classic. Find out in this week's "Shat The Movies."
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