Stay ConnectedWhat are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
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People are always complaining that Hollywood's run out of ideas: Everything's a remake or a sequel or a comic book movie. But in 1985, things were wild. Wanna make a movie about a guy who turns into a wolf and a chick who turns into a bird so that they can never be together? Go for it; we'll even throw in Matthew Broderick and a score by Alan Parsons.
The Shat Crew's been waiting a long time to do "Ladyhawke," but it took listener Jose to stand up, raise his sword high in the air, and dedicate this medieval fantasy in the name of true love. It's a movie that taught us not to take "Game of Thrones" for granted, a movie that Ash felt needed talking animals, and a movie that made Big D ponder life's big questions, like "Can a crossbow shoot a hawk in flight?" and "How does a werewolf get his clothes back?"
But most of all, "Ladyhawke" was a movie that bet on Rutger Hauer, Michelle Pfeiffer, and Alfred Molina being able to bring a wild-ass tale with a funky-ass soundtrack to life. How did they do? Listen and find out.
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If you thought our "Red Dawn" episode was unpredictable and juvenile, buckle up for "Taps." This military-versus-civilians, young-against-old, leaders-versus-condominiums drama from 1981 introduced the world to Sean Penn, Tom Cruise, Timothy Hutton, and the king of wacky screen deaths, Giancarlo Esposito.
"Taps" also highlighted what was so great about George C. Scott's portrayal of General George S. Patton, what was so terrible about Junior ROTC, how TikTok could have saved Bunker Hill Academy, and why young Gene Lyons always had a coin up his ass.
Hear Judge Ash preside over John Rambo's involuntary manslaughter trial and draw the lines between "Taps" and "Les Miserables." Witness a beloved Gene arguing that "Taps" is basically Shakespeare. And discover the secrets of the Hot Carl and the Stinky Pinky with Dick Ebert.
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If you hate Gene, you'll love our "The Last of the Mohicans" episode. Ash is at the helm, with Dick Ebert and guest host Kevin R. Brackett (Reel Spoilers) rounding out the crew to explore romance, frontier life, and Big D's virginity.
When it comes to period dramas from the early '90s, things often get a little goofy, but "The Last of the Mohicans" stands apart by getting a lot of things right: breathtaking cinematography, animalistic attraction, a killer score, historical accuracy, the chaos of battle, and the pain of sacrifice.
Are the characters a little flat? Maybe. Is Hawkeye superhuman? Debatable. Is the Shat Crew gonna talk about old-timey sex? Oh, absolutely.
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"Shat The Movies" fans are horror fans, so we jumped at the chance to do a scary movie outside October. When longtime listener Carmelita commissioned "Jacob's Ladder," the Shat Crew collectively squealed.
This 1990 Tim Robbins banger did lots of things we'd later see in '90s movies and beyond: non-linear storytelling, the questioning of reality, faceless doctors, and that wiggly head thing from Tool music videos. But it didn't stop there: "Jacob's Ladder" flipped the horror genre on its head by actually addressing death, not just killing.
In this episode, Big D crushes Gene's romanticism about '70s New York City. Ash gives a crash course on the fragility of memory, and all three hosts marvel at just how cute Macaulay Culkin was at 9 years old. What did the ending mean? We'll get into that, too.
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"Friday" wasn't the easiest episode to record, but it's one of our new favorites. After Big D recovered from his Strawberry Festival-induced hospitalization, the Shat Crew convened to debate whether certified stars like Chris Tucker, John Witherspoon, Regina King, "Tiny" Lister, Bernie Mac, and Michael Clarke Duncan could elevate a Zig-Zag-thin plot to a '90s comedy classic.
In this episode, we discuss how Ice Cube and DJ Pooh succeeded in their mission to show a different side of the 'hood, how weed helped Big D "make it a Blockbuster night," and why it sometimes pays to party in dangerous places.
Big D implores today's youth to "live in the moment" as we also cover the bathroom habits of POC, why Ash can't shower alone, "the conditions" in Atlanta, and terrible fight scenes.
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"Tequila Sunrise" commissioner Rachel C. returns with another '90s movie full of sexy people doing confusing things. This week, it's "The Grifters," a 1990 neo-noir thriller that proves even John Cusack, Anjelica Huston, and Annette Bening have their off days.
This movie about con people and the con people who love them led to such classy topics as discount grandmas, boob fingerprints, nostalgia trolls, and the kinds of sexual favors landlords can reasonably expect from tenants attempting to seduce them.
"The Grifters," nominated for multiple Academy Awards, also brought us the most unlikely death in Shat history and possible the worst heist since "Safe Men," proving critics love anything that hearkens back to old timey movies.
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Shat The Movies Fantasy Basketball champion Don Sauce chose a movie he'd never seen before as his prize: "White Men Can't Jump." And what he got was perhaps Woody Harrelson and Wesley Snipes at their best.
Like other Ron Shelton sports movies, this 1992 love letter to Los Angeles blends sex, psychology, and an underlying malaise to take the audience beyond the game and into life itself.
In this episode, the Shat Crew discusses the history of white basketballers, how to get on "Jeopardy!", Rosie Perez' sex appeal, the lush dialogue of '90s movies, why Comic-Con has gone downhill and how to ask for sex in Portuguese.
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Tom Hanks' "Big" was the '80s film that started it all for "Shat The Movies," a massive hit everyone saw growing up. But a few months before "Big" hit theaters, another child-to-man body transformation movie took a slightly different approach.
"Vice Versa" took an established Judge Reinhold and a brilliant young Fred Savage and shifted the focus to the adult trapped in a child's body. Along the way, we also got a not-so-iconic music scene, some '80s Asian mysticism, very strong arguments for taking PTO, and a glimpse into a Gene Lyons' day job.
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Is "Stargate" as good as "Star Wars?" Maybe not. Is it every bit as fun? Possibly!
Roland Emmerich's 1994 ode to Ancient Egypt boasts a surprisingly kickass musical score, some super creative costuming, and possibly the secrets to where Saddam Hussein hid his yellow cake. But it isn't without its problems.
Your main villain, Ra, is utterly impractical with his security forces (what's with those helmets?), spacecraft (who flies a pyramid?), and body choice (may we suggest being Rodrigo Santoro next time?).
Your heroes, despite being a hot James Spader and steely Kurt Russell, are hamstrung by terrible tactics (camping out in the open), a useless team (who cast French Stewart as a commando?), and little balls on their berets.
And your main attraction, the titular Stargate, is a giant combination lock that ripped off "The Abyss" and defies any semblance of science.
But none of that matters because this was the movie we all needed in 1994: fast-moving with a little action, a little romance, and a lot of half-naked children.
In this episode of "Shat The Movies," we learn Big D didn't pluck his wife from the jungle, teachers are nerds, and why you should always "sleep with the gift."
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"12 Monkeys" has something for every member of the Shat Crew: An edgy, smart director for Ash, time travel for Dick Ebert, and loads of man butts for Gene. But is it the slick, mind-blowing film we remember from 1995, or does it fall flat in a post-pandemic America?
As the Month of Steve continues, we dig into some tinfoil territory, questioning the nature of reality, whether the powers that be would ruin the world to stay in control, and whether Brad Pitt really deserved that Golden Globe. Is Dr. Reilly one of the worst sidekicks in movie history?
Is the "12 Monkeys" score one of the most underappreciated compositions of the '90s? We answer these questions and more in this weeks Shat The Movies.
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