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    Arts

    Shakespeare For All

    Shakespeare For All is an engaging, accessible introduction to the life and work of William Shakespeare, featuring world-class scholars and performers.
    You’ll learn who Shakespeare was and what historical events shaped his writing. You’ll be guided through his most popular poems and plays by leading scholars, actors, and interpreters of Shakespeare. And you’ll find the tools you need to become an interpreter of Shakespeare yourself and join in the ongoing global discussion his works have inspired.
    The first course offers a tour through Shakespeare’s moment in history and his life. You’ll also discover strategies for understanding Shakespeare’s stories, characters, and language across his plays.
    At the heart of the series are courses on Shakespeare’s most thought-provoking and beloved plays. Each begins with a detailed summary of the story. Then, a top Shakespeare scholar takes you on a deep dive into the play’s characters, language, and most important questions. Finally, you’ll hear Shakespeare’s language come to life, with original performances from professional Shakespearean actors.
    Shakespeare For All also features a course on Shakespeare’s sonnets — his sequence of 154 short poems that explore revolutionary new directions within the conventional poetry of love — and a bonus course on Game of Thrones and Shakespeare, “The Wooden O and the Iron Throne.”
    Except where otherwise noted, the texts used for this course are from Shakespeare’s Plays, Sonnets and Poems, from The Folger Shakespeare, ed. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library.
    Shakespeare For All is a Lyceum original production.
    Team:
    Zachary Davis (Executive Producer)
    Zachary Davis is the president of Lyceum and host of Ministry of Ideas and Writ Large. He has a graduate degree from Harvard Divinity School and is the founder and organizer of the Sound Education conference.
    Jemma Deer (Associate Producer and Narrator)
    Jemma Deer is a Researcher in Residence at the Rachel Carson Center for Environment and Society, currently working on a book on extinction. She also hosts and produces EcoCast, the official podcast of the Association for the Study of Literature and Environment (ASLE).
    Maria Devlin McNair (Course Creator and Managing Producer)
    Maria Devlin McNair received her PhD from Harvard University in English literature with a specialization in Shakespeare and Renaissance Drama. She is a writer and Managing Producer for the Harvard Divinity School podcast Ministry of Ideas. She is currently developing a book project on ethics and Renaissance comedy.
    Jack Pombriant (Composer and Sound Designer)
    Jack Pombriant is the associate producer of Writ Large. He received his BM from Berklee College of Music, where he studied music composition and production. He is also a graduate of the Salt Institute for Documentary Studies, where he studied radio and podcast production.

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    Latest Episodes:
    Julius Caesar Part 2: Characters and Questions Jul 29, 2021
    Show notes

    Part 2 focuses on the play’s key interpretive questions: how we are invited to judge the central characters. Is Caesar, in Shakespeare’s story, really a tyrant who needed to be killed? Is Brutus a noble political hero or a misguided egoist? With Professor Michael Dobson, you’ll discover how Shakespeare restructured this familiar story to make easy judgments impossible. Professor Dobson also discusses the Roman values that the characters strive to embody and how these values generate friendships, rivalries, and violence.

    Julius Caesar Part 3: The Language Jul 29, 2021
    Show notes

    In Part 3, Professor Michael Dobson offers close-readings of some of the play’s most important speeches, including Brutus’s deliberation over Caesar’s assassination and the rival speeches given by Brutus and Antony to “Friends, Romans, countrymen” at Caesar’s funeral — speeches that display the potential power of rhetoric.

    Speeches and Performers:

    • Brutus, 2.1, “It must be by his death …” (Anton Lesser)
    • Caesar, 3.1, “I could be well moved …” (“I am as constant as the Northern Star”) (Andrew Woodall)
    • Brutus, 3.2, “Romans, countrymen, and lovers, hear me for my cause …” (Anton Lesser)
    • Antony, 3.2, “Friends, Romans, countrymen, lend me your ears …” (Mark Quartley)
    Julius Caesar Part 1: The Story Jul 29, 2021
    Show notes

    Julius Caesar is one of Shakespeare’s most famous plays, telling the story of one of history’s most famous events. In this tense political thriller, the Roman senator Brutus must decide whether to assassinate the powerful military general Julius Caesar in order to save Roman Republic — and the audience must decide whether Brutus made the right choice. In this course, you’ll learn how Shakespeare dramatized the historical event of Caesar’s assassination in 44 BCE, and particularly how he linked refined political rhetoric, aspiration toward Roman ideals, and acts of savage violence. You’ll also hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars.

    In Part 1, you’ll be guided through a detailed account of the story with commentary by Michael Dobson, Director of the Shakespeare Institute in Stratford-upon-Avon and Professor of Shakespeare Studies, University of Birmingham. Professor Dobson discusses the Roman history behind Julius Caesar and the cultural role of classical Rome during the Renaissance, when Shakespeare was writing. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.

    Othello Part 3: The Language Jul 29, 2021
    Show notes

    In Part 3, Professor Farah Karim-Cooper offers close-readings of some of the play’s most significant scenes. You’ll also hear a special commentary on Othello by actor Keith Hamilton Cobb, author and performer of the acclaimed one-man show American Moor(https://americanmoor.com/), which examines the experience and perspective of black men in America through the metaphor of William Shakespeare’s character, Othello.

    Speeches and Performers:

    • Othello, 1.3, “Her father loved me …” (Keith Hamilton Cobb)
    • Iago, 2.1, “That Cassio loves her …” (Anton Lesser)
    • Emilia and Desdemona, 4.3, “I would not do such a wrong …” (Dame Harriet Walter and Katy Stephens)
    • Keith Hamilton Cobb, reflection on Othello


    Visit the course webpage at www.shakespeareforall.com/othello for a bonus recording of Othello's 1.3 speech by RSC actor Paterson Joseph.

    Othello Part 2: Characters and Questions Jul 29, 2021
    Show notes

    Part 2 delves into the characters’ psychologies and how character is created by speech — how Othello’s language reflects his changing sense of self and how Iago carries out his plot with particular rhetorical strategies. With Professor Farah Karim-Cooper, you’ll also address questions of race in Othello, including the question of whether the play’s depiction of a racist society makes it a racist play.

    Othello Part 1: The Story Jul 29, 2021
    Show notes

    William Shakespeare’s Othello is the only one of his tragedies to feature a black male protagonist. Othello is a black general who elopes with a white noblewoman called Desdemona — a marriage that Iago, Othello’s comrade-in-arms, plots to destroy. In this course, you’ll learn Othello’s story, explore the complicated impact of race on Othello’s society and Othello himself, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars.

    In Part 1, you’ll be guided through a detailed account of the story with commentary by Farah Karim-Cooper, Head of Higher Education and Research at Shakespeare's Globe and Professor of Shakespeare Studies at King's College, London. Professor Karim-Cooper provides key historical background for understanding the play’s representation of Othello. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.

    As You Like It Part 3: the Language Jul 13, 2021
    Show notes

    As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars.

    In Part 3, Dr. Will Tosh offers close-readings of some of the play’s most significant scenes. You’ll discover how a seemingly “wise” speech can actually be foolish and why Rosalind’s apparently foolish games contain a lot of wisdom, and see how the play opens up the question of who “Rosalind” actually is.

    As You Like It Part 2: Characters and Questions Jul 13, 2021
    Show notes

    As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars.


    Part 2 addresses the play's central questions by examining its structure, literary context, and main characters. With Dr. Will Tosh, you’ll discover how Shakespeare blended different literary traditions to create the exploratory space of Arden, to investigate questions of identity, gender, and same-sex desire, and to afford his characters new kinds of freedom. You’ll explore the play’s performance history and the questions it has always raised around gender roles, and learn why Rosalind carries out her courtship in her male disguise.

    As You Like It Part 1: the Story Jul 13, 2021
    Show notes

    As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars.


    In Part 1, you’ll be guided through a detailed account of the story with commentary by Dr. Will Tosh, research fellow and lecturer at Shakespeare's Globe in London. Dr. Tosh discusses the significance of the play in Shakespeare’s career and of the way that Shakespeare’s company first performed it. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.

    Macbeth Part 3: the Language Jul 12, 2021
    Show notes

    Macbeth is one of Shakespeare’s most concentrated and thrilling tragedies. Macbeth is a warrior lord living in medieval Scotland who starts the play by saving his king — only to then murder the king himself. In this course, you’ll learn Macbeth’s story, explore the complex morality and psychology of Macbeth and his accomplice, Lady Macbeth, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars.


    In Part 3, Professor Emma Smith offers close-readings of some of the play’s most significant monologues. You’ll discover the unique kind of speech that Shakespeare develops in this play to reflect his characters’ sense of conscience and guilt, and learn to see how Shakespeare reflects the largest themes of his plays in the smallest units of language.

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