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    Arts

    Shakespeare For All

    Shakespeare For All is an engaging, accessible introduction to the life and work of William Shakespeare, featuring world-class scholars and performers.
    You’ll learn who Shakespeare was and what historical events shaped his writing. You’ll be guided through his most popular poems and plays by leading scholars, actors, and interpreters of Shakespeare. And you’ll find the tools you need to become an interpreter of Shakespeare yourself and join in the ongoing global discussion his works have inspired.
    The first course offers a tour through Shakespeare’s moment in history and his life. You’ll also discover strategies for understanding Shakespeare’s stories, characters, and language across his plays.
    At the heart of the series are courses on Shakespeare’s most thought-provoking and beloved plays. Each begins with a detailed summary of the story. Then, a top Shakespeare scholar takes you on a deep dive into the play’s characters, language, and most important questions. Finally, you’ll hear Shakespeare’s language come to life, with original performances from professional Shakespearean actors.
    Shakespeare For All also features a course on Shakespeare’s sonnets — his sequence of 154 short poems that explore revolutionary new directions within the conventional poetry of love — and a bonus course on Game of Thrones and Shakespeare, “The Wooden O and the Iron Throne.”
    Except where otherwise noted, the texts used for this course are from Shakespeare’s Plays, Sonnets and Poems, from The Folger Shakespeare, ed. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library.
    Shakespeare For All is a Lyceum original production.
    Team:
    Zachary Davis (Executive Producer)
    Zachary Davis is the president of Lyceum and host of Ministry of Ideas and Writ Large. He has a graduate degree from Harvard Divinity School and is the founder and organizer of the Sound Education conference.
    Jemma Deer (Associate Producer and Narrator)
    Jemma Deer is a Researcher in Residence at the Rachel Carson Center for Environment and Society, currently working on a book on extinction. She also hosts and produces EcoCast, the official podcast of the Association for the Study of Literature and Environment (ASLE).
    Maria Devlin McNair (Course Creator and Managing Producer)
    Maria Devlin McNair received her PhD from Harvard University in English literature with a specialization in Shakespeare and Renaissance Drama. She is a writer and Managing Producer for the Harvard Divinity School podcast Ministry of Ideas. She is currently developing a book project on ethics and Renaissance comedy.
    Jack Pombriant (Composer and Sound Designer)
    Jack Pombriant is the associate producer of Writ Large. He received his BM from Berklee College of Music, where he studied music composition and production. He is also a graduate of the Salt Institute for Documentary Studies, where he studied radio and podcast production.

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    Latest Episodes:
    The Tempest Part 2: Characters and Questions Aug 04, 2021
    Show notes

    With Professor Laurie Maguire, Part 2 explores the play’s many ambiguities — its uncertain geography, mental space, and genre — and how they reflect the play’s ethical ambiguities. Does Prospero contrast with or resemble the “foul witch” who was Caliban’s mother, or the brother who betrayed him for the sake of power? Is he a figure of spiritual regeneration or of colonization? We also look more closely at Prospero’s relationship with Caliban and with Ariel, another servant in bondage, who forces Prospero to look at his humanity in a new way.

    The Tempest Part 3: The Language Aug 04, 2021
    Show notes

    Part 3 features close-readings from Professor Laurie Maguire of some of the play’s key speeches: Caliban’s extraordinarily lyrical description of the island; Prospero’s beautiful and disturbing evocation of theatre, and perhaps the world, coming to an end; and Prospero’s renunciation of his magic.

    Speeches and performers:

    • Caliban, 3.2, “Be not afeard …” (Kelly Hunter, MBE)
    • Prospero, 4.1, “Be cheerful, sir. Our revels now are ended …” (Anton Lesser)
    • Prospero, 5.1, “You elves of hills …” (Dame Harriet Walter)
    Romeo and Juliet Part 2: Characters and Questions Aug 04, 2021
    Show notes

    With Professor Simon Palfrey, Part 2 looks closely at the play’s characters, and especially at the intelligence and swiftness of Juliet. You’ll see how the lovers apprehend new possibilities of human life, but also how their social world constrains their possibilities; and how the play might seem to offer the possibility of comedy, but how it’s destined for tragedy all along. And the tragedy doesn’t belong only to the young lovers who are thwarted by their parents — it belongs to the parents, too, and to every person who opens themselves to loss by opening themselves to love.

    Romeo and Juliet Part 3: The Language Aug 04, 2021
    Show notes

    In Part 3, Professor Simon Palfrey offers close-readings of some of the play’s most significant scenes. You’ll hear the play’s dark energies emerge through Mercutio’s speech about “Queen Mab”; see how Juliet discovers a new, eroticized vision of the world and of herself as she awaits her wedding night, and witness one of the most iconic scenes in literature, when Juliet on her balcony imagines the possibility of love transforming identity: “What’s in a name?”

    Speeches and performers:

    • Mercutio, 1.4, “O, then I see Queen Mab hath been with you …” (Mark Quartley)
    • Juliet and Romeo, 2.2, “O Romeo, Romeo …” (Katy Stephens)
    • Juliet, 3.2, “Gallop apace, you fiery-footed steeds …” (Katy Stephens)
    Twelfth Night Part 3: The Language Aug 04, 2021
    Show notes

    In Part 3, Professor Emma Smith offers close-readings of some of the play’s most important scenes, which dramatize the wide range of relationships and types of love explored in the play.

    Speeches and performers:

    • Orsino, 1.1, “If music be the food of love, play on …” (Jeffrey Blair Cornell)
    • Malvolio and Olivia, 1.5, “I marvel your Ladyship takes delight in such a barren rascal …” (Amanda Harris)
    • Antonio and Sebastian, 2.1, “If you will not murder me for my love …” (Kelly Hunter, MBE)
    • Viola, 2.2, “I left no ring with her …” (Katy Stephens)
    • Malvolio, 2.5, “M.O.A.I. …” (Jeffrey Blair Cornell)
    Romeo and Juliet Part 1: The Story Aug 04, 2021
    Show notes

    Children of families who are locked in a fatal feud, Romeo and Juliet risk community, identity, and life to pursue an all-consuming love. Today, Romeo and Juliet is one of the most famous love stories in the world. But the play isn’t simply a celebration of love or an idealization of the lovers. This wild and dangerous play lays bare the link between desire and death, between love and loss. The tragedy of Romeo and Juliet isn’t that their love is thwarted or impossible. The tragedy is love. In this course, you’ll learn the story of Romeo and Juliet, hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars, and see how Shakespeare brings its characters to life with the brightness and briefness of lightning.

    In Part 1, you’ll be guided through a detailed account of the story with commentary by Simon Palfrey, Professor of English at the University of Oxford. Professor Palfrey explains how this play is Shakespeare’s experimentation with new possibilities in drama and a masterpiece of his own poetic powers. You’ll learn how Shakespeare characterizes Romeo and Juliet and how their relationship is reflected in their particular forms of poetry. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.

    Twelfth Night Part 2: Characters and Questions Aug 04, 2021
    Show notes

    Part 2 looks at the many instances of inversion and transgression, looking at how characters cross boundaries of gender, status, and social role, and how they are punished or rewarded. Professor Emma Smith looks closely at the final scene and how it settles—or doesn’t— the characters’ roles and the play’s own status as a comedy.

    Twelfth Night Part 1: The Story Aug 04, 2021
    Show notes

    Twelfth Night, named for the celebration that is both the culmination and the close of the Christmas festivities, is a bittersweet romantic comedy at once melancholy and merry. Through its central plot, in which the female Viola takes on the guise of the male Cesario and becomes beloved of both men and women, this play is also one of Shakespeare’s most modern approaches to identity and sexuality. In this course, you’ll learn the story and context of Twelfth Night, explore the questions it raises around genre and gender, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars.

    In Part 1, you’ll be guided through a detailed account of the story with commentary by Emma Smith, Professor of Shakespeare Studies at the University of Oxford. Professor Smith offers key historical context for understanding the wide variety of relationships depicted in the play. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.

    The Merchant of Venice Part 3: The Language Aug 04, 2021
    Show notes

    In Part 3, Professor Stephen Greenblatt offers close-readings of some of the play’s most significant scenes. You’ll get an in-depth look at the powerful relationship between Antonio and Bassanio, the climactic confrontation between Antonio and Shylock in the court, and the hard-edged poignancy of the play’s most famous speech: “Hath not a Jew eyes?”

    Speeches and performers:

    • Antonio, 1.1, “I pray you, good Bassanio, let me know it …” (Scott Ripley)
    • Shylock, 3.1, “He hath disgraced me …” (Ray Dooley)
    • Portia, Antonio, and Shylock, 4.1, “Tarry a little …” (Katy Stephens)
    The Merchant of Venice Part 2: Characters and Questions Aug 04, 2021
    Show notes

    Part 2 discusses the play’s central characters, their profound bonds of intimacy and animosity, and the effect of money on those bonds. Professor Stephen Greenblatt explores the way that Shylock took hold of Shakespeare’s imagination and how Shakespeare transforms a stereotypically villainous figure into something much larger and more complex. You’ll also discover how Shylock’s fraught experience is echoed in other characters across the play, which looks frankly at the difficulties of friendship and love, even as it offers the traditional satisfactions of comedy.

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