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    TV & Film

    Secrets of The Sire

    Secrets of the Sire, hosted by industry insider Michael Dolce, dishes on Comics, Movies, TV, Music and Pop Culture every Friday at 11am EST via talkingalternative.com. Dolce has been a professional Writer, Artist, Colorist, Web Guru and all around Awesome Dude for almost 15 years. He created Descendant for Image Comics and The Sire for After Hours Press. He has written for Zenescope and Wizard Magazine and colored projects for Image Comics, Silent Devil and The Force Media. He currently writes for the entertainment section of AMNY and Inquistr.com and is hard at work on some brand new comic book and creative projects.

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    Latest Episodes:
    EP 177: Spider-Man Far From Home vs Stranger Things 3 Preview, Walking Dead Shocker, Ramon Gil Jul 04, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel for new videos every Wednesday! PODCAST | Stranger Things 3! Spider-Man: Far From Home! We pit the two biggest events of the summer against each other… and only one will walk away (with our money). PLUS: We welcome Diversity Con founder Ramon Gil and talk Walking Dead Shocker! Download the Secrets of the Sire Mobile App For Android:https://play.google.com/store/apps/details?id=com.spreaker.custom.prod.app_54723 Spider-Man: Far From Home reviews largely praise Tom Holland’s next film https://ew.com/movies/2019/06/27/spider-man-far-from-home-reviews Is the Marvel Cinematic Universe in good hands after, you know, what happened at the end of Avengers: Endgame? The answer, per the majority of critics coming out of early screenings of Spider-Man: Far From Home, the answer is yes. Directed by Spider-Man: Homecoming‘s Jon Watts, Tom Holland‘s next solo outing as Marvel’s web-slinger “solidifies him as the new and improved heart of the MCU,” as Mashable’s Alexis Nedd writes. Other critics, including EW’s Darren Franich, praise Jake Gyllenhaal’s “clever, careful performance” as Mysterio, a new mysterious face on the block. Still in mourning for mentor Tony Stark and grappling with the world asking who will be the new Iron Man, Peter just wants to go on his school trip to Europe and profess his feelings for MJ (Zendaya). But Nick Fury (Samuel L. Jackson) pops in to recruit Spider-Man for a mission combating these Elemental creatures emerging around the world. Also returning for the Spidey sequel includes Cobie Smulders as Agent Maria Hill, Jacob Batalon as Ned, Marisa Tomei as Aunt May, and Jon Favreau as Happy. Variety‘s Owen Gleiberman calls Far From Home “closer, in spirit, to the good Tobey Maguire films,” while The Wrap‘s Alonso Duralde writes how Watts and the screenwriters “ To be fair, not everyone came out of theaters singing the film’s praises. carved out a space for Spider-Man that feels uniquely breezy and charming while still fitting the larger structure of the Marvel movies.” IndieWire’s David Ehrlich called it “a cute but painfully unadventurous bit of superhero housekeeping,” as Vanity Fair‘s Richard Lawson felt annoyed by “how the film smirks and winks as if it’s in on the fatigue, offering an illusion of cool when at heart it’s as slavishly on-message as everything else.” Read more reviews below: GOOD: Darren Franich (Entertainment Weekly)“I wound up liking Far From Home more than any Spider-Man film this decade. BAD: Todd McCarthy (The Hollywood Reporter) “The young cast, led by Tom Holland as the bashful web-slinger and Zendaya as a shy girl slow to lose her inhibitions, is plenty appealing as well as funny. But without a proper, full-on villain, as well as an adequate substitute for Robert Downey Jr.’s late, oft-mentioned Tony Stark, this comes off as a less than glittering star in the Marvel firmament. It pales even more when compared to Sony’s wildly imaginative animated feature of last year, Spider-Man: Into the Spider-Verse.” GOOD: Owen Gleiberman (Variety)“Where does Far From Home fall on the scale of Spider-Man movies? It’s more urgent than the last one (and should be even bigger at the box office), with a richer sense of malevolence, and Holland’s kid-in-over-his-head hero — awkward and ingenuous, romantic and quicksilver — is alive inside in a way that Andrew Garfield’s Peter never was. Far From Home gets closer, in spirit, to the good Tobey Maguire films.” GOOD: Alonso Duralde (The Wrap)“In a year that’s only half-done, audience members would be forgiven for having superhero fatigue after Captain Marvel, Shazam! and Avengers: Endgame. (It’s almost welcome news that we aren’t getting the next MCU movie until 2020.) But with a focus on character-based comedy, coming-of- age anxieties, and super-battles that exist in very specific geographical locations, returning writers Chris McKenna and Erik Sommers and director Jon Watts have carved out a space for Spider-Man that feels uniquely breezy and charming while still fitting the larger structure of the Marvel movies. IN BETWEEN: Richard Lawson (Vanity Fair) (They even play with that structure, and with deep cuts from the MCU’s history, in very clever ways.)” “If yet another Marvel movie is a little self-conscious about being yet another Marvel movie, does that excuse it from being, well, yet another Marvel movie? That’s the tricky territory that Spider-Man: Far From Home (co-released by Sony on July 2) finds itself in, barely two months after Avengers: Endgame swept across the globe, taking some major heroes with it. Watching the trailer for Far From Home, I found myself thinking, this? Again? Already?? In response, Jon Watts’s film seems to nod its head and say, ‘I know, know,’ a little sheepish about its mere existence. But then it ups and does all the old Marvel stuff anyway, seeming more and more earnest and ardent about this factory-cult as it goes.” Matt Singer (ScreenCrush)“Watts and his team faced a tough task with this movie, following two gigantic Avengers and the dimension-jumping Spider-Man: Into the Spider- Verse. Their smart solution was to tell a classical story in that Lee/Ditko mold. While no one says ‘with great power comes great responsibility,’ this is about as faithful an adaptation of those old Amazing Spider-Man fables as has been brought to the screen so far. Mike Ryan (UPROXX)“So, yes, Spider-Man: Far From Home is funny and clever – in the end, Peter just wants to enjoy his class trip to Europe with the hopes of growing closer to MJ (Zendaya) – but it’s also a movie about both mourning and deception. Peter is still reeling from the loss of Tony Stark, who remains a specter wherever Peter turns. Peter’s emotions are raw, which also leaves him more susceptible to forces preying on his emotional state. It’s a movie filled with surprises (I don’t say that lightly) that leaves Peter, and a viewer, wondering who is real and who can be trusted. Yet it never feels like a movie filled with dread. It’s a hopeful tone, which, after the last two Avengers movies, is very welcome.” David Ehrlich (IndieWire)“Don’t be fooled by the title, or the fact that Marvel finally shot a movie outside of Atlanta: Spider-Man: Far From Home is a cute but painfully unadventurous bit of superhero housekeeping that only exists to clean up the cataclysmic mess that Avengers: Endgame left behind. As a piece of connective tissue in an ever-metastasizing cinematic universe, Tom Holland’s sophomore (solo) outing as Peter Parker does a clever job of closing the door on one phase and nudging it open to another; it’s funny and And it sets the stage perfectly, with a shocking cliffhanger, for whatever Marvel has in store for us next.” colorful and hinges on some MCU deep-cuts that even the most hardcore fans won’t be able to anticipate. As a stand-alone story, however — another predictable call to action about the burdens of growing up and becoming the person that others believe you can be — it’s a hollow exercise in going through the motions.” Alexis Nedd (Mashable)“Tom Holland instantly proved to be the perfect Spider-Man way back in Captain America: Civil War, but his performance now solidifies him as the new and improved heart of the MCU. Holland is so magnetic in Far From Home that even when Peter makes stupid choices (and hoo boy, he really craps the bed a few times), he is granted instant forgiveness. Peter is 16 years old in this movie, and much is made of the tension between him shouldering the burden of heroism while still being an actual child in a post– Iron Man world. Watching Peter experience grief, stress, and guilt over his role in this new reality is pretty difficult stuff, but in Holland’s hands the emotional journey Peter takes feels natural and relatable.” Charles Pulliam-Moore (io9)“Because Spider-Man: Far From Home is the first major Marvel Cinematic Universe film set explicitly after the events of Avengers: Endgame, the great responsibility resting on its shoulders is twofold. Not only does the movie have to bring its titular hero back down to Earth from the most epic adventure of his life, it also has the vital job of setting an overarching tone and perspective for the next phase of Marvel’s grand cinematic project. The great thing is that the film does all of that and a whole hell of a lot more.” Spider-Man: Far From Home will open in theaters on July 2. Stranger Things 3 reviews are out: ‘Best season by leaps and bounds’ https://www.cnet.com/news/stranger-things-3-reviews-out-best-season-by-leaps-and- bounds/ Get ready for new characters, 1980s flash and fads, and more gore than usual when the Netflix hit returns July 4. Things are about to get Strange. The third season of Netflix’s hit series Stranger Things arrives on July 4, and while it may be a stressful summer in Hawkins, Indiana, it’s looking like a great one for fans. The embargo for reviews lifted on Sunday, and critics shared their opinions. It’s what fans wanted to hear. CNET’s own Jennifer Bisset calls season 3 “a brilliant return to form,” adding that it brings the focus back to the elements that made the first season such an unexpected hit. “This season’s sense of fun, along with its relationship drama and multiple odd pair-ups bring humor and touching moments that recall Game of Thrones at its best,” she writes. MTVNews culture director Crystal Bell tweeted, “I think I can finally tell you that #StrangerThings is the show’s best season yet. She’s not alone in calling this season the best so far. Randall Colburn, internet culture editor for The AV Club, calls season 3 the show’s “best season by leaps and bounds.” BAD:CNET sister site ComicBook.com says the 1980s references are just too much. “It’s entertaining to see beloved characters embracing the spirit of goofy ’80s films, but these homages feel so blatant that it feels more like a parody than a tribute,” the ComicBook review reads. Spotlight: Ed Kuehnel & Matt Entin Invasion from Planet Wrestletopia Suspicious Behavior Productions Starburns NameEd Kuehnel WHAT DO YOU DO?Both Matt and I are full time video game writers. We are freelance contractors and have worked on several games together, most notably Valiant Hearts for Ubisoft but also projects for Twisted Pixel Games and a few other. On my own, I’ve written on over 70 games, having contributed to The Onion and both Matt and I were screenwriters on the comedy/horror film Lumberjack Man. WHAT DO YOU GOT GOING ON THESE DAYS?The biggest thing of course, is the comic book, Invasion from Planet Wrestletopia, our mini-series that is available on Comixology: https://www.comixology.com/Invasion-from-Planet-Wrestletopia/comics- series/131916?ref=cHVibGlzaGVyL3ZpZXcvZGVza3RvcC9saXN0L3Nlcmllc0xpc3QSix issues will complete the story arc, after which they’ll be collected in a trade that will go to print. After that, who knows? WHERE CAN WE FIND YOU ONLINE?Matt and I formed a company with which to do our comic book work. It’s called Suspicious Behavior Productions. We have a Facebook page and we’re active on Twitter: https://twitter.com/SBP_Comics and on Tumblr: https://suspiciousbehaviorproductions.tumblr.com/ Matt Entin WHAT DO YOU DO?I’m a full-time video game writer (Man Eater, Valiant Hearts, Agents of Mayhem) who also dabbles in comics and film.WHAT DO YOU GOT GOING ON THESE DAYS?My comic series with Ed Kuehnel, “Invasion from Planet Wrestletopia.”GOT A HOT TAKE?Batman (1989) is the best Batman movie.WHERE CAN WE FIND YOU ONLINE?Twitter: @themattentin mattentin.com suspiciousbehaviorproductions.com ‘Walking Dead’ Comics — Source of Multibillion-Dollar Franchise — Ends With Surprise Finale https://www.hollywoodreporter.com/live-feed/walking-dead-ends-robert-kirkman- comic-book-ends-surprise-finale- 1222097? ►Whither The Walking Dead? While the future of The Walking Dead TV universe is not in doubt, a shock decision by Robert Kirkman, the creator of the franchise, is raising questions about the original AMC show that started the zombie craze. Issue 193 of the Walking Dead comic book series, releasing today, will be the final issue, in a move calculated to surprise fans of the series. Creator Robert Kirkman and artist Charlie Adlard concluded the industry-changing comic book series with Wednesday’s The Walking Dead No. 193, an extra-sized edition that plays out as a sprawling epilogue to Rick Grimes’ story. The series finale comes just shy of a landmark 200th issue; what’s more, the ending has arrived without any advance warning, to the point that Kirkman and Skybound solicited several subsequent issues with cover art from Adlard. Those covers and solicitations were created to preserve the secret behind the series finale, according to Kirkman himself. Quote: “I hate knowing what’s coming,” Kirkman wrote in the concluding pages of the issue. “As a fan, I hate it when I realize I’m in the third act of a movie and the story is winding down. I hate that I can count commercial breaks and know I’m nearing the end of a TV show. I hate that you can feel when you’re getting to the end of a book, or a graphic novel. Some of the best episodes of Game of Thrones are when they’re structured in such a way and paced to perfection so your brain can’t tell if it’s been watching for 15 minutes or 50 minutes … and when the end comes … you’re stunned.” “The comic industry as a whole can be very complacent. The systems are in place. Everybody uses those same systems. Comics either live or die based on the generic press releases and interview structures, and it’s all the same websites that cover comic book news. There’s a very rudimentary system of going into a comic shop and finding a comic, and hearing about a comic online. I’m always trying to think of ways to shake that up, where you energize the industry to a certain extent and do things that make people take notice in a way that’s not normal.” +So what does the unexpected comic finale mean for the AMC show? Well, with a series of movies and another TV spinoff in the works, the franchise appears safe. In addition (and without giving any plot points away) the comic book series ended in a way that the TV series can’t replicate. Still, the surprise ending begs the question whether AMC’s show could follow suit with some surprises of its own Download our Podcast: iTunes iHeart Radio Soundcloud Spreaker Stitcher Google Play Or check out the show any podcasting app for your iOS or Android phone. Just search “Secrets of the Sire” or “Host Michael Dolce” to find us. Stream our Videos: YouTube Facebook And don’t forget to go to our Patreon.com/secretsofthesire page and support our show! Listen to us every Wednesday night 8pm ET Secretsofthesire.com NEXT WEEK: Is Spider- Man Far From Home the Summer Movie We All Needed? Join us for an in-depth review of this Marvel Blockbuster!

    Full show notes at the publisher

    EP 176: Jessica Jones Review, Marvel Netflix Legacy, Invasion From Planet Wrestletopia Jun 26, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel for new videos every Wednesday! PODCAST | We say goodbye to the Marvel Netflix Universe as Jessica Jones Season 3 comes and goes. We give you our thoughts plus dive deep into the conflicted legacy that was this ambitious TV adventure PLUS: We welcome Ed Kuehnel and Matt Entin creators of the outrageously Download the Secrets of the Sire Mobile App For Android:https://play.google.com/store/apps/details?id=com.spreaker.custom.prod.app_54723 Segment 1: Jessica Jones & Marvel Netflix The Conflicted Legacy of the Marvel Netflix Experiment With the release of Jessica Jones’ third and final season, a TV experiment four years in the making is over. Whether laid low by Disney’s own streaming plans or because simply it began to be more trouble than it was worth to Netflix, its legacy is now etched in stone: chasing a comic book weirdness that it had once proudly eschewed. It’s hard to imagine that it’s “only” been 11 years since the Marvel Cinematic Universe kicked off, and with Iron Man, found success in a tone that respected its comic book material while grounding it in a way that made sense. After all, right now we’re still coming off the audacious highs of Avengers: Endgame, the culmination of the last several years that delivers, for all that’s good and all that ails it, a completely batshit, time-travel induced smörgåsbord of comic book event storytelling that wildly, gleefully revels in the sugar rush of its own ridiculous high. In the midway point between that tonal transformation for the Marvel brand, we found Daredevil, then fronted by Stephen S. DeKnight, in 2015. At a time when the movies themselves were starting to lean into that weird spectacle a little more—god, that earnest time when we were all thinking, “How is Marvel gonna make a talking raccoon and a tree that says its name over and over work?”…and then it did!—the arrival of the first show in what would grow into the Defenders project felt like a breath of fresh air. It’s not much, but it’s probably going to be more than enough for Marvel Studios to swipe Avatar’s… Or really, a smash to the face. Daredevil’s commitment to a dark, grounded tone as Charlie Cox’s Matt Murdock limped and punched his way through the Kingpin’s thugs in that bloodied, slick first season represented the boldest statement a Marvel show could make at the time. This was a street-level story, away from the sheen and glitz of Avengers Tower, one that didn’t need elaborate superpowers or cosmic beings to sparkle. Give Matt a black headwrap, some batons, and a corridor, and watch him make visceral, violent storytelling art. By treating its battered and broken protagonist as the consequences of an existential struggle with the act of heroic vigilantism itself, Daredevil presented a complexity to the superhero formula that the Marvel movies couldn’t even dare to contemplate. Like a one-two punch, Netflix followed up with an equally daring mirror to the Marvel formula in Jessica Jones, helmed by Melissa Rosenberg. While Krysten Ritter’s less graceful protagonist couldn’t quite land a hit as slickly as Daredevil could, Jessica Jones offered a more emotively cerebral examination of comic book weirdness. In taking a supervillain like the Purple Man and turning him not into a simple opposing force to punch into submission (that’s something that even now, the Marvel movies still kind of struggle to do effectively), but a haunting specter that chased Jessica and her own struggles with trauma over the first season, Jessica Jones offered a fascinatingly timely, foreboding take on what a world with superpowers could realistically look like. David Tennant’s Kilgrave delivered Marvel’s first truly killer villain.Photo: Netflix Like Daredevil before it, this was not the sort of gritty storytelling you could get from Marvel at the box office. The Defenders characters and stories quickly established themselves as a street-level manna from that still- occasionally embarrassing goofiness we felt sitting down at the movies for the latest Spandex-clad bit of spectacle. But that initial boldness began to falter after Guardians of the Galaxy’s gleeful release the year prior served as a wake up call to Marvel that it could not only get away with practically anything from its source material and not turn general audiences away, but openly and joyfully embrace that source at all times. When the Netflix universe tried to play catchup in that regards, things started falling apart. In season two, Daredevil’s rapid descent into the ninja underpinnings of the character’s most famous comics tried to square the circle on the comic book ratio, sacrificing the tone of its beloved first season, but never really going far enough to commit to the inherent, joyful pulpiness behind the premise. Its greater success was more in creating the grounds for a Punisher spinoff with guest star Jon Bernthal than in service of the rest of Daredevil’s characters. Cheo Hodari Coker’s debut with Luke Cage showed an early promise, but it never quite reached the highs of its companions in Daredevil and Jessica Jones, treating the more outlandish aspects of Mike Colter’s version of the character with a corniness that was only charming at a surface level. Iron Fist’s launch is perhaps the most emblematic of the push and pull between grounded tone and a yearning to be as weird as the source material. To scathing critique, it tried to take the most supernatural and superheroic of all the Marvel Netflix characters and desperately run away from any hint of comic book silliness or scale. Infamous Inhumans showrunner Scott Buck’s first (and only) season on the show told a mystical martial arts tale that lacked the vibrancy of the mysticism or, for the vast majority of the first season at least, the energy of some actually good martial arts. The fact that Danny Rand spent more time in a business suit than he did in any form of costume was symbolic of the series’ fumbling, seemingly a fear of acknowledging the roots of its character (and yet, it was blinkeredly beholden to them when it came to casting Finn Jones as its protagonist). Even at its most comic-booky, The Defenders struggled to really reach the spectacle that made the wait worth it.Photo: Netflix Then came The Defenders, what was meant in earnest to be the delivery of Marvel and Netflix’s grand scheme—the crossover event these individual shows had paradoxically both hyped towards while establishing themselves as mostly above the idle joys of such comic-bookiness. It found delight in unexpected combinations more than it did jamming together comic connections, but that even this grand coming together couldn’t really be as weird as a superhero team up should be, even for grounded heroes, was telling. The Defenders culminated in a single building crashing down in Hell’s Kitchen, the end of a confusing plan its villains spent eight episodes only vaguely hinting at. The same year, its movie siblings sent Thor to space in Ragnarok, made you care about a sentient asshole of a planet in Guardians of the Galaxy Vol. 2, and had a new Peter Parker debut—meant to be the closest thing to a “street-level” hero the films had—high-fiving Tony Stark and fighting the Vulture in Spider-Man: Homecoming. We’ll never get to see Colleen Wing as the Iron Fist, and that’s sad.Photo: Netflix Yes, vastly different budgets create vastly different spectacles, but this was something different. By this point, the Marvel movies had truly embraced the silliness and grandeur inherent to their source material—while repeatedly brushing aside questions of just how interconnected the TV shows were to Marvel’s movie projects. Another Marvel show, Agents of SHIELD, had gone a bit more wild too, catapulting its little superspies-that-could into their own intergalactic adventure, a far cry from its early days. The Marvel Netflix shows were starting to feel like they were being left behind by a general acceptance of the weirdness they had once been praised for eschewing—making the conversation of just why these seemingly all- connected shows continued to feel more and more distanced from their cinematic cousins all the more awkward for Marvel to try and dance around. Kevin Feige Hints at How a Black Widow Prequel Could Reveal Secrets of the MCU Black Widow is dead. This much we know from Avengers: Endgame. And yet, if the rumors are true,… Read more This isn’t to say that these shows couldn’t surprise, even as the MCU continued to evolve into the bonkers, all-consuming titan it now is. Part of the reason that Iron Fist’s initial cancellation announcement was so shockingly unexpected was because it had, in a lot of ways, just gone about drastically improving itself and offering a bold direction for its future. Luke Cage, while perhaps the most sedately received of all the Marvel Netflix shows, was likewise throwing curveballs for its lead character that felt like the ignition of its most fascinating spark yet. Recent Videos from GizmodoView More >Google’s Quest to Build the Perfect One-Tap Smartphone Camera 6/05/19 10:25AM Daredevil’s third season refocused the show on what made its initial debut so intoxicating in the first place (and yeah, we’re still mad that incredible fight scene can’t get Emmy recognition). While the decisions had already been made by that time, Jessica Jones’ farewell gave some much needed superheroic oomph to its world while exploring a fascinating, intimate character evolution for Trish Walker. The Punisher’s preponderance of simple violence might have made it a weaker link, but it still had some fascinating reflections between its compromised heroes and villains. The Punisher felt even more adrift from its siblings on the streaming service, providing ample violence but little complexity beyond it.Photo: Netflix Maybe its because they knew the writing was on the wall. Although, at least some teams apparently didn’t, so maybe there was indeed going to be a move toward the weirder, comic-bookier side of things going forward—just as the Marvel movies themselves had begun to embrace it over the years— even if it was too little too late for some viewers. But now we won’t ever know, and the teases for that exciting future left in each of these shows now-final seasons sting with the sadness that these heroes won’t get more time in the spotlight. At least fans got some time, albeit brief, to see these Marvel heroes brought to live-action for the first time. With Marvel Studios’ streaming plans now firmly focused on Disney+—and the might of getting to namedrop characters and stars from the films, instead of having to rely on building up new inductees from the comics as Netflix did—it’s clear it’ll be a while before we see characters as innately, intriguingly challenging to adapt like Matt Murdock, Jessica Jones, Danny Rand, and Luke Cage were back in 2015 Spotlight: Ed Kuehnel & Matt Entin Invasion from Planet Wrestletopia Suspicious Behavior Productions Starburns NameEd Kuehnel WHAT DO YOU DO?Both Matt and I are full time video game writers. We are freelance contractors and have worked on several games together, most notably Valiant Hearts for Ubisoft but also projects for Twisted Pixel Games and a few other. On my own, I’ve written on over 70 games, having contributed to The Onion and both Matt and I were screenwriters on the comedy/horror film Lumberjack Man. WHAT DO YOU GOT GOING ON THESE DAYS?The biggest thing of course, is the comic book, Invasion from Planet Wrestletopia, our mini-series that is available on Comixology: https://www.comixology.com/Invasion-from-Planet-Wrestletopia/comics- series/131916?ref=cHVibGlzaGVyL3ZpZXcvZGVza3RvcC9saXN0L3Nlcmllc0xpc3QSix issues will complete the story arc, after which they’ll be collected in a trade that will go to print. After that, who knows? WHERE CAN WE FIND YOU ONLINE?Matt and I formed a company with which to do our comic book work. It’s called Suspicious Behavior Productions. We have a Facebook page and we’re active on Twitter: https://twitter.com/SBP_Comics and on Tumblr: https://suspiciousbehaviorproductions.tumblr.com/ Matt Entin WHAT DO YOU DO?I’m a full-time video game writer (Man Eater, Valiant Hearts, Agents of Mayhem) who also dabbles in comics and film.WHAT DO YOU GOT GOING ON THESE DAYS?My comic series with Ed Kuehnel, “Invasion from Planet Wrestletopia.”GOT A HOT TAKE?Batman (1989) is the best Batman movie.WHERE CAN WE FIND YOU ONLINE?Twitter: @themattentin mattentin.com suspiciousbehaviorproductions.com Spin The Racks http://collider.com/the-batman-villains-penguin-catwoman/ Marvel Reveals ‘Avengers: Endgame’ Rerelease Details Don’t call it a comeback; it’s a “Bring Back event,” apparently. Marvel Studios has announced exactly what will be included in the upcoming rerelease of Avengers: Endgame, and for those hoping to see an extended cut of the movie, it might be a little underwhelming. The rerelease, officially being called “a Bring Back,” event,” will feature the movie in its original cut, accompanied by “a video introduction by director Anthony Russo and an unfinished deleted scene from the film,” according to a statement from Marvel. Additionally, a sneak peek at the following week’s Spider-Man: Far From Home will be included. Participating theaters will be giving away copies of an exclusive poster, featuring the Iron Man gauntlet and the tagline, “We love you 3000,” while stocks last. News that the movie was headed back to theaters first emerged last week, with Marvel Studios president Kevin Feige teasing that it would feature new footage. It comes as the movie approaches the record held for highest- grossing movie of all time by James Cameron’s Avatar; Avatar made $2.8 billion, with Endgame currently at $2.74 billion. The “Bring Back event” arrives Friday, ahead of next week’s Spider-Man: Far From Home, a movie that Feige has recently described as “the true end of the entire Infinity Saga,” in that it deals with the impact of Tony Stark’s death on Peter Parker and the world at large. The future of the Marvel Cinematic Universe beyond that point remains officially unconfirmed, but at this rate, expecting a “true true end to the Infinity Saga” in a future movie might not be entirely out of the question. Download our Podcast: iTunes iHeart Radio Soundcloud Spreaker Stitcher Google Play Or check out the show any podcasting app for your iOS or Android phone. Just search “Secrets of the Sire” or “Host Michael Dolce” to find us. Stream our Videos: YouTube Facebook And don’t forget to go to our Patreon.com/secretsofthesire page and support our show! Listen to us every Wednesday night 8pm ET Secretsofthesire.com NEXT WEEK: Stranger Things! Spider- Man! We pit the two biggest events of the summer against each other… and only one will walk away. PLUS: We welcome Scifies creator Ramon Gil on to talk comics and his brand new DiversityCon experiment.

    Full show notes at the publisher

    Ep 173: Godzilla Review, Robert Pattinson Batman, Jaime Tworkowski Interview Jun 06, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel for new videos every Wednesday!

    PODCAST |All Hail The King? We give you our take on Godzilla: King of Monsters! Must-see or wait for cable? We discuss the newest installment of the Titan-verse.

    PLUS: Holy Twilight! We’ve got a new Batman To Discuss!

    AND: We interview TWLOHA founder Jaime Tworkowski on the eve of the Mental Health Comedy Tour.

    Download the Secrets of the Sire Mobile App

    For Android:
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    Segment 1: Godzilla: The Bigger the Monster, the Harder the Fall at the Box Office

    The Bigger the Monster, the Harder the Fall at the Box Office

    ‘Godzilla: King of the Monsters’ not only sold fewer than half as many tickets as its 2014 precursor, but it also had a worse opening than the 1998 ‘Godzilla.’

    Five years ago, the people complained there wasn’t enough Godzilla in the Godzilla remake. So, they put more of Godzilla and many other major monsters in the sequel, Godzilla: King of the Monsters, but the people just didn’t care anymore. That’s what it looks like now that King of the Monsters is proving to be anything but the king of movie franchises here in America, debuting not only far below its 2014 precursor but also significantly lower than the 1998 Godzilla, which was considered to be a box office disappointment. As always with properties like this, though, at least there are the international grosses.

    Godzilla: King of the Monsters did open in first place on the domestic chart, which looks positive. However, the Warner Bros. MonsterVerse sequel only sold 5.3 million tickets in North America. That’s fewer than half of the amount of the previous Godzilla, which drew 11.2 million in its first weekend. It’s also a significantly smaller debut audience than fellow MonsterVerse franchise release Kong: Skull Island, which opened with 6.9 million tickets sold in 2017. As for that 1998 flop, the Roland Emmerich-helmed Hollywood attempt drew 9.4 million people in North America for its domestic box office kickoff, also reigning in first place.

    The lower turnout for King of the Monsters wasn’t much of a surprise. Reviews turned out to be mostly negative, its Rotten Tomatoes score of 39% being the lowest for the brand since the 1998 version’s 16% and the third worst overall. The other two MonsterVerse titles were Certified Fresh, both with the same score of 75%. But King of the Monsters also wasn’t tracking very well. Back in early April, Box Office Pro’s long-range forecast put its domestic opening gross in the range of $46-60 million with $46 million being its more precise prediction. Last week, the site raised its expectations, however, to a guess of $56 million. The actual domestic gross through this Sunday is estimated to be $47.8 million.

    Overseas, King of the Monsters isn’t faring much better, despite the optics of its additional $130 million grossed outside North America. Consider the amounts pulled this week compared to the 2014 grosses in the UK ($4.4 million vs. $10.4 million), Russia ($2.5 million vs. $9.1 million), Mexico ($4.6 million vs. $8.9 million), France ($2.6 million vs. $6.5 million), and Korea ($2.2 million vs. $4.5 million). Fortunately, the Godzilla sequel about doubled the 2014 take in China, debuting with $70 million vs. the previous movie’s then-record-breaking $36 million. In the franchise’s original homeland of Japan, King of the Monsters also slightly improved over Godzilla, grossing $8.4 million vs. $7 million.

    We can expect a huge drop next weekend, too, as word of mouth won’t help bring a lot of extra moviegoers in North America, at least. King of the Monsters received a ‘B+’ grade via CinemaScore polling, which is level with Godzilla‘s grade five years ago, as well as that of Kong: Skull Island. At least the fans like these movies consistently and better than the 1998 movie, which earned a ‘B-‘ grade. The audience score from verified ticket buyers on Rotten Tomatoes does look more promising, however, at 87%. Those are surely the fans who felt they got what they wanted with the monster battles and don’t care about its screenplay and human character problems.

    The question now is whether this disappointingly dwindling audience will be even fewer when the next MonsterVerse installment, already in production, arrives in theaters next March. In that sequel, Godzilla vs. Kong, the King of the Monsters wrestles with the great ape King Kong. That might be enough of a mashup matchup to woo additional crowds who didn’t care about Godzilla vs. Rodan, Mothra, and King Ghidorah. Probably not enough to make this a franchise that keeps on going given its scale and cost and the limitations of where the MonsterVerse can venture creatively. No, we probably won’t get more Ghidorah or Mecha King Ghidorah or Destroyah.

    Spotlight: Jaime Tworkowski

    Spotlight: Jamie Tworkowski

    Name
    Jamie Tworkowski
    Phone
    (848) 248-5718
    Email
    becky@bigpicturemediaonline.com
    WHAT DO YOU DO?
    Jamie grew up in the surfing world and later fell in love with music and writing. TWLOHA began as his attempt to tell a story and help a friend in 2006. Today, Jamie spends much of his time on the road, telling the TWLOHA story and encouraging audiences at universities, concerts, and music festivals. He has been interviewed by NBC Nightly News, CBS Sunday Morning and Rolling Stone magazine. Jamie’s favorite things are his family and friends (especially his new nephews, Landon and Declan), music, surfing, basketball (#TeamKorver), and Dr. Pepper. He drinks iced coffee every morning, even when it’s snowing. Not many people know this, but Jamie is an introvert. His first book, If You Feel Too Much, is now available.
    WHAT DO YOU GOT GOING ON THESE DAYS?
    Florida-based non-profit To Write Love on Her Arms (TWLOHA) is teaming up with the Mental Health Comedy Tour for a one night event at Comic Strip Live on Thursday, May 30th. Tickets are available now for $25, with half of proceeds benefitting TWLOHA.

    The line up for the evening includes TWLOHA founder Jamie Tworkowski, comedian Joe Matarese, and host Preston Gitlin, who will be using their voices to fight the stigma that surrounds mental health.

    Since its start in 2006, TWLOHA has sought to remind people that their story is important and they are not alone in their struggles. In their 13-year history, TWLOHA has donated over $2.3 million directly into treatment, traveled more than 3.4 million miles to meet people face-to-face at nearly 3,000 events, and has responded to over 210,000 messages from over 100 countries.

    GOT A HOT TAKE?
    Mental Health
    WHERE CAN WE FIND YOU ONLINE?
    www.twloha.com

    https://www.facebook.com/towriteloveonherarms

    https://twitter.com/twloha

    https://twitter.com/jamietworkowski

    https://www.instagram.com/jamietworkowski/

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    It’s Official! Robert Pattinson Is The Batman!

    It’s Official! Robert Pattinson Is The Batman!

    Earlier this month word leaked that 33-year-old English actor Robert Pattinson of Twilight fame was the front-runner for the role of Bruce Wayne/Batman in writer/director Matt Reeves’ The Batman. Now Deadline has confirmed that Warner Bros. has approved Pattinson for the film, which will be the first of a planned trilogy.

    Another Englishman, Tolkien and Dark Phoenix star Nicholas Hoult, was a heavy runner-up for the role. He made a dueling audition tape to Pattinson’s. Although the studio liked both actors, Reeves’ preference apparently was for Pattinson, who has the Cannes film The Lighthouse opening later this year and will next co-star in Tenet for previous Batman filmmaker Christopher Nolan. Reeves’ film will feature a younger Batman, a major reason behind former Batman star Ben Affleck vacating the role, and will have a film noir tone focusing more on the character’s detective abilities.

    Since his breakout role in the Twilight films, Pattinson has largely stayed away from blockbuster films. His credits include Maps to the Stars, Queen of the Desert, Life, The Lost City of Z and Good Time. More recently, Pattinson starred in High Life, a sci-fi/horror film that saw release earlier this year.

    Reeves (Cloverfield, Apes franchise) will write and direct The Batman, produced by Dylan Clark (War for the Planet of the Apes) and should hit theaters on June 25, 2021. Now that the title role is settled, other casting announcements should quickly follow. The film may begin pre-production this summer.

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    NEXT WEEK: We review Dark Phoenix and welcome Newsarama’s Chris Arrant on to spin the X-racks!


    Ep 172: The Best Comic Book Summer Blockbusters of All Time, Ben Folds Interview May 29, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel for new videos every Wednesday!

    PODCAST | From Memorial Day to Labor Day we rank the greatest comic book SUMMER BLOCKBUSTERS of all time! Where does Tim Burton’s Batman, Wonder Woman and Spider-Man 2 land?

    PLUS: Rocker Ben Folds talks 90s nostalgia, “Brick” and more!

    Download the Secrets of the Sire Mobile App

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    Segment 1: Look Ahead: Godzilla

    https://apnews.com/198304d2070741b5ab26a8b1abb2d00b?utm_source=Twitter&ut m_campaign=SocialFlow&utm_medium=APEntertainment

    Review: ‘Godzilla’ is back and doing just fine By LINDSEY BAHR

    It’s been a bit since moviegoers had the chance to catch up with Godzilla, five years in fact, which in cinematic franchise time feels like at least a few decades. In other words, it’s understandable if you go into “Godzilla: King of the Monsters” a little rusty on just what went down in Tokyo and San Francisco back in 2014.

    But ”Godzilla: King of the Monsters ” is a sequel in the loosest possible sense that requires minimal recall from the audience, which is likely a good thing for those whose brains have been overloaded with “Game of Thrones,” ′′Avengers” and “Star Wars” minutiae and mythology. Worry not, Godzilla is here to provide some old-fashioned summer spectacle, no CliffsNotes required.

    It’s a low bar, sure, but at least Godzilla is comfortable with its place in the blockbuster ecosystem.

    The filmmakers have even helpfully shifted the focus to another family entirely for this installment, from the inert Brodys (Aaron Taylor-Johnson and Elizabeth Olsen) to the Russells, a now-broken family of scientists who lived in San Francisco during the 2014 attack. There are a few holdovers though, mostly employees of Monarch, the secret multinational organization that studies the titans, like Dr. Serizawa (Ken Watanabe) and Dr. Graham (Sally Hawkins), who are being accused of hiding Godzilla from world governments who’d rather just destroy them all.

    As far as the newcomers go, Dr. Emma Russell (Vera Farmiga) also works for Monarch and has developed a machine called the Orca, which simulates the sounds of the various titans. She believes this can be used to help manage them. Emma lives with her 14-year- old daughter, Madison (“Stranger Things’” Millie Bobby Brown in her first major film role), who is precociously enchanted by her mother’s work and admires the primordial creatures.

    Madison’s father Mark Russell (Kyle Chandler, whose intensity is at level 10 for most of the movie) is not really in the picture, having left after the San Francisco incident, but is drawn back in when Emma and Madison (and the Orca) are kidnapped by some militant eco-terrorists led by Jonah Alan (Charles Dance).

    This group wants to use the titans, of which there are now “17 and counting” including a pretty dazzling Mothra and a less-enchanting three-headed “Monster Zero,” to help reset the planet and reverse climate change and overpopulation. There’s some convenient explanation of why the radiation from the titans actually helps revitalize vegetation, which, like many of the silly plot devices in this movie, you kind of just let slide. That said, anyone currently watching “Chernobyl” on HBO will likely be very stressed out about the amount of radiation all the humans are likely absorbing just by being in proximity to all these creatures.

    Michael Dougherty has taken the directing reins this time, from Gareth Edwards, and has done a fine job capturing the grandness of the titans, keeping the action coherent and balancing the human element thanks to a terrific cast that also includes O’Shea Jackson Jr. and Thomas Middleditch. His script is also pleasingly light and often funny, although Bradley Whitford’s Dr. Stanton goes a little overboard trying to be the comic relief.

    But even that is easy to give a pass to. “Godzilla: King of the Monsters” is turn-your- brain-off summer fun, and doesn’t need to be anything more than that.

    “Godzilla: King of the Monsters,” a Warner Bros. release, is rated PG-13 by the Motion Picture Association of America for “sequences of monster action violence and destruction, and for some language.” Running time: 131 minutes. Two and a half stars out of four.

    Segment 2: Best Summer Blockbusters of All time

    Memorial Day – Labor Day

    https://www.metacritic.com/pictures/2017-summer-blockbusters- ranked/7

    1989 – Present
    2018
    Solo: A Star Wars Story (May 25)

    Hopefully we finally get to see our boy Han make the Kessel Run in less than 12 parsecs (especially since a parsec is a unit of astronomical distance, not time).

    Ant-Man and the Wasp (July 6)

    Look, I doubt you’ll find many people who say Ant-Man is their favorite Marvel hero, but Paul Rudd and Evangeline Lilly combined will make this one fun as hell.

    2017

    Wonder Woman June 2, 2017

    An Amazonian princess and fierce warrior (Gal Gadot) uses her superpowers to help fight a war. Wonder Woman has the highest Metascore of the superhero flicks released this summer.

    Atomic Blonde July 27, 2017

    Berlin. The Cold War. Undercover agents. Charlize Theron kicks butt in this action-thriller that’s packed with impressive stunts and a less-impressive script.

    Spider-Man: Homecoming July 7, 2017

    Following his Captain America: Civil War debut, Tom Holland embodies Peter Parker, and his Spidey superhero, in his first standalone film. Iron Man Robert Downey Jr. co-stars, as does Michael Keaton (as Vulture).

    2016

    https://www.businessinsider.com/summer-movie-power-rankings-2016- 5#8-x-men-apocalypse-may-27-3

    Suicide Squad” (August 5)
    As the weeks go by, and more superhero movies not under Disney’s Marvel

    Studios continue to lose interest with audiences, the pressure builds for “Suicide Squad.” It’s important for the DC Comics universe Warner Bros. is creating, but it’s also a chance to prove another studio can produce a good comic-book film.

    X-Men: Apocalypse” (May 27)

    20th Century Fox’s plan to take some of the wind out of the sails of “Civil War” by lifting the review embargo on “Apocalypse” right after the Marvel hit opened might have backfired. With only a 47% on Rotten Tomatoes, “Apocalypse” looks like another superhero movie that can’t live up to the supremacy of Disney’s releases in the genre.

    2015

    https://www.denofgeek.com/us/movies/summer- blockbusters/248684/the-top-10-blockbusters-of-summer-2015

    June 29, 2015 Antman

    2014

    May 23, 2014 – Days of Future past

    Guardans of the Galaxy August 1, 2014

    2012
    Dark Knight Rises – July 20, 2012

    2011
    May 25, 2011 – First Class

    July 19, 2011 – Cap America First Avenger

    2008
    The Incredible Hulk – June 13, 2008 (USA) July 18, 2008 Dark Knight
    2006
    Xmen Last Stand May 26, 2006

    2005
    June 15, 2005 – Batman Begins

    2004

    Spider-Man 2: June 30, 2004

    2003
    Ang lee hulk

    2000

    Xmen July 14, 2000

    1995
    June 16, 1995 – Batman Forever

    https://www.hollywoodreporter.com/heat-vision/batman-forever-story- behind-surprise-802804

    Schumacher: After Forever’s success, I wanted to do The Dark Knight. It was going to be very dark. I remember going to the set of Face/Off and asking Nic Cage to play the Scarecrow. The studio, and I’m not sure the audience, was in a frame of mind to go too dark with Batman at that time. It’s interesting how our culture has changed. How the socioeconomic, political culture makes it absolutely palatable to see Chris [Nolan]’s Batman — for instance, The Dark Knight Rises, which is such a comment on exactly what’s happening. You might be able to track that on all the movies. Maybe Batman is one of those things like pi. It’s the center of the universe.

    1992
    June 16, 1992 Batman Returns
    1989
    June 19, 1989 Batman
    1977
    Star Wars: Episode IV ‐ A New… May 25, 1977 (USA)

    1983
    Return of the Jedi – May 25, 1983 (USA) June 19, 1989 Batman
    Spider-Man 2: June 30, 2004 1, 1
    July 18, 2008 Dark Knight
    Guardans of the Galaxy August 1, 2014 Spider-Man: Homecoming July 7, 2017

    Wonder Woman June 2, 2017

    Solo: 5, X

    Spotlight: Ben Folds

    image © Ben Folds

    Spin The Racks

    ‘Game of Thrones’ critics petition Benioff and Weiss not to ruin Star Wars

    Thousands of critics of the just-ended final season of “Game of Thrones” have signed petitions to keep its two showrunners from making the next Star Wars film, as planned.

    Petitioners are urging Disney to kick the pair off the upcoming project so that they won’t ruin that one, too.

    “Putting the Game of Thrones writers (David Benioff and D.B. Weiss) in charge of Star Wars is not only a controversial decision but a mistake, plain and simple,” reads one petition, on Change.org, which had been signed by nearly 12,000 people by Saturday night.

    Meanwhile, a similar petition, this one on thepetitionsite.com, was nearing its goal of 6,000 signatures.

    “Like many Game Of Thrones fans, I was dismayed at how the last season was written – it felt rushed and sloppy,” that petition reads.

    https://nypost.com/2019/05/25/game-of-thrones-critics-petition-benioff-and-weiss- not-to-ruin-star-wars/

    “But now I’m really worried because I just learned that the next Star Wars movie will be made by the same people.“

    Disney announced earlier this month that it will produce three more Star Wars films, which will reach theaters starting in 2022 — with Benioff and Weiss writing and producing.

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    NEXT WEEK: We review Godzilla: King of Monsters


    EP 171: Game of Thrones Finale Reactions [SPOILERS], Source Point Press Travis McIntire May 22, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel for new videos every Wednesday! PODCAST | Game OVER man… so now what? We tackle the burning questions (see what we did there?) from Sunday’s Game of Thrones Finale and run down the best (and worst) series finales of all time! PLUS: We welcome Source Point Press publisher Travis Mcintire Download the Secrets of the Sire Mobile App For Android:https://play.google.com/store/apps/details?id=com.spreaker.custom.prod.app_54723 Segment 1: Game of Thrones ‘Game of Thrones’: Burning Questions After the Series Finale It’s all over. Now what? How about the death of the Iron Throne? Did Game of Thrones do right by Dany in the end? Isaac Hempstead Wright, who plays Bran and is now the man ruling over Westeros. Are you as aggrieved by this as everyone else seems to be? hat said, where do you think he’ll land with Bran? Same spot? f he was always going to end up in charge of the realm, then why did Benioff and Weiss exclude him from an entire season of the series? Bran knew he was going to become the king, right? Are you happy with where Jon wound up? Is there something we should take from the final image of the series: Jon and the Free Folk stepping into the Haunted Forest, never to be seen again? what are your thoughts on the endings for Sansa and Arya? A Song of Ice and Fire! Sam Tarly (John Bradley) really did write the thing! Fun fan service or too cute? Whose fate are you happiest about? Whose ending do you like the least? The Best (& Worst?) TV Series Finales of All Time http://mentalfloss.com/article/577796/best-tv-series-finales-all-time What makes a great TV series finale? It depends on the show, of course. But no matter what series you may be watching, you want a finale that ties up loose ends without being annoyingly completist, gives you heart without seeming overly sentimental, and of course makes you feel just as happy, sad, thrilled, or compelled as you did with each previous episode. It’s a very tricky needle to thread, and some series have undoubtedly done it better than others. In celebration of what it takes to deliver a great final episode, here are (some of) the greatest series finales of all time. Parks and RecCheersThe Sopranos // “Made In America” “Made In America” is, infamously, the episode of television that made millions of viewers briefly think that their cable had just gone out at some crucial moment, when in reality what happened was creator David Chase simply decided one seemingly random moment was the exact second where Tony Soprano’s journey would end. The series finale of The Sopranos spent the better part of its runtime wrapping up a mob war that crippled the family, and then devoted its final minutes to a family dinner set to Journey. Fans still debate the meaning and merits of the final scene, but the sense of palpable unease Chase built up in those last moments—signifying Tony’s perpetual state of watching his back—were a brilliant way to end a show that began as a meditation on existential dread in the first place. Six Feet Under // “Everyone’s Waiting” The final minutes of “Everyone’s Waiting” are among the most famous in the history of television, and even if the rest of the episode had been a disappointment, they would still rank among the greatest farewells in the medium. As it is, Six Feet Under’s final episode with the Fisher family is a gripping, heartfelt, and bitterly funny gem, all building to that last montage. As Sia’s “Breathe Me” plays, we see the deaths of every member of the main cast, which reminds us that death takes many forms beyond mere tragedy, all culminating in the last breaths of Claire. Just thinking about it is enough to make fans of the show burst into tears. Breaking Bad // “Felina” Few series finales have ever faced such high expectations and managed to rise to meet them so powerfully as Breaking Bad did with its final episode in 2013. “Felina” has everything you could ever want from a Breaking Bad send-off: Walt’s final conversation with Skyler, that incredible revenge shoot-out featuring the rigged machine gun, Jesse’s defiant cry of freedom as he drives away, Walt’s collapse, and that little smile of victory on his face. Some series finales deliver what you want; others deliver what you need. “Felina” somehow manages to do both. M*A*S*H // “Goodbye, Farewell and Amen” M*A*S*H was on longer than the Korean War was actually fought, and was more than 250 episodes into its run by the time “Goodbye, Farewell and Amen” aired and became one of the most-watched television events in the history of the medium. You’d think the staff of the 4077th might have run out of things to say after such a run, but the series finale manages to be absolutely jam-packed, featuring everything from Hawkeye’s dark repressed memories to Klinger’s wedding. It all builds to that final shot of “GOODBYE” written in stones, which still ranks as one of the most iconic moments in TV history. Seinfeld // “The Finale” The series finale of Seinfeld is also among the most divisive in the history of television, and it all begins with an amusing swerve. The show leads off by making us think Jerry and George are about to embark on a typical sitcom sendoff, bidding New York City farewell as they head to California to make a television series, but then the real plot kicks in as the show’s quartet of main characters is arrested for literally doing nothing as a man is carjacked. The brilliance of the show’s protagonists getting in trouble for the very same thing they’d been doing for nine seasons in a “show about nothing” then pivots to a trial that does play by the sitcom rule of allowing old fan- favorite characters to come back as witnesses, then launches into a wrap- up that mocks the characters, the show’s fans, and the show’s own place of seeming importance in the pop culture landscape. Sitcom finales are usually more like curtain calls; “The Finale” was a provocative final joke. Buffy the Vampire Slayer // “Chosen” Buffy the Vampire Slayer spent weeks setting up its series finale, laying out a last stand that would either end Buffy and her gang of allies forever or wipe Sunnydale off the face of the Earth—or both. The final battle itself has since been dwarfed by more epic series like Game of Thrones, but what makes “Chosen” so magical isn’t its fight scenes, but its heart. With her own army of potential Slayers at her back, Buffy asks Willow to perform a spell that will give them all the powers of a Slayer, leading to one of the most empowering montages in the history of television. Then, even while mourning absent friends, Buffy is able to look toward tomorrow. Newhart // “The Last Newhart” So many sitcom series finales are all about final goodbyes. Very often characters leave their longtime TV homes for somewhere new, leading to tearful farewells or at least a final moment for everyone to spend one last day together. Newhart absolutely blew that premise up with a twisty, joke- filled finale that includes the entire town being turned into a resort, a five- year time jump, and that brilliant final scene which reveals all of Newhart to have been the dream of Dr. Bob Hartley, Newhart’s character from The Bob Newhart Show. The level of ambition is admirable. That the ambition translated to genuine laughs is wonderful. Spotlight: Travis McIntire WHAT DO YOU DO? Publisher: Source Point Press Spin The Racks Star Wars: The Truth About Kylo Ren and Rey’s Connection Daisy Ridley and Adam Driver discuss the intergalactic will they/won’t they. For a certain segment of the Star Wars fandom, the juiciest nugget from Vanity Fair’s exclusive new cover story on The Rise of Skywalker has to be this: For lack of any more obvious Anakin and Padmé or Han and Leia-type romances in the trilogy, fans have latched on to Kylo and Rey as potential star-crossed lovers ripped apart by opposite sides of the Force. But do actors Daisy Ridley and Adam Driver see them that way? Vanity Fair contributor Lev Grossman attempted to find out. Unlike some potential romances that have preoccupied fans, the Kylo and Rey relationship has gotten plenty of support from inside the Star Wars production team. Mark Hamill referred to the pair’s “romantic tension” in The Last Jedi. But things looked decisively done between the two at the end of Episode VIII. And, at any rate, Rey has a lot more on her mind—like saving the galaxy. So where do they go from here? “a source close to the movie says that [Kylo Ren and Rey’s] Force-connection will turn out to run even deeper than we thought.” When speaking about The Force Awakens, director J.J. Abrams referred to Star Wars as “a fairy tale” calling out both Kylo as a “prince” and the duo’s “interesting relationship moving forward.” When speaking about their characters with Grossman, both Ridley and Driver wound up describing similarly lonely and isolated childhoods for these Force-sensitive figures. Rey was literally abandoned by her parents—whoever they may be—and so has trouble comprehending how Kylo could shun his. But Ridley herself is much more understanding of the stress that might come from being raised by Han Solo and Leia Organa: “Having the two coolest parents and sometimes I’m sure it works amazingly, and sometimes it just might not.” For Driver, this concept is the key to understanding Kylo Ren. “If you were the product of those two people, two very strong personalities who seemed to be almost more committed to a cause than anything else, what’s that like?” he says. Ben Solo is born to privilege, yes, but also tremendous pressure. Though their shared childhood isolation set them on two very different paths, the Rian Johnson-directed Last Jedi showed Kylo and Rey finding kinship in each other. Ridley describes them as “two quite powerful people who feel.” Driver adds that his character “had been forging this maybe-bond with Rey. The Last Jedi ends with the question in the air: is he going to pursue that relationship more or, when the door of her ship goes up, does that also close that camaraderie? This idea of being alone.” If Kylo is still questioning, Rey is, at least initially, more resolute. Ridley says that as The Rise of Skywalker begins, Looking back over the long arc of nine films, it’s easy to see the Skywalker saga as not only a story about repairing fractured bonds and escaping repeated patterns of a specific bloodline, but also the families we create for ourselves. John Boyega’s Finn and Oscar Isaac’s Poe Dameron are both options of support for Rey as she tries to build something new out of the ashes of her first attempt to reach Kylo Ren. Ridley says Rey is also part of that relationship, but kept apart a bit due to her Force sensitivity. Will Kylo Ren and Rey reforge their own connection? And, if they do, will it be love or simply friendship that unites them? The answer, Driver likens the Skywalker–Solos to a royal family, and notes the isolating power of being born with those spectacular gifts: “How do you form friendships out of that? How do you understand the weight of that? . . . It can easily go awry.” Burdened by her own talents, Rey also feels that solitude. “It’s a bit lonely having that much on one’s shoulders,” Ridley says. inclined to believe that Kylo potentially could redeem himself.” “Rey is less “It’s not about just one person,” Isaac says of how his character deals with the strain of leadership and heroism in The Rise of Skywalker. “[It’s about] reaching out to his family, and particularly Finn is his family.” Driver says, is incredibly complicated: “I don’t think it’s any one thing. The strength in what Rian [Johnson] wrote and what J.J. [Abrams] wrote is it’s never all one thing.” Avengers: Endgame Writers Confirm Identity of Peggy Carter’s Husband https://www.cbr.com/avengers-endgame-steve-rogers-peggy-carter-husband/ Following the climax of Avengers: Endgame, Chris Evans’ Steve Rogers went back in time to return the Infinity Stones his team borrowed, only to remain in the past and marry Peggy Carter. However, rather than this being an alternate reality, Endgame’s writers have said they believe this was merely closing the loop and Steve had always been married to Peggy, referencing what we saw on screen in Captain America: The Winter Soldier. “It was always our intention that he was the father of those two children. But again, there are time travel loopholes for that,” Endgame writer Stephen McFeely told The Hollywood Reporter. Continue scrolling to keep reading Click the button below to start this article in quick view. In The Winter Soldier, an older Peggy told Steve she had two kids with a husband whom Cap actually saved in World War II. This indicated she’d moved on when Steve went under the ice, although we never found out the identity of the man or saw their children. More importantly, if Steve really is the father, then their kids would have super- soldier blood running through their veins. “It does introduce the idea that there are two children who have somewhat super soldier DNA,” co-writer Christopher Markus added. It’s an interesting notion because it indicates this time-traveling Steve lived a secret life with Peggy away from S.H.I.E.L.D. and let everything, including the start of Nick Fury’s Avengers initiative, play out as seen in the Marvel Cinematic Universe while also hiding two super-soldier kids from the rest of the world. Endgame Writers Confirm Whether Captain America Told Bucky His Plan While the ending of Avengers: Endgame took some of the characters — and fans — by surprise after Steve opted to stay in the past and live out a life with his love, Margaret “Peggy” Carter, there was at least one person that knew of Steve’s plans before he journeyed into the past with the stones and Mjolnir — Bucky. At the end of the film, after the group returns from saying their goodbyes to Tony, Steve readies to return the stones to their rightful timelines — along with Mjolnir — by re-entering the quantum realm. We see him working with Bruce, who assures everyone that it’ll only take a matter of seconds for Steve to return. However, after the five seconds are up and Steve doesn’t return, Sam, aka Falcon, demands Bruce figure out what went wrong while Bucky wanders off with a knowing smirk. It’s an implication that he knew Steve didn’t intend to return, but for the first time, the writers have confirmed it. In a new interview with The Hollywood Reporter, writers Christopher Markus and Stephen McFeely state that Steve and Bucky briefly talked about Steve’s plans. “Steve, clearly, before he stepped on that platform… told Bucky what he was going to do. Whether he knew he was going to appear on that bench, I don’t think so. Why would Bucky say, ‘I’m going to miss you pal,’ if it was only going to be five seconds?” McFeely said. As for the passing of the mantle, did Steve ever offer Bucky the mantle? Per Markus and McFeely, that was not a conversation that happened between the best friends. Instead, the only conversation regarding the passing of the Captain America mantle is the one we see on screen between Steve and Sam, with Bucky urging the latter to accept. Unfortunately, for some fans, this is in direct contrast to the theory that Bucky had rejected the mantle prior to Steve offering it to Sam. Download our Podcast: iTunes iHeart Radio Soundcloud Spreaker Stitcher Google Play Or check out the show any podcasting app for your iOS or Android phone. Just search “Secrets of the Sire” or “Host Michael Dolce” to find us. Stream our Videos: YouTube Facebook And don’t forget to go to our Patreon.com/secretsofthesire page and support our show! Listen to us every Wednesday night 8pm ET Secretsofthesire.com NEXT WEEK: Tis the season to count down the BEST summer blockbusters of ALL time – Comic Book movie style! PLUS: My interview with musician Ben Folds!

    Full show notes at the publisher

    EP 170: Game of Thrones Finale Predictions, Eye of the Beholder Co-Director’s Brian Stillman May 16, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel if you dare! PODCAST | With Cersei’s fate revealed, what does this mean for the Iron Throne? As the “Game of Thrones finale looms ahead who will end up on the Throne now? PLUS: More Game of Thrones gaffes revealed! Are these part of a larger issue? AND: We welcome the Co-director of ‘Eye of the Beholder: The Art of Dungeons & Dragons,’ Brian Stillman Download the Secrets of the Sire Mobile App For Android:https://play.google.com/store/apps/details?id=com.spreaker.custom.prod.app_54723 Segment 1: Game of Thrones Cersei’s fate revealed on ‘Game of Thrones,’ what’s next? Game of Thrones: Lena Headey reacts to that King’s Landing battle ending via EW.com Lena Headey: “It’s maybe the first time that Cersei has been at peace.” The queen is dead. Cersei Lannister perished in the penultimate episode of HBO’s Game of Thrones, crushed in the Red Keep’s cellar as the structure collapsed under the bombardment Daenerys’ dragon attack. The ruthless and uncompromising survivalist died while embracing her brother and lover Jaime Lannister, crushed by the collapse of a building that was the symbol of her power. Cersei managed to outwit her enemies time and time again on the acclaimed drama series. Yet each brutal maneuver that bought her a bit more time or power also cost her allies until the queen was alone and overrun. “She starts off in this final season trapped in a web of her own making, as is usual with Cersei,” Headey says. “She’s desperately unhappy and everything that’s happened becomes more real than it ever has for her. She starts to lose control of the situation. She’s destroyed every good alliance, connection, love in her life — she was always destined to be alone. And until the very, very last minute, she is, as ever, in denial of what’s actually happening.” Headey says her reaction that final scene was “mixed” at first. “I wanted her to have some big piece or fight with somebody,” she says. But then the actress talked over the scene with Coster-Waldau and came around to appreciating Cersei’s final moments. “The more we talked about it the more it seemed like the perfect end for her,” Headey says. “They came into the world together and now they leave together.” “I think the important thing is that Jaime had a chance at freedom [with Brienne] and finally liberated himself from Cersei, which I think the audience will be thrilled about,” Headey adds. “I think the biggest surprise is he came back for her. Cersei realizes just how she loves him and just how much he loves her. It’s the most authentic connection she’s ever had. Ultimately they belong together.” In that last moment, staring at her brother, waiting for the end, Headey says, “It’s maybe the first time that Cersei has been at peace.” 7 times Game of Thrones foreshadowed Daenerys’ dark turn https://ew.com/tv/2019/05/13/game-of-thrones-daenerys-mad-queen/ In Game of Thrones penultimate episode, Daenerys Targaryen attacked the city of King’s Landing to win the Iron Throne and opted to kill thousands of innocent civilians in the process. The move followed one devastating setback after another for Daenerys, and fans have been debating her dark turn. GoT has been laying the groundwork for this move for years, and there are several scenes that either foreshadow Dany burning down a city or strongly hint that such a rampage is not outside her comfort zone — if not her destiny — just as her Mad King father attempted decades ago. The prophecy: In the House of the Undying in season 2, Dany has a vision of walking through the Red Keep’s throne room. The ceiling is broken open. Fans assumed the white particles falling into the room was snow and that winter had come to the south. In Sunday’s episode, Dany is finally taking King’s Landing and buildings are indeed being destroyed. But it’s not snowing. It’s raining ash from her dragon’s destruction. The season 2 scene is a vision of Daenerys taking King’s Landing only by becoming the “queen of the ashes.” In the same season she also literally declares, “We will lay waste to armies and burn cities to the ground.” The Mass Crucifixion: On the road to Meereen in season 4, Dany finds 163 slave children crucified. She decides to crucify 163 masters in retaliation without regard for their individual guilt or innocence. Ser Barristan advises her to be more merciful. Later, a son of one of the crucified men insists his father was actually a good man who lobbied against slavery and didn’t deserve his fate. Revenge for Ser Barristan. Also in season 4, after Ser Barristan was killed by the terror group Sons of the Harpy. In response, Dany brings three masters to her dragonpit. All swear they have nothing to do with the rogue group. She burns one of them alive to send a message to the others. Was the man guilty? Innocent? We don’t know and Dany didn’t seem to mind not knowing. The Mass Burning: In season 6 in Vaes Dothrak, as punishment for taking her prisoner and refusing her demands, Dany burns all the khals alive and has the remaining Dothraki promise — echoing Khal Drogo in season 1 — that they’ll “kill my enemies in their iron suits and tear down their stone houses.” Meereen Revenge Plan: Also in season 6, Dany returns to Meereen and finds the city under attack from the slave cities. This is her first instinct: “I will crucify the masters. I will set their fleets afire. I will kill every last one of their soldiers and return their cities to the dirt. That’s my plan.” Tyrion talks her out of it. Burning the Tarleys: In season 7, Dany is given the choice of killing or imprisoning Lord Tarly and his son Dickon after a battle and decides to execute both against the advice of Tyrion. King’s Landing Battle Plan: In season 8, Dany is repeatedly urged to not attack King’s Landing to overthrow Cersei. She never seems to be entirely against the idea, but rather agrees with her advisors that it’s rather poor public relations strategy. Of course, the show has also presented Dany’s actions as heroic even when they’re brutal. How we’ve processed her behavior is partly determined by the show’s performances, direction, music and reactions of the other characters. And we know — or think we know — that Daenerys is largely motivated by good intentions based on so many moments over the years where she’s been presented with a moral choice. Dany’s benevolent choices tend to be made when she is feeling calm and secure, however. The show has pretty consistently shown that when Daenerys is angered she can rather quickly leap to “kill them all” as the best solution regardless of whether it’s entirely justified or not. Ultimately the show has used the final season to put its heroine to the ultimate test and bring the question of her morality into the foreground. When Dany decides to “rule by fear” in episode 5 she’s making a choice to not simply claim the Iron Throne, but make an example of King’s Landing’s resistance and all those who might doubt her claim, a claim that she now knows isn’t the strongest one for the throne. The Hound actor Rory McCann breaks down that Game of Thrones Cleganebowl fight https://ew.com/tv/2019/05/13/the-hound-game-of-thrones-cleganebowl/ Cleganebowl happened. The Hound vs. The Mountain. Sandor took on his ghoulish undead murderous older brother Gregor in a long-awaited fight that’s seemingly been destined since they were children. Did you bet on The Hound to win? The Mountain? Turns out, the correct answer — appropriately enough for Game of Thrones — was “neither.” Both men perished. Yet The Hound was victorious on a personal level, confronting his terror of fire and concluding the fight on his own terms, carrying his brother into the flames, a literal pyrrhic victory. “It’s a glorious death. He’s laughing at it. The Hound can see that [The Mountain] can’t be killed by sticking a dagger in his eye. He has to be burnt. Of all the things Cleagane has to do, he has to go into the fire. That’s the sacrifice. But his pain is over.” Segment 2: Game of Thrones Gaffes Another ‘Game of Thrones’ gaffe: Jaime Lannister grows his hand back Just as “Coffeegate” was about to simmer down, “Game of Thrones” is serving up another hot screwup. Fresh off the anachronistic appearance of a modern-day java cup in Episode 4, the final season of HBO’s hit fantasy drama’s latest editing mistake: Jaime Lannister (Nikolaj Coster-Waldau) appears to have miraculously grown back his severed hand in a promo image from Episode 5, “The Bells.” True fans will recall that this legendary swordsman had to relearn the art of combat after his right hand was chopped off in Season 3. What looks like a shot from Jaime’s final scene — in which he embraces Cersei (Lena Headey) as the Red Keep goes up in flames — seems to contradict episode history. (An HBO rep tells The Post that Jaime’s right hand did not appear on air but the photo making the rounds on social media was possibly distributed by the digital team: “it’s still being researched.”) Still, eagle-eyed fans took to Twitter to do what they do best — pound out keyboard cries of outrage aimed at show-runners D.B. Weiss and David Benioff. “Jaime’s hand magically healed in Episode 5,” one fan groused in a since-deleted tweet. “As if we needed any more proof D&D simply stopped caring about GoT a log [sic] time ago.” The duo also took the heat last week after the Starbucks-like paper cup was accidentally left in a scene. “The latte that appeared in the episode was a mistake. Daenerys had ordered an herbal tea,” HBO sarcastically conceded the morning after. The network confirmed to The Post that the cup was digitally edited out of the scene on the HBO Go app. Spotlight: Brian Stillman WHAT DO YOU DO? Co-director (along with Kelley Slagle) of ‘Eye of the Beholder: The Art of Dungeons & Dragons,’ a consultant on Netflix’s ‘The Toys that Made Us,’ and co-founder of X-Ray Films. NYC based. http://www.brianstillman.nyc WHAT DO YOU GOT GOING ON THESE DAYS? ‘EOTB’ ! Out May 14th everywhere you buy/rent movies (iTunes, Amazon, Xbox, etc). It’s deep-dive into the origins of the monsters, heroes, and adventures that the game brings to life (such as one artist’s practice of basing all of his monsters on his selfies), the film features more than forty interviews with D&D and fantasy illustration heavyweights including Larry Elmore, Jeff Easly, Clyde Caldwell, Brom, Margaret Weiss, and more, discussing the culture of the D&D creators vs. management, their historical/artistic influences, and more. Comes at a really interesting time when D&D is becoming more and more mainstream – oddly so. Brian can speak to this, how streaming has affected this, and other trends in gaming. GOT A HOT TAKE? Gaming Fantasy art D & D Toys ‘Game of Thrones’ star Sophie Turner blames Emilia Clarke for coffee gaffe https://nypost.com/2019/05/12/game-of-thrones-star-sophie-turner-blames-emilia-clarke-for-coffee-gaffe/?utm_campaign=iosapp&utm_source=mail_app She’s the Mother of Flagons. “Game of Thrones” actress Emilia Clarke — who portrays Mother of Dragons Daenerys Targaryen on the hit HBO series — is responsible for the modern-day coffee cup that sneaked its way into a scene in last week’s episode, according to co-star Sophie Turner. Turner, who was implicated in the scandal because she was previously photographed on set with a similar cup, threw her fellow actor under the proverbial horse cart during an appearance on “The Tonight Show Starring Jimmy Fallon” on Friday night. “Let’s clear this up. That’s in a different episode,” Turner said of the on-set snap, which shows her holding a coffee cup while posing with actress Bella Ramsey. “And also, we all have the same cups for all of our water and tea and everything, so I’m gonna just go with, I mean look who it’s placed in front of. Emilia Clarke. She’s the culprit.” The steaming controversy fomented last Sunday when a paper coffee cup made a guest cameo on the fourth episode of the medieval fantasy show’s final season, entitled “The Last of the Starks.” The wild anachronism sent fans into a tizzy online shortly after they spotted it during the episode’s 17th minute. HBO later digitally removed the cup, originally thought to be a grande Starbucks but later revealed as a simple craft-services beverage, from a version of the episode view-able on the HBO Go app. Download our Podcast: iTunes iHeart Radio Soundcloud Spreaker Stitcher Google Play Or check out the show any podcasting app for your iOS or Android phone. Just search “Secrets of the Sire” or “Host Michael Dolce” to find us. Stream our Videos: YouTube Facebook And don’t forget to go to our Patreon.com/secretsofthesire page and support our show! Listen to us every Wednesday night 8pm ET Secretsofthesire.com NEXT WEEK: Did the series finale live up to the hype? We go full review of Game of Thrones. PLUS: Source Point Press’ Travis gives us the scoop on Motor City Con

    Full show notes at the publisher

    EP 169: Spider-Man FFH Trailer Truth or Trash, Report Cards: Avengers, Hellboy, Shazam, Captain Marvel May 09, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel if you dare! PODCAST | The new Spider-Man Far From Home Trailer has DROPPED. And we are talking Miles Morales, Mysterio and the MULTIVERSE. But is this trailer truth or trash? PLUS: We are through the first half of major movies for the year (we’re eyeing YOU next, Godzilla) so it’s time for our 2019 first half REPORT CARDS. How do Avengers: Endgame, Shazam, Hellboy & Captain Marvel measure up? FEATURING: Jordan Ellis from Jordandené & The Sartorial Geek IN STUDIO to give us her take as well. Download the Secrets of the Sire Mobile App For Android:https://play.google.com/store/apps/details?id=com.spreaker.custom.prod.app_54723 Segment 1: Spider-Man Far From Home Trailer Spider-Man: Far From Home Trailer Breakdown – 16 Story Reveals & Secrets https://screenrant.com/spider-man-far-home-trailer-breakdown-spoilers/ In the aftermath of Avengers: Endgame, Sony has dropped a new trailer for Spider-Man: Far From Home – and it reveals a lot about the movie. Marvel and Sony have found themselves in something of a tricky spot when it comes to marketing Spider-Man: Far From Home. The film happens shortly after the events of Avengers: Endgame, which meant it was difficult to promote it without giving away major plot points. Avengers: Endgame has been out for almost two weeks now, and even directors the Russo brothers have publicly said they think fans should now be free to discuss the film on social media. That means the time for secrecy is finally over, and the new Spider-Man: Far From Home trailer reveals just how the film relates to Endgame. As Kevin Feige recently noted, it’s essentially an epilogue to Phase 3, exploring the impact of the Avengers’ victory against Thanos and setting the scene for the MCU’s future. The new Spider-Man: Far From Home trailer opens with a spoiler warning from Tom Holland himself, an amusing decision on Marvel’s part given Holland’s reputation for being loose-lipped about spoilers. And he wasn’t lying. There aren’t just Avengers: Endgame spoilers in the Spider-Man: Far From Home, but some shocking implications of Thanos’ actions. 16. Peter Parker is Grieving Tony Stark’s Death The Spider-Man: Far From Home trailer opens on a sorrowful note, with Peter Parker grieving the death of Tony Stark. The relationship between Spider-Man and Iron Man has been central to the MCU’s version of the wall-crawler. In Captain America: Civil War, it was Tony Stark who discovered Spider-Man through social media videos, and it didn’t take Tony long to deduce Spider-Man’s secret identity. The two built up a strong friendship in Spider-Man: Homecoming, with Peter desperate for a surrogate father-figure. Heartbreakingly, their relationship came to an abrupt end when Peter was one of Thanos’ victims in Avengers: Infinity War, and a horrified Iron Man could only watch as Spider-Man crumbled to dust before his eyes. Tony’s love of Peter was central to his motives in Avengers: Endgame. Although Tony was reluctant to risk losing his family, he realized he had a shot at bringing Spider-Man back, and he took it. In the end, it cost him his life. Although the world mourns a superhero, Peter Parker is grieving for someone he knew and loved. Everywhere he looks, he sees tributes to the armored Avenger, and he feels the pain and grief anew.15. The Iron Spider Suit The Spider-Man: Far From Home trailer reveals that Peter Parker has kept some last gifts from Tony Stark. He’s still wearing the Iron Spider costume that he was given in Avengers: Infinity War, complete with Waldoes. Hopefully, it comes with a warranty for Stark Industries to fix it if it gets damaged now Tony Stark isn’t around… although as he’s not wearing it later in the film, that seems unlikely.14. Spider-Man is Ghosting Nick Fury Nick Fury is trying to contact Spider-Man, even badgering Happy Hogan to take his calls – which Peter keeps ignoring. Although the web-slinger doesn’t know it yet, he’s one of Fury’s only ports of call to take on a new threat – the Elementals. He’ll eventually track him down in Venice. 13. MJ and Peter Are Falling For Each Other Peter and Michelle (or MJ) seem to have gotten a lot closer, although MJ still greets Peter and Ned with the acerbic comment “What’s up, dorks?” Peter’s superhero career has always complicated his love life in the comics, and the same will probably be true in the MCU as well. He’s keen to get to know MJ better, but he will have to balance that desire out against his life as Spider-Man. Zendaya’s Michelle is clearly being positioned as a totally new take on Mary Jane Watson, one of Spider-Man’s greatest love interests. A more comic-book-accurate version of MJ was played by Kirsten Dunst in Sony’s Spider-Man trilogy, and Marvel Studios has never been particularly interested in repeating ideas that have been developed in previous superhero movies, hence the change.12. The Snap Tore A Hole In Our Dimension According to Nick Fury, the events of Avengers: Infinity War and Avengers: Endgame have torn a hole in the fabric of our dimension, and both people and Elemental creatures are making it through. This makes sense; Doctor Strange established that it is indeed possible to damage the time-space continuum, with Wong and Mordo horrified when Strange experimented with the Time Stone on an apple. It’s unclear which snap Fury’s referring to – there were four across the two-part movie. Most likely he means one of Thanos’, either the one to wipe out half of all life or the one that destroyed the Infinity Stones. And, of course, there was a lot of other damage to the universe besides, including the Mind Stone’s destruction and time travel.11. Quentin Beck Claims to Come From Another Earth Quentin Beck claims to have come from another reality, having come over following the snap chasing down the Elementals. There is comic book precedent for Mysterio to originate from another timeline; although he’s best known as a stunt magician who uses special effects to commit crimes, the last decade or so has seen Mysterio subtly reinvented on a far greater scale. Brian Bendis’ Spider-Men miniseries revealed that he’d learned how to jump between dimensions in order to commit unchallenged crime sprees in other realities.10. Spider-Man Is The Only Avenger Left? All this seems a little too large-scale for Peter Parker, who just wants to go back to being your friendly neighborhood Spider-Man. He desperately attempts to get Nick Fury to call in someone else, someone with a more spectacular powerset that’s suited to dealing with these mysterious Elemental beings, but Fury insists that Spider-Man is the only one who can help. Thor is off-world with the Guardians of the Galaxy, and Captain Marvel is unavailable, but what about Falcon’s new Captain America, Hulk or other heroes alive after Avengers: Endgame? 9. The Elementals Explained Nick Fury and Maria Hill are dealing with a crisis involving mysterious Elemental beings, each representing a different classical Greek element: Earth, Air, Water, and Fire. At this stage, the origin of the Elementals is uncertain. In the comics, the classic Elementals are four powerful and dangerous beings who were introduced in Supernatural Thrillers back in 1974. They originated from another plane of reality, and first came to Earth over 3,000 years ago, setting themselves up as the Egyptian gods. Fortunately, they were ultimately banished to another dimension, from which they watched and waited for thousands of years, plotting their return. The Spider-Man: Far From Home trailer shows a very different sort of Elementals. They’re loosely adapted from classic Spider-Man villains literally derived from different elements, causing problems all over Europe. We’re led to believe they were brought to our reality as a result of the snap.8. Spider-Man’s Stealth Suit In Prague The Spider-Man: Far From Home trailer gives viewers their best look yet at Spider-Man’s Stealth suit, which has presumably been provided by Nick Fury. The armored design is similar to a costume Spider-Man wore in the “To The Ends of the Earth” event in order to deal with the Sinister Six, although it’s been blended with the Spider-Man Noir look and another costume he was given by S.H.I.E.L.D. in the Secret War miniseries. The eyes pop out a little, an unusual touch that’s reminiscent of a modern symbiote costume from Dan Slott’s “Do Down Swingin'” story. One of the most interesting details is the fact that the fingers are exposed, unlike any other Spider-Man outfit.7. MJ Works Out Spider-Man’s Secret Identity The Spider-Man: Far From Home trailer drops another surprise moment; MJ has worked out that Peter Parker is really Spider-Man. This is true to the comics as well, where Mary-Jane Watson actually saw Spider-Man web-swinging out of Peter’s bedroom when he was still new to the superhero gig. The MCU’s MJ is smart, and no doubt she was already suspicious when Spider-Man turned up in Washington, D.C. during her class field-trip there in Spider-Man: Homecoming. She’ll have certainly managed to put the pieces together when Spider-Man shows up on her class vacation as well. 6. Mysterio Views The Elementals As His Responsibility On the face of it, the MCU’s version of Mysterio seems to be a true hero. He views the Elementals as his responsibility, which perhaps indicates that he’s claiming they all come from the same dimension, and that his origin is somehow tied to these monstrous creatures. Of course, anybody who’s familiar with Mysterio will be more than a little suspicious, given he’s traditionally a comic book villain. In fact, in his very first appearance, Mysterio faked being a superhero in order to get the adulation he believed he deserved. 5. Spider-Man’s Tony Stark Glasses Peter Parker is shown wearing a pair of glasses that will be very familiar; they’re the same design as the glasses Tony Stark was wearing in Avengers: Infinity War. This may indicate they have Stark tech in them; it’s even conceivable that they’re nanotechnology. 4. The Fourth Elemental Over Tower Bridge The first Spider-Man: Far From Home trailer revealed three of the Elementals, and hinted at the existence of a fourth. This second trailer finally confirms the fourth Elemental, which appears to be a wind-creature that’s attacking Tower Bridge. Unfortunately, it looks as though Peter’s classmates get caught up in the chaos.3. Spider-Man Is The Next Iron Man? The Spider-Man: Far From Home trailer goes full circle, ending with Peter Parker realizing that the world needs the next Iron Man. It’s a smart way of reframing the classic “power and responsibility” mantra, which up till now has been relatively subdued in the MCU. This version of Spider-Man is inspired by Iron Man, and he will choose to be a hero because he realizes that Tony Stark’s death has left a hole that needs to be filled. Although Spider-Man doesn’t feel particularly competent or up to the challenge, the truth is that nobody else can do it.2. Spider-Man Battles The Molten Man The Spider-Man: Far From Home trailer comes to a climax showing Spider-Man in his stealth suit, taking on the Molten Man. The shots perfectly demonstrate just how out of his depth Spider-Man really is; these Elementals are truly a force to be reckoned with, and only the wall-crawler’s agility allows him to evade the Molten Man’s fire blasts.1. Happy Hogan tries To Save Spider-Man’s Friends The Spider-Man: Far From Home trailer ends with a fun scene in which Happy Hogan attempts to rescue Peter’s school friends. He’s called in the Stark Jet in order to evacuate them; unfortunately, it’s promptly blown up, forcing Happy to come up with a new plan. It’s possible that, by this point in the film, literally half the group know that Peter Parker is Spider-Man. It wouldn’t be a surprise to see the others begin to work it out, too, given it would seem odd for Spider-Man’s friends to seek them out. What Spider-Man: Far From Home trailer’s multiverse mention might mean for the MCUhttps://www.polygon.com/2019/5/6/18531072/spider-man-far-from-home-trailer-marvel-multiverse The Marvel Cinematic Universe is a many-splendored thing, but there’s one big comic book concept it has yet to breach: the idea that there are other parallel universes out there in which the history of the Marvel Universe is different.Or, as Peter Parker says in Monday morning’s new (Endgame spoiler-filled) trailer for Spider-Man: Far From Home, “You’re saying there’s a multiverse?”And that’s exactly what the tease at the new movie seems to be saying. Or … is it?Brave new world(s)The new trailer gives us a healthier helping of the plot of Far From Home, beyond the teens-have-European-adventures vibe we’ve seen in earlier ones. In addition to playing with the fallout from Avengers: Endgame, Peter will be called into action by Nick Fury and Agent Maria Hill, who are working with yet another guy in a costume: Quentin Beck, played by Jake Gyllenhaal.“We could have used someone like you on my world,” Beck says as he shakes Peter’s hand.“Beck is from Earth,” Fury explains, “just not ours. The Snap tore a hole in our dimension.”If the Far From Home trailer is to be believed, Beck is a hero from that other Earth, asking for Peter’s help in defeating a series of elemental monsters and doling out sage advice on how to be a superhero. A classic multiverse story!Except for one thing: In the comics, Quentin Beck is a lying liar who lies.There’s no mystery about MysterioIn the comics, Beck is also known as Mysterio, one of Spider-Man’s earliest and most notorious foes. And what he’s most famous for is fooling lots of very powerful people with very powerful illusions. His battery of tricks can range from simply messing with Spider-Man’s spider-sense so he becomes less effective at fighting, to making Wolverine believe that every person in the X-Mansion is a supervillain so that he murders every last one of them — the inciting incident of the Old Man Logan timeline.In other words, it would be a real breach of established character if Mysterio were to be an upstanding superhero from another dimension.On the other hand …Well, first, Nick Fury is really smart. Not getting fooled by guys who show up claiming to be from other dimensions seems well within his established character. Maybe he really is from another Earth. He could still be lying about being a hero, for example, to keep his Mysterio cred.But even more than that, it’s hard to ignore how convenient the concept of a multiverse is for Sony Pictures. Sony’s main Spider-Man franchise is, by way of a licensing agreement that essentially rescued the entire thing from box office purgatory, a part of the Marvel Cinematic Universe. But the rest of the studio’s new (and also quite successful) Spider-Man-based movies, like Venom and Spider-Man: Into the Spider-Verse, are not.Sony is in the process of spinning up a whole web of even more Spider-Man-related films that are not in the same universe as its main Spider-Man franchise. Venom is definitely getting a sequel, Jared Leto is definitely going to star in a movie about Morbius the Living Vampire, and writers are hard at work on films featuring Kraven the Hunter, Silk, Jackpot, Nightwatch, Silver Sable and the Black Cat. And that’s leaving out the Spider-Verse sequels and spinoffs.In this time of expanded cinematic universes, being able to say that all these films existed in the same universe or multiverse would allow for teasing or planning a crossover, which of course would drive the butts of fans of one movie into the seats of theaters for another.So is Quentin Beck really from a parallel Earth? We’ll have to put our butts in a Spider-Man: Far From Home theater to find out. Segment 2: 2019 First Trimester Report Cards What grades do you give: Avengers: Endgame: The more I think about it, I get bothered that this wasn’t a traditional part 2Hellboy: SchlockShazam:…

    Full show notes at the publisher

    EP 168: Avengers Endgame Review, Reactions & Trivia Apr 30, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel if you dare! PODCAST | Avengers: Endgame is HERE! And we can finally talk about it! Join our Round Table discussion with the ladies of Geek Vibes Nation as we give you the Good, the Bad and the GROOT! (Wait… there was bad?) Join us live as we celebrate the biggest superhero event in movie history…then play Trivia. Download the Secrets of the Sire Mobile App For Android:https://play.google.com/store/apps/details?id=com.spreaker.custom.prod.app_54723 Segment 1: Avengers: Endgame Review: the Good, the Bad & the Thanos! • Expectations change everything. THE GOOD Great moments throughout. Satisfying ends. Pandora’s box opened with time travel the way they did it. Cool there’s another Loki floating around. Gamorra. Nice moment when all the heroes uniteTHE BAD Dubious choices: Time Travel. Alternate Realities? I liked The Quantum Realm aspect. But by diverging completely from the Infinity War plot altogether I thought it was a bit disjointed. And time travel in general. They didn’t keep it contained to IW. They opened it up to the whole U. Which CAN be good Why 5 years later? 1 Year Later? So we’re now watching films 5 years from now? Head scratcher since every other movie took place when the film came out. They could have done the same in 2019. How does Peter Parker go back to school with MJ? All his friend Happen to be vanished? Why no rewind Time the way Thanos did? Did Cap now undo everything? Black Widow – the bigger death than Iron Man? Why is she not resurrected. Captain Marvel was useless THE THANOS • Cheesy Women Power moment Segment 2: Avengers Endgame Round Table: The Biggest Spoilers Revealed [SPOILERS] https://bgr.com/2019/04/30/nintendo-switch-secret-feature- boost-mode-update-8-0-0/ ‘Avengers: Endgame’ directors just explained some of the movie’s biggest mysteries Avengers: Endgame is finally out which means we know how the Infinity Saga ends. [There were] several questions after seeing Endgame, And while I wasn’t expecting Marvel to address them just yet, the Russo brothers stepped up to deliver several official responses. The Russos talked to Chinese-language site QQ, answering several questions related to Endgame. A Redditor then translated all of these questions and answers, Captain America What happens to Captain America at the end isn’t clarified adequately on screen. Did he live in the MCU-timeline, or created one when he met Peggy in the past, and now we have the official answer. Cap did, in fact, create an alternate reality, one where he lived his life with Peggy. Q: Peggy Carter was probably already married and in her mid-40s in 1970, in that case, what year was it that Captain America went back to dance with her? A: We can’t answer it, for now, this is a story that happened in an alternate reality. Maybe it will be revealed in the future. Q: Did Captain America’s action at the end affect the timeline? Does that mean there was a time where two CA existed in a same universe? A: To me, Captain America’s action in the end wasn’t the fact he wanted to change anything; it’s more like he has made a choice. He chose to go back to past and lived with the one he loved for the rest of his life. The time travel in this movie created an alternate reality. He lived a completely different life in that world. We don’t know how exactly his life turned out, but I’d like to believe he still helped many others when they were needed in that world. Yes, there were two CA in that reality, it’s just like what Hulk said, what happened in the past has already happened. If you go back to past, you simply created a new reality. The characters in this movie created new timeline when they went back to the past, but it had no effect to the prime universe. What happened in the past 22 movies was still canon. The directors made it clear that every change of the past spans a different timeline, something we also explained in great detail a few days ago. For example, we know that there are a bunch of realities out there right now, including one where Loki is alive, and one where Thanos vanished in 2014. Q: [Endgame’s] plot, is it a parallel universe or a closed time loop? A: Nope, not a time loop. Both Ancient One and Hulk were right. You can’t change the future by simply going back to past. But it’s possible to create a different alternate future. It’s not butterfly effect. Every decision you made in the past could potentially create a new timeline. For example, the old Cap at the end movie, he lived his married life in a different universe from the main one. He had to make another jump back to the main universe at the end to give the shield to Sam. Iron Man So why did Iron Man have to snap Thanos away and not someone else? The Russos explained too: Q: Why Iron Man has to be the one to do the final snap, couldn’t the people like Thor, Star-Lord or Captain Marvel whom all previously have handled the power of Infinity Stones done it instead? A: Thor in this movie couldn’t do it, only Hulk was strong enough to do the snap without dying. We are still not sure whether Captain Marvel can also withstand all the power of Infinity Stones at once. The reason we choose to let Iron Man do it in the end was because he was the closest one to Thanos at the time. In all the futures Doctor Strange foresee, Iron Man was the only one who could get close to Thanos and do the snap. People usually think the death of a hero is a horrible tragedy. But we think this is different. When his death was able to bring back hope, to save half of the universe, then his death was powerful and meaningful. We shouldn’t feel too sad or angry about it. Finally, the Russos also explained that the heroes couldn’t have saved Tony Stark using the Time Stone at the end of Endgame, just like Thanos resurrected Vision at the end of Infinity War: Q: In IW, Thanos used the time stone to reverse the time so he could the already dead Vision, and it didn’t cause any time parallax. Why did no one use time stone to save Iron Man’s life in EG? A: It’s because even if you save Iron Man, it will still not change the fact that Thanos will eventually win the war. Among the 14 million possibilities that Doctor Strange has seen, Iron Man’s sacrifice is a must for that one win scenario. Black Widow Some people felt like Natasha deserved a funeral just like Tony. The Russos cleared the air regarding this topic as well: Q: Where’s Black Widow? A: The directors also explained that when you return the Soul Stone to Vormir, you don’t get the soul back. That means Nat can’t be magically resurrected: Q: Can you get the soul your sacrificed for the Soul Stone back when you return it? A: No, the process is irreversible. Even if you have returned it to its original location, you wouldn’t be able to get the person back. In fact, it’s not really returning the Stone, more like put it back properly. The tribute soul for the Soul Stone will forever be sealed in that place, therefore Black Widow is gone forever. This, in turn, means that the Gamora we knew died for good back in Infinity War. Thanos’s Pym particles The Russos also explained how Thanos brought his ship to the future, and it’s exactly what we thought it’d be, he and his children recreated the Pym particles needed to travel through the Quantum Realm: Q: How did Thanos bring his army to the future? A: There is a guy called Maw in his army; he was a great wizard. Thanos himself was a brilliant genius as well. Those two easily reverse engineered, and mass-produced Pym Particles. Segment 3: Avengers Endgame Trivia https://www.gamespot.com/gallery/marvel-cinematic-universe-trivia-the-22- toughest-m/2900-1327/ Break up into teams. Six Questions: NO CELL PHONESIf you cheat, well then, you have the satisfaction of being a big fat cheater Winning teams win some SIRE goodies What movie did Thanos first appear in?Marvel’s The AvengersHe appears in a mid-credits scene AsidefromStanLee,whichactorhasappearedinthemostMCU films?Robert Downey, Jr.As of Avengers: Infinity War, Robert Downey Jr. has appeared in 9 MCU movies. After Avengers: Endgame, he’ll have played Tony Stark 10 times. Samuel L. Jackson is close behind with 6 appearances. What does the acronym S.H.I.E.L.D. stand for?Strategic Homeland Intervention, Enforcement and Logistics Division What do the Avengers eat after the Battle of New York in Marvel’s The Avengers?Shawarma Name the six Infinity Stones in the MCUAnd for bonus points, what color are they?There are six Infinity Stones: Space (Blue), Mind (Yellow), Power (Purple), Time (Green), Reality (Red) and Soul (Orange). Correctly Spell Thor’s Hammer:Mjolnir [ myawl-nir ] Segment 4: Spin The Racks https://qz.com/quartzy/1607882/after-avengers-endgame-what-will-marvels- phase-4-look-like/ “Avengers: Endgame” is the end of an era. What’s next for Marvel? Avengers: Endgame isn’t simply another box-office-busting, butt-kicking superhero epic. It’s also the end of a cinematic generation. Marvel’s Avengers movie franchise was born in 2008, when the company used a B-list character, Iron Man, to kick off what would become an epic, multi-billion- dollar superhero adventure. Acquired by Disney the following year, Marvel Studios rolled out its Avengers saga over the course of a decade, using three “phases” of story development across 22 movies. Each was linked by the infinity stones storyline—shiny gems with cataclysmic consequences. Avengers: Endgame brings that saga to a close, barring one more film in the queue: Spider-Man: Far From Home, which premiers in July. While this is the end for some characters, it’s just the beginning for other lesser- known ones, whom Marvel intends to promote in “Phase Four”—its five-year plan for its superhero film franchise. The release dates for nine untitled movies are already on the books. There have been no official announcements regarding the upcoming films beyond the holding dates; however, fans haven’t been left without clues as to which characters will be featured. A Black Widow movie staring Scarlett Johansson is expected to begin filming this spring, James Gunn has been secured as director (again) for a third Guardians of the Galaxy movie, and Spider-Man actor Tom Holland is contracted for another film following Far From Home. Fans can likely also look forward to a Black Panther sequel, and another installment of Doctor Strange, while Angelina Jolie has signed on to a movie about the Eternals, a new cast of superheroes. Finally, Marvel is also reportedly planning a film about martial arts master Shang-Chi—its first movie with an Asian lead. Download our Podcast: iTunes iHeart Radio Soundcloud Spreaker Stitcher Google Play Or check out the show any podcasting app for your iOS or Android phone. Just search “Secrets of the Sire” or “Host Michael Dolce” to find us. Stream our Videos: YouTube Facebook And don’t forget to go to our Patreon.com/secretsofthesire page and support our show! Listen to us every Wednesday night 8pm ET Secretsofthesire.com NEXT WEEK: We welcome Newsarama’s Chris Arrant to help us preview the event of the century! Avengers Endgame hysteria starts NOW!

    Full show notes at the publisher

    EP 167: Avengers Endgame Predictions, Game of Thrones Recap & Newsarama’s Chris Arrant Apr 25, 2019
    Show notes

    We want YOUR thoughts!! Click the links to YouTube and share your comments below! Subscribe to our channel if you dare!

    PODCAST | Endgame! It’s all anyone’s talking about! BUT… who lives? Who dies (for real this time) – we give you our Predictions Sure To Go Wrong!

    PLUS: In between this Endgame madness there’s a TV show no one’s talking about (yeah right!) We break down the first two episodes of Game of Thrones and it’s connection to the MCU.

    AND: We go spinning the racks with Newsarama’s Chris Arrant who brings us the Endgame tie-in books we need to read!

    Download the Secrets of the Sire Mobile App

    For Android:
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    Avengers-Endgame

    Segment 1: Avengers Endgame Predictions Sure To Go Wrong

    Last Year we predicted who would live or die in Infinity War… were we only ONE movie off? Endgame Predictions Sure To Go Wrong!

    Segment 2: Game of Thrones Recap

    Is Dany’s blood magical? Is Barry worth watching? We break down GoT!

    cover-of-the-infinity-gauntlet-trade-paperback-collection-written-by-jim-starlin-and-illustrated

    Segment 3: Spin The Racks

    Chris Arrant Breaks down the Endgame Tie-Ins from the comic book world

    Download our Podcast:

    • iTunes
    • iHeart Radio
    • Soundcloud
    • Spreaker
    • Stitcher
    • Google Play

    Or check out the show any podcasting app for your iOS or Android phone. Just search “Secrets of the Sire” or “Host Michael Dolce” to find us.

    Stream our Videos:

    • YouTube
    • Facebook

    And don’t forget to go to our Patreon.com/secretsofthesire page and support our show! Listen to us every Wednesday night 8pm ET Secretsofthesire.com

    NEXT WEEK: We welcome Newsarama’s Chris Arrant to help us preview the event of the century! Avengers Endgame hysteria starts NOW!


    Ep 165: Shazam Movie Review, Shazam vs Captain Marvel, Hellboy Preview Apr 09, 2019
    Show notes

    PODCAST | With DC's genre-bending, kid-friendly Shazam! debuting to a better-than- expected box office we give you our review of the film and pit it against it’s counterpart: Captain Marvel.


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