Stay ConnectedOne-on-one chats with commercial directors, advertising agency creatives, actors, editors, producers, crew and more. Filmmaker Jordan Brady has directed of over 1300 spots , 4 feature films, 3 full-length documentaries and one Netflix special. The show is edited by Jake Brady.
Jordan is Founder of Commercial Directing Film School and owner of True Gentleman Industries, aka True Gent, a commercial production company in Los Angeles. Respect The Process, since 2013.
Both a Creative Director and prolific Copywriter, Jon Shore and I have worked on and off for over a decade, cranking out dozens of comedy spots. After 25 years at one shoppe, Jon headed out on his own and never looked back. Visit jonshorecreative.com for his work.
We chat about collaborating, getting the most out of others, and letting go of certain aspects in order to see a project grow. Jon gives kudos to the Account Teams as well for setting the process in motion the right way. A first on the show. We also briefly wax about the Oscar moveis, which may be in the past by the time you hear this.
See more at jordanbrady.com, where I've posted a few favs.
Oh, and Commercial Directing Bootcamp hits NYC on April 16th, 2016. I can't think of a better way to spend your Saturday afternoon. Spots are being gobbled up.
thanks,
Jordan
My pal Scott Friedland is President and CEO of Imagine One Mobile, a marketing/advertising agency that helps marketers and brands increase sales and secure higher Returns On Ad Spend (ROAS) – across all platforms, devices and screens. Oh, this episode is plum full of acronyms, so hold on tight. Scott and I go back to when he hired me to direct and produce on NBC's "Name Your Adventure", a Saturday morning show in the 90's, after the network introduced me to be co-host. By bringing me on staff, Scott gave me an opportunity that changed my life. Bravo!
We talk how a filmmaker should know the context of the brand and the brand's positioning, as well as know where the spot is going to play.
There is a clip from "Name Your Adventure" I directed and host posted at jordanbrady.com, so yeah, go ahead and laugh at me.
thanks,
Jordan
Please rate the show on iTunes and share with a filmmaking friend. Shout out to today's sponsor, IOM Cases. Sculpted Metal iPhone cases that make you cool.
When your film is done and before it hits TV, cable or Netflix, your baby must pass the test of Quality Control. My guest is the delightful Britta Meleson-Bordeaux, rated one of the Top 10 Master Quality Controllers in Los Angeles. She breaks down the process and offers invaluable advice for mastering your project.
The tech-talk is strong on this episode, but Britta makes the knowledge accessible to all filmmakers. Please share and enjoy. Not necessarily in that order. Oh, be sure and check out these podcasts, Bananaland with Bob Rubin, The Ralph Nader Radio Hour and The David Feldman Show. Britta and Jimmy have got producer's hands on both. Why? Because Britta and Jimmy have been true comedy nerds before the term was coined. Please check out Jimmy's site for more.
thanks,
Jordan
Many links to all these podcasts live at jordanbrady.com so check it out.
I flew to Kitty's Sports Bar in Cincinnati, Ohio just to see how mid-Americans react to the Super Bowl spots. More of my opinions at my site, jordanbrady.com so please enjoy.
This episode is just me explaining how I shoot various tests to help land big gigs. It certainly helped with my current batch of spots with Saatchi & Saatchi, who are some of the coolest and most creative folks in the business. Not just to get the assignment but to execute with confidence.
When I'm shooting I've got to respect that process, so this is a quickie. Let me know what you all think! Oh, and fear not, I've got plenty of great interviews in store. And I'll post the spots when they roll out.
Thanks,
Jordan
Donny Bailey has been the stunt driver on all your favorite action films, "Mad Max: Fury Road", "Batman" series of films, and "Captain America: Civil War" ...and I was privileged to shoot my Buick spots with him. In fact, it's all the same to Donnie,for he approaches the work on a shot by shot basis. The consummate professional, Donnie stays calm under pressure and takes charge to execute the most intricate camera moves. Check out Performance Filmworks and their impressive work!
You'll love his stories of a 26 foot crane used to shoot Mad Max. And I ask is the guitar playing freak really up there playing live on camera? How do you drive alongside Captain America? Just two of many great questions. Thank you Donnie!
Please share and enjoy. Not necessarily in that order.
thanks,
Jordan
Thank you Ryan Kunkleman for explaining the mysterious role of the D.I.T. to me! The Digital Imagining Technician has become a critical member of the filmmaking team since the digital revolution. Ryan is one of the best, having done feature films, television and commercials. Can you say "Captain America: Civil War"? He not only tells us the different approaches to his craft in the various mediums, but he knows the history of the gig too.
Working closely with the cinematographer, the D.I.T. helps set the "look" and keeps the photography on point. Please note, Ryan is also a talented cinematographer himself, so he shares his journey of his illustrious career.
The tech-talk is flowing on this episode, but Ryan makes the knowledge accessible to all filmmakers. I've posted some work at jordanbrady.com, so check it out.
Please share and enjoy. Not necessarily in that order.
Jordan
Ric Cantor is a director and writer of commercials, television and film. We met on a lark at a Directors Guild Of America conference, and I loved his work and wit so I'm very happy he's on the show. We discuss Steven Seagal, the contractual and creative differences between directing spots in England versus the United States, as well as common trends we've noticed. He also tells how he readies himself for a pitch. And we discuss Director's Cut and how strategically they fit on your reel. Invaluable stuff people.
thanks,
Jordan
It's a hefty 90 minute chat that I know you'll find entertaining and informative. Please rate the show on iTunes and share with a filmmaking friend.
This is part two with Director Marcus Nispel, the innovative filmmaker of commercials, music videos and film. His work and work ethic have both inspired me since starting in commercials, including his famous manifesto, which we discuss. Marcus expresses the joy he still gets from solving problems, be they in the script or in a challenging execution. Click his name to see his expansive body of work, as well as the comments he's added to describe the challenges of each spot.
Enjoy and please leave me some feedback.
thanks,
Jordan
This episode is an hour and change. Please rate the show on iTunes and share with a filmmaking friend.
Enjoy your Christmas and remember we need to be students of human interaction over these holidays to make ourselves better storytellers. I'll be back next week with Part 2 of Marcus Nispel.
Peace.
Jordan.
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