Resourceful Designer: Strategies for running a graphic design business

Latest Episodes:

Checklists And Your Design Business - RD089 Sep 29, 2017

Show notes

Do you use checklists in your design business?

What does your morning routine look like?

Do you follow mental checklists to prepare yourself for the day? Do you get out of bed and immediately take a shower? Do you head to the kitchen for your morning coffee? Do you turn on the TV or pull out your phone, tablet or computer to get caught up on the news from around the world? Whatever your morning routine is, chances are you do just about the same thing every day.

Without even thinking about it, you've created a mental checklist for yourself which you subconsciously check off items as you progress through your morning routine.

The same goes for your design business. We all use mental checklists to keep on top of what we have to do so things don't get out of hand.

You probably have a mental checklist for the first contact with a new client, a different one for putting a website together, another before submitting a proof to a client, and a very important one before sending a job to be printed.

Checklists are a must for running an efficient design business. If you can manage your checklists all in your head than kudos to you.

But let me get back to your morning routine and ask you a question. Have you ever left the house and later realized you forgot to brush your teeth?

How could that have happened? You followed the same mental checklists you do every day. And yet you somehow forgot to brush your teeth.

It's not that big a deal; you can always rub your teeth with your finger or tissue. Maybe chew a stick of gum. It's not the same as brushing your teeth, but you can still make it through the day.

But what happens if you forget something from one of your businesses mental checklists?

What if you forgot to spell check a document before sending it to be printed? Or you launch a website without verifying all the links are working?

These kinds of mistakes can hurt you financially, as well as hurt your reputation.

That's why I'm a strong believer in physical checklists.

If you had a piece of paper with your morning routine on it, you would never forget to brush your teeth because you would see it was still unchecked.

Now I'm not suggesting you create checklists for your daily life. But some parts of your design business could benefit from a digital or physical checklist.

Things like

Web Design
Client questions
Proofing jobs
Invoicing clients
Contracts
Getting files ready for Print
Handing over completed projects

These are all areas that could benefit from checklists.

Web Design Checklists

Let's take web design for example. I have a checklist I use each and every time I begin a new web design project. It includes all the steps I do when I install Wordpress. The settings I change, including deleting the default Admin user and creating a more secure one. It also includes all the default plugins I install. I have a list of certain plugins that I install on every single website I design.

Every time I start a new web design project I pull out my checklist and go through it one by one, so I make sure nothing is overlooked. Once my list is completed I can then start designing the site.

Click here to download my checklist

Client Questions

Back in episode 15 of the Resourceful Designer podcast, I went over 50 questions to ask before every new design project. In it, I covered categories like...

Questions about the company hiring you for a design project
Questions about the company's target audience
Questions about the company's brand
Questions about the company's design preferences
Questions about the design project's scale, timeframe and budget

All of these questions could be made into checklists to ask clients when discussing a new design project.

Proofing Jobs

I mentioned spell checking earlier, but there are many other things to look out for when proofing a job. You should be looking out for things like...

Orphans
Widows
Rivers in your text.
Line spacing
Font Styling
Colour spaces

These are just some of the things that need to be checked. Creating checklists for these things ensures you never forget an important step.

Invoicing clients

Keep an itemized list of everything you do on a client project and check them off as you add them to the final invoice.

Contracts

Have a checklist of all the sections in your contract that need to be updated before sending it to a client. You don't want to be embarrassed by sending a contract that still has placeholder text on it.

Getting files ready for Print

Before sending any print project to the printer, you need to verify that everything is in order. Create a checklist to make sure nothing costly is overlooked. Things like...

Trapping if needed
Rich black RGB-CMYK, Low Res images
RGB converted to CMYK
Low-Res images replaced Hi-Res versions.

Handing over completed projects

Once a project is completed, and it's time to hand everything over to your client. Have checklists on hand to ensure nothing is forgotten. Some items to include are...

Signed copies of rights ownership transfer sheets.
Digital files are provided in the right formats
Assets such as photos and fonts are included if need be.

Checklists for everything

When it comes to your design business, you shouldn't take any chances. Any project or task that could potentially have something go wrong with it can benefit from having checklists to go over.

What checklists do you use in your design business?

Let me know by leaving a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Nayda

¡Hola Mark! I'm Nayda from Puerto Rico. I've been listening to your podcast since this summer. It's been super helpful, so thank you.

I have been working for around 10 years as a Graphic Designer. As a freelancer and as, right now, an employee with a Government agency.

I wonder about you opinion in a matter that always worries me. For my freelance clients I work from my 27" iMac and I love it. As for right now It's my only device aside from my iPad. I constantly worry that I have no extra computer in case something happens to mine.

Do you happen to have a spare computer in case your principal broke down? Or you prefer to have just one and have money saved up in case you need to buy one in a emergency.

In other words, how do you handle a situation in which you computer broke down but it can be fixed? Because sometimes there's no need to buy a new one. Although it may take time to repair.

Thank you for your time!

To find out what I told Nayda you'll have to listen to the podcast.

Resource of the week Bonus content for Patrons of Resourceful Designer

I have decided to thank everyone who is supporting Resourceful Designer through Patreon by creating bonus episodes just for them. These bonus episodes will be in the form of 30-minute consulting calls with fellow Patrons of the show. Twice a month I will randomly select a Patron for a 30-minute call to discuss their design business. With their permission, I will record these calls and make them available only to Patreon members. These episodes will be great learning experiences as we discuss ways to grow and improve real-life design businesses. For as little as $1 per month, you will have a chance to talk to me directly about your business and to learn from others like you. Become a Patron today.

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I want to help you.

Running a graphic design or web design business all by yourself isn't easy. If there are any struggles you face running your design business, please reach out to me. I'll do my best to help you by addressing your issues in a future blog post or podcast episode here at Resourceful Designer. You can reach me at feedback@resourcefuldesigner.com

A Designer's Home Office Essentials - RD088 Sep 14, 2017

Show notes

What's in your home office?

A home office is essential if you plan on running your graphic design business for any length of time. Sure the kitchen table can make due in a pinch, but if you're serious about your business, you will want to carve out a bit of that home real estate and claim it as your own.

But once you've planted your flag and claimed the space in the name of your graphic design business what do you do with it? In this episode of the Resourceful Designer podcast, I go over some essentials to make your home office reflect you and your business. Be sure to listen to the episode for the full story. Better yet, subscribe and never miss an episode.

Essentials for your home office space A dedicated room

A dedicated room in your home devoted solely to your home office will solidify the feeling of running a business. Not to mention that having a dedicated home office makes it much easier come tax time for calculating deductions you can claim as a home based graphic design business.

A door

Sounds crazy but being able to close a door while you are working can establish not only your working space but your working hours. The rest of your family will quickly learn not to disturb you when the door is closed. A door also helps you focus by cutting you off from the rest of the household.

A good environment

Make sure the room you choose has proper ventilation and good lighting. You will be spending a lot of time in your home office, so it's essential to make it as comfortable as possible.

Essential equipment for your home office A good computer

This one is a given. As a graphic designer, your computer is your main tool when it comes to earning your living. Whether you choose a laptop or desktop, Mac or PC, be sure to choose a computer that will be powerful enough for the projects you will be working on and one durable enough, so you don't have to replace it too often.

A desk

Unless you're a fly-by-night freelancer who likes to sprawl out on the living room couch with your laptop, you're going to need a desk. A desk is a long term purchase so choose one that will fit your needs. Keep storage space in mind when shopping for your desk. There are some beautiful minimalistic styles out there, but they are not very practical for someone who will be using it every day.

An office chair

Do not skimp on your chair! Your chair could be one of the most important investments you make in your business. You will be sitting in your chair for hours on end, day after day so choose one that is comfortable for you. Spend some time trying out different styles and find the one that fits your body type.

A desk lamp

Face it, as a home-based designer you will probably find yourself working at all hours of the day. A good desk lamp is essential when burning the midnight oil. Choose one that is not too harsh, and that won't affect the way you see colours in your room.

Printer/Scanner

A printer/scanner is something every office should have. Depending on your needs, you may be able to get away with one of the less expensive models available.

Filing cabinet

I mentioned storage space earlier. A filing cabinet is a great way to keep track of papers and remove clutter from your room.

A paper shredder

Depending on your clients, you may come into possession of some sensitive documents. When it comes time to discard of them, a shredder is the only way short of burning them.

Essential home office supplies File Storage

Every office should have disposable storage devices such as DVDs or flash drives for giving files to clients. Do not always count on cloud based storage systems. Some clients will want something physical they can hold.

Spill proof mug

Staying hydrated is important for your health so expect to drink throughout the day. However, liquids and computer equipment don't get along very well. Invest in a spill proof mug or bottle and never worry about knocking it over.

Wire organizers

Face it, between your computer, external drives, phone wires, charging cables and who knows what other wires. The space behind your computer probably looks like a spider's web. Purchase inexpensive wire organizers and keep your wires nice and tidy.

Miscellaneous essentials

If you're like most home-based designers, you will spend more time in your home office than any other room in your house (awake that is). So it's essential that you make this space your own. Decorate it with things that inspire your creativity such as books, artwork, knick knacks, plants, etc. Anything and everything that makes you feel good. Having a happy environment will make you a more productive designer.

If you share your home with little ones, either children or pets, be sure to include a space for them so they can be close to you without getting in your way. A pet bed or a bean bag chair can go a long way to satisfy young hearts.

What essentials do you have in your home office?

Let me know by leaving a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Lora

I'm new to your podcasts and was introduced to you from the Print Brokering one. I look forward to listening again--interesting and rich in information. I am a graphic designer and design instructor. After teaching graphic design full-time for 15 years, I started Orangish design last year, and teaching design again, part time. It's proving to be a great balance, business is slowly picking up and could use the bonus cash from print brokering you talked about!

I've always thought about print brokering but was concerned, if I'm honest, afraid, of paying the printer up front. Your explanation makes perfect sense and you make it sound so easy--invoice the client, they pay you, then place the print order.

Here is My Question:

I use an online printer, Moo.com, and now plan to work with them as a print broker. When you say: "You can make a good income by adding a hefty markup to their prices.", how do you add that markup to online printer invoices, yet present the marked-up invoice legitimately to your clients? My clients always want to see quotes 1, 2 and 3. Clients are pretty darn savvy these days.

To find out what I told Lora you'll have to listen to the podcast.

Resources of the week: Two Design Podcasts

This week I share two resources in the form of podcasts. I listen and enjoy both these shows, and I think you will too.

Logo Geek is a podcast produced by Ian Paget. Ian interviews influential designers to discuss all things logo related. If designing logos is part of your business this podcast is a must listen.

This Design Life is produced by Chris Green. Chris also interviews designers, but he focuses more on the life they live. Asking them questions like what inspires them and why they choose to become designers.

It's always fun to hear how other designers live and produce the wonderful works they do. Both of these podcasts offer small glimpses into the lives of talented people just like you. I encourage you to give them a try.

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Mastering Your Emotional Intelligence - RD087 Sep 08, 2017

Show notes

What is Emotional Intelligence?

According to Psychology Today; Emotional intelligence is the ability to identify and manage your own emotions and the emotions of others. It's the capacity to be aware of, control, and express your emotions, and to handle interpersonal relationships judiciously and empathetically.

In other words, Emotional intelligence impacts your thinking and behaviour when dealing with your clients and is a crucial part of building client relationships. In this episode of the Resourceful Designer podcast, I discuss how to be aware of your emotional intelligence and use it to grow your design business. Be sure to listen to the podcast for the full story.

Emotional Intelligence and your design business.

It's a given that client satisfaction and their repeated business is based on their emotional connection to you the designer. If a client likes you, they are more likely to hire you again for future projects. That's why Emotional Intelligence is something you should be aware of at all times.

There are many different aspects involved when building relationships with your graphic design clients. Emotional Intelligence plays a major role in that process. Being aware of your Emotional Intelligence means being aware that emotions can impact your behaviour and can impact other people's behaviour, both positively and negatively.

Learning how to manage those emotions, both your own and those of other people, is a key part of building relationships with your design clients.

Here are a few tips for improving your emotional intelligence:

Learn to be self-aware of your own emotions. Think about how your emotions have affected the way you react in various situations. If you are the type of person who is always on the defensive you need to learn to recognize and control these emotions.
Take responsibility for your feelings and behaviour. When criticized or challenged, rather than taking offence ask yourself, "What can I learn from this situation?" If you lash out it will affect your client's emotions. Likewise, if you hurt someone's feelings, offer a sincere apology.
Learn how to respond to a situation rather than react to it. Reacting typically involves an emotional behaviour, whereas, responding involves deciding how you want to behave.
All client interactions should be conducted in a technology-free environment. Avoid distractions from text messages, emails, and voicemails, and give customers your undivided attention. Distractions create negative emotions in your clients.
Take a moment to consider your actions before speaking or acting. This can help you manage your emotions and help you be more thoughtful and less emotional when responding to a situation. It also makes you look more impressive when your client sees you take the time to ponder their questions and comments.
Increasing your empathy can go a long way in relationship building. Practice understanding why someone feels or behaves in a certain way and communicate that understanding to them.

Practice makes perfect

If the above is something you struggle with, try scheduling a couple of minutes at the end of the day to reflect on your daily actions and how you handled yourself. We all learn through actions. Think back on your client interactions and try to identify areas you could have done better. The relationships you build with your clients are the most important part of your design business.

As I said in episode 85 of the podcast which was titled Reel in Repeat Clients, a client would much rather work with a good designer they like, than work with a great designer they don't like.

If you learn to identify and master your Emotional Intelligence you will become the designer your clients like.

Do you struggle with your Emotional Intelligence?

Let me know your goals by leaving a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Travis

I just finished the episode on hourly rates, and you brought up the niche topic. I target the church/ministry niche, personally, and have several years' experience in this niche. However, it's a niche that typically is not willing to pay standard rates (because they are usually non-profit). The idea of charging more in this niche seems impossible.

Do you have any experience with working for non-profit clients, or any feedback on how to develop good quotes for those in the non-profit sector?

Recently I've been asking them first to let me know what they have budgeted, but they often have no idea what to expect, or simply don't know what to budget. I try to help them come up with a good number, and then I adjust how much time I spend on the project accordingly.

To find out what I told Travis you'll have to listen to the podcast.

Tip of the week Hand Written Thank You Cards.

A great way to solidify your client relationships is by sending them a hand written thank you card after a project is completed. Not only are hand written cards a great way to stand out and be remembered, but they offer another opportunity for you to show off your design skills to your client.

Most people are not used to receiving personal correspondence through the mail anymore. This simple tip will go a long way to establishing your business as one that goes that extra step.

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Running a graphic design or web design business all by yourself isn't easy. If there are any struggles you face running your design business please reach out to me. I'll do my best to help you by addressing your issues in a future blog post or podcast episode here at Resourceful Designer. You can reach me at feedback@resourcefuldesigner.com

Handling Criticism - RD086 Aug 31, 2017

Show notes

How do you handle criticism?

As a designer, you will receive criticism on your work. How you deal with that criticism will determine what kind of designer you are.

In this episode of Resourceful Designer, I discuss why criticism is essential to your growth as a designer. Listen to the podcast for the full story.

One of the advantages of attending a design school is the opportunity to experience criticism from your teachers and classmates. It's not fun, but it does prepare you for the real world where clients don't hold back their feelings about your work.

We all have blind spots we can't see. Through criticism, you learn to identify those blind spots and improve on them, which moulds you into a better designer.

Perfection is unattainable

My brother was an artist. After watching him sign his name to a painting he just completed I asked him how he knew it was done? He replied to me that it wasn't done and it never would be done. He signed his name to it not because the painting was done, but because he was done with the painting.

The same goes for design. At some point, you simply have to say the design is complete and move on.

Remember, the design you create is not for yourself, it's for your client. They are the ones that will see and use it on a regular basis. They are the ones that have to be happy with the design. So listen to the criticism they give you. Impart your design knowledge upon them if you find their suggestions don't align with your idea but ultimately, they must be satisfied with what you give them.

After a time, you will come to know your client's likes and dislikes. As your relationship grows, you will receive less and less criticism from them. When that happens, you will know you have become a better designer.

In the meantime, embrace all the criticism directed your way and use it to grow as a designer and as a person.

What's your experience with handling criticism?

Let me know by leaving a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Antony

I am just starting off graphic and web design here in Kenya and have been thinking of doing this as a business. Most of my questions have been addressed in the podcasts I have listened to but there is one area on which I would like advice on. What are the best terms of payment when doing graphic design work? What works for many service businesses over here is asking for a deposit and the rest paid after the work is delivered. What is your take on this and what has worked for you?

To find out what I told Antony you'll have to listen to the podcast.

Resource of the week Backblaze

Never Lose a File Again with the World's Easiest Cloud Backup. Backblaze gives you peace of mind knowing your files are backed up securely in the cloud. Simply set it up and forget about it. Backblaze works in the background and automatically backs up new and modified files.

Hard drive crashes are only one thing you need to worry about. Your files are also vulnerable to hardware theft and natural disasters such as floods, fires, earthquakes etc. With Backblaze you can rest at ease knowing your business files are safe no matter what happens. Backblaze works on Mac or PC and is just $50/year.

If you are currently using CrashPlan as your backup solution you may want to consider switching to Backblaze. CrashPlan announced that they will no longer provide consumer backup services.

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Reel In Repeat Clients - RD085 Aug 24, 2017

Show notes

Turn all clients into repeat clients.

Your goal as a designer is to turn all your clients into repeat clients. But you can't do that unless you build a relationship with them.

Many new designers worry too much about the designs they create than they do about the relationships they build with their clients.

Don't get me wrong, good design skills are a key element in building a strong graphic design business. But they're only one part of the equation. You could even say that your ability to build client relationships is more important than being a great designer.

After all, clients would much rather deal with a good designer they like, than a great designer they don't like.

I cover this topic in greater detail in the podcast so be sure to listen. Here is some of what I talked about.

What's the big deal about repeat clients?

You may be thinking "what's the big deal? If a client likes what I do they'll come back." Unfortunately, that isn't always the case.

Clients don't want to work with someone they don't like no matter how talented you are. And if they do end up working with you and discovering they don't like you, the chances of them becoming repeat clients once that first project is done are very slim.

However, if they enjoyed working with you, they are much more likely to come back to you instead of looking for a new designer. After all, time is money and if they don't have to spend time looking for a new designer then you saved them money.

After all, time is money and if they don't have to spend time looking for a new designer then you saved them money.

What are the benefits of repeat clients?

Once you build relationships with your clients it becomes much easier to pitch new ideas to them. They become much more receptive to your ideas and directions.

Trust is another key factor. If your clients don't have to explain their business to you before every job, they are more likely to give you more freedom in your design choices.

Not to mention the money. Would you prefer work on a $5k job for a one-time client, or on a $1k job for a client that comes back with more work every few months?

In the long run, you'd be better off with the second client. That's why you should be trying to get repeat clients. Your business success depends on it.

How do you turn clients into repeat clients?

The formula is quite simple really. If you do good design work and treat your clients well, there's a very good chance they become repeat clients. It's that simple.

Think about any restaurant you've visited. If you enjoyed the food and had great service, wouldn't you go back? On the other hand, if either the food or the service was subpar there's a good chance you would avoid that restaurant in the future.

But treating your clients well goes beyond simply doing what they ask of you. In episode 84 of the podcast, I talked about being more than a "Yes Man or Woman" and becoming a problem solver for your clients.

You need to become more than just someone your clients like. You need to become someone they value. If you do it right, you may even become someone they can't imagine not working with.

The best way to turn clients into repeat clients is to let them know what other services you can offer them. You need to make suggestions for things they haven't thought about. Be a Problem Solver. The best problem solvers find solutions to problems the clients didn't know they had. If you can do that, you've won yourself a repeat client for life.

What's your strategy for getting repeat clients?

Let me know by leaving a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Barbie

When is the best time to ask your clients for testimonials and what is the best way to ask them?

To find out what I told Barbie you'll have to listen to the podcast.

Resource of the week: Coming Soon Page & Maintenance Mode

This week's resource is a Wordpress plugin I install on each and every website I build. It's called Coming Soon Page & Maintenance Mode by SeedProd. This plugin has two functions. The first allows you to display a customized "Coming Soon" page on a domain while the site is being built. The second allows you to create a custom "Maintenance Mode" page to display any time you are doing work on a live site.

I always design these custom pages with the site company's logo and contact information so that even with the website down visitors are still able to get a hold of the company. It's also very handy for blocking out curious eyes while a site is under construction. When it's time to show your client something you simply turn it off and allow them to look. You can then turn it back on again to continue working in private.

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You're More Than A Designer, You're A Problem Solver - RD084 Aug 17, 2017

Show notes

Have you ever heard the term "Yes Man" or "Yes Woman"?

A Yes Man or Woman is someone who follows orders without questioning them. Whatever is asked of them is what they do. A good designer can't be a Yes Man or Woman.

As a designer, you are also a problem solver. Your job is not to do what the client asks without question, but to question what the client asks.

Your job is not to do what the client asks without question, but to question what the client asks.

When a client presents you with a brief for a new project you need to be able to examine the outline and explain to them why something will or won't work. And if something won't work, you need to be able to provide alternative solutions. You need to solve the problem.

Some clients have no idea what it is they want or need. That's why they come to you. As the problem solver, they are trusting you to have the solutions.

If you can provide those solutions you become much more than just their designer. You become a valuable asset to their business. And that translates into a loyal client for life.

For a more in depth discussion on this topic please listen to episode 84 of the podcast.

How have you been a problem solver for your clients?

Let me know what problems you have solved for your clients be leaving me a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Joseph

How do I introduce a design that I feel like a company really needs?

Details

I went to a vegan restaurant and noticed their menus are homemade or crafted by Fiverr's finest. I really want to give them the menu they deserve and maybe need. I'm a designer who's still in college pursing my design degree. The problem is this will be my first time pitching. I usually just get a referral for work so this is new to me. I'm not shy or nervous with people but some tips for the approach would be great.

To find out what I told Joseph you'll have to listen to the podcast.

Resource of the week 21 Stock Image Sites Every Designer Should Know About

Love 'em or hate 'em, stock image sites are the backbone of any graphic design business. As such, every graphic designer should have a repertoire of good quality stock image sites in their toolbox for when the need arises. I've gathered 21 such stock image sites that I believe every designer should know about. Some are premium sites, some offer inexpensive stock photos and images and some are completely free. All offer quality stock images that can be used for commercial use by your graphic design business.

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Setting Your Hourly Design Rate - RD083 Aug 10, 2017

Show notes

What's your hourly design rate?

What you should charge as your hourly design rate is an often debated topic amongst designers. Everybody seems to have their own opinion as to how to calculate what you should charge. I guess I'm no different because on this episode of the Resourceful Designer podcast I do just that. I give you my opinion of how you may want to choose your hourly design rate.

One of the biggest issues I see is designers undercharging for their services. They're either not confident enough in their skills and abilities and are afraid to charge a high enough fee. Or they feel they can't charge higher fees because they're only designing part time.

Regardless of how long you've been designing or the amount of time you currently spend designing you're probably not charging enough for your services, but that's the topic for another day.

Today I want to share why you need an hourly design rate and ways to determine the rate that's best for you.

Why you need an hourly design rate.

Even if you normally use project based or value based pricing you still need to know how much you are worth per hour. Even if it's just to know whether or not you are under or over charging on your projects.

You also need to know how much you're worth if someone asks you for your time. Perhaps as a design consultant. Without knowing your hourly rate how will you know what to charge for your time?

What determines your hourly design rate.

Your hourly design rate depends on many factors and differs for each designer. Where you live, what sort of clients you're going after, your experience, your skill all play factors in determining what you should charge.

Specializing in a niche can also play a factor. A designer who specializes in a certain industry should command higher prices than a designer not familiar with it.

All of these things should be taken into considering when determining what your hourly design rate will be.

Determining your hourly design rate.

Ok, here's the nitty gritty of it. Ways for you to determine exactly what you should charge per hour. You will need to decide which method, if any, is best suited to your situation.

Guess

It sounds crazy but guessing is actually a pretty popular method used by many designers. I'm not saying it's a good method, just that it's a popular one. Some designers simply pick a number out of thin air and use it as their hourly design rate. Most of the time the number they choose is much lower than they should be charging but guessing is a viable option for choosing.

Spy on your competition

Tried and true for generations, spying on your competition is an easy way to judge what the going market is for designers in your area. Simply call them up, or have a friend do it for you, and request quotes. Use those quotes to determine what they are charging and to set a baseline for your own pricing. Adjust as needed for experience and skill and then start hunting for clients.

Research industry averages

There are many organizations that compile design salaries around the globe. The AIGA and RGD are great resources in North America. Research what designer in your area are making and base your hourly rate to match.

Calculate your hourly rate

Probably the most accurate way to determine your hourly design rate is to calculate it yourself.

Add up all your expenses including general expenses and labour expenses, savings, etc.. Then estimate the number of billable hours you expect to work each week. Divide the first number by the second number to determine your hourly design rate.

For example:

Your monthly expenses including mortgage, utilities, car payment, fuel, groceries, medication, etc. = $4000/month A spending allowance for things like movies, restaurants, treats, etc. = $400/month Money you put aside in savings = $400/month Total $4800/month

Billable hours you want to charge per month = 80 (20/week) Remember that billable hours and working hours are two different things. You will only be able to bill for some of the hours you spend working each month.

Divide your monthly expenses by the number of billable hours to determine your hourly design rate.

$4800 ÷ 80 hours = $60 per hour.

In this example, the designer needs to charge $60 per hour and work a minimum of 20 billable hours per week in order to cover their expenses and savings.

Keep in mind that this is just a base and is intended to give you an idea of where to start. You do not need to use this number as your hourly design rate.

Your personal situation will also factor into this equation. If you're a student living with your parents you may not have as many expenses as someone renting or paying a mortgage.

What should you do?

I can't tell you which method is best for you. Only you can decide that. I can tell you that establishing an hourly design rate will help you regardless of whether or not you bill by the hour.

If you don't have one yet, I highly encourage you to determine your hourly rate as soon as possible.

How did you determine your hourly design rate?

Let me know your goals by leaving a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Jonathan

I am looking to start a web design business while I am a full time employee. I've been doing a lot of research and wondering your thoughts on a sole proprietorship vs. llc. I feel like the business side of the business is preventing me from starting the business before it's even been made. I'm not completely sure its worth setting up an llc if I am starting a business on my free time. (ex: quarterly taxes) Any help you may have is greatly appreciated.

To find out what I told Jonathan you'll have to listen to the podcast.

Resource of the week Screenflow

This week's resource is something I've shared before, ScreenFlow screen recording software. It has helped me streamline my graphic design business so much that I have to share it again. Using ScreenFlow has saved me so much time and headaches. Instead of teaching clients how to use their new websites and then helping them again a month or so later when they've forgotten, now I just record a short instructions video showing them what to do. If they need a refresher or need to train someone new, they have access to the video and they don't have to interrupt me for help. For that reason alone I highly recommend ScreenFlow.

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Building Client Loyalty Through Legacy Plans - RD082 Jul 27, 2017

Show notes

Legacy Plans help build client loyalty

What are Legacy Plans you ask? Legacy Plans are when someone continues to pay a certain price when everyone else is paying more for the same service.

Physical fitness gyms do this best. When you join a gym chances are your monthly fee is fixed for life. As long as you remain a member your fee will never go up. But if you let your membership expire and then decide to come back, you will be forced to pay the same higher fee newer members are paying.

In this week's episode of the Resourceful Designer podcast, I discuss ways to use legacy plans with your design business. Be sure to listen to the episode for the full story.

How to use legacy plans with your design business When you raise your design rates.

The best time to introduce legacy plans in your design business is any time you raise your design rates. Every time you raise your rates you have an opportunity to lock in your current clients at your old rate. I don't suggest you do this with every client. But good recurring clients who would benefit from the discount are perfect candidates for legacy plans.

By placing good clients on legacy plans you send them a message that you care for them. This builds loyalty and trust which translates into more business and referrals from your clients.

Maintenance plans

Maintenance plans are another opportunity to introduce legacy plans. Informing your clients that you've raised your monthly maintenance fee for managing their website is never fun. But if you tell them you've raised your rates but they're locked in at the old rate they'll appreciate your services that much more.

Retainer agreements

Legacy plans and retainer agreements go hand in hand. Informing a client that your retainer rates are going up but it doesn't affect theirs for as long as they keep paying is a great way to build client loyalty and guarantee your steady retainer income. Knowing their retainer rate will go up if they stop paying it is a great incentive for clients to keep sending you money month after month. Even if they don't have work for you.

Things to keep in mind with legacy plans Make them feel special

When informing your clients about their legacy plans be sure to make them feel special. Tell them not all your clients are being offered this special deal. By showing the scarcity of the plan you show your clients how important they are to you.

Have an escape clause.

You can set an expiry date for any legacy plan, telling your client it will expire in one, two or three years at which point they will be billed your going rate.

You could also leave the end date open. Let your clients know that you don't know how long you will keep these legacy plans going but you will let them know well in advance should you decide to do away with them. The last thing you want is to start resenting a client years from now because they're only paying you $20 per hour when everyone else is paying you $100. So make sure you leave yourself a way to end the plan on your terms.

Do you use legacy plans with your design business?

Let me know by leaving a comment for this episode.

Questions of the Week

There's no question to answer this week but I would love to answer one of yours. Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

Tip of the week Outlining Text in Adobe Acrobat

This week's tip was shared by Dana in the Facebook Group. If you've ever had to extract some design element from a PDF file you've probably encountered the dreaded "font missing" message. Your choices are to accept a substitute font or try to match the original with the closest font you have available. Neither is the best scenario. This week's tip offers another work around. By following the steps mentioned on this page you can create a new PDF file with the fonts outlined, making it possible to extract your needed elements the way they are meant to look. Give it a try.

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Protecting Yourself From Proofing Errors - RD081 Jul 21, 2017

Show notes

Have you ever been burned due to proofing errors?

Proofing errors are the bane of all graphic designers. Anyone who has been in this business long enough knows that clients will almost always try to blame you when they find errors on their project.

You can't really blame them, it's human instinct to try and pass the blame. We've been doing it since we were young. Even a toddler who sneaks a cookie might try to blame it on one of his siblings or maybe even on the family dog.

It's because of this instinct that we need to protect ourselves. Because when it comes to proofing errors on graphic design jobs, especially when printing is involved, there's a lot more at stake than a simple reprimand for eating a cookie.

It's not as big a deal when it's a website or some other digital piece. Those errors can easily be fixed. But fixing an error on a printed job could cost thousands if not hundreds of thousands of dollars. And you don't want that on you.

On this episode of the Resourceful Designer podcast, I discuss ways to protect yourself from proofing errors. Be sure to listen to the episode for the full story.

How do you protect yourself from proofing errors?

You can't. Proofing errors are going to happen. It's the blame you need to protect yourself from and it all starts with your contract.

Your contract may be full of unintelligible legalese but all that bloated wording is there for a reason, to protect you. On your contract, you must include a clause absolving you of any blame once the client approves and signs off on a job. Once they sign off, it's in their hands and you are clear of any blame.

For this reason, you should NEVER ACCEPT an approval from your client that says something like "we approve this job with this one small change". No matter how trivial the change is, you need to have it viewed and approved by the client.

You may think to yourself "that paragraph that's missing a period at the end isn't a big deal. I'll just add the period and send the file to print."

Don't do it.

Every time you touch a project there's a possibility of something going wrong, something shifting, something changing. So don't take any chances. Get the client to approve every change they ask for. Even if it means delaying a deadline to get that approval.

Here's an example of how a simple revision could go wrong.

A client tells you the job is approved once you change "S. Thompson" to "Steve Thompson" on page 3. You go to page 3, find "S. Thompson" and charge it, as requested to "Steve Thompson" and send the job to print.

But unknown to you, "S. Thompson" appears 2 times on the third page. The client wasn't specific and you didn't realize there were multiple occurrences and only changed the first one.

What started out as a simple change turns into a costly error that could have been avoided if only the client had seen the revision before it went to print.

Regarding your contract.

Your contract should state that the client is fully responsible for making sure every aspect of the job is satisfactory to their liking. This includes layout, text, copy, images, colours, folding, etc.

Your contract should also state that the client is ultimately responsible for any errors, EVEN IF THE COPY THEY SUPPLIED YOU WAS CORRECT.

This is a very important one. Clients will often proofread their copy before providing it to you and think they don't have to proofread it afterwards. You need to make sure the client still proofreads it to make sure nothing has changed between the time they supplied it and the time they approve it.

Remind your client that you are not responsible for any errors should the client not proof the job carefully.

Beyond the contract

Even with a clause in your contract absolving you of any errors due to improper proofing, you should take it upon yourself to remind the client with every proof you supply them. A simple statement told to them or a small paragraph in an email stating once again that you are not responsible for any errors or omissions once they sign off on the job.

The more you remind them, the less chance they come after you should an error be found afterwards.

Things that could help prevent errors.

Don't forget to use your computer's Spell Check/Grammar Check features. It's such an easy thing to forget to do but it could save you many headaches down the road.

Proofread your work. You are not responsible for spelling errors but they still look bad on a piece you designed. Read everything yourself to see if you can spot any problems. Tip, read from right to left, one word at a time. This will force you to read each word individually and you'll catch more spelling errors that way.

The mind is a wonderful but weird tool. You can easily overlook misspelt words that are right in front of you as you are reading. Have you ever seen this paragraph before? Every word is misspelt. The first and last letters are correct but the middle letters are mixed up. And yet you can still read the paragraph easily enough. This goes to show you just how hard it is to spot spelling error while reading.

I cnduo't bvleiee taht I culod aulaclty uesdtannrd waht I was rdnaieg. Unisg the icndeblire pweor of the hmuan mnid, aocdcrnig to rseecrah at Cmabrigde Uinervtisy, it dseno't mttaer in waht oderr the lterets in a wrod are, the olny irpoamtnt tihng is taht the frsit and lsat ltteer be in the rhgit pclae. The rset can be a taotl mses and you can sitll raed it whoutit a pboerlm. Tihs is bucseae the huamn mnid deos not raed ervey ltteer by istlef, but the wrod as a wlohe. Aaznmig, huh? Yaeh and I awlyas tghhuot slelinpg was ipmorantt! See if yuor fdreins can raed tihs too.

What's the takeaway?

Graphic designers are human. Just like everyone else, we make errors. And that's OK. Things happen. fast typing fingers might miss a beat and type something wrong. Accidental mouse clicks can shift things on a page. Copy/paste might miss something that wasn't highlighted.

Face it. Errors will happen. there's nothing you can do about it. So you might as well protect yourself as best you can so that the blame for those errors don't fall on you.

Do you have any stories about proofing errors you would like to share?

Let me know your goals by leaving a comment for this episode.

Questions of the Week

There's no question this week but i would love to get one from you. Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

Resource of the week Coolors.co

Coolors.co is a super fast and super easy way to create, save and share colour pallets for whatever job you're working on. Choose from a gallery of ready made pallets or create your own from scratch or based on some pre-selected colours.

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Explain Why, Not How - RD080 Jul 14, 2017

Show notes

Do you explain why you took the direction you did when presenting designs to your clients?

If you belong to any graphic design groups on Facebook or Linkedin you've seen people post their work for critique. Why not, it's a great place to get the opinion of fellow designers. However, one problem that happens over and over when people explain their work is they usually explain how they designed it when what they should do is explain why they designed it.

That's the topic I cover in this week's Resourceful Designer podcast. Be sure to listen to the episode for the full story.

Explain why you designed it, not how you designed it.

Face it, clients hire you for one reason and one reason only. Your ability to get the job done. They don't care how you get it done. All they care about is the finished product. As long as you can produce good quality work in a timely fashion they will be happy.

Think of a carpenter hired to build a cabinet. The client doesn't care what tools the carpenter uses. Nor does he care what skills or techniques he employs. All the client cares about is having a well crafted and functional cabinet. The same goes for design work. It's the finished product that matters, not the journey you took to get there.

Explain why and avoid going back to the drawing board.

Client's don't reside in our world. They don't live and breath design the way we do. Because of this we sometimes forget that clients may not see our designs the same way we do.

If you take the time to enlighten the client and explain why you designed something a certain way, there's a good chance they will appreciate the design much more and you avoid having to go back to the drawing board to change a perfectly good design.

Present in a way that allows you to explain why.

Obviously, the best way to present your designs to a client is in person. Unfortunately, it's not always possible to meet face to face with them. Therefore it's up to you to present your designs in a way that allows you to talk to the client as they're seeing the design for the first time.

Set up a video or phone call and email or provide a link to your design for the client to see while you're talking to them.
Record a screen capture video explaining your design to the client and send it to them.

However you can manage it, try to be present when your client sees the design for the first time. Explain what they are seeing and explain why you chose to design it that way. Your explanation will go a long way in showing the client the value in the design.

How do you explain your designs to your clients?

Let me know by leaving a comment for this episode.

Questions of the Week

Submit your question to be featured in a future episode of the podcast by visiting the feedback page.

This week's question comes from Jordan

I was wondering what types of content I can post for my business on social media? I've started creating blog posts. But, I know brands are about 70% content 30% selling when it comes to social media. If you're a potato chip company for example... you can post a picture of your potato chips and say "Have a great summer with acme potato chips". If you're an music entertainment company you can post "It's Miley Cyrus' birthday today. #HappyBirthdayMiley". But, I'm at a loss for what content would be valuable to clients of a graphic design/web developing business and not just targeting other graphic designers, developers, and creatives who aren't my clientele.

To find out what I told Jordan you'll have to listen to the podcast.

Resource of the week; Four Week Marketing Boost.

I put this guide together in the hopes to encourage you to look at your own brand and image. The daily tasks in my guide require only 15-30 minute of your time and focus on the parts of your marketing material that are often overlooked or neglected. After completing this four-week plan you will be in a better position to present yourself to, and win over new clients.

You can download the Four Week Marketing Boost by visiting marketingboost.net. Or, if you are in the U.S.A. you can text the word MARKETINGBOOST to 44222.

Improve your business' image and create the best first impression possible to attract more clients.

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