The Post New York Alliance supports and promotes the Post Production community in New York. This podcast is the collection of talks, seminars and events from the PNYA calendar.
PostNewYork.org
@PostNY
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The Post New York Alliance supports and promotes the Post Production community in New York. This podcast is the collection of talks, seminars and events from the PNYA calendar.
PostNewYork.org
@PostNY
FXF007: Sidney Lumet's NETWORK- Alan Heim, Mark Laub, Michael Jacobi and Jeffrey Wolf.
In 1976, an American satirical film written by Paddy Chayefsky and directed by Sidney Lumet, called Network, about a fictional television network, UBS, and its struggle with poor ratings, starring Faye Dunaway, William Holden, Peter Finch, Robert Duvall and Beatrice Straight was nominated for 12 Academy Awards including best film, best director and best editor. Network, won four Academy Awards, including Oscars for Chayefsky’s script, Beatrice Straights’ performance as an outraged wife, Faye Dunaway’s performance as a cynical programming executive and Peter Finch’s frenetic portrayal of Howard Beale, the troubled “mad prophet of the airwaves.”
Thirty-five years later, “Network” remains an incendiary if influential film, and its screenplay is still admired as much for its predictive accuracy as for its vehemence and a relentless sense of purpose. Screenwriter Aaron Sorkin, cited Chayefsky when he accepted his Oscar for the screenplay of “The Social Network,” and wrote later that “no predictor of the future — not even Orwell — has ever been as right as Chayefsky was when he wrote ‘Network.’ ”
Alan Heim, the picture editor of the film, Mark Laub, one from a team of sound editors, Michael Jacobi and Jeffrey Wolf, the first assistant editor and the apprentice editor on the film at the time, tell their stories of how the film came together and what it was like in various stages working with director Sidney Lumet, writer Paddy Chayefsky and Producer Howard Gottfried.

FXF006: Films of Jim Jarmusch- Jay Rabinowitz, Chic Ciccolini, Dominick Tavella
In the first episode of Frame By Frame Season 2, picture editor, Jay Rabinowitz, sound editor, Chic Ciccolini and re-recording mixer, Dominick Tavella talk about their craft and process in collaborating with filmmaker Jim Jarmusch on his films from the 1980’s and 90’s Coffee and Cigarettes, Night On Earth, and Ghost Dog.
Frame By Frame is a podcast series that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Frame By Frame, Episode 005: Angelo Corrao and Alex Halpern
Post Factory Founder, Alex Halpern and picture editor Angelo Corrao talk about their collaboration on Nine Good Teeth as well as Angelo’s work on Bruce Weber’s Let’s Get Lost and their experiences coming up in the 1980's New York film scene and developing early relationships with filmmakers like The Coen Brothers.
Frame By Frame is a podcast series that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

Frame By Frame, Episode 004: Maurice Schell, Peter Frank, Lee Dichter on Sidney Lumet's The Verdict
Sound editor, Maurice Schell (Gimme Shelter, Serpico, The Missouri Breaks, Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface) , re-recording mixer, Lee Dichter, (Grey Gardens, Sophie’s Choice, Hannah and Her Sisters, Miller’s Crossing, The Civil War) and picture editor Peter Frank, (The Verdict, Cadillac Records, Dirty Dancing) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration on Sidney Lumet’s The Verdict.
Frame By Frame is a podcast series that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
FXF003- The Ice Storm, Life Of PI: Tim Squyres and Phil Stockton
In Episode 3, picture editor Tim Squyres and sound editor, Phil Stockton share stories from collaborating together for over 20 years working with film directors such as Martin Scorsese, Ang Lee, Robert Altman, the Coen Brothers, Jonathan Demme and Spike Lee and how advances in technology have encouraged a merging of their roles.
Frame By Frame is a podcast series that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.

The Second seminar in a series about the Audio Post Production process, the PNYA Education Committee in tandem with Soundtrack NY present Mixing 101: A Step by Step Guide Into the World of Sound Mixing.
This event took place at 7pm on September 29th at Soundtrack FT, 128 West 22nd St.
The recording takes you step by step through the process of sound mixing. Feature films, television series, and independent projects will all be covered in detail followed by a live in-studio walkthrough. Leading members of the New York audio community will share their expertise in each of these fields.
Participants include Tom Fleischman ReRecording Sound Mixer, Bob Chefalas Rerecording Sound Mixer, Dan Brennan ReRecording Sound Mixer, Jacob Ribicoff Supervising Sound Editor, Louis Bertini Supervising Sound Editor, Craig Kyllonen Supervising Sound Editor.
Frame by Frame 002- Vinyl & Boardwalk Empire- Kate Sanford and Tim Streeto
Television and feature film editors Kate Sanford (The Wire, The Deuce) and Tim Streeto (The Squid and the Whale, Greenberg) describe their process in developing the hit series Boardwalk Empire with Martin Scorsese, Tim Van Patten and Terry Winter as well as how they worked together with Martin Scorsese, Terry Winter and Mick Jagger to create Season 1 of Vinyl.
Frame By Frame is a podcast series that introduces you to the most influential, respected and accomplished cinema professionals working in New York today. Through intimate, informal discussions between collaborators about craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories with the people that continue to define New York as an essential capital of the global film industry.
Hosted by Isabel Sadurni.
Produced by Isabel Sadurni and Ben Baker.

Frame by Frame 001- Reds- Craig McKay & Tom Fleischmann.
Frame By Frame is a podcast series that introduces you to the most influential, respected and accomplished cinema professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories with the people that continue to define New York as an essential capital of the global film industry.
Picture editor, Craig McKay and Re-recording mixer Tom Fleischman talk about early influences getting started in the New York film industry of the 1960’s and 70’s as well as their work on the film by Warren Beatty, Reds.
Hosted by Isabel Sadurni.
Produced by Isabel Sadurni and Ben Baker.

Music in Post: The Key Players.
This panel includes an award-winning music supervisor, a music editor and a composer who offer advice on a smooth music production for film and television post production. Panelists will also show musical examples of their work and explain how they help to create a finished soundtrack. This event is specifically aimed at helping editors, producers, post supervisors and others to better understand the complexities of working with music during post.
Some of the topics that will be addressed during the panel:
What materials is an editor responsible for giving to each member of the music department?
What is the interaction with each other? Who works with who? Is there a hierarchy?
How to know whether or not a piece of music is working within a scene.
How do you communicate with music people if you aren't a musician?
How much creative control should you give a music supervisor or composer?
Panelist Bios:
Jim Black, Music Supervisor
Jim Black is an award winning music supervisor with over twenty years in the music industry. In 1998 he founded Clearsongs Inc. a full-service music supervision and consulting company for Motion Pictures and Television and has worked on over 90 films and tv shows, including Academy Award winners such as Black Swan, The Wrestler and HBO’s Treme and True Detective. He is just finishing up Season 2 of Marco Polo for Netflix and setting up for Amazon's Z: The Beginning of Everything and Season 2 of Billions for Showtime.Ian Blume has worked in feature film postproduction for 16 years, spanning such films as Chocolat, Doubt and The Bourne Legacy. Armed with a bachelor's degree in Film from Emerson College in Boston, MA, Ian built a strong foundation at Sound One NY. Since then, he climbed the ranks as an assistant editor, working on 18 features of all budget levels, in the US and abroad. He has collaborated with many top-tier, award winning filmmakers - including editors Tim Squyres, John Gilroy, Dylan Tichenor, Barbara Tulliver and Andrew Mondshein, writer / directors John Patrick Shanley and M. Night Shyamalan, and producers Akiva Goldsman and Scott Rudin. An active member of the Motion Picture Editors Guild and the Post NY Alliance, Ian is currently finishing his 4th narrative feature film as an editor. Along the way he has compiled a variety of temp scores and has worked directly with music editors, supervisors and composers to take those films from the first spotting session to the final mix.
Isabel Sadurni, Picture Editor & Moderator Hosted by
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NYWIFT & the Post New York Alliance podcast are proud to present:
Making the Cut: Editors Talk Collaborations and Career
Editing is such a fluid experience. You never know what you will need for the story or what the working relationship with the director is going to be like. Each situation is different.
Forging a career as an editor can be just as varied. Before digital technology and software became as accessible as they are today, you came up the ranks from apprentice, assistant, to one day becoming an editor. Now you could take on a low-budget film, working as your own assistant and editor, or perhaps collaborate with an established editor and come on as a co-editor. Always, the major skill is storytelling & building relationships. It’s about living your life and understanding that the material for editorial decisions can come from anywhere, and everything you experience.
Join this panel of talented women editors/filmmakers as they share their journey to the edit chair, and explore the collaborations they’ve built along the way.
Panelists
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R. A. Fedde is an editor and producer, whose film and television work has covered a wide range, from two past presidents to paparazzi on the run. Her editing credits include 10 Days that Unexpectedly Changed America: Antietam, winner of a 2006 Emmy Award for Best Non-Fiction Series; $ellebrity, which premiered at South by Southwest in 2012; Running Wild: The Life of Dayton O. Hyde, which Fedde edited and co-produced, premiered at Slamdance 2013; The Last One, won the Best Social Issues Documentary Award at the 2014 Atlanta Docufest and aired on Showtime in December 2014; and Once and for All, which closed the DocNYC 2015 with a sold-out house. Her editing on Frontlne's Growing Up Online garnered another nomination for a 2009 Emmy. In 2004, Fedde won the prestigious Gracie Allen Award for her work as editor on Pure Magic: The Mother Daughter Bond. Currently she is working on a feature-length PBS project on WWI and a short documentary project of her own about Hindu god lithographs.
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Carla Gutierrez is an editor based in New York City. She edited the Oscar nominated film La Carona for HBO and the Emmy-nominated documentary Reportero, which was broadcast on POV. She also edited Kingdom of Shadows that premiered at SXSW and opened theatrically in Mexico. Her latest work, When Two Worlds Collide will have its world premiere at the 2016 Sundance Film Festival as part of the world documentary competition. Gutierrez’s other editing credits include: Wonder Women!, Las Marthas, Tales of the Waria, She Is The Matador, Surviving Hitler: A Love Story, and Iraq For Sale. She has been a creative adviser for the Sundance Edit Lab, and a mentor for Firelight Producers’ Lab.
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Geeta Gandbhir's honors include an Academy Award, two Emmy Awards and three Peabody Awards. Most recently, a feature documentary she produced with Perri Peltz and directed with Academy Award winning director Sharmeen Obaid-Chinoy, A Journey of A Thousand Miles: Peacekeepers, premiered at the 2015 Toronto International Film Festival. She is currently co-directing and co-producing a Conversation series on race with The New York Times Op-Docs. She co-directed and edited the film Remembering the Artist: Robert De Niro Sr. with Perri Peltz for HBO. Additional notable works as an editor include, Mr. Dynamite: The Rise of James Brown, Moms Mabley: I Got Somethin’ to Tell You, When the Levees Broke … A Requiem in Four Acts, By the People: The Election of Barack Obama, Music by Prudence, Budrus, If God is Willing and da Creek Don’t Rise, and God is the Bigger Elvis.
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Sheila Shirazi's feature editor credits include the forthcoming Bright Lights: Starring Carrie Fisher and Debbie Reynolds, which will premiere on HBO later this year, and Shola Lynch's Free Angela and All Political Prisoners, which premiered at the 2012 Toronto International Film Festival. She has been an assistant editor for the Academy Award-winning Inside Job, the groundbreaking PBS series, Women, War & Peace, and the Sundance Documentary Edit Lab. She produced and wrote the film Arusi Persian Wedding, which won an ITVS Open Call finishing grant and was broadcast on PBS' Independent Lensseries. Shirazi also enjoys the creative (and financial rewards) of editing short-form content for ad agencies, NGO's and corporate clients.
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Cheree Dillon (Moderator) is an independent film/tv editor based in New York City. Most recently she co-edited Death by Design, a feature documentary collaboration from Ambrica Productions and Impact Partners. Her first feature doc, Off and Running, premiered at the Tribeca Film Festival, was broadcast on PBS’s P.O.V. series, and nominated for an Emmy. Cheree’s other feature doc credits include the broadcast version of The Homestretch for PBS’s Independent Lens 2015 series, Sense The Wind, Sons of Ben, Surviving Amina, and Song of Hannah, along with cutting long format programs for Discovery, NBC Sports, and The Science Channel. She has also edited several award-winning short docs including Southmost USA, An Imaginary Thing, and Article of Faith. Dillon is a member of the NYWIFT documentary committee and has produced several panels focused on interactive filmmaking, independent film distribution and social media/marketing.
Produced by Cheree Dillon
Hosted by
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