Stay ConnectedThrough Podcast Like It’s… writers Phillip Iscove (Co-Creator of FOX’s Sleepy Hollow), Kenny Neibart (Entourage, Hindsight) and now Emily St. James explore some of the best years in film, music and television. It all started in 1999, then 1989, then 2009 and now 1992! Follow Phil, Kenny and Emily as they dive into some of your favorite movies, TV shows and musicians!
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Alexandra Amin (WME) joins Phil and Kenny to talk about The Wood, a 1999 movie about the unexpected boners of growing up and the way those boners affect us all the way into adulthood and the friends you make along the way to help you get past your biggest boners as you stop being such a boner.
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Phil and Kenny are joined by producer Laura Neibart (Entourage, their children) to discuss Girl, Interrupted... Come for the thoughtful discussion about women’s mental health as portrayed in the film, but stay because you want to know who married Kenny.
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Dana Schwartz (Entertainment Weekly) joins the podcast to discuss Stuart Little, a movie that proves it’s not the size of the mouse that counts, it’s the size of his heart, which is also minuscule, because Stuart is a mouse.
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Sean O’Connor (Late Late Show) joins Phil and Kenny to discuss Risa Bramon Garcia’s New Year’s Eve flick “200 Cigarettes” starring Paul Rudd, Nicole Ari Parker, Courtney Love, Dave Grohl, Krist Novaselic, Dave Chappelle, David LaChapelle, Martha Plimpton, Martha Plimpton’s friend, A Scottish Guy, Jay Mohr, Would Have Preferred Jay Less If You Know What I Mean, Kate Hudson, Ben Affleck, Casey Affleck, the Aflac Duck, Gabby Hoffman, Christina Ricci, Thora Birch, Ashleigh Aston Moore, Guillermo Diaz, Fuck you, Fuck you, Fuck you, You’re Cool, Angela Featherstone, Paula Poundstone, Jeanine Garofalo (duh), Elvis Costello’s Glasses and Seamus McNally as “Crazed Driver” (uncredited).
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Anupam Nigam (Station 19, Psych) joins Kenny and Phil to discuss “Blue Streak,” Martin Lawrence’s 1999 remake of the beloved British Heist Film “The Big Job.”
“Blue Streak” is one of the few remakes we cover in 1999 and, frankly, the most superfluous.
Of what use is Martin Lawrence’s portrayal of diamond-thief-cum-imposter-police-officer when compared to Sid James’ legendary work in the original?
For whom is the easy chemistry between Lawrence and co-star Luke Wilson, when anybody could type “The Big Job” into any steaming service and relive the timeless, oft-quoted repartee between Mr. James and Dick Emery?
And which constituency was crying out to have the masterful scene where Mr. James disguises himself as a Italian food courier - replete with those classic wonky British dentures - reenacted by Mr. Lawrence?
“Blue Streak” is, on own merits, a perfectly cromulent caper. But it is rendered obsolete in a society like ours, for, as everyone knows, “The Big Job” is cultural touchstone for families the world over.
In remaking a timeless classic like “The Big Job,” moviegoers in 1999 likely wondered if Hollywood had simply run out of new ideas. Fortunately, it did not portend a permanent problem for the film industry.
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Erik Anderson (Awards Watch) join Phil and Kenny to break down and examine the 1999 Oscars, which got pretty much everything wrong. Fortunately for movie lovers, the Academy has pretty much figured it out in the last 20 years.
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Erik Anderson (Awards Watch) joins Phil and Kenny to discuss the multiple Oscar-winning film "The Cider House Rules" and the 1999 Oscars. But first, much like a certain Cider House, this podcast has rules. The Podcast Like It's 1999 Rules: 1. Please do not talk about The Cider House Rules as if it was a worthy Best Picture nominee over Magnolia, Being John Malkovich, Eyes Wide Shut or The Talented Mr. Ripley. Or Toy Story 2. Or Notting Hill. Or The Mummy. Or EdTV. Or Anywhere but Here. Or Deuce Bigelow. 2. Please do not mention Michael Caine's Best Supporting Actor performance without also including that Tom Cruise was robbed. 3. Please do not speak positively about John Irving's Best Adapted Screenplay win without noting the category also included Election, The Talented Mr. Ripley, the Insider and The Green Mile* (*Mentioning the Green Mile is optional). 4. Please do not give this film "bonus points" for tackling abortion or the exploitation of marginalized workers without also noting the issues are shown exclusively from the point of view of white men. 5. Please do not drink or smoke on the roof. If you follow those rules, we should have a great podcast, you Princes of Maine, you Kings of New England.
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It’s time for Podcast Like it’s 1999 Back with Part 2 today Podcast Like it’s 1999 Come on, it’s time to hit play! There’s Phil, the proud Canadian Kenny, he’s often hoarse Ernie, the quiet producer And Griffin, the man himself, of course It’s time for Podcast Like it’s 1999 Excluding Blank Check, it’s the very best! It’s the rootin-est, tootin-est Podcast That has an episode on “Wild, Wild West!”
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This week on Podcast Like It's 1999, Phil and Kenny have the unique pleasure of talking with America's greatest living podcaster, Griffin Newman (Black Check with Griffin and David, he also stars on The Tick), about one of his favorite movies, Toy Story 2. Join us for this in-depth conversation about Woody, Buzz, Jessie, Pixar, John Lassetter, Sarah McLaughlin, Toy Story, Toy Story 3, Toy Story 4, Partysaurus, Babe: Pig in the City, Detective Pikachu, Frasier Crane, Prince's Super Bowl Halftime Show and the meaning of life. And come back next week for Part 2 of our discussion with Griffin!
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When there’s something strange, in the neighborhood, who you gonna call? GHOST DOG! When there’s mobsters trying, to contract a hit, who they gonna call? GHOST DOG! When you’re doing a pod, with two writers from Step Up: High Water, what movie you gonna do? GHOST DOG! When you’re watching Jim Jarmusch, and it don’t make sense, what movie are you watching? GHOST DOG (or any of his other movies)! GHOST DOG GHOST DOG GHOST DOG (I ain’t afraid of no birds) GHOST DOG GHOST DOG GHOST DOG (Forrest Whitaker’s really great in this) GHOST DOG!
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