Stay ConnectedThrough Podcast Like It’s… writers Phillip Iscove (Co-Creator of FOX’s Sleepy Hollow), Kenny Neibart (Entourage, Hindsight) and now Emily St. James explore some of the best years in film, music and television. It all started in 1999, then 1989, then 2009 and now 1992! Follow Phil, Kenny and Emily as they dive into some of your favorite movies, TV shows and musicians!
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Our journey through the films of 1989 leads us into the smoke filled lounges and jazzy music bars of 1980s Seattle, with Steve Kloves' criticaly acclaimed, financially disappointing, directorial debut: THE FABULOUS BAKER BOYS.
Joined by Joanna Robinson (Senior writer, Vanity Fair) Phil and Kenny discuss a once-in-a-lifetime onscreen matchup of the Bridges brothers, a jaw-dropping performance and musical number from Michelle Pfeiffer, and the very peculiar career of director Steve Kloves. Throw on your best tuxedo, grab a glass of whiskey, and bask in the glamour of this cinematic spectacle that harkens back to a by-gone era.
Read more from Joanna Robinson at: vanityfair.com/contributor/joanna-robinson
Podcast Like It's 1999: podcasts.apple.com/us/podcast/podcast-like-its-1999/id1316214754
Twitter: twitter.com/podcastlike1999
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Today on Podcast Like It's 1992…
Joe Reid from the This Had Oscar Buzz Podcast joins us to talk about Passion Fish!
We talk about why this was Joe’s first pick from the 92 roster, the film’s reception and impact, and what we think is the ideal trucker hat look.
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Comedian Sean O'Connor joins us for this most bodacious episode on the world's most excellent time-traveling buddies, Bill & Ted.
From it's overwhelming sincerity, to it's charming positivity, we wax poetic about all the reasons we think Bill & Ted stand apart from similar buddy/stoner movies of the 80s and 90s. Kenny breaks down the layered, intellectual comedy hidden under the crowd pleasing surface, we discuss the boundless potential one has coming up with a premise, and talk about how the 80s were an incredible year for wacky movies. Plus, we share our rankings of all three outings!
Find Sean at: twitter.com/seanoconnz
Podcast Like It's 1999: podcasts.apple.com/us/podcast/podcast-like-its-1999/id1316214754
Twitter: twitter.com/podcastlike1999
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Today on Podcast Like It's 1992…
Hunter Covington & Sean O’Connor join us to talk about Brain Donors!
We talk about difficulties in finding this movie, the magic of VPN’s, and compare it to today's very different comedic brand.
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IN THIS PODCAST, WE PREPARE FOR THE UNEXPECTED.
Kenny and Phil join forces with Tom Mison (Watchmen, Sleepy Hollow) to discuss Timothy Dalton's second, and final, outing as the iconic British super-spy James Bond.
In an unprecedented veer away from the 007 formula, Bond denounces his license to kill and seeks revenge upon a South American drug dealer for the murder of his friend's wife. Although praised at the time for the action, and Dalton's performance, the film's dark and gritty tone left a bad taste in some reviewers mouths. Over 30 years later, we reflect on this dramatic shift, and discuss how it holds up as the character's legacy continues to evolve.
Find Tom Mison at: tom-mison.com
Podcast Like It's 1999: podcasts.apple.com/us/podcast/podcast-like-its-1999/id1316214754
Twitter: twitter.com/podcastlike1999
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Phil and Emily are joined by Emma Stefansky to unpack Cool World!
We compare this film to animated movies of the era, why the animation makes our skin crawl, and our discomfort with Miss Holli Would.
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Today on Podcast Like It's 1992… Brooke Solomon and Jordan Gustafason from The Queer Quadrant Podcast join us for Single White Female!
We talk about where this movie stands in queer cinema history, what we think the film was aiming to be, and what exactly Single White Female-ing someone means.
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Liz Hannah (Writer: Long Shot, The Post) joins us to talk about the mother of classic rom-coms, When Harry Met Sally...
We talk about how much you can still feel its influence to this day, Meg Ryan and Billy Crystal's interesting and timeless chemistry, Nora Ephron's career, our favorite jokes and moments and what makes the movie so comfortable to rewatch.
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