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    Music

    NYC Radio Live

    Live performances and in-depth conversations with extraordinary musicians, artists, writers, and thinkers from more than 40 countries. Hosted by David Ellenbogen and broadcast on WKCR 89.9 FM in New York City. Creator of the 24-hour Ragas Live Festival, which debuted as a broadcast on WKCR in 2012 and is now presented annually at Pioneer Works.

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    Latest Episodes:
    Ikhlaq Hussain w/ Feroze Khan – Ragas Live Festival # 14 (Podcast 37) Jun 27, 2012
    Show notes

    3 am - 4 am from our Ragas Live Festival. Ustad Ikhlaq Hussain Khan is a virtuoso sitarist from a centuries-long line of influential musicians of the Delhi Gharana, dating back to the very creator of the instruments 'sitar' and 'tabla' in the early 13th century, Sufi Saint Hazrat Amir Khusrao. While his lineage is known for their proliferative work in the field of tabla and rhythmic expression/composition, Ikhlaq's grandfather, Ustad Ahmadi Khan, was the first to choose a different instrument, sarangi. In turn, Ikhlaq's father, the eminent Ustad Imdad Hussain, chose to devote his musical life to sitar. Ikhlaq's immediate family was relocated to Pakistan during partition, and still resides in Karachi. Ikhlaq Hussain, now a resident of New York City, was granted permanent residency in the U.S. on the basis of his extraordinary music ability; a category reserved for individuals with unusually exceptional talents. This has been a testimony to his virtuosity. Ikhlaq Hussain has followed in the footsteps of his forefathers, captivating audiences worldwide with his highly artistic sensibilities and skillful playing. Ikhlaq plays in the Gayaki Ang (or vocal manner of playing). It is perhaps the most difficult form of playing the sitar. It involves 'sytematic use of pitch deflecting technique, where by pulling the strings across the frets and varying their tension, the player can produce intricate melodie phrases from a single stroke of the plectrum. Thus, emulating the human voice to a degree normally unattainable on plucked instruments'.


    Falu, Deep Singh – Ragas Live Festival # 13 (Podcast 36) Jun 26, 2012
    Show notes

    10-11 am from our Ragas Live Festival. Falu (Vocals) Deep Singh (Tabla) Falu is widely recognized for a rare ability to seamlessly blend a signature modern inventive rock style with a formidable Indian classically-shaped vocal talent. In her early years in Bombay, singer Falu (aka Falguni Shah) was trained rigorously in the Jaipur musical tradition, honing her talent for up to 16 hours a day at times. She later continued studying under the legendary sarangi/vocal master Ustad Sultan Khan - a mentorship that continues to drive and inspire her to this day. While pursuing a degree in North Indian classical vocal music she won gold medals in three national-level competitions centered around rising young classical talent. Falu later moved to the States, and in 2001 began recording extensively with Boston-based band Karyshma as well as with Asian Massive leader Karsh Kale, subsequently hitting the nationwide university, club and festival circuits. Falu then formed her own New York-based band of the same name, and started performing at music venues throughout the city including Lincoln Center at a special Healing the Divideperformance for the Dalai Lama in 2003. Falu's recordings were soon featured on multiple albums and compilations include on the compendium CD to Deepak Chopra’sThe Spontaneous Fulfillment of Desire. In 2004 Falu was invited to perform as a soloist with Yo-Yo Ma's Silk Road Project. In 2005 she was asked to serve as one of Carnegie Hall's Musical Ambassadors to New York City – a position she continues to cherish with great enthusiasm. In May of 2006 she became the youngest South Asian vocalist to deliver a solo performance at Carnegie Hall (Zankel). Also in 2006 she joined the Born Into Brothels Ensemble (from the Academy-Award winning film), and in 2007 she collaborated with Wyclef Jean, lending her distinctive vocal style to the score of Angelina Jolie's directorial debut A Place in Time. In August of 2007, Falu released her self-titled debut CD, produced by Palmyra Delran and engineered by Grammy winner Emery Dobyns. Soon afterward, Falu and her genre-defining hybrid "Indie Hindi" musical style made a splash in numerous publications including the Wall Street Journal and Times of India, India’s premier national daily newspaper. More recently, Falu and her band were featured on National Geographic Channel's Geo Sessions broadcast internationally, as well as on Fox TV's Fearless Music, where the hit single Rabba became the first Hindi song ever performed on the national network. During 2008 Falu began an ongoing collaboration with Jason Miles and DJ Logic in the contemporary jazz collective Global Noize with whom she toured extensively, performing live with Meshell Ndegeocello, Bernie Worrell (P-Funk), John Popper and other talented musicians. She contributed three standout tracks to their self-titled album released in Spring 2008 – her vocals in the album were singled out by Billboardas “ethereal” and “transcendent”. Other 2008 collaboration highlights included with Philip Glass and with Blues Traveler. In 2009, Falu was invited to perform at Lincoln Center together with Slumdog Millionaire composer A.R. Rahman for the Time 100 Gala in front of the one hundred selection of Time Magazine's most influential people in the world of 2008, which not surprisingly included First Lady Michelle Obama and Oprah Winfrey. Finally, Falu’s most stunning recent performance occurred at the White House in November of 2009, where she was invited to sing alongside A.R. Rahman again at President Obama’s first State Dinner in honor of the Indian Prime Minister Manmohan Singh. Falu's band brings together musicians who draw elegantly from Indian classical, alternative rock, contemporary pop, and electronic styles to create a tight mix of East and West, of ancient and modern. The band members are Gaurav Shah (vocals / harmonium), Mark Tewarson (guitars), Borahm Lee (keys), Justin Wallace (bass),


    Kedar Naphade, Nitin Mitta – Ragas Live Festival # 12 (Podcast 35) Jun 26, 2012
    Show notes

    Kedar Naphade (Harmonium) Nitin Mitta (Tabla) Performed 4-5pm during our 24 Hour Ragas Live Festival Raag Madhuvanti and Thumri in Mishra Pilu Kedar Naphade, a Hindustani Classical Instrumentalist, is one of today's leading exponents of the art of Harmonium Solo and Accompaniment. He is also the Founder and Principal of Pt. Tulsidas Borkar School of Harmonium at ACE Open Online University - a first-of-its-kind virtual music school that brings the highest caliber of music education into the living rooms of deserving students all over the world. Kedar received preliminary training in Hindustani Classical Music from his grandfather,Shri Dadasaheb Naphade and from Shri Arvind Gajendragadkar. For over 15 years, he has been a leading disciple of Pt. Tulsidas Borkar, arguably the most acclaimed harmonium player in India today. Kedar has also had the privilege of training from Smt. Padmavati Shaligram-Gokhale, a veteran singer of the Atrauli-Jaipur gharana. She played a pivotal role in his musical development and sowed in him the seed that developed into a passionate love for the vocal art form. As such, like his guru, Kedar's music derives inspiration from the stylistic genius and dexterous wizardry of P. Madhukar as well as the character of the traditional hindustani vocal art form. In addition to classical music, Kedar also plays the semi-classical forms of Marathi Natyasangeet (Stage Music), Bhajans, Thumri, Dhun etc. Kedar has performed harmonium solo and has accompanied vocalists at numerous concerts in India, Europe and in the U.S. including prestigious festivals and venues such as the Alladiya Khan Smruti Samaroha, Dadar Matunga Cultural Center in Mumbai, The Lincoln Center in New York, The Smithsonian Institute in Washington D.C etc. He has also been featured on NPR. He has shared the stage with luminaries such as his guru Smt. Padmavati Shaligram-Gokhale, Pt. Jasraj, Smt. Veena Sahasrabuddhe, Pt. Ulhas Kashalkar, Smt. Prabha Atre, Smt. Laxmi Shankar, Pt. Phiroz Dastur etc. Kedar continues to train from Pt. Tulsidas Borkar and maintains an active concert schedule in the U.S. Nitin Mitta is one of the most accomplished and distinctive tabla players of his generation, with a reputation for technical virtuosity, spontaneity, clarity of tone, and sensitivity to melodic nuances. Apart from being a dynamic soloist, he is a highly sought after accompanist who has performed with some of India’s most celebrated Hindustani classical musicians, including Pandit Jasraj, Dr. Prabha Atre, Pandits Rajan and Sajan Mishra, Pandit Vishwa Mohan Bhatt, and Ustad Shahid Parvez, as well as many Carnatic musicians, such as Lalgudi G.J.R Krishnan and Lalgudi Vijayalakshmi. Nitin has also made a mark as a versatile collaborator in other spheres. He recently joined forces with 2010 Grammy Nominee Pianist Vijay Iyer and electric guitarist R. Prasanna to produce a studio album titled Tirtha that blends elements of contemporary jazz with the North and South Indian traditional ragas and compositions. Another collaboration with R. Prasanna can be heard on the soundtrack of the Oscar-winning documentary Smile Pinky. He has also performed and toured with singer and Juno Award nominee Kiran Ahluwalia. Born in Hyderabad in 1975, Nitin received his early training in Hyderabad from Pandit G. Satyanarayana. Blessed with raw talent, he gave his first solo tabla performance at the age of ten. During his studies he won many accolades, including first prize in the All India Competition held in Calcutta. To expand his repertoire of tabla compositions, he sought the guidance of Pandit Arvind Mulgaonkar of Mumbai, one of the most highly respected mentors of his generation. Under Mulgaonkarji’s tutelage, Nitin not only broadened his tabla vocabulary, but sharpened his understanding of how to bring the material to life in performances through interpretation, improvisation and respect for the dynamics between ...


    Daisy Paradis, Sanjay Ranjan Pal – Ragas Live Festival #11 (Podcast 34) Jun 26, 2012
    Show notes

    Daisy Paradis, sitar; Sanjay Ranjan Pal, tabla; 7-8am during our 24 hour Ragas Live Festival. Daisy Paradis is one of the few Americans who can give a pure and authentic rendition of North Indian classical music. An outstanding musician in full command of her instrument, she has had the benefit of more than twenty years of training with one of the greatest artists of India, Maestro Ali Akbar Khan. Her depth of knowledge and devotion to music is coupled with rigorous classical training. Her interpretation is enlivened by an individuality and spark of energy that fills her performance with excitement. Daughter of jazz harpist Daphne Hellman and sister of guitarist Sandy Bull, Paradis has been a disciple of Maestro Ali Akbar Khan since 1966. She has studied sitar with Krishna Bhatt, as well as attending workshops with Pdt. Ravi Shankar and Nikhil Banerjee. Her vocal studies were with Maestro Khan and Prof. A.T. Kanan of Calcutta. She is a co-founder of the Ali Akbar College of Music in California with Maestro Ali Akbar Khan, and served on the Board of the India Festival in San Francisco. Paradis has appeared in performance with Maestro Ali Akbar Khan and Swapan Chaudhuri. Among her many concerts have been performances at San Francisco State, the Oakland Museum, the World Music Network, the World Music Institute, the Metropolitan Museum of Art, the New York Natural History Museum, programs of the Ali Akbar College, and a number of appearances on KPFA, and many other radio and television stations. She performed as part of the India Festival in California, and was invited in 1989 to perform for the Bharatiya Vidya Bhavan’s Nehru Centenary celebration. "One of the best of the sitar students to come from Ali Akbar Khan... she has had many years with one of India’s finest musicians behind her. ...her technique is fully developed.... her dedication is commendable.... an artist with a real statement to make." - Soho News


    Camila Celin, Stephen Cellucci – Ragas Live Festival # 10 (Podcast 33) Jun 26, 2012
    Show notes

    Camila Celin (sarod), Stephen Cellucci (tabla) 3-4 pm during our 24 hour Ragas Live Festival. Below is what the press has said about Camila Celin's beautiful guitar work. This afternoon the New York City was treated to her performance on the Sarod. "Grammy nominated Guitarist Camila Celin strumms elegant classical tempos, occasionally sustaining violent bursts of flamenco with inhuman endurance, all while gracefully poised in her chair" ......The West County News ......“…her playing is profound unique, commanding, luminary. She plays a nylon string, flamenco, all these different techniques, modal scales… She is a well trained classical guitarist who also has the ability to improvise… Striking young female…” ......Gayle Olson- Director of Hilltown music ......“… I was especially amazed at the guitar playing of Camila. I couldn’t keep my eyes off the way her fingers were moving on that guitar like cutting hot butter." ......Roy Knowles- Director of Recovery of Spirit Stephen Cellucci has studied tabla under the guidance of Pdt. Samir Chatterjee since 2000. He was initiated as a disciple of his Guruji in 2005 and has shared the stage with him several times since. He performed at the well-known Chhandayan All Night Concert of Indian Music in New York City in 2004 and 2009. He also has extensive experience playing with kirtans and accompanying dance -- both traditional Indian kathak and western modern forms. Stephen's background in western classical music and piano complement his ongoing, rigorous study of Indian music. His scope of musical influences gives him the versatility to adapt the tabla to most any musical need. He resides, teaches, and plays in New York City


    Ashvin Bhogendra, Arun Ramamurthy, Akshay Anantapadmanabhan – Ragas Live Festival # 9 (Podcast 32) Jun 25, 2012
    Show notes

    Ashvin Bhogendra (vocal), Arun Ramamurthy (violin), Akshay Anantapadmanabhan (mrigdanam). 9-1opm during our 24 hour Ragas Live Festival. Ashvin Bhogendra (D.B. Ashvin) hails from a family of musicians. His maternal grandfather Kalaimamani Late Shri T.K.Rangachary is one of the doyens of Carnatic Music and his paternal great-grandfather Dharmavaram Ramakrishnamacharlu is one of the greatest playwrights of Telugu drama. Ashvin was initiated into carnatic vocal by his mother Smt Mallika Jayanth Kumar at the age of 5. Subsequently he was under the tutelage of B.Seetharama Sharma and KalaimamaniLate Shri Vairamangalam Lakshminarayanan for about 15 years. He is currently undergoing advanced training under Shri D Seshachary (Hyderabad Brothers). Ashvin has given concert performances in leading sabhas and organizations all over India and the USA.


    Anjana Roy and Sanjay Ranjan Pal Ragas Live Festival # 8 (Podcast 31) Jun 25, 2012
    Show notes

    Anjana Roy (sitar), Sanjay Ranjan Pal (tabla) 4am-5am during our 24 hour Ragas Live Festival Anjana Roy had her early education in music from her father Shri Rebati Ranjan Debnath, who was a senior disciple of Ustad Allauddin Khan of Maihar. She later had training from several other masters , including Professor erma of Jaipur, Pandit Debu Chowdhury of Delhi, and Pandit Manilal Nag of Calcutta.


    Andrew Mendelson, Ehren Hanson Ragas Live Festival # 7 (Podcast 30) Jun 25, 2012
    Show notes

    Andrew Mendelson (Sitar), Ehren Hanson (Tabla) 7-8PM During our ragas live festival Counter to the ancient tenets of reincarnation, Andrew Mendelson attempts to live as many lives as possible simultaneously in the present. A devout student of Indian classical music, Andrew has been playing and studying the sitar for over 15 years. In 2005, Andrew won the grand championship gold medal at the Darshak Institute Music Competition in Jaipur, India--the largest music competition of it's kind in the state of Rajasthan. He is a disciple of renowned sitarist Pandit Krishna Mohan Bhatt. Andrew continues to performed at venues throughout New York City and University campuses across the U.S. He is also a studio musician and recently composed the opening credit music for Mike Myers' film The Love Guru.


    Anirban Roy Chowdhury and Akshay Anantapadmanabhan with Indrajit Roy Chowdhury Ragas Live Festival # 6 (Podcast 29) Jun 25, 2012
    Show notes

    A Tabla/Mridangam duet with Anirban Roy Chowdhury (Tabla) and Akshay Anantapadmanabhan (Mridangam) / with Indrajit Roy Chowdhury keeping time on the Sitar. 5-6am during our 24 Hour Ragas Live Festival. Anirban Roy Chowdhury, born in a musical family in Assam, India, is an able young representative of the Punjab gharana of tabla. Anirban's tutelage started at a very young age from his father Akhil Roy Chowdhury and brother Animesh Roy Chowdhury. Following a few years of training from the legendary UstadAllarakha Khan, he underwent intensive training in tabla of the Punjab gharana under his disciple Yogesh Samsi. Anirban also received intermittent guidance from world renowned maestro, Ustad Zakir Hussain. He holds a Sangeet Visharad degree (BMus) in tabla from Bhatkhande Sangeet MahavidyalayaLucknow & Sangeet Nipun (M Mus) from Bangiya SangeetParishad, Kolkata. Akshay Anantapadmanabhan is an energetic mridangam and kanjira artist striving to create a sustained cultural impact through Carnatic percussion across the world. He began his mridangam training under T.S. Nandakumar and later learned from Dr. Venkat Natarajan. For the past twelve years, he has been a disciple of the world renowned percussion maestro Professor T.H. Subash Chandran.


    Achyut Joshi, Stephen Cellucci, Andrew Shantz Ragas Live Festival # 5 (Podcast 28) Jun 25, 2012
    Show notes

    Achyut Joshi, vocal; Stephen Cellucci, tabla; Andrew Shantz, harmonium. From our 24 Ragas Live festival Achyut Joshi is a young emerging Hindustani vocalist. Born in India and raised in New York, Achyut began studying with Shiv Shankar Pandey, of the Kirana Gharana, in Jaipur. In 2005, he received a US Fulbright Scholarship to study vocal music in Pune with Raghunandan Panshikar, foremost disciple of renowned vocalist Kishori Amonkar, of the Jaipur-Atrauli Gharana. In the US, he has received invaluable guidance from jazz vocal coach Richard Harper, choral director John Lewers, Hindustani vocalist Vishwanath Shrikhande, and Hindustani vocalist Shubhangi Sakhalkar of the SF Bay Area.


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