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    Music

    NYC Radio Live

    Live performances and in-depth conversations with extraordinary musicians, artists, writers, and thinkers from more than 40 countries. Hosted by David Ellenbogen and broadcast on WKCR 89.9 FM in New York City. Creator of the 24-hour Ragas Live Festival, which debuted as a broadcast on WKCR in 2012 and is now presented annually at Pioneer Works.

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    Latest Episodes:
    Kiran Ahluwalia, Rez Abbasi, Nitin Mitta – Ragas Live Festival #24 (Podcast 47) Jun 28, 2012
    Show notes

    Kiran Ahluwalia (vocals), Rez Abbasi (guitar), Nitin Mitta (tabla). Ragas Live Festival #24 11 pm-12 am during our 24 hour Ragas Live Festival. Expressing her muse through ghazals and Punjabi folk songs, Kiran Ahluwalia explores the language of the heart with beautiful artistry and smoldering intensity. Born in India, raised in Canada, and now living in New York City, her enchanting and seductive music has garnered glowing praise from critics around the world. Her’s is “a voice destined to enchant more than one generation” (fROOTS) and she possesses “a deep spirituality and tranquility that borders on the mystic” (Sing Out Magazine). But most of all, Kiran Ahluwalia is a unique and inspiring performer and composer, who’s legion of fans continues to grow with every captivating performance and each new recording project. Born in Karachi, Pakistan, removed at the age of four to relocate to Southern California, schooled at the University of Southern California and the Manhattan School of Music in jazz and classical music, as well as a pilgrimage in India under the tutorial of master percussionist, Ustad Alla Rakha, Rez Abbasi is a vivid synthesis of all the above stated influences and genres. Making New York home for the past 18 years, Abbasi has developed a unique sound both as a composer and an instrumentalist and is considered by many to be one of the foremost modern jazz guitar players the world over. He has honed his skills with performances through out Europe, Canada, the U.S., Mexico and India. He has performed and recorded with many jazz greats including, Grammy winner Ruth Brown, Peter Erskine, Kenny Werner, Barre Phillips, Tim Hagans, Marc Johnson, Billy Hart, Marvin ‘Smitty’ Smith, Gary Thomas, Rick Margitza, DaveDouglas, DD Jackson, Rudresh Mahanthappa, Tony Malaby, George Brooks, PanditRonu Majumdar, Pandit Kadri Gopalnath, Pandit Vishwa Mohan Bhatt, MarilynCrispell, Greg Osby, Howard Levy and a host of others.


    Arun Ramamurthy, Akshay Anantapadmanabhan, Nitin Mitta – Ragas Live Festival # 23 (Podcast 46) Jun 28, 2012
    Show notes

    Arun Ramamurthy (violin), Akshay Anantapadmanabhan (mridangam), Nitin Mitta (tabla). Ragas Live Festival # 23 8-9 pm during our 24 hour Ragas Live Festival. Arun Ramamurthy is a gifted violinist who is making his mark in Indian Classical and World music in the United States. Disciple of Dr. Mysore Manjunath & Sri Mysore Nagaraj, he has become one of the most sought after violinists in the US. Arun has carved a niche for himself in the Indian Classical music scene in NYC as a versatile musician, playing together with artists from both Carnatic and Hindustani styles. Born and raised in the US, Arun utilizes his Carnatic training to collaborate with western musicians, recording & performing with artists from various genres. Arun released his debut Carnatic CD “Geethanjali” with percussion stalwarts Thiravarur Bakthavatsalam and Giridhar Udupa. His newest project, the Arun Ramamurthy Quartet, presents fresh arrangments and improvisations of classic Carnatic compositions, including some original music. Arun curates the innovative series, “Carnatic Sundays” at Cornelia Street Café in New York City, a concert series dedicated to presenting Carnatic music to wider audiences. –arunnj25@gmail.com


    Vivek Rudrapatna, Sriram Raman – Ragas Live Festival # 22 (Podcast 45) Jun 28, 2012
    Show notes

    Vivek Rudrapatna (violin), Sriram Raman (mridangam). Ragas Live Festival # 22 5-6 pm during our 24 hour Ragas Live Festival. Vivek Rudrapatna is a seasoned Indian Classical violinist who has played a central role in the Indian Classical music circles of the tristate area and New England for over 10 years. He began study of the violin under Ms. Jennifer Curran, a passionate music teacher in the New Jersey Public Schools who taught him Western Classical technique and guided him from elementary through high school. Around the same time, he was fortunate to discover the Carnatic Violin under the guidance of Mysore Sateesh, an inspired violinist from the prized "MSG" lineage. Since 2001, he has performed as both a soloist and in collaboration with many talented local and international artists in a variety of prestigious venues including the New Jersey Performing Arts Center, The Egg in Albany, and the Sanders Theatre at Harvard University. Over the years, Vivek has honed his skills under the guidance of renowned artists such as Anantha Krishnan, the Mysore Brothers, and Dr. L. Subramaniam. Vivek's long standing interest in world fusion led to the creation of his successful college group "Saptaswara", a melting pot of Gypsy, Bluegrass, Western, and Indian music. In his other life, Vivek is an MD/PhD candidate at The Mount Sinai School of Medicine in New York.


    Shanti Shivani, Peter Fagiola – Ragas Live Festival # 21 (Podcast 44) Jun 27, 2012
    Show notes

    Shanti Shivani (vocal), Peter Fagiola (pakhavaj). Ragas Live Festival # 21 11 am-12 pm during our 24 hour Ragas Live Festival. Shanti Shivani is one of the few Western pioneers bringing the sacred traditions of Nada Yoga and Dhrupad, the most ancient style of Hindustani classical music, to the West. She brings a wealth of vocal, meditative, movement and experience to her classes and performances. She had the great fortune to be accepted as a paramparastudent of the premier family of the Dhrupad lineage, the Dagar family. Her first teacher was Dr. Ritwik Sanyal before continuing her studies with his gurus, the late rudra veena maestro Ustad Zia Mohiuddin Dagar and his brother Ustad Zia Fariduddin Dagar. Their family has been passing on the Dhrupad tradition for nineteen generations. Her studies with Ustad Rahim Fahimuddin Dagar enriched her understanding of Nada Yoga.


    Samarth Nagarkar, Anirban Roy Chowdury, Andrew Shantz – Ragas Live Festival # 20 (Podcast 43) Jun 27, 2012
    Show notes

    Samarth Nagarkar (vocal), Anirban Roy Chowdury (tabla), Andrew Shantz (harmonium). Ragas Live Festival # 20 8-9 am during our 24 hour Ragas Live Festival. Samarth Nagarkar, a hindustani classical (North Indian classical) vocalist, is a disciple of Pandit Ulhas Kashalkar and Pandit Dinkar Kaikini. A former scholar of the ITC Sangeet Research Academy, Kolkata, he was head of the K. K. Kapoor Sangeet Research Academy, Lucknow as Founder Faculty. Pursuing a full-fledged career as a performing vocalist, Samarth is hailed as one of the most promising young artistes of today.


    Oded Tzur, Naren Budhakar – Ragas Live Festival # 19 (Podcast 42) Jun 27, 2012
    Show notes

    Oded Tzur (saxophone), Naren Budhakar (tabla). Ragas Live Festival # 19 10-11 pm during our 24 hour Ragas Live Festival. Saxophonist Oded Tzur is rapidly gaining international acclaim for his groundbreaking musical work. He is considered by many to be the first saxophonist in the world to have developed a complete method for performing North Indian Classical Music on the saxophone, single-handedly creating a revolutionary approach to the instrument. Odedʼs innovative technique, known as “Ampis” (A Middle Path In Saxophone), had already been presented in prestigious institutions such as the 2011 British Saxophone Congress, Trinity College of Music, London, The Copenhagen Rhythmic Music Conservatory, The Royal Academy of Music in Aarhus, and The Rotterdam Jazz Academy. “If a curtain were to be drawn in front of him, no one could tell which instrument was being played” - Pandit Hariprasad Chaurasia Naren Budhakar was born in Pune, India, and was first exposed to classical music by his father who was a violinist. From his cousin Shashikant Purandare he learned Delhi style percussion and began performing at a young age. He was initiated as a disciple by Tabla Maestro Ustad Shabbir Nisar. Naren has been performing and teaching both in the U.S. and abroad, lending his percussion skills to various forms of world music. He is on the faculty of the East-West School of Music, where he teaches monthly Tabla classes and performs regularly.


    Eric Fraser, Naren Budhakar – Ragas Live Festival # 18 (Podcast 41) Jun 27, 2012
    Show notes

    Eric Fraser (Bansuri Flute), Naren Budhakar (Tabla). Ragas Live Festival # 18 9-10 am during our 24 hour Ragas Live Festival performing Raga Nat Bhairav Eric Fraser (bansuri flute) is an exponent of a unique “vocal” style of North-Indian flute playing. A disciple of Pandit Gopal Roy, Eric’s flute playing tells the story of his “gharana” (lineage). With it’s depth, strong distinct tone and vilumvit laya (slow tempo), this rare approach to bansuri flute invites listeners into serene contemplation and rich aesthetic landscapes. Eric is a 2010 Fulbright senior research scholar for Indian music, and has enchanted audiences with the sound of his flute in India and the USA.


    Karavika: Amali Preemawardana, Trina Basu, Perry Wortman, Sameer Gupta – Ragas Live Festival # 17 (Podcast 40) Jun 27, 2012
    Show notes

    Amali Preemawardana (Cello), Trina Basu (Violin), Perry Wortman (Bass), Sameer Gupta (Tabla). Ragas Live Festival # 17 1-2pm during our 24 hour Ragas Live Festival Karavika draws from the rich classical & folk traditions of India, Europe and North America. Their debut album, Sunrise, features original music inspired by the rhythmic complexities of Indian Classical music as well as collaborative arrangements inspired by old film and folk music from South Asia. "a diversely melodic, often hypnotic original sound that occasionally reaches toward Appalachian rusticity or a brisk Celtic mood... Whether quiet and reflective or joyously energetic, the melodies are as bright as the musicians' tone: this is music for celebrating or getting lost in" - Lucid Culture


    Jay Gandhi, Nitin Mitta – Ragas Live Festival # 16 (Podcast 39) Jun 27, 2012
    Show notes

    Jay Gandhi (Bansuri) Nitin Mitta (Tabla) Ragas Live Festival # 16 6-7pm during our 24 hour Ragas Live Festival performing Raag Puriya Kalyan in Jhaptaal & Teeentaal followed by a Pahadi Dhun An outstanding disciple of the world renowned bansuri maestro Pandit Hariprasad Chaurasia, Jay is an avid performer with a remarkable artistic maturity and depth. With performances spanning the globe, he has been lauded for his musical sensitivity and expressive sound. His music reflects the training he has received from some of the greatest living masters of the North Indian Classical flute. Initially trained under Pandit Ronu Majumdar, Pandit Vijay Raghav Rao and Pandit Raghunath Seth, he is truly blessed to presently be studying under the living legend of the bansuri, Padma Vibhushan Pandit Hariprasad Chaurasia, at Brindavan Gurukul in Mumbai, since 2006. In addition to his solo performances, he has also had the honor of providing accompaniment on bansuri for some of the most highly esteemed Hindustani Classical musicians of today, all of whom have given him invaluable guidance towards his musical growth. They include Pandit Hariprasad Chaurasia, Pandit Nayan Ghosh, Pt Ronu Majumdar, Pt Raghunath Seth, Pandit Vidyadhar Vyas, Pandit Ramakant Pathak (pakhawaj), Smt. Kum Kum Sanyal, and Smt Sangita Lahiri. (vocalist). His musical pursuits are not limited to that of the Indian sub-continent and he has grown up with a great love for the music of the African diaspora and America's classical music - Jazz as well. In 2004, he completed an Individual Major in Jazz Performance at Oberlin College/Conservatory of Music (Ohio), studying privately under such Jazz luminaries as the saxophonist Gary Bartz and trumpetist Marcus Belgrave. He has since collaborated extensively with many noted Jazz musicians including composer/Jazz pianist Courtney Bryan and trumpetist Lech Wierzynski. A recipient of the prestigious American Institute of Indian Studies Senior Performing Arts Fellowship, he currently splits his time between New York City and Mumbai, India. Nitin Mitta is one of the most accomplished and distinctive tabla players of his generation, with a reputation for technical virtuosity, spontaneity, clarity of tone, and sensitivity to melodic nuances. Apart from being a dynamic soloist, he is a highly sought after accompanist who has performed with some of India’s most celebrated Hindustani classical musicians, including Pandit Jasraj, Dr. Prabha Atre, Pandits Rajan and Sajan Mishra, Pandit Vishwa Mohan Bhatt, and Ustad Shahid Parvez, as well as many Carnatic musicians, such as Lalgudi G.J.R Krishnan and Lalgudi Vijayalakshmi. Nitin has also made a mark as a versatile collaborator in other spheres. He recently joined forces with 2010 Grammy Nominee Pianist Vijay Iyer and electric guitarist R. Prasanna to produce a studio album titled Tirtha that blends elements of contemporary jazz with the North and South Indian traditional ragas and compositions. Another collaboration with R. Prasanna can be heard on the soundtrack of the Oscar-winning documentary Smile Pinky. He has also performed and toured with singer and Juno Award nominee Kiran Ahluwalia. Born in Hyderabad in 1975, Nitin received his early training in Hyderabad from Pandit G. Satyanarayana. Blessed with raw talent, he gave his first solo tabla performance at the age of ten. During his studies he won many accolades, including first prize in the All India Competition held in Calcutta. To expand his repertoire of tabla compositions, he sought the guidance of Pandit Arvind Mulgaonkar of Mumbai, one of the most highly respected mentors of his generation. Under Mulgaonkarji’s tutelage, Nitin not only broadened his tabla vocabulary, but sharpened his understanding of how to bring the material to life in performances through interpretation, improvisation and respect for the dynamics between instrumentalist and rhythmic accompanist.


    Indrajit Roy Chowdhury and Sanjay Ranjan Pal – Ragas Live Festival #15 (Podcast 38) Jun 27, 2012
    Show notes

    Indrajit Roy Chowdhury (Sitar) and Sanjay Ranjan Pal (Tabla) Performed 6-7am during our 24 hour Ragas Live Festival Indrajit Roy-Chowdhury is a disciple of the sitar maestro Pandit Subroto Roy-Chowdhury. Groomed in the Veen-kar style of the Senia Gharana, which maintains the Dhrupadi origins of Indian Classical music, Indrajit strives to innovate while keeping a firm connection with the past. While completing his undergraduate studies at Duke University, Indrajit received the Bennenson Award for the Arts to further his study of Indian Classical music. Since then he has taken the profession of a full-time sitarist and has performed on stages across the world including such prestigious venues as Gyan Mancha (Kolkata), Hammerstein Ballroom (New York), Kennedy Center (Washington D.C.) and has had his concerts telecast by Doordarshan (Indian National Television). During the 2010 Fall semester Indrajit was a visiting faculty member at the University of Pennsylvania and taught the University's sitar course..


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