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Three playful movie reviewers break down a variety of film franchises by dedicating a podcast to every single sequel, reboot, and spin-off in a series. In-depth conversations cover production history, literary sources, gossip, merchandising, and personal opinion with humor and critical insight. No cinematic universe is too obscure or sacred! Over 1,200 reviews at http://nowplayingpodcast.com
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Keanu, Wynona, and notorious Hollywood bad boys Woody Harrelson and Robert Downey Jr toon in and drop out in this trippily animated adaptation of Philip K Dick's autobiographical novel concerning chemical addiction in near-future Southern California. Does the Now Playing crew find substance to these druggie doodles or is A SCANNER DARKLY one long, bad trip. Listen in and find out!
{Philip K. Dick Series}
The search for self gets personal this time for Philip K. Dick
Books & Nachos is now part of Now Playing Podcast.
Before our book reviews were branded as Now Playing Podcast Book Reviews, they were released under a separate show called Books & Nachos. That podcast focused on book discussions, most of which tied directly into films we were covering on Now Playing. We’ve now merged those episodes into the main Now Playing Podcast feed for easier access and a complete archive. But these older episodes still have the original Books & Nachos intro and credits on those older recordings.
This week, Stuart examines A Scanner Darkly, the 1977 novel by Philip K. Dick that later inspired the rotoscope film adaptation directed by Richard Linklater and starring Keanu Reeves. Set in a near-future California ravaged by Substance D, Dick’s novel follows an undercover narcotics agent whose dual identities begin to collapse under addiction and surveillance. Written from personal experience, the book blends dark humor, paranoia, and tragedy into one of Dick’s most intimate and emotionally raw works. Stuart explores how the novel handles identity, betrayal, and the human cost of the drug war, and whether the source material hits harder than its psychedelic big-screen counterpart.
Keanu has never been so animated
A Scanner Darkly brings Philip K. Dick’s semi-autobiographical novel to the screen in rotoscope animation, with Keanu Reeves (The Matrix), Winona Ryder (Beetlejuice), Woody Harrelson (Natural Born Killers), and Robert Downey Jr. (Iron Man) drifting through a near-future Southern California soaked in surveillance and Substance D. Directed by Richard Linklater (Dazed and Confused), the film blurs reality and hallucination as an undercover cop begins to lose his identity while spying on his own friends. The shifting, animated visuals mirror the characters’ fractured minds, turning addiction and paranoia into something both intimate and unsettling. Does this stylized adaptation capture the tragic heart of Dick’s story, or do the psychedelic visuals overwhelm the substance beneath? The Now Playing hosts tune in to decide whether A Scanner Darkly offers clarity or just one long, bad trip.
Was it all about the PAYCHECK for matinee idol Affleck when he signed on to play a classically conflicted Philip K Dick character piecing together memories of a top secret assignment he completed before having his memory wiped? Or will he learn from past film flubs to forge a better future with director John Woo and botanist babe Uma Thurman? Listen in and find out!
{Philip K. Dick Series}
Before the bullets and the doves, there was just a man, a wiped memory, and a handful of junk that might save his life.
Books & Nachos is now part of Now Playing Podcast.
Before our book reviews were branded as Now Playing Podcast Book Reviews, they were released under a separate show called Books & Nachos. That podcast focused on book discussions, most of which tied directly into films we were covering on Now Playing. We’ve now merged those episodes into the main Now Playing Podcast feed for easier access and a complete archive. But these older episodes still have the original Books & Nachos intro and credits on those older recordings.
This week, Stuart continues our movie reviews of Philip K. Dick's Paycheck and discusses the original short story on which the movie is based. Dick’s 1953 short story is about a technician who trades his memory for a payout, only to discover he’s left himself a series of seemingly mundane objects instead of cash. As he pieces together why, the story unfolds into a tight, paranoid puzzle about free will, corporate control, and whether knowing the future is a gift or a trap. Later adapted into a Ben Affleck movie, the original tale is leaner, sharper, and far more focused on existential dread than action spectacle. Stuart breaks down how Dick’s version stacks up and whether the short story delivers a bigger payoff than its big-screen counterpart.
Given a choice, which movie of his do you think Affleck would erase from his memory?
Ben Affleck stars in Paycheck, a high-concept thriller adapted from a story by Philip K. Dick and directed by John Woo. Affleck plays a reverse engineer who agrees to have his memory wiped after completing a classified job, only to discover he left himself a trail of cryptic clues instead of the massive payout he expected. With future-predicting tech, doves, slow-motion gunplay, and Uma Thurman along for the ride, Paycheck aims to blend paranoid sci-fi with Woo-style action spectacle. But does the film live up to its premise, or does it feel like a missed opportunity with a big-budget gloss? The hosts sort through the clues to decide whether this Philip K. Dick adaptation cashes in or bounces.
In 2002, Steven Spielberg and Tom Cruise synced heads to conjure a Philip K Dick vision of the future where a trio of psychics can convict murderers before a life is taken. But will Now Playing's threesome find the results of the powerhouse director/actor partnership a crime of confusion or a sci-fi classic? Listen in and find out!
{Philip K. Dick Series}
{Steven Spielberg Series}
The precogs have determined you must read this story
Books & Nachos is now part of Now Playing Podcast.
Before our book reviews were branded as Now Playing Podcast Book Reviews, they were released under a separate show called Books & Nachos. That podcast focused on book discussions, most of which tied directly into films we were covering on Now Playing. We’ve now merged those episodes into the main Now Playing Podcast feed for easier access and a complete archive. But these older episodes still have the original Books & Nachos intro and credits on those older recordings.
This week, Stuart turns to The Minority Report, Philip K. Dick’s 1956 novella that laid the groundwork for the later big-screen adaptation starring Tom Cruise and directed by Steven Spielberg. Long before glossy holograms and futuristic car chases, Dick’s original story presented a lean, unsettling premise: a justice system that arrests people for crimes they have not yet committed, based on the predictions of three precognitive mutants. But what happens when those predictions don’t agree? Is the original short story sharper and more subversive than its cinematic counterpart, or does the expansion to feature length enhance what Dick only sketched? Read along with Stuart to find out!
Precog sounds like a plumbing term.
In 2002, Steven Spielberg and Tom Cruise teamed up to bring Philip K. Dick's vision of the future to the screen with Minority Report. Set in a world where psychic "Pre-Cogs" allow police to arrest murderers before they strike, the film blends sleek sci-fi spectacle with questions about fate, free will, and government overreach. With cutting-edge visuals and blockbuster ambition, Minority Report aims to be both summer entertainment and a thought-provoking vision of dystopia. But does this director-actor powerhouse deliver a coherent sci-fi classic, or does the complexity turn into confusion? The hosts investigate whether this prediction still holds up.
FORREST GUMP's Gary Sinise is a scientist developing a bomb to eradicate alien invaders, who has the tables turned on him when he is accused of being a robotic assassin sent to blow up Earth's warmongering leader. Originally planned as a half hour short but expanded to feature length, can IMPOSTOR fool our Now Playing critics with its newly added storylines or will they cut its ambitions down to size? Listen in and find out!
{Philip K. Dick Series}
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