New Books in Psychoanalysis

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Gohar Homayounpour, “Doing Psychoanalysis in Tehran” (MIT Press, 2012) Dec 19, 2014

Show notes

In Doing Psychoanalysis in Tehran (MIT Press, 2012) — part memoir, part elegy, and part collection of clinical vignettes — Gohar Homayounpour takes a defiant position against the Orientalizing gaze of Western publishers, editors, and journalists who search in her book for the exotic Iranian subject and the trauma of the Eastern Other. She turns a critical eye on the expectation that she perform an unveiling and reveal knowledge about the Other’s otherness. Insisting that “pain is pain” everywhere and that the Other’s foreignness also resides in oneself, she instead talks about her own sense of dislocation and loss upon returning to Tehran to start a clinical practice after twenty years in the United States. Iranian patients face problems specific to their country’s politics and culture, to be sure, but for Homayounpour, experience in the consulting room confirms the universality of the Oedipus complex. In response to a colleague in Boston who questioned whether “Iranians can free associate,” Homayounpour quips that “they do nothing but, and that is their problem.” While in the United States neurotics are rumored to have disappeared from psychoanalytic couches, replaced by patients with supposedly more “primitive” narcissistic organization and borderline personality disorders, in Tehran, claims Homayounpour, consummately neurotic analysands dominate the clinical landscape, speaking constantly of sex, sexuality, and typically Oedipal conflicts. The resemblance of Iranian analysands to the patients of Freud’s Vienna has nothing to do with Eastern essence or backwardness, of course, and everything to do with collective fantasy, analytic training, cultural structures, and varying iterations of capitalism.

In the book as well as in our interview, Homayounpour’s poetics and politics brim with warmth and hospitality – not a humanitarian hospitality, or altruism, that too easily transforms into guilt and then sadism, she hastens to clarify, but one that emerges from gratitude and an ability to be with the other’s difference.

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Jennifer Kunst, “Wisdom From the Couch: Knowing and Growing Yourself from the Inside Out” (Central Recovery Press, 2014) Dec 13, 2014

Show notes

What happens when a Kleinian psychoanalyst wants to write an intelligent self-help book for the general reader? First, she recognizes that one must have an online platform from which to launch, so she starts a blog called “The Headshrinker’s Guide to the Galaxy.” Then she sets about writing her debut book, Wisdom From the Couch: Knowing and Growing Yourself from the Inside Out (Central Recovery Press, 2014). Dr. Jennifer Kunst began to write not only to fulfill a personal dream but to help her patients and the public at large ponder the question: how is it that perfectly intelligent people do such obviously counterproductive things so much of the time? Vis a vis Klein these answers reside in the unconscious, in our internalized object constellations and in at least some recognition of how difficult it is to live in the world with its inevitable pain, loss, disappointment and imperfection. Many of the concepts that Klein felt were central to the human condition are laid out in the book: omnipotence, mania, splitting, projective identification, ambivalence, the paranoid/schizoid and the depressive positions to name a few.

In this interview Kunst explains that above all, Melanie Klein was intensely concerned with love. And she was passionate about making sense of the process by which people learn to love one another in all its forms: parental, platonic, romantic and analytic. It goes something like this: we are designed as highly emotional creatures who love and hate in equal measure. For Klein, the question of how we remain in loving connection with one another while accepting loss, hurt and inevitable disappointment was key. Kunst writes, “Aggression and desire, envy and gratitude, hope and dread are all roommates in the inner world.” One of the tasks of mature development is getting these opposing parts of our self in dialogue with one another achieving a kind of working harmony. Enter Kunst’s translation of the depressive position: all roommates are welcome at the table.

Dr. Jennifer Kunst has an uncanny knack for translating Melanie Klein’s complex theory of the mind into psychically nutritious bits. In Kleinian parlance, it’s a proper feed.

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Bruce Fink, “Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key” (Routledge, 2014) Nov 17, 2014

Show notes

What can possibly be wrong with the process of understanding in psychoanalytic treatment? Everything, according to Bruce Fink. In Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key (Routledge, 2014), he argues that since understanding is part of the Lacanian imaginary, it often leads to fixed assumptions and projections on the part of both analyst and analysand, inhibiting change, or the curative in psychoanalysis. Many of us probably have heard ourselves and others say that understanding why we do something hurtful or destructive does not seem to stop us from doing it; again and again and again. In the clinical vignettes, case studies, and theoretical papers compiled in this volume Fink suggests that rather than understanding, clinicians ought to strive to bring the unconscious to speech – to help analysands communicate knowledge once residing in the unconscious. Such knowledge is generated not through narrative, insight, or meaning making but parapraxes, slurred speech, and mixed metaphors – the non-sense produced by the subject of the unconscious. Speaking that which was previously unsymbolizable shakes the ego at its foundation and enables therapeutic change.

A section of Against Understanding is devoted to interviews conducted with the author about his translations of Lacan and the work of translation generally. We touch on issues of translation in our interview as well, highlighting the creativity, pleasures, frustrations, and compromises involved in the process. Bruce Fink and I have only begun to explore his theoretical and clinical writings. Please stay tuned for the next installment in a few months, when we will discuss volume 2of this incisive and thought-provoking collection.

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Sophia Richman, “Mended By the Muse: Creative Transformations of Trauma” (Routledge, 2014) Oct 21, 2014

Show notes

In a wide ranging and courageous interview that touched on the creative process, personal history, memoir and self-disclosure, the psychoanalyst and writer Sophia Richman explored the connections between trauma and the creative process. Although many have written about the arts and psychoanalysis, utilizing contemporary relational thinking, Richman brings the discussion vividly into the present day.

In Mended By the Muse: Creative Transformations of Trauma (Routledge, 2014), Sophia Richman skillfully uses her own history as a holocaust survivor and writer to illustrate the healing power of the creative process. In addition to her own experience, Richman writes about artists she has interviewed, as well as theorists that have been influential to her such as Winnicott and Jung. Richman believes that the creative process allows one to “bear witness” to the unspeakable, and that the arts can lead to growth both inside and outside of the consulting room.

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Mark Epstein, “The Trauma of Everyday Life” (Penguin Press, 2013) Oct 13, 2014

Show notes

Being human, much of our energy goes into resisting the basic mess of life, but messy it is nonetheless. The trick (as psychoanalysts know) is to embrace it all anyway. “Trauma is an indivisible part of human existence. It takes many forms but spares no one,” so writes psychiatrist and practicing Buddhist Dr. Mark Epstein. Epstein illustrates this truth by offering a psychoanalytic reading of the life of the Buddha in his latest work, The Trauma of Everyday Life (Penguin Press, 2013). It’s a brilliant psychobiographical single-case study. Think Erik Erikson’s Ghandi’s TruthorYoung Man Luther.

A little known detail of the Buddha’s biography is that his mother died when he was just seven days old. The book investigates the nature and repercussions of this early loss as a foundation of the Buddha’s life and salvation. Epstein writes that “primitive agony” (ala Winnicott) lay in the Buddha’s implicit memory coloring his experience in ways he could feel but never know. The unmetabolized grief plays out into Buddha’s young adulthood as he abandons his wife and own young child in renunciation of his cushy and privileged life. The ghosts and psychic ancestors that haunt the Buddha as well as his separation-individuation drama are familiar to modern day clinicians. Epstein describes a Buddha in the throes of repetition compulsion as well as enacting practices of starvation and self-harm—dissociative defenses that serve to ward off potential fragmentation. Epstein writes that the rhythm of this early trauma and the defenses the Buddha employed run through Buddhism like a “great underground river.” Buddha’s salvation comes about via the discovery of mindfulness which ultimately infuse his life and spiritual teaching. Within the meditative practice of mindfulness, a holding environment is created in which unknown and unexamined aspects of the past can be experienced for the first time in the here and now. Like the psychoanalytic encounter, therein lies its transformative power. In his detailed depictions of the Buddha as a human subject in formation and borrowing from Winnicott’s metapsychology, Epstein draws the parallel to the psychoanalytic space. Ultimately the book asks whether trauma itself can be transformational. According to Epstein, yes. Life itself is already broken and since we can’t control the essential traumas of life (whether they be big “T” or little) we must transform our relationship to them to go on being.

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Thomas Kohut, “A German Generation: An Experiential History of the Twentieth Century” (Yale UP, 2012), Oct 06, 2014

Show notes

Germans belonging to the generation born at the turn of the twentieth century endured staggering losses, many of which became difficult to mourn or even acknowledge: their parents in World War I, financial and physical security during the Weimar Republic, the racially pure utopian promise of the Third Reich, and likely several loved ones in the catastrophic final throes of World War II and the privation of the immediate postwar period.

Thomas Kohut, in his provocative and moving book, A German Generation: An Experiential History of the Twentieth Century (Yale University Press, 2012), argues that the Weimar-youth generation’s inability to work through these losses informed its members’ particular brand of anti-Semitism, enabling them to look away from the Holocaust and leading them to seek comfort in the collective, the Volksgemeinschaft – initially in the Youth Movement, then the Reich Work Service, and finally the Free German Circle in their twilight years. The turn to the collective not only compensated for loss but also impeded empathy for the plight of Jewish neighbors and engendered chronic optimism and psychic fragility.

Through an analysis of sixty-two oral history interviews condensed into six composites, Kohut argues for the importance of empathy (defined as thinking one’s way into the experience of another) for both history and the consulting room. Empathy facilitates reparative mourning and guilt while its absence — as affect, social practice, and critical category – can have devastating, indeed genocidal, consequences.

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John Fletcher, “Freud and the Scene of Trauma” (Fordham UP, 2013) Sep 29, 2014

Show notes

Putting Freud’s books — not the man but the writings — on the couch, listening closely for the breaks, the retractions, the internal conflicts, the sudden about-faces. John Fletcher, professor of English literature, reads Freud very, very closely. When we view Freud’s work as an unfolding process, the main themes are often not even what Freud himself conceptualized. In Freud and the Scene of Trauma (Fordham University Press, 2013), Fletcher traces how Freud’s thought — including on trauma, seduction, memory, the transference, child development, the death drive — is pulled toward two wildly opposed positions simultaneously: a de-centering of human subjectivity, where the other person with a sexuality and an unconscious acts on us to form the basis of psychical life; and a recoiling, re-centering of the idea of the individual, now seen as sui genris, formed entirely from the inside out. This movement between these two poles is meticulously followed as Freud’s ideas oscillate — often from paragraph to paragraph. The entire spectacle is seen as a sort of enactment of a psychoanalytic conflict where a reaction to the too-muchness of the other is the basis of our formation.

25 lectures from Fletcher’s undergraduate course, which can act as a sort of introduction to his book, can be found here.

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Mari Ruti, “The Call of Character: Living a Life Worth Living” (Columbia UP, 2013) Sep 21, 2014

Show notes

Exploring everything from the impact of her own psychoanalysis on her mode and mien to the effect of consumer culture on the psyche, the delightful Mari Ruti keeps the ball rolling. We pondered with her so many things that the interview feels like xmas morning! Traversing the advent of self-help books, Lacan, the Frankfurt School, the super ego, the repetition compulsion, hegemony, trauma, love and more, there is seemingly no topic germane to psychoanalysis and daily life that Ruti shies away from.

In The Call of Character: Living a Life Worth Living (Columbia University Press, 2013)–a book akin in spirit to McDougall’s Plea for a Measure of Abnormality albeit without the case studies–Ruti argues that a bit of madness is an agreeable thing. Loving one’s symptom lessens its impact for sure. As such, Ruti embraces Lacan rather fully as she argues for the ways in which desire can produce forms of human subjectivity that don’t reproduce the normative. By helping us to identify what lures us away from listening more carefully to the “call” of our own “characters”, Ruti plots a course to live a life worth living.

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Elizabeth Lunbeck, “The Americanization of Narcissism” (Harvard UP, 2014) Aug 21, 2014

Show notes

Elizabeth Lunbeck has made a major contribution to the historical study of psychoanalysis with the publication of The Americanization of Narcissism (Harvard University Press, 2014). Exploring the concept of narcissism and how it is deployed at the level of culture, she has produced a multi-textured book that is one part history of ideas, one part history of psychoanalysis and one part cultural history. The admixture yields a good read and, in this interview, Lunbeck reveals herself to be quick on her feet and sturdy in her thinking in all three realms. It was easy to imagine being in one of the history classes she teaches at Vanderbilt, perched on the edge of the seat, endeavoring to keep apace of a mind that is comfortable with small details and large concepts all at once.

She argues that at mid-century, critics of American culture, including the man who hired her for her first teaching job at University of Rochester, Christopher Lasch, made much of the idea that narcissism was ruining the American character. Lunbeck questions his understanding of narcissism–wherein a person is soft, weak, needy and seeking salvation through consumerism–and the book unfolds from there. Relying largely on the thinking of the psychoanalysts, Otto Kernberg and Heinz Kohut, who both wrote volumes about narcissistic personalities and their treatment, we come to see that just as the culture critics were using the idea of narcissism to make their point, psychoanalysts were in deep discussion as to how to treat and understand the narcissists that lay on their couches.

Lunbeck sets out to explore key concepts in the history of this term and offers up chapters on “self-love”, “independence”, “vanity”, “gratification”, “inaccessibility”, and “identity.” Each term reveals something about the interaction between culture and psychoanalysis, and as such each chapter offers a particular prism through which to think more fully about narcissism and the many shapes it has taken. Questions emerge: Are narcissists grandiose individuals who need no one? Are people who reject dependency truly strong? Were people who lacked good feelings about themselves and so used others to get “the narcissistic supplies” in need of tough love or of gratification on the couch? Is the quest for pleasure the end of the social contract?

In this interview these and other topics are covered, leaving one with the lasting impression that the idea of narcissism has served many purposes both within the culture and within the profession of psychoanalysis. Mining this quite malleable concept, Lunbeck may have given it a proper container, a way in which it can, at last, take a clearer shape.

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Claudia Luiz, “Where’s My Sanity? Stories That Help” (CreateSpace, 2013) Aug 02, 2014

Show notes

Join us for a maximum dopamine experience as Dr. Claudia Luiz discusses the making of her book Where’s My Sanity? Stories That Help, an everyman’s tour de force that’s poised to create a seismic shift in the cultural consciousness. Psychoanalysis has been as yet unsuccessful in seducing the gentry that lying on the couch is where the action is. Dr. Luiz’s mission is to help people understand that it’s emotional experiences that create change vs. short-term prescriptive steps (12 of them or otherwise). To this end she is a psychoanalytic ambassador of sorts.

During this interview, Dr. Luiz first describes her process of writing the book – a process she likens to artistry and an attempt to strike the right ‘note’ between herself as author and reader as audience (Luiz’ parents are both analysts and former music virtuosi). She undergoes a learning process with a non-analyst producer who helps her understand how an audience engages with media. She learns that the book must be pleasurable in order to deliver optimum dopamine to be engaging. This leads to natural associations to the psychoanalytic process. And she learns that what the audience craves is an analyst who will reveal herself. When it comes to being an analyst, there’s no such thing as being invisible anyway. Dr. Luiz has given a lot of thought to the analyst’s presence, digital or otherwise. She believes what the patient needs is an analyst comfortable with her presence and her emotions – whether they’re on Linked In, Facebook, Twitter or they’re affecting optimum analytic neutrality (which according to Luiz, doesn’t exist).

When it comes to discussing the general public’s lack of zeal for psychoanalysis, Luiz believes we have a definite P.R. problem. What we need to do is sell psychoanalysis in a way that is sexy. After all, what could be more sexy then someone who will listen to you, really understand you, be there for you no matter what and when hearing about your most negative and distasteful parts will want to know more and more? Psychoanalysis is sexy indeed. Claudia Luiz believes if we can sell the meta-theory to the right party, we might have a chance. Oprah, are you listening?

But besides the perils, pitfalls and hoped-for resurrection of the talking cure, Luiz gets into the technique (meat and potatoes) of working analytically with children, teens, parents and married adults. It’s a stimulating interview with one of Modern Psychoanalysis’ foremost practitioners.

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