New Books in Gender

Latest Episodes:

Sarah Franklin, “Biological Relatives: IVF, Stem Cells, and the Future of Kinship” (Duke University Press, 2013) Mar 09, 2014

Show notes

Sarah Franklin‘s new book is an exceptionally rich, focused yet wide-ranging, insightful account of in vitro fertilization (IVF) and the worlds that it creates and inhabits. Biological Relatives: IVF, Stem Cells, and the Future of Kinship (Duke University Press, 2013) treats IVF as a looking-glass in which can see not only ourselves, but also transformations in modern notions of biology, technology, and kinship. In addition to a fascinating ethnography of the various kinds of work (by artists, by scientists, by patients and doctors) at IVF and stem cell research facilities, readers will find insightful explorations of the work of Marx and Engels, Haraway, Plato, Strathern, Derrida, Firestone, along with a wide range of authors of feminist texts from the 1980s and after. It is a book full of hands, socks, pipettes, eggs, screens, organisms, and arguments, it is fascinating, and it was a great pleasure to talk with Sarah about it.

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Marc L. Moskowitz, “Go Nation: Chinese Masculinities and the Game of Weiqi in China” (University of California Press, 2013) Mar 02, 2014

Show notes

In contemporary China, the game of Weiqi (also known as Go) represents many things at the same time: the military power of the general, the intellect and control of the Confucian gentleman, the rationality of the modern scientist. In Go Nation: Chinese Masculinities and the Game of Weiqi in China (University of California, 2013), Marc L. Moskowitz considers these aspects of Weiqi, treating the game as a lens through which to observe what it means to be a child, a university student, or a senior citizen in contemporary China, and how different modes of masculinity are constructed within those spheres. Moskowitz’s fascinating study is based on extended ethnographic research in Beijing that included studying Weiqi with children in series of school programs, playing in parks with retired construction workers, and playing alongside intensely committed university students in the Peking University Weiqi Club. Rendered in wonderfully clear and accessible prose, the account focuses on the masculinities emerging within those groups but pays ample attention to women Weiqi players at all levels who also work within these social structures. Go Nation pays close attention to aspects of Weiqi culture that reflect broader nationalistic, ethical, historical, and social discourses within contemporary China, and it is both a pleasurable and enlightening read.

You can find out more about Moskowitz’s film Weiqi Wonders here.

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Deborah Cohen, “Family Secrets: Shame and Privacy in Modern Britain” (Oxford UP, 2013) Feb 14, 2014

Show notes

In her previous book, Household Gods: The British and Their Possessions (Yale University Press, 2006), Deborah Cohen took us into the homes of Britons and examined their relation to their habitat and its artifacts from 1830 onwards. In her new book, Family Secrets: Shame and Privacy in Modern Britain (Oxford...

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Cindy Hooper, “Conflict: African American Women and the New Dilemma of Race and Gender Politics” (Praeger Press, 2012) Jan 29, 2014

Show notes

Cindy Hooper is a veteran of various local, state, and national political campaigns. She is the founder of a national organization for African American women that is headquartered in Washington, D.C. Hooper is also a member of the American Political Science Association. Her new book, Conflict: African American Women and the New Dilemma of Race and Gender Politics (Praeger Press, 2012), draws on all of her experiences. Please listen to our lively exchange.

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Kristin A. Goss, “The Paradox of Gender Equality: How American Women’s Groups Gained and Lost Their Public Voice” (University of Michigan Press 2013) Jan 27, 2014

Show notes

Kristin A. Goss is author of The Paradox of Gender Equality: How American Women’s Groups Gained and Lost Their Public Voice (University of Michigan Press 2013). She is associate professor of public policy and political science at Duke University.

Goss challenges the conventional wisdom about women’s group with new congressional hearing data. Rather than ebbing-and-flowing like waves, Goss suggests that the women’s groups have not always diminished in influence following a major policy success. The Paradox of Gender Equality should have a wide audience among interest group, gender studies, and social movement scholars.

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Kathleen Wellman, “Queens and Mistresses of Renaissance France” (Yale UP, 2013) Jan 21, 2014

Show notes

Queens and royal mistresses of the Renaissance were the Hollywood celebrities of their time, which explains their enduring magnetism for writers, artists, and the public. Historians and scholars, however, have long ignored them. Enlightenment philosophers used descriptions of powerful women in the French court to mock the monarchy. Nineteenth-century historians propagated myths about these historical women to discredit the monarchy and to justify the exclusion of women from the French republic. Feminist scholars have eschewed royal women as subjects because their influence stemmed from their sexual and romantic association with kings and not because of their own merit. And contemporary historiography in France has long turned away from political elites to focus on social and cultural sites of inquiry.

Kathleen Wellman, in Queens and Mistresses of Renaissance France (Yale University Press, 2013, Yale), argues that women of the French court deserve our undivided attention because they greatly influenced the French Renaissance. Between the mid-15th century to the end of the 16th century, women such as AgnÃ¨s Sorel, Anne of Brittany, Diane de Poitiers, Catherine de Medici, and Marguerite de Valois, acted with agency, carved out spheres of influence, overcame constraints, and made use of their positions for personal and political ends, and in the process influenced the course of French history. Wellman’s engrossing account of royal women compels us to revise our understanding of the French Renaissance.

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Susan Ware, “Game, Set, Match: Billie Jean King and the Revolution in Women’s Sports” (UNC Press, 2011) Jan 17, 2014

Show notes

If you’re younger than 45 or so, you probably don’t remember the “Battle of the Sexes.” This tennis match, between Bobby Riggs and Billie Jean King, is one of the iconic moments in American history of the 1970s. It represented a breakthrough moment for women in sports, a symbol of the progress women were making to finally receive something like equality of opportunity and resources in athletics.

For Billie Jean King, however, the match was only a small part of a life lived in the pursuit of the opportunity for access and success for herself and for women in general. As Susan Ware outlines in her outstanding new book Game, Set, Match: Billie Jean King and the Revolution in Women’s Sports (University of North Carolina Press, 2011), King saw herself not simply as an athlete, but as an advocate for women in athletics. Throughout her career, King lent her voice and her reputation to those pushing institutions and leaders to let women play. The result was, as Ware puts it, revolutionary.

Ware’s book is biography at its best. It examines King’s life on its own terms. But it doesn’t stop there. Instead, it uses King’s life as a lens through which to view the broader social and cultural conflicts that swept through American society in the 1970s and after. Anyone reading the book will have a much greater sense of why the world we live in today is so dramatically different than the one in which our parents or grandparents grew up.

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Neil McKenna, “Fanny and Stella: The Young Men Who Shocked Victorian England” (Faber & Faber, 2013) Jan 10, 2014

Show notes

There is no one way to write a biography, nor should there be.

It’s a statement that seems obvious enough and yet one which is still, to some degree, casually combative. For biography has long been a genre wherein story-telling is disproportionately devoted to cradle-to-grave narratives about the lives of white men. It’s also a field wherein there persists a notion that there are things one, as a biographer, is and is not at liberty to do. This is changing, yes, but slowly, so that when books come along that bring forth stories that aren’t told in the standard, stale way, they often come under critical fire. As such, Neil McKenna‘s Fanny and Stella: The Young Men Who Shocked Victorian England (Faber & Faber, 2013) stands at the frontline, a staunch example of the histories that need to be told and what biography can be.

Through meticulous research and lush, incisive prose, McKenna presents a gripping and startling account of the arrest and prosecution of two Victorian drag queens. It’s a deft performance that strikes a tricky balance, playfully re-creating the underworld of 19th century London and the colorful personalities who inhabited it, whilst simultaneously conveying the importance of what is at stake for the people involved and society at-large. Make no mistake, this is a serious book, but one which is nonetheless shot through with the joie de vivre and chutzpah characteristic of the charming Miss Fanny Park and Miss Stella Boulton themselves.

For readers who believe biography can only be written in one particular way, Fanny & Stella may induce an apoplectic fit. But, for those eager for innovation and displays of daring within the field, Fanny and Stella promises an exciting encounter with something alarming and bold and bright and new.

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Sandrine Sanos, “The Aesthetics of Hate: Far-Right Intellectuals, Antisemitism and Gender in 1930s France” (Stanford University Press, 2013) Jan 05, 2014

Show notes

Sandrine Sanos‘s new book, The Aesthetics of Hate: Far-Right Intellectuals, Antisemitism and Gender in 1930s France (Stanford University Press, 2013), examines the central roles that gender, sexuality, and race played in the far-right ideologies of the 1930s. Re-reading the work and ideas of a group of male intellectuals known as the Jeune Droite or “Young New Right,” Sanos argues that aesthetics and politics were deeply intertwined in these authors’ representations of a crisis of French civilization and in the antisemitic, racist, and misogynist responses they articulated. Figures like Maurice Blanchot and Louis-Ferdinand Celine were some of the most famous members of an intellectual movement that elaborated an “aesthetics of hate” in which Jews, women, and homosexuals figured as emblems of decadence and decline. The book also traces in fascinating ways some of the crucial links between French anti-Semitism and imperialism, examining connections between metropolitan and colonial racisms.

While Sanos is careful to point out that hers is not a history of fascism per se, The Aesthetics of Hate makes a significant contribution to our understanding of the far-right in France and beyond. The book illuminates the intersections between gender, sexuality, and race in modern France, as well as the fundamental interdependence of French culture and politics through the twentieth century. An archaeology of some of the more repugnant political ideas of the 1930s, the book also has broader implications for our understanding of contemporary French expressions of cultural anxiety, racism, and hateful politics.

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Jennie Burnet, “Genocide Lives in Us: Women, Memory and Silence in Rwanda” (University of Wisconsin Press, 2012) Dec 27, 2013

Show notes

In our fast-paced world, it is easy to move from one crisis to another. Conflicts loom in rapid succession, problems demand solutions (or at least analysis) and impending disasters require a response. It is all we can do to pay attention to the present moment. Lingering on the consequences of the past seems to take too much of our finite attention.

Jennie Burnet‘s fantastic new book Genocide Lives in Us: Women, Memory and Silence in Rwanda (University of Wisconsin Press, 2012), offers a useful corrective to this fascination with the immediate. Jennie is interested primarily in what it means to live in a society ruptured by violence. She writes about how people try to speak, or not speak, about the killing that destroyed their families or those of their neighbors. She reflects on how the government’s decision to try to forestall future violence by eliminating ethnic categories affects individuals’ efforts to shape their own identity and self-understanding. She analyzes the way practices of memorialization reflect changing ways of understanding and narrating past atrocities. And she allows her subjects to share the challenges of living in a world where the past is always present.

Jennie, both in print and in the interview, is thoughtful, articulate and compassionate. I hope the interview gives you a taste of the richness of her book.

Genocide Lives in Us won the 2013 Elliot Skinner Book Award from the Association for Africanist Anthropology. It also received an honorable mention for the 2013 Melville J. Herskovits Award from the African Studies Association.

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