New Books in Gender

Latest Episodes:

April R. Haynes, “Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth-Century America” (University of Chicago Press, 2015) Jul 16, 2016

Show notes

April R. Haynes is an assistant professor of history at the University of Wisconsin-Madison. In Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth- Century America (University of Chicago Press, 2015) Haynes shows how the campaign against masturbation redefined women’s sexuality and reformulated the battle for political rights. Beginning with Sylvester Graham’s “Lecture to Mothers” to reform-minded women to the black abolitionists Sarah Mapps Douglas’s sex education lectures to African American women, masturbation became a topic with both gender and racial import. After a long history of neglect, it became tied to issues of purity, virtue and self-government. Through women reformers the proscriptions against masturbation were popularized and institutionalized. Haynes sheds light on the continued attention given to masturbation in American culture and the women’s movement, demonstrating its political significance.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation.

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Cassandra A. Good, “Founding Friendships: Friendships between Men and Women in the Early American Republic” (Oxford UP, 2015) Jul 13, 2016

Show notes

Cassandra A. Good is the Associate Editor of the Papers of James Monroe at the University of Mary Washington. Her book Founding Friendships: Friendships between Men and Women in the Early American Republic (Oxford University Press, 2015) offers a historical examination of the cross-gender friendships that formed against great social odds and popular opinion that held that these relationships were highly irregular and impossible to maintain chaste. Beginning with the relationships of Abigail Adams and Thomas Jefferson; Eloise Richards Payne and William Ellery Channing; Charles Greely Loring and Mary Pierce and their elite circle, Good explores the depth of feelings, the language and tokens of love, issues of propriety, and the social and political risks of cross-gender friendship. These complicated relationships embodied the essential republican values of equality, freedom, choice, and virtue and challenged marriage as the ultimate human connection. Through her historical work, Good offers an opportunity to rethink the ways cross-gender friendships remain problematic.

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Aisha Geissinger, “Gender and the Construction of Exegetical Authority: A Rereading of the Classical Genre of Qur’an Commentary (Brill, 2015) Jul 12, 2016

Show notes

Aisha Geissinger’s monograph, Gender and the Construction of Exegetical Authority: A Rereading of the Classical Genre of Qur’an Commentary (Brill, 2015), contributes to the growing field of intersections between gender studies and Qur’anic studies. Unlike some recent studies that have explored the role of gender in the Qur’an itself or in applications of the Qur’an, Professor Geissinger takes a step back to explore how exegetes (broadly conceived) have historically understood the relevance and importance of gendered sources, in terms their authority to make sense of the Qur’an. What does it mean, for example, when a particular Qur’an commentary mentions a hadith with women in the isnad, while other commentaries do not? Are these rhetorical moves intentional? Were they significant in their time? In order to address these questions and others, Geissinger looks at traditional works of exegesis, sections on exegesis in hadith compilations, and literature on the virtues of the Qur’an among other topics all the while engaging with a rich breadth of modern and premodern scholarship, ranging from Bukhari to Judith Butler. The footnotes are extensive, the prose is clear, and the book well-organized. The monograph will likely appeal to a number of disciplines, especially Islamic history, Qur’anic studies, and gender studies.

Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Qur’anic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at (bazzanea@lemoyne.edu). Listener feedback is most welcome.

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Sabine Arnaud, “On Hysteria: The Invention of a Medical Category between 1670 and 1820” (U. of Chicago Press, 2015) Jul 05, 2016

Show notes

Sabine Arnaud‘s new book explores a history of discursive practices that played a role in the construction of hysteria as pathology. On Hysteria: The Invention of a Medical Category between 1670 and 1820 (University of Chicago Press, 2015) considers a wide range of issues that are both specific to the particular history of hysteria, and more broadly applicable to the history medicine. Arnaud pays special attention to the role played by language in the definition of any medical category, basing her analysis on a masterful analysis of a spectrum of written medical genres (including dialogue, autobiography, correspondence, narrative, and polemic) that have largely been forgotten by the history of medicine. Arnaud asks, “What made it possible to view dozens of different diagnoses as variants of a single pathology, hysteria?” The answer can be found in a long process of rewriting and negotiation over the definition of these diagnoses enabled this retrospective assimilation, which was driven by enormously diverse political and epistemological stakes. In a series of fascinating chapters, the book interweaves the history of hysteria with studies of gender, class, literature, metaphor, narrative, and and religion. It’s an expertly-researched and compellingly-written account that will amply reward readers interested in the histories of medicine and gender.

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Jessa Crispin, “The Dead Ladies Project: Exiles, Expats, and Ex-Countries” (U. of Chicago Press, 2015) Jul 01, 2016

Show notes

Biography is a genre of largely unexamined power: a literary field that preserves stories of lived lives and, through them, perpetuates notions that there are certain ways lives can be lived. This is particularly true of the lives of women, which are often, in biography, confined to the marriage plot and detailed as events in the lives of men. As Jessa Crispin writes in her new book, The Dead Ladies Project: Exiles, Expats & Ex-Countries (University of Chicago Press, 2015), “The important task is to understand and modify the stories that are holding sway.”

The founder and editor of the recently shuttered lit-blog Bookslut, Crispin spent a year and a half traveling abroad. Her genre-bending book, The Dead Ladies Project, is the legacy of that year and it’s a work that goes a long way in modifying the stories we typically tell, not just about women but about human beings- as thinkers, travelers, artists, and individuals.

It’s a contemplative, wandering work, which captures the disorientations of travel, the anxiety/ecstasy of being alone, the ways in which we carry our pasts with us, and the integral role stories play in our understanding of our possibilities and the ways in which we live our lives.”What saves you is a new story to tell yourself about how things could be,” Crispin suggests and, as she moves from Berlin, Trieste, Sarajevo, St. Petersburg, contemplating the lives of William James, Nora Barnacle, Rebecca West, and Claude Cahun, she opens up story after story, expanding the narrative possibilities as she goes.

Hers is a story which suggests the richness that comes of bouncing our lives off those of others. “It was the dead I wanted to talk to,” she writes, as she sets out on her travels. “I’d always been attracted to the unloosed, the wandering souls who were willing to scrape their lives clean and start again elsewhere. I needed to know how they did it, how they survived.” It’s an account which suggests the hunger for and value of such stories- the stories of lives which, as Carolyn G. Heilbrun put it, enable us to forge new fictions and new narratives for our own.

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Susan Kavaler-Adler, “The Compulsion to Create: Women Writers and Their Demon Lovers” (ORI Academic, 2013) Jun 27, 2016

Show notes

Dr. Susan Kavaler-Adler a psychoanalyst and clinical psychologist in private practice and founder of The Object Relations Institute for Psychotherapy and Psychoanalysis where she is a training analyst, is a prolific writer and thinker celebrated for integrationist approach to Object Relations thinking. The Compulsion to Create: Women Writers and their Demon Lovers, originally published by Routledge in 1993 and recently re-published by ORI Academic Press in 2013, is Dr. Kavaler-Adler’s first of five published book a labor of her love for the creative process which earned her an honorary Doctorate of Literature from Ignatius University. Dr. Kavaler-Adler calls into question the myth that one must be crazy to be creative and raises concern about the implication that therapeutic intervention is a deterrent to creative growth.

For Dr. Kavaler-Adler, the therapeutic process is an inherently creative process. Like the artists encounter with her work, the subject’s encounter with the couch involves an engagement with the unconscious. A comprehensive analysis of Object Relations theory organizes this study around the the Demon Lover theme which appears in both literature and psychoanalysis. Dr. Kavaler-Adler’s own definition emerges from her theory that mourning is an important developmental process, one which, when stunted due to pre-oedipal arrest, leads to what she calls The Compulsion to Create a state of psychological and creative compulsion which hinders psychic and creative growth. Dr. Kavaler-Adler’s The Compulsion to Create is a psycho-biographical examination of esteemed women writers, among them, Anais Nin, Sylvia Plath, Emily Dickinson, Edith Sitwell, and most comprehensively, the famed Bronte sisters.

Dr. Kavaler-Adler’s unique psycho-biographical approach considers not just the relationship between one work and another, but also the relationships between the biographical context which each work proceeds from as it is created, as well as the biographical context it intervenes in when published. In this way, Dr. Kavaler-Adler explicitly connects the manifestation of the writers object relations in her life as well as in her art. Her exquisitely researched book clearly insights the meaningful and inherent engagement between the woman writers life and art at the level of the unconscious. She poetically explains an author’s work is a reflection of the authors internal world just as dreams are. Above all, Dr. Kavaler-Adler encourages a positive engagement between the creative and therapeutic process, arguing that profound creative developments can proceed from effective therapeutic interventions which revive the subject from a state of psychic arrest and the creative collapse which results from it.

Dr. Susan Kavaler’s list of publications including her most comprehensive contribution to Object Relations thinking The Klein-Winnicot Dialectic (Karnac 2014) can be found on her website where opportunities to study the Object Relations approach from a clinical standpoint and seek treatment in individual and group settings can also be found, including a group for writers which has been held monthly for 21 years. She has previously been interviewed on New Books in Psychoanalysis by Claire-Madeline Culkin about her later publication The Anatomy of Regret (Karnac 2013).

Claire-Madeline Culkin is an analytically minded author. She is currently pursuing an MFA in Creative Writing at Sarah Lawrence College and holds a BA in Psychology from Eugene Lang College, The New School for Liberal Arts. If you’re an author interested in joining the discussion,...

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Anthea Kraut, “Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance” (Oxford UP, 2015) Jun 23, 2016

Show notes

Is it possible to lay claim to ownership of a dance? Is choreography intellectual property? How have shifting conceptions of race and gender shaped the way we think of dance, property and ownership? In Choreographing Copyright: Race, Gender and Intellectual Property Rights in American Dance, Anthea Kraut wrestles mightily with these questions as she presents the first book by a dance scholar to focus explicitly on matters of copyright and choreography. Combining archival research with critical race and gender theory, Kraut offers new perspectives in this cross-genre history of American Dance. Professor Kraut’s research addresses the interconnections between American performance and cultural history and the raced and gendered dancing body. Her first book, Choreographing the Folk: The Dance Stagings of Zora Neale Hurston, was published by the University of Minnesota Press in 2008, and received a Special Citation from the Society of Dance History Scholars de la Torre Bueno Prize for distinguished book of dance scholarship. Her teaching interests include American and African American dance history, critical race theory, and methods and theories of dance studies. Dr. Anthea Kraut is Associate Professor and Chair of the Department of Dance at the University of California, Riverside.

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Bert Ashe, “Twisted: My Dreadlock Chronicles” (Agate Bolden, 2015) Jun 23, 2016

Show notes

What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? Bert Ashe generously offers a response in Twisted: My Dreadlock Chronicles, an unprecedented account of black male identity as seen through our culture’s perceptions of hair. In this personal story that weaves together the cultural and political history of dreadlocks with the authors own mid-life journey to lock his hair, Ashe addresses the significance of black hair in the 20th and 21st centuries through an engaging and humorous literary style. Professor Ashe’s research focuses on late twentieth-century and early twenty-first century literature and culture. He teaches and writes about contemporary American culture, primarily post-Civil Rights Movement African American literature and culture (often referred to as post-blackness or the post-soul aesthetic), as well as the black vernacular triumvirate of black hair, basketball, and jazz. His first book, From Within the Frame: Storytelling in African-American Fiction (Routledge, 2002) tracks the development of the African American frame text, from Charles Chesnutt’s The Conjure Woman through John Edgar Wideman’s Doc’s Story. Dr. Bert Ashe is Associate Professor of English at the University of Richmond.

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Srimati Basu, “The Trouble with Marriage: Feminists Confront Law and Violence in India” (U of California Press, 2015) Jun 13, 2016

Show notes

Are solutions to marital problems always best solved through legal means? Should alternative dispute resolutions be celebrated? In her latest book The Trouble with Marriage: Feminists Confront Law and Violence in India (University of California Press, 2015) Srimati Basu answers such questions and many more through explorations of ‘lawyer free’ courts and questions surrounding understandings of domestic violence, analyses of the way rape intersects with marriage and how kinship systems change with legal disputes and by delineating the most important acts that frame marriage law in India. Theoretically and politically astute the book offers an ethnographic insight into legal sites of marriage trouble in India.

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Meredith Conroy, “Masculinity, Media, and the American Presidency” (Palgrave MacMillan, 2015) Jun 06, 2016

Show notes

Meredith Conroy is the author of Masculinity, Media, and the American Presidency (Palgrave MacMillan, 2015). Conroy is assistant professor of Political Science at California State University, San Bernardino. Joining the conversation is Lilly Goren, professor of political science at Carrol University. Does gendered language relate to electoral success? Does the most masculine candidate win the race? In this book, Conroy unpacked how sex, gender, and identity interact during presidential campaigns. She finds that the media portrays presidential candidates as masculine, feminine, or neutral, and that these descriptions relate to candidate success. In the last several elections, only Barack Obama in 2008 won despite being portrayed as the less masculine candidate. Conroys findings provide a lens through which the campaigns of Hillary Clinton and Donald Trump can be better understood, and suggest ways that subtle gender bias shapes elections.

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