New Books in Gender

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Laura Hyun Yi Kang, "Traffic in Asian Women" (Duke UP, 2020) Jan 07, 2021

Show notes

Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women(Duke University Press, 2020).

Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement.

Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is Compositional Subjects: Enfiguring Asian/American Women (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, Traffic in Asian Women.

Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu.

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Courtenay Stallings, "Laura's Ghost: Women Speak about Twin Peaks" (Fayetteville Mafia Press, 2020) Jan 06, 2021

Show notes

In this episode Miranda Corcoran speaks to Courtenay Stallings about her new book, Laura’s Ghost: Women Speak about Twin Peaks (Fayetteville Mafia Press, 2020). Laura’s Ghost is unique exploration of an iconic television series. The book focuses on the character of Laura Palmer, the beautiful homecoming queen whose murder sets in motion the mysteries at the heart of David Lynch’s eccentric small town. Through conversations with women involved in both the show itself and the Twin Peaks fan community, Laura’s Ghost explores Laura’s legacy from a host of different perspectives. Stallings speaks with the actor Sheryl Lee about her experience of playing Laura Palmer, with filmmaker Jennifer Lynch about writing Laura’s backstory in The Secret Diary of Laura Palmer, and with a range of artists, authors, performers and teachers about Laura’s impact on their lives. In this way, Laura’s Ghost excavates the layers of complexity embedded in Laura’s character, framing her as a friend, a daughter, a mischief-maker, a rebel and, most importantly, a survivor.

Courtenay Stallings is a writer and professor based in Los Angeles.

Content Warning: This episode discusses sexual abuse and incest.

Resources for sexual abuse and domestic violence survivors can be found here and here.

The author is donating 10% of all proceeds she personally receives to The Rape, Abuse & Incest National

Network.

Miranda Corcoran is a lecturer in twenty-first-century literature in University College Cork. She is a regular contributor to Diabolique and blogs about popular culture here. You can follow her on Twitter @middleagedwitch

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Brandon Andrew Robinson, "Coming Out to the Streets: LGBTQ Youth Experiencing Homelessness" (U California Press, 2020) Jan 05, 2021

Show notes

Lesbian, gay, bisexual, transgender, and queer (LGBTQ) youth are disproportionately represented in the U.S. youth homelessness population. In Coming Out to the Streets, Brandon Andrew Robinson examines their lives.

Based on interviews and ethnographic fieldwork in central Texas, Coming Out to the Streets looks into the LGBTQ youth's lives before they experience homelessness—within their families, schools, and other institutions—and later when they navigate the streets, deal with police, and access shelters and other services. Through this documentation, Brandon Andrew Robinson shows how poverty and racial inequality shape the ways that the LGBTQ youth negotiate their gender and sexuality before and while they are experiencing homelessness. To address LGBTQ youth homelessness, Robinson contends that solutions must move beyond blaming families for rejecting their child. In highlighting the voices of the LGBTQ youth, Robinson calls for queer and trans liberation through systemic change.

This interview is part of an NBN special series on “Mobilities and Methods.”

Brandon Andrew Robinson is Assistant Professor of Gender and Sexuality Studies at the University of California, Riverside and coauthor of Race and Sexuality.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured on City & Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.

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Lauren Jae Gutterman, "Her Neighbor's Wife: A History of Lesbian Desire Within Marriage" (U Pennsylvania Press, 2019) Jan 04, 2021

Show notes

Through interviews, diaries, memoirs, and letters, Her Neighbor's Wife: A History of Lesbian Desire Within Marriage(University of Pennsylvania Press, 2019) traces the stories of hundreds of women, like Barbara Kalish, who struggled to balance marriage and same-sex desire in the postwar United States. In doing so, Lauren Jae Gutterman draws our attention away from the postwar landscape of urban gay bars and into the homes of married women, who tended to engage in affairs with wives and mothers they met in the context of their daily lives: through work, at church, or in their neighborhoods.

In the late 1960s and 1970s, the lesbian feminist movement and the no-fault divorce revolution transformed the lives of wives who desired women. Women could now choose to divorce their husbands in order to lead openly lesbian or bisexual lives; increasingly, however, these women were confronted by hostile state discrimination, typically in legal battles over child custody. Well into the 1980s, many women remained ambivalent about divorce and resistant to labeling themselves as lesbian, therefore complicating a simple interpretation of their lives and relationship choices. By revealing the extent to which marriage has historically permitted space for wives' relationships with other women, Her Neighbor's Wife calls into question the presumed straightness of traditional American marriage. It has recently been awarded the 2019 Berkshire Conference of Women Historians Book Prize.

Stephen Colbrook is a graduate student at the University College London, where he is researching a dissertation on the interaction between HIV/AIDS and state policy-making. Stephen can be contacted at stephencolbrook@gmail.com.

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Jen Manion, "Female Husbands: A Trans History" (Cambridge UP, 2020) Jan 04, 2021

Show notes

Long before people identified as transgender or lesbian, there were female husbands and the women who loved them. Female husbands - people assigned female who transed gender, lived as men, and married women - were true queer pioneers. Moving deftly from the colonial era to just before the First World War, Jen Manion uncovers the riveting and very personal stories of ordinary people who lived as men despite tremendous risk, danger, violence, and threat of punishment. Female Husbands weaves the story of their lives in relation to broader social, economic, and political developments in the United States and the United Kingdom, while also exploring how attitudes towards female husbands shifted in relation to transformations in gender politics and women's rights, ultimately leading to the demise of the category of 'female husband' in the early twentieth century. Groundbreaking and influential, Female Husbands: A Trans History(Cambridge UP, 2020) offers a dynamic, varied, and complex history of the LGBTQ past.

Jen Manion is Associate Professor of History at Amherst College.

Leo Valdes is a graduate student in the History Department at Rutgers University. They study 20th century African American, Latinx, and LGBTQ history with special interest in carceral, labor, and trans studies. In addition to being a host for the LGBTQ Studies channel on the New Books Network, they are an oral historian with the Latino New Jersey Oral History Project at Rutgers University and Voces of the Pandemic, a collaborative oral history project with Voces Oral History Center at UT Austin. Their dissertation explores the social history of the trans movement by centering black and latinx trans people in the 20th century.

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The Self-Care Stuff: Considering Whether to Stay or Drop Out Dec 31, 2020

Show notes

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler@gmail.com or dr.danamalone@gmail.com. Find us on Twitter: The Academic Life @AcademicLifeNBN.

In this episode you’ll hear about: navigating academia as a STEM student, getting pregnant and parenting while still a student, and difficult decisions about dropping out or staying in academia.

Our guest is: Dr. Miriam Martin, an Assistant Professor of Teaching at the University of California, Davis. She teaches high-enrollment lecture and laboratory courses and specializes in learner-focused teaching practices that promote deep learning and an inclusive, equitable learning environment. Prior to teaching at UC Davis, she taught at several community colleges and also brought science experiments into elementary schools as a volunteer. She is the mother of two children and a pun-loving microbe-enthusiast. She invites you to follow up on our conversation through Twitter (@MicrobialGurl) or LinkedIn.

Your host is: Dr. Christina Gessler, a historian of women, gender, and sexuality. She is an independent scholar, and the co-creator of the Academic Life channel on New Books Network.

Listeners to this episode might be interested in:

“What matters in a PhD adviser? Here’s what the research says”
“How to survive grad school with a family”
“Lactation Support Program”
“A repository of peer-reviewed research and resources discussing the challenges facing white women and men and women of color in science”
PhD Balance (Twitter @PhD_Balance)
The Versatile PhD (Twitter @VersatilePhD)
“Life in extreme heat” (about the heat-loving microbes in Yellowstone National Park)
“Stalking Caulobacter”

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Sophia Chang, "The Baddest Bitch in the Room" (Catapult, 2020) Dec 31, 2020

Show notes

Enter the Wu-Tang. Return to the 36 Chambers. People listening to these albums by the Wu-Tang Clan and its members likely never knew about Sophia Chang: a Korean-Canadian woman who worked with members like RZA, ODB and Method Man. Q-Tip of A Tribe Called Quest called Sophia Chang “an integral part of the golden era of hip-hop.”

The Baddest Bitch in the Room (Catapult, 2020) charts Sophia Chang’s life, from her childhood in Vancouver, through time in New York’s hip-hop scene and travels between the United States and China managing martial arts, through to the present day.

Sophia Chang is the music business matriarchitect who managed Ol’ Dirty Bastard, RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest as well as working with Paul Simon. She did marketing at Atlantic, A&R at Jive, A&R Admin at Universal, as well as serving as General Manager of RZA’s Razor Sharp Records, Cinematic Music Group, and Joey Bada$$’ Pro Era Records. Sophia is currently a screenwriter and author developing numerous TV properties, including a scripted series at FX based on her memoir “The Baddest Bitch in the Room”. She trained with and managed a Shaolin Monk, who became her partner and father of her children. She produced runway shows for Vivienne Tam and "Project Runway All Stars," and recently created Unlock Her Potential, a program that provides mentorship for women of color.

In this interview, Sophia and I talk about her life: her time in the music business, her relationship with hip-hop, and her transition to martial arts and other cultural activities. We talk about what spurred her to tell her own story, and what it was like to be an Asian woman working in these spaces.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of The Baddest Bitch in the Room. Follow on Facebook or on Twitter at @BookReviewsAsia.

Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.

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Michiel Baas, "Muscular India: Masculinity, Mobility & the New Middle Class" (Context, 2020) Dec 30, 2020

Show notes

The gyms of urban ‘new India’ are intriguing spaces. While they cater largely to well-off clients, these shiny, modern institutions are also vehicles of upward mobility for the trainers and specialists who work there. As they learn English, ‘upgrade’ their dressing style and try to develop a deeper understanding of the lives of their upmarket customers., they break with an older kind of masculinity represented by the pehlwans in their akharas. Equally, the gym aspires to be a safe space for women—a break from the toxic masculinity they must deal with outside its walls.

Yet, the more things change, the more they remain the same. Class barriers are less permeable than they appear. The use of bodily capital to breach them is more fraught with danger than one might anticipate. And the profession is riddled with pitfalls and contradictions.

Michiel Baas has spent a decade studying gyms, trainers and bodybuilders, and finds in them a new way to investigate India. He walks us through the homes and workspaces of these men—yes, they are almost all men—to bodybuilding competitions and also into their most intimate worlds of ambitions, desires and struggles. In Muscular India: Masculinity, Mobility & the New Middle Class (Context, 2020), Baas unveils a fascinating world, hidden in plain sight.

Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.

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John Wei, "Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes" (Hong Kong UP, 2020) Dec 29, 2020

Show notes

John Wei’s book Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes (Hong Kong University Press, 2020) studies queer cultures and social practices in China and Sinophone Asia. Young queer people in Asia struggle under the dual pressures of compulsory familism and compulsory development, that is, to marry and continue the family line and to participate successfully in the neoliberal development of Asia. Compulsory development often necessitates migration for education and work. Wei explores how queer people grapple with kinship, home, and developing queer communities under these conditions. Using his training in film and media studies, he analyzes films by queer Chinese-language filmmakers and discusses the creation of gay communities in cafes, queer film clubs, online social media platforms, and mobile social media. Thoroughly grounded in theory, Wei contributes new metaphors of stretched kinship and gated communities to understand movements of queer cultures and social practices.

Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer.

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Jenn Shapland, "My Autobiography of Carson Mccullers: A Memoir" (Tin House Books, 2020) Dec 28, 2020

Show notes

Jenn Shapland's My Autobiography of Carson McCullers (Tin House Books, 2020) is a fascinating cross-genre book that combines elements of traditional biography with Shapland's own personal narrative of researching McCullers and discovering the many ways her life and McCullers' mirror each other. McCullers was a lesbian, but many of her biographers have shied away from this aspect of her life, referring to her partners as "friends" or "obsessions." Shapland's book is a bold work of historical reclamation, insisting we view McCullers as a queer writer and drawing attention to previously-obscured elements of queerness in her work. It is also a portrait of a vibrant queer community existing beneath the placid surface of mid-century America: Tennessee Williams, Truman Capote, Gypsy Rose Lee, and W.H. Auden all make memorable appearances in its pages. My Autobiography of Carson McCullers is a must-read for fans of McCullers, but it will also be of interest to fans of cross-genre writers like Maggie Nelson, Eileen Myles, and Hilton Als.

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

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