New Books in Critical Theory

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Angharad N. Valdivia and Isabel Molina-Guzmán, "Rebooting Inequality: Critical Takes on Film and Television Remakes" (NYU Press, 2026) May 20, 2026

Show notes

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.
Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood’s recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry’s nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.
Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie’s Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.
Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally.

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Benjamin Dalton, "Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity" (Edinburgh UP, 2026) May 18, 2026

Show notes

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge.

Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration.

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Drew M. Dalton, "The Matter of Evil: From Speculative Realism to Ethical Pessimism" (Northwestern UP, 2024) May 17, 2026

Show notes

Most of us today would assume that morality and ethics, being value propositions, are questions for inspired leaders, religious creeds, poets—in other words, for the humanities. But what if I told you that we can construct a system of ethics and morality by studying math—more specifically: the laws of thermodynamics? That’s what Professor Drew M Dalton argues in his latest book. Dalton traces a line of metaphysical inquiry from Kant through Spinoza, Nietzsche, and others up to today to show how we get from E=mc2 to a full-throated call to resist evil and alleviate suffering to our very last breath.

By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern UP, 2024) presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence.

Drew M. Dalton is a professor of English at Indiana University, having received his Ph.D. in Philosophy from the University of Leuven in Belgium. His research focuses on the normative implications of different metaphysical systems and, specifically, he’s interested in how questions of right and wrong, good and evil, beauty and pleasure are framed within aesthetics, literary theory, ethics, and political philosophy. He is the author of Longing for the Other: Levinas and Metaphysical Desire (Duquesne University Press, 2009), The Ethics of Resistance: Tyranny of the Absolute (Bloomsbury, 2018), and The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern University Press, 2023).

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Rebecca Newberger Goldstein, "The Mattering Instinct: How Our Deepest Longing Drives Us and Divides Us" (Liveright Publishing, 2026) May 12, 2026

Show notes

MacArthur Fellow and National Humanities Medalist Rebecca Newberger Goldstein, author of Plato at the Googleplex and The Mind-Body Problem, returns with a revelatory book about the primal drive that in our species alone has been transformed into one of our most persistent and universal motivations: the longing to matter.

Drawing on biology, psychology, and philosophy, in The Mattering Instinct: How Our Deepest Longing Drives Us and Divides Us (Liveright Publishing, 2026) Goldstein argues that this need to matter―and the various “mattering projects” it inspires―is the source of our greatest progress and our deepest conflicts: the very crux of the human experience.
Goldstein brings this profound idea to life through unforgettable stories of famous and not-so-famous people pursuing their unique mattering projects: the ragtime genius Scott Joplin, whose dedication to his ignored masterpiece, Treemonisha, ended in tragedy; the pioneering psychologist William James, who rose above the depression of his young adulthood to become perhaps the first great theorist of mattering; an impoverished Chinese woman who rescued abandoned newborns from the trash; and a neo-Nazi skinhead who as a young man dealt racial violence to feel he mattered but ultimately renounced that hateful past after realizing that mattering isn’t a zero-sum game. These portraits illuminate how our instinct for significance shapes identity, relationships, culture, and conflict―and they point the way to a future where we all might see that there is, fundamentally, enough mattering to go around.
Deeply revealing and insightful, and decades in the making, The Mattering Instinct is a must read for those curious about why we seek to matter to ourselves and others―and how this insatiable longing that drives us apart may be the key to finally understanding each other.

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Julia Bowes, "Every Man's Home a Castle: Parental Rights and the Makings of Modern Conservatism" (Princeton UP, 2026) May 08, 2026

Show notes

“Parental rights” is a rallying cry for today’s American conservatives, signaling opposition to mandatory vaccination and “woke” public school curricula. In Every Man's Home a Castle: Parental Rights and the Makings of Modern Conservatism (Princeton UP, 2026), Dr. Julia Bowes traces the origins of the modern parental rights movement to the nineteenth century, when the introduction of compulsory schooling laws, child labor regulations, and vaccine requirements provoked a resistance rooted in the presumed right of white men to govern their homes. A wide-ranging coalition—including Irish Catholic immigrants in Illinois, Mormon enclaves in Utah, and Protestant clergy in Virginia—believed that the state had usurped the “natural rights” of parents and “invaded the home.”
Dr. Bowes shows how, by the turn of the century, those disparate voices had coalesced into national conservative movements. Anti-vaccinationists, alternative medical practitioners, and parents who opposed compulsory school medical exams joined forces to form the National League for Medical Freedom. Deciding a case brought by conservative Catholic lawyers, the Supreme Court declared parental rights a “fundamental liberty” protected by the Fourteenth Amendment. And the Sentinels of the Republic, a conservative citizen’s lobby, mobilized a campaign to defeat the proposed federal Child Labor Amendment, bringing together pro-family and free-market politics with far-reaching consequences.
Exploring the emergence of parental rights as an antistatist ideology through legal cases, legislative debates, and political movements, Dr. Bowes argues that the expansion of state power over children provoked such fierce opposition because the paternal rights of white men—considered the “rights-bearing” individuals of American democracy—were widely viewed as the mark and measure of their independence.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Angela Dimitrakaki, "Feminism. Art. Capitalism" (Pluto Press, 2026) May 06, 2026

Show notes

Can art change the contemporary world? In Feminism, Art, CapitalismAngela Dimitrakaki, a Professor of Contemporary Art History and Theory at the university of Edinburgh, offers a Marxist Feminist perspective on a variety of issues in both society and the cultural sector. Engaging with a huge range of examples, as well as theorising key issues such as work and labour, the long modern, communing practices and technology, the book offers a global perspective on the contradictions that feminism faces under capitalist culture. A rich examination of the book will be of interest across the humanities, as well as for anyone interested in the importance of art today.

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Alana Lentin, "The New Racial Regime: Recalibrations of White Supremacy" (Pluto Books, 2025) May 04, 2026

Show notes

The New Racial Regime begins by interrogating the backlash against critical race theory and explains how the so-called war on woke can be used against educators or to curtail struggles challenging settler colonialism. Alana Lentin grounds her analysis with an engagement of the ideas making up the Black radical tradition and explicates the work of Cedric Robinson in particular. She builds a historically situated analysis of ‘race’ as inherently unstable and explains that the racial regime requires constant recalibration to maintain hierarchies of dominance within global systems of white supremacy and heteropatriarchy.

Exposing the limitations of liberal anti-racism, Lentin’s analysis explores how racialism is embedded in social institutions and can inhibit a clear understanding of antisemitism, as well as anti-Indigenous and anti-Black racism. The New Racial Regime is an insightful and principled response to present-day struggles over culture, education, and politics.

Alana Lentin is a Professor of Cultural and Social Analysis at Western Sydney University.

Genevieve Ritchie is a lecturer in the School of Social Sciences at Western Sydney University.

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James Q. Whitman, "Masters of Slaves to Lords of Lands: The Transformation of Ownership in the Western World" (Cambridge UP, 2025) May 04, 2026

Show notes

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years.

James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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Patrick Brodie and Darin Barney eds., "Media Rurality" (Duke UP, 2026) May 03, 2026

Show notes

Media Rurality(Duke UP, 2026), edited by Darin Barney and Patrick Brodie, investigates the centrality of rural places and people within the media systems and technologies that shape daily life in and across rural and urban settings alike. Edited by Darin Barney and Patrick Brodie, from the boglands of Ireland to data centers in the Oregon countryside to the homemade media systems of rural Tanzania, the contributors to this volume show how rural territories are highly mediated, technologized spaces profoundly enmeshed with global capitalism and colonialism. Approaching the study of rurality through a materialist lens that foregrounds infrastructure, this collection shows how rural spaces often bear the environmental brunt of capitalist development while being relegated to the economic and cultural periphery.
Contributors: Christopher Ali, Patrick Bresnihan, Patrick Brodie, Darin Barney, Jenna Burrell, Jordan B. Kinder, Burç Köstem, Cindy Lin, Emily Ng, Lisa Parks, Anne Pasek, Esther Peeren, Nicole Starosielski, Ishita Tiwary, Hunter Vaughan, Ayesha Vemuri, Megan Wiessner, Assatu Wisseh.

This episode features a conversation with host Sadie Couture, editors Patrick Brodie and Darin Barney, and contributors Burç Köstem and Megan Wiessner.

Sadie Couture is a PhD candidate in Communication Studies at McGill University, and an incoming Postdoctoral Research Fellow at the Smithsonian Institution's National Museum of American History. https://www.sadiecouture.com/

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D. Vance Smith, "Atlas’s Bones: The African Foundations of Europe" (U Chicago Press, 2025) May 02, 2026

Show notes

A major new look at Africa’s influence on European culture and how colonization remade Africa in the image of a medieval Europe.
Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, inAtlas’s Bones: The African Foundations of Europe(U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil’s Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.
Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt’s, Libya’s, and Carthage’s influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.
Atlas’s Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world.

D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press.

YouTube Channel: here

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