New Books in Anthropology

Latest Episodes:

Susannah Crockford, "A Perturbed System: Religion and Climate Change from the End of a World" (U Chicago Press, 2026) Jun 29, 2026

Show notes

Our ecological system is disturbed, and with it, every other system we’ve built to inhabit it. We do not face inevitable destruction, yet many of us cannot conceive of climate change as anything but the end of the world, an apocalypse with all its biblical trappings. Why?

In A Perturbed System: Religion and Climate Change from the End of a World, anthropologist Susannah Crockford argues that we must understand the climate emergency as a spiritual crisis, a result of Christian colonialism that we (religious or not) still struggle to describe without religious language. Climate discourse in the United States and northern Europe, Crockford shows, is framed by the same theological motifs that drove extraction, including ideas about prophecy, mediation, sacrifice, original sin, cult, messiah, and apocalypse. By listening to people on the edge of the crisis, A Perturbed System reveals a world in transition, what happens when worlds end—ecologically, socially, politically, and personally—and how we might live through these endings together.

Susannah Crockford is a lecturer at the University of Exeter. She is the author of Ripples of the Universe: Spirituality in Sedona, Arizona, also published by the University of Chicago Press.

Buy the book: here

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Caste and Music with T.M. Krishna Jun 29, 2026

Show notes

This episode features a conversation with Carnatic vocalist, T.M. Krishna, who is also the author of two books on this musical tradition. We began with his first book’s account of the modernization of Carnatic music through a set of social, technical, and spatial processes that transformed it from a more socially diverse practice into a predominantly Brahmin performative genre. We moved on to discuss a figure who is at the heart of his second book: the maker of the Carnatic percussion instrument, the mrdangam. This took us into an extended discussion of the changing relationship between mrdangam makers, who are predominantly Dalit, and mrdangam players, who are predominantly Brahmin, and what the complex mix of inequality, stigma, artistry, and pride suggests about the specificity of this inter-caste relationship. The episode ended with Krishna fleshing out his distinction between classical music and art music and the reasons why he rejects the former in favor of the latter.

Read the transcript

Guest

T.M. Krishna is a vocalist in the Carnatic tradition and the author of two books and numerous articles.

References

T.M. Krishna, A Southern Music: The Karnatik Story (Harper Collins, 2016).

T.M. Krishna, Sebastian and Sons: A Brief History of Mrdangam Makers (Westland, 2023).

Devadasi: refers to a historical practice of “marrying” girls to a temple deity. In the pre-colonial period, Devadasis held a respected place in society as literate, land owning women who were highly trained in music and dance. During colonialism, their sexual relations with male patrons came to be seen as a threat to householder society and they became targets of moral reform. The Devadasi system was abolished in 1947.

Sadir: a dance form historically performed by the Devadasi community that was the precursor to modern Bharatanatyam.

Bharatanatyam: a modern dance form now widely performed by upper castes.

Khayal: vocal genre of North Indian music.

ICS: Indian Civil Service, the higher tier of colonial administration in British India that became the basis of the post-independence Indian Administrative Service.

The Music Academy: the main performance space for Carnatic music in Madras (now Chennai), India.

Kutcheri: term for the venue where Carnatic music is performed.

Thanjavur: city in the Indian state of Tamil Nadu known for its art and architecture.

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Gina M. Pérez, "Sanctuary People: Faith-Based Organizing in Latina/o Communities" (NYU Press, 2024) Jun 26, 2026

Show notes

In her latest book, Sanctuary People: Faith Based Organizing in Latina/o Communities (NYU Press, 2024), Dr. Gina Perez explores sanctuary practices in Ohio, locating them in broader local and national efforts to provide refuge and care in the face of the challenges facing Latina/o communities in a moment of increased surveillance, migrant detention, displacement, and economic and social marginalization. Pérez argues for a conceptualization of sanctuary that is capacious, placing support of Puerto Ricans displaced in the wake of Hurricane Maria within the broader practices of sanctuary and expanding our understandings of the movement that addresses the precarious conditions of Latinas/os beyond migration status.
Based on four years of ethnographic research and interviews at the local, state, and national levels, Sanctuary People offers a compelling exploration of the ways in which faith communities are creating new activist strategies and enacting new forms of solidarity, working within the sometimes conflicting ideological space between religion and activism to answer the call of justice and live their faith.

Dr. Gina Perez is a cultural anthropologist and chair of the Department of Comparative American Studies at Oberlin College. She is the author of two award-winning books—The Near Northwest Side Story: Gender, Migration and Puerto Rican Families (2004, University of California Press) and Citizen, Student, Soldier: Latina/o Youth, JROTC and the American Dream (2015, New York University Press). Pérez's research interests include Latinas/os, youth, militarism, gender, migration, urban ethnography, and faith-based organizing. Her new project focuses on sanctuary movements and multiethnic faith-based organizing among Latina/o communities in Ohio.

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Marta Dominguez Diaz, "Tunisia's Andalusians: The Cultural Identity of a North African Minority" (Edinburgh UP, 2025) Jun 25, 2026

Show notes

Tunisia’s Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia’s diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances.

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Carola E. Lorea, "Communities of Sound: Religion, Displacement, and Caste in the Bay of Bengal" (Wesleyan UP, 2026) Jun 25, 2026

Show notes

Communities of Sound: Religion, Displacement, and Caste in the Bay of Bengal(Wesleyan University Press, 2026) brings together insights from religion, anthropology, sound, and migration studies to explore the sonic traces of untouchability and forced migration across the Bay of Bengal. Based on an immersive, multi-sited ethnography with Matua devotees—a low-caste, Bengali-speaking Dalit religious community fragmented by Partition, war, and postcolonial displacement—the book explores how sound sustains identity across fractured geographies. Using richly detailed descriptions, the book follows traveling archives of song, story, and ritual performance through West Bengal, Bangladesh, and the Andaman Islands. These sonic practices—congregational singing, drumming, and itinerant storytelling—forge belonging beyond nation-states, connecting the Matua's fifty million members across borders and seas. In a world dominated by visual culture, Communities of Sound centers listening as a mode of knowledge and care, revealing how sound shapes our sense of self and cosmos. More than scriptures or doctrine, it is sound—entangled with authority and power—that binds this transregional Dalit movement and animates its collective action. The book is generously illustrated and references an online companion with video and audio examples.

Author bio: Carola E. Lorea is Professor of Social and Cultural Anthropology University of Tübingen, at the University of Tübingen, Germany, where she leads the ERC-funded project MANTRAMS: Mantras in Religion, Media, and Society in Global Southern Asia. She is the author of Folklore, Religion and the Songs of a Bengali Madman (2016), and editor with Rosalind Hackett of Religious Sounds Beyond the Global North: Senses, Media and Power (2024).

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Hidden Heretics: Jewish Doubt in the Digital Age Jun 20, 2026

Show notes

In her recent publication, Hidden Heretics: Jewish Doubt in the Digital Age, scholar Ayala Fader tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader investigates religious doubt and social change in the digital age. In following those living double lives, who range from the religiously observant but open-minded on one end to atheists on the other, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe.

Join YIVO for a discussion of this recent publication featuring Fader in conversation with Josh Lambert, professor and director of the Jewish Studies Program at Wellesley College.

Buy the book: here

This book talk originally took place on September 22, 2022.

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Alena Ledeneva, "Russian Pendulum: Paradoxes, Practices and Patterns" (UCL Press, 2026) Jun 20, 2026

Show notes

Alena Ledeneva is Professor of Politics and Society at the University College London and a founder of the Global Informality Project. Her research focuses on informal practices, and she has written several Russia-focused books, including Russia’s Economy of Favours, How Russia Really Works and Can Russia Modernise. The Global Informality has also published 3 volumes of its Global Encyclopaedia of Informality. Alena is here today to talk about her new book Russian Pendulum: Paradoxes, Practices and Patterns(UCL Press, 2026),which has been shortlisted for the 2026 Pushkin House Book Prize.

Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space.

Alena’s new book: art, music, text in a new UCL Press book in open access:

Russian Pendulum: here
The accompanying music: Delphian Records classical album The System Made Me Do It composed by Benjamin Woodgates: here
And a brilliant review of the music: here

Plus, a nice mention in the BBC sounds for dark: here

Enjoy the podcast!

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Marielle Risse, "Ethnographic Reflections on Marriage in Dhofar, Oman" (Anthem Press, 2026) Jun 15, 2026

Show notes

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman(Anthem Press, 2026), with anthropologist Dr Marielle Risse. Drawing on nearly two decades of ethnographic fieldwork, Dr Risse offers a nuanced examination of marriage practices among Sunni Muslim communities in southern Oman, challenging many of the assumptions that often underpin Western discussions of gender, family, and personal autonomy.

Rather than portraying marriage as either oppressive or emancipatory, Dr Risse presents it as a complex social institution shaped by kinship networks, religious values, and community expectations. Risse’s work encourages readers to reconsider familiar ideas about family, marriage, household, intimacy, autonomy, and social life.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.

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Karl Whittington, "Queer Making: On Artists and Desire in Medieval Europe" (Pennsylvania State UP, 2025) Jun 15, 2026

Show notes

Karl Whittington joins Jana Byars to talk about his new book,Queer Making: On Artists and Desire in Medieval Europe(Pennsylvania State University Press, 2025). What role does desire play in the making of art objects? Art historians typically answer this question by referring to historical evidence about an artist's sexual identity or to particular kinds of imagery. But what about anonymous artists? Or works whose subject matter is mainstream? We know little about the identities and personalities of most premodern artists, but this should not hold us back from thinking about their embodied experience. In this book, Karl Whittington contends that we can "queer" the works of anonymous makers by thinking about their embodied experiences creating art. Considering issues of touch, pressure, and gesture across substances such as wood, stone, ivory, wax, cloth, paint, and metal, Whittington argues for an erotics of artisanal labor, in which the actions of hand, body, and breath interact in intimate ways with materials. Whittington takes seriously the agency of materials and technical processes, arguing that they necessarily placed the bodies of artists and artisans into physical situations and psychological states that can be read through the lens of desire. Combining historical evidence with speculative description, this evocative set of essays broadens our understanding of the motivations and experiences of premodern artists. It will appeal to scholars and students of art history, medieval studies, gender studies, queer studies, and anthropology.

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John Longhurst, "Can Robots Love God and Be Saved? A Journalist Reports on Faith" (CMU Press, 2024) Jun 14, 2026

Show notes

One of the things that stood out in my conversation with John Longhurst about his book Can Robots Love God and Be Saved? A Journalist Reports on Faith(CMU Press, 2024) was his seriousness about journalism itself. Longhurst understands the journalist's vocation not as providing definitive answers but as asking good questions, paying close attention, and engaging thoughtfully with the people and events that shape our world.

Our discussion focused on a theme that runs throughout the book: if religion's enduring strength lies not in providing final answers but in sustaining meaningful questions, then what sustains belief amid suffering, doubt, and uncertainty? Longhurst's work suggests that faith often emerges not from certainty but from ongoing engagement with life's deepest mysteries.

Rather than offering simple conclusions, Can Robots Love God and Be Saved? invites readers into conversations about faith, technology, culture, politics, and everyday life. It reminds us that religious questions remain central to how many people understand themselves and the world around them. In an age increasingly shaped by AI and our histories, these questions may become even more important, not less so.

My thanks to John Longhurst for joining me on the New Books Network and for sharing insights drawn from a lifetime of careful observation, thoughtful reporting, and persistent questioning.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her research examines the intersections of religion, sexuality, gender, and migration, particularly within African diasporic communities in the Netherlands.

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