My Favorite Album with Jeremy Dylan

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337. Sodajerker on Paul Simon 'Still Crazy After All These Years' (1975) Nov 25, 2020

Show notes

Today I'm joined by songwriting duo and hosts of the brilliant Sodajerker on Songwriting podcast, Simon Barber and Brian O'Connor, to talk about Paul Simon's classic middle-aged divorcee record Still Crazy After All These Years. We talk about how the album reflects an 'adult' approach in subject matter and composition, how aspects of it reveal more as the listener ages, the balance between specificity in Simon's lyrics but still leaving a place for the listener to find themselves in the song, whether drummer Steve Gadd deserves a writing credit on 50 Ways to Leave Your Lover, whether the Simon and Garfunkel reunion song My Little Town fits in the flow of the record and Simon and Brian reflect on their experience interviewing Paul Simon for their podcast.

Natalie Prass on Dionne Warwick 'Presenting Dionne Warwick' 1963 (repost) Nov 18, 2020

Show notes

336. L-Fresh the Lion on J Cole '4 Your Eyez Only' (2016) Nov 11, 2020

Show notes

Today, Aussie hip-hop king L-Fresh the Lion joins me to discuss the fascinating and emotionally compelling J Cole concept album '4 Your Eyez Only'. We delve into how Cole use's the album to tell the story of a late friend in the guise of a first person narrative, how he intermingles stories from his own life, why the album needs to be listened to in full, Cole's rare status as a music star who takes his privacy seriously and avoids the tabloids, the crazy true story about J Cole's home studio being raided by a SWAT team and much more.

335. Edith Bowman on Midlake 'The Trials of Van Occupanther' (2006) Nov 06, 2020

Show notes

Today the brilliant British broadcaster and podcaster Edith Bowman joins me to talk about Midlake's 2006 cult classic The Trials of Van Occupanther, how it soundtracked her early relationship with her husband, its qualities of instant nostalgia and why she returns to it time and time again, including as a balm during lockdown. Plus, we talk about her experiences with live music during lockdown, who she's most excited to see next year when touring resumes, the hidden tragedies of the absence of festivals, why she's bad at saying no to things and her long friendship with friend of the show Drew Pearce.

334. Fred Armisen on El Perro Del Mar 'From the Valley to the Stars' (2008) Oct 30, 2020

Show notes

Today reformed drummer and comedic genius Fred Armisen (Portlandia, SNL, Documentary Now) joins me to discuss the dreamy magic of El Perro Del Mar's 2008 album From the Valley to the Stars. We talk about how the album became part of his routine at Saturday Night Live, why it inspired him to go out and buy a Hofner bass, how the songs fade in and fade out (and we speculate on the history of fade outs in popular music), his relationship with the artist herself, making a music video for her, why this album is the perfect travelling soundtrack and more. Plus, we make a plan to form the literal biggest band of all time, talk about meeting Paul McCartney, Fred's issues with music criticism and much more.

333. Tia Gostelow on Melody Pool 'The Hurting Scene' (2013) Oct 24, 2020

Show notes

Today I'm joined by singer-songwriter Tia Gostelow, on the eve of her new album release, to wax rhapsodic about the 2013 debut LP by friend of the show Melody Pool, 'The Hurting Scene'. We unpack Melody's wielding of emotional restraint to create tension, her unaffected skill as a vocalist, her literate lyrics, the emotional impact of songs like 'Henry', Tia's history covering Melody's songs and how she inspired her songwriting, why Tia makes me feel like an old man and I dig into the archives to revisit a classic conversation with Melody herself about the recording of the album.

332. James Bond vs. Mission Impossible with Light the Fuse hosts Charles Hood and Drew Taylor Oct 15, 2020

Show notes

On another format-busting episode of MFA, hosts of Light the Fuse podcast Drew Taylor and Charles Hood return to the show to bash out the eternal rivalry in spy movie world - James Bond vs Mission Impossible. Using the enduring James Bond movie formula - from gun barrels to gadgets, leading ladies to leering bad guys, we compare and contrast the two franchises and see where they differ, and more interestingly, how they've grown more and more similar through this current century. Plus we speculate about the casting of the next Bond, and instigate an entire new spy movie franchise which could eclipse 007 and Ethan Hunt.

331. Stella Mozgawa (Warpaint) on Brian Eno 'Before and After Science' (1977) Oct 08, 2020

Show notes

Multi-instrumentalist, songwriter, producer and one of the best drummers of her generation Stella Mozgawa joins me for a look at the legendary Brian Eno's final 70s pop masterpiece (before his turn into ambient music) Before and After Science. We delve into the most interesting man in rock's creative process, how he used the studio as his instrument and enlisted collaborators from Robert Fripp to Phil Collins (and we defend Phil's legacy), why it's a good thing that Eno has kept his archival vaults locked, how Warpaint have used Eno's Oblique Strategies cards in the studio, and why you should always turn down dinner invitations from an EGOT.

330. Brian Koppelman on Lou Reed 'New York' (1989) Sep 28, 2020

Show notes

Longtime friend of the show and one of my favorite people in the world to talk music with, writer/director/showrunner Brian Koppelman (Billions, Rounders, Ocean's 13) joins me to talk about Lou Reed's mid-career classic 'New York' album. We talk about how Lou got sober and political simultaneously, the powerful simplicity of the music and the carefully crafter lyrics that Reed agonised over, Brian's memories of living in NYC when this album was released, how the city looms large over both Lou and Brian's writing, how Brian has deployed Lou's songs in his TV series 'Billions', Lou's enduring influence and much more.

329. Essie Holt on Washington 'I Believe You Liar' (2010) Sep 24, 2020

Show notes

Today a friend of the show becomes a subject of it, as emerging singer-songwriter Essie Holt joins me to rave on Megan Washington's 2010 debut album 'I Believe You Liar'. We talk about the benefits of discovering artists at live shows, Meg's iconic ARIAs performance of 'Sunday Best', the will in song form 'Underground' and whether it holds legal legitimacy, songwriting as therapy, being the victim in your songs, how releasing music has changed over the last ten years and more.

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