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    Music

    My Favorite Album with Jeremy Dylan

    Musicians, writers, actors and more talk about the music they love and how it’s influenced and inspired them. Guests include Phoebe Bridgers, Jason Isbell, Australian Prime Minister Anthony Albanese, Bob Odenkirk, Benmont Tench, Neil Finn and more.

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    Copyright: © Potts Entertainment

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    Latest Episodes:
    352. Hannah Joy (Middle Kids) on The National 'Trouble Will Find Me' (2013) Apr 29, 2021
    Show notes

    Fresh off releasing the greatest album of 2021, Middle Kids frontwoman Hannah Joy makes a welcome return to the show to talk about The National's seminal 2013 album 'Trouble Will Find Me'. We talk about The National's reputation as a band who make 'grower' albums, how this album represents the culmination of the band's career to that time, the use of rhythm, space and texture and how that influenced the new Middle Kids album, integrating family dynamics into a band, how to age gracefully as a rock band and the cocktail bar in Portland where the drinks are inspired by National songs. Plus Hannah reveals the most contentions albums each Middle Kids member has tried to play in the band van while on tour.


    351. Murray Cook on David Bowie 'The Rise and Fall of Ziggy Stardust and the Spiders from Mars' (1972) Apr 22, 2021
    Show notes

    Today I'm joined by Australian music legend Murray Cook (The Wiggles, The Soul Movers) to discuss David Bowie's nailed-on glam rock classic 'The Rise and Fall of Ziggy Stardust and the Spiders from Mars'. Murray tells the tale of how he traded away a Slade LP for this album, we debate its 'concept album' bonafides, we gush over the greatness of Spiders guitarist Mick Ronson, why the record was more successful than Hunky Dory, the unique sequencing of the album, how Bowie stayed cool til the end, his "cut up" method of writing lyrics, why he was such an effective collaborator and more.


    Best Of - Bob Odenkirk on The Replacements 'Sorry Ma, Forgot to Take Out the Trash' (1981) Apr 08, 2021
    Show notes

    Best Of - Gretta Ray on Blake Mills 'Break Mirrors' (2010) Apr 01, 2021
    Show notes

    Best Of - Hannah Joy (Middle Kids) on My Brightest Diamond 'Bring Me The Workhorse' (2006) Mar 19, 2021
    Show notes

    350. Sarah Assbring (El Perro del Mar) on Spiritualized 'Let It Come Down' (2001) Mar 11, 2021
    Show notes

    Today, the woman being El Perro del Mar, Sarah Assbring, goes from subject of this podcast to a guest, as she joins me in celebration of the 20th anniversary of Spiritualized's 2001 album 'Let It Come Down'. We talk about how the album shook up Sarah's life during a period where she had walked away from performing as a singer-songwriter, how the ambition of the record continues to inspire her, the incredible scope of the album's orchestrations and emotions, the relationship between the album and religiosity, how Sarah has found her own version of the wall of sound used on this album and how she still harbours ambitions to create a record with a similar scope.


    349. Gordi on Bon Iver '22, A Million' (2016) Mar 03, 2021
    Show notes

    Today spellbinding singer-songwriter-doctor Sophie Payten aka Gordi joins me to dive into the world of Bon Iver's 2016 game changer '22, A Million'. We dig into how Sophie feels about frequent comparisons between her and Bon Iver, how this album upended what people thought of as Bon Iver's sound, different interpretations of the album's opening line 'It might be over soon', what it was like for Sophie to work with this album's co-producer and mixer on her latest record, the unpronounceable track names and how she ended up singing with Bon Iver on The Tonight Show with Jimmy Fallon. Plus, we chat about Sophie's new single, a duet with friend of the show Alex Lahey about my favorite dive bar, Dinos in East Nashville.


    348. Colin Lane on Elton John 'Goodbye Yellow Brick Road' (1973) Feb 25, 2021
    Show notes

    Australian comedy legend Colin Lane (Lano and Woodley) is a self-proclaimed sceptic when it comes to people's deep emotional connection to pop stars, but he proves a game guest on this week's podcast, as he and I mark Elton John's first appearance on the show by talking about 'Goodbye Yellow Brick Road'. We get into the ins and outs of Elton's partnership with Bernie Taupin, how much the songs reflect Bernie's point of view over Elton's, Colin's own insights on how to keep a creative partnership together over multiple decades, the beautiful 'naffness' of Elton's music, whether it's becoming more acceptable to sing explicitly about same sex relationships in pop music and a great rollicking chat about the Elton biopic Rocket Man and why we feel like it was far superior than Queen biopic Bohemian Rhapsody.


    347. Mo'Ju on Tom Waits 'Blue Valentine' (1978) Feb 17, 2021
    Show notes

    Today one Australia's most compelling artists, Mo'Ju, joins me for a celebration of the love child of Raymond Chandler and the Cookie Monster, Tom Waits, and his classic 1978 album 'Blue Valentine'. We talk about the Tom Waits musical universe, how Waits uses a clearly defined persona to keep his private life private, the film noir sensibility that pervades Waits' lyrics, how Mo'Ju chased the sound of Waits' records in her early music, how Waits made the grotesque and the mundane beautiful, the different definitions of authenticity in art, double standards around lyrical content for different types of artists and much more.


    346. Jordan Runtagh on The Beach Boys 'Pet Sounds' (1966) Feb 11, 2021
    Show notes

    Today music journalist (People, Rolling Stone) and co-host of the Rivals podcast Jordan Runtagh joins me from New York City to finally tackle one of our white whales - The Beach Boys immortal classic 'Pet Sounds'. Yes, somehow we are in year eight of the show without anyone doing the record. Never fear, we get into it in some detail today, from the background of the record and Brian Wilson's shift to non-touring creative genius, the intra-family fights between Brian and Mike Love, the contrasts between Pet Sounds and the Beatles' Sgt Pepper, the starkness of the lyrics, the contributions of the Wrecking Crew and Jordan's experiences interviewing Brian Wilson and how this album helped him connect with his father.


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