Meeting Malkmus - a Pavement podcast

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MMT50 - 216 Sep 09, 2024

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This week Steve West calls in to chat with jD about a variety of things including song # 16Transcript:Track 2:[0:00] Previously on the Pavement Top 50. There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be, at home on the Velvet Underground's third record. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[1:03] And you're listening to The Countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and a motorcycle and sidecar driven by an orangutan. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, we're joined by Pavement superfan. No, wait a minute. Pavement superstar, Steve fucking West. Westy, how the fuck are you? I'm doing pretty good today. Yes. It's a good day, right? Yeah. Good day. Well, let's get right into it. Everybody else has been coming on and talking about their pavement origin story. I feel like that's sort of a strange thing because we've talked about it a little bit in the past. But I'm curious what it was like for you, I don't know, getting the call or getting the letter or whatever it was, the communication, the telephone call or whatever, that they were looking to fill Gary's role or like how that looked like. What what did that look like on your end?Track 3:[2:25] Well, it was kind of a long process of, you know, knowing Bob from high school and then being in Manhattan and Brooklyn and meeting Stephen and Bob and David. And then knowing that they were having difficulties kind of with with Gary.Track 3:[2:46] I can't say that I didn't know that it might be coming. And there was a phone call, like you said. But um i didn't really you know you know it kind of blew me away when it when it happened i think it was on a pay phone in manhattan and i was working at a um at a gallery helping to put up some artwork for leo castelli oh wow and i talked to steven and he was like i don't know man just put those drumsticks in the oven and keep them worn because i don't know what it's going to happen. So, you know, he was, he was giving me a heads up, but he wasn't promising me anything and understandable because, you know, the things were up and down with Gary. And so, and then, uh, I really, when it actually happened, I don't really remember any other phone call where it was because we, Steven and I would see each other quite a lot. And we lived in Brooklyn and, And we would hang out together when he wasn't on tour.Track 3:[3:56] And, you know, we play music together with David. When Bobby wasn't around, we were I kind of sat in as a drummer for them for the Silver Dudes and those little jam sessions we'd have in Brooklyn. So that kind of was the thing that kind of eased me into the whole playing music with with Stephen as well as with David. Wow and I had a loft in Brooklyn on 1st and 1st I think it was.Track 3:[4:31] South fifth. And it was a really crappy loft and it had, you know, we can make a lot of noise and it was right next to the Williamsburg bridge. And yep. And there was a tiny room in the back that Steven and I rehearsed, all those crooked rain songs when, you know, Gary had broken up and I guess I had joined the band and then we were like there jamming he was kind of introducing me to those songs in this room you know smaller than the bedroom that you have right there it was a small room it was like 10 by 10 not even probably, and uh i remember the guys upstairs complaining and banging on the ceiling and i was like come on this is a loft this is what you do in brooklyn this is what you're here you're an artist and you're musicians, and you make noise. You get a loft, and you make art, and you make noise. Totally. Yeah, we rehearsed those a few times, and then went in to record in Manhattan.Track 3:[5:41] Wow. That's pretty whirlwind, too, then, right? Yeah, I mean, it happened over a couple of months, but over a summer, that summer of, I guess, 93, um spring when i think gary quit i'm not hard for me to remember all the logistics of that's that's cool that's cool this isn't uh uh that kind of podcast where we you know get too into the weeds yeah yeah so what do you remember about um like a first show or when did you meet the rest of the guys like you were you were jamming with steve and you guys were coming up with crooked rain stuff and you were you know laying down drums for it in manhattan at the um, at that uh oh my gosh i forget the name of it right now but that uh pseudo studio, right while i recorded that that's right yeah that's right um yes so i think what happened was that spring before we recorded Crooked Rain um.Track 3:[6:54] There was a Drag City Invitational, and it might have been late spring, early summer. And we drove out to Chicago and played that. And that was the first time I played with the full group.Track 3:[7:13] I played with Steven and his girlfriend, Alexa, and maybe Mark. And we played at a show in New York City for a matador like in reunion or something like that show but that wasn't really pavement and we just played new songs or whatever I don't know what it was but the first pavement show was at the drag city thing drag city invitational um it was at a club that was across the street from where Dillinger was uh captured caught shot and captured um in Chicago and uh you know a lot of great bands on Drag City were there and Silver Juice played and um I guess uh Royal Trucks played as.Track 3:[8:01] Well and they recorded those stood a bit of it in the basement and um I remember playing that show and we had never practiced so it was just kind of like guessing really about everything yeah I don't think we practiced at all no we just went out there and played it and i had played you know the some some of the songs with steven but you know the crooked rain songs but the old songs we had never played all together so i just had to kind of they knew them and i had to you know make sure i kind of knew them and we got through it was a short set but it was good yeah that's pretty cool that's that's pretty cool it would be a cool.Track 3:[8:43] Ticket stub to own for the, you know, the first complete Pavement Band show, you know? Yeah.Track 3:[8:53] So you getting your hands dirty with Crooked Rain, does that tend to be the record that you would go back to if you were the type of person to listen to your own content? I don't know if you do. Like, I don't know if you, you know, listen to records that you've been on or whether you, you know, sort of avoid it. Like, I don't listen to very many of these podcasts, for example, just because, you know, they're done. They're done. They're done. Exactly. Like, I got their history. Yeah. What is that like with you with records? Is there one that you go back to that you're really proud of or anything like that?Track 3:[9:30] No, I mean, technically, I just go back to listen to practice to them. So I'm prepared for whatever's coming ahead. But, you know, each one has different memories for me. And of course, Crooked Rain was this fresh guy trying to figure out how to play with Stephen as well as with the whole band live as well as the recording. Recording um and uh wowie dowie would probably be more of a band thing where i would be like that was nostalgic was a really fun recording session in memphis and everything so but you know they're all different and they all have good and bad memories so i don't go back to them to listen that way i'm not that old yet.Track 3:[10:24] But when i go to practice to him i try to practice to like our live stuff that we did this past year right as well as um the rehearsals that we did in portland and i have all like the hard drives of the breakdown of the songs and you know the tracks and everything so, i'm probably more prepared for what could be thrown at me as you know how we play the songs live as a as a six piece and how we record them over the years in different setups so right it's two different ways of you know being prepared for all the things to be thrown at you yeah i suppose so like i mean was this was this tour like the well i call it this tour but the 2022 tour was that the most you guys had rehearsed like for uh for a series of shows before.Track 3:[11:17] I think so. I mean, the 2010, I think we practiced about five or five to eight times. But this time was a much better environment. And I think we practiced at least 10 or 12 days to prepare for that Fonda show in, I guess it was L.A. Which was great. I was on that one. That was fantastic. That was fun. and we all worked really hard to you know learn a whole lot of songs and be prepared how many did you take on the road um i think it was around 60 jeez yeah 60 songs that we could somehow pull out you know yeah and do that's a lot that's a lot of songs yeah and i mean you You guys were playing like 25, 26 songs a night. So like Toronto shows, for example, I saw it back to back and it was like, they weren't completely different set lists, but it really kept it interesting, you know, to see you guys multiple times because you had this.Track 3:[12:26] You had this log of, of songs that you could just carry around. Right. And Bobby is the master of doing that. He keeps track of everything and really works hard at making the set list different every night, as well as having the standards that you should be playing, but not having those standards be the same standard every night. Yeah yeah i'll tell you what doing this top 50 countdown what i did was i asked people to send in their top 20 lists and when i when i did all the math there was 121 different songs that were chosen so obviously i'm only counting the 50 but there's that many songs in your catalog that people fucking dig like that's you know that's got to be daunting in a certain way when you know There's B-sides and things like that that you guys might not have even played once outside of recording. Yeah, recording. Yeah.Track 2:[13:27] Okay, so what do you say we give song number 16 a spin, Steve? That sounds great to me. All right, let's do it. We'll be back on the other side. Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown. 16 now.Track 2:[20:31] Fillmore Jive, number 16 on the countdown.Track 3:[20:35] It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know. Is that surprising? Is that surprising to you? No, I'd rather pick Fillmore Jive over Cut Your Hair. But, I mean, Cut Your Hair is the pop song. So yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought? Yeah, I say a deeper cut because I don't think we did it in 2010. And we hadn't done it for years in the 90s. I think we did it in 94 and maybe they did it with Gary too before me.Track 3:[21:51] So I would say it's a deep cut live but in terms of records records you know for people to really enjoy but it's a pretty great number yeah pretty historic number and it really uh puts a nice end to that album yeah i think so yeah it leaves you wanting more for sure yes like in a good way you know not not like yeah okay i was like oh is that insulting thing um what.Track 2:[22:24] Do you say we get back to film our job sorry i'm.Track 3:[22:30] We recorded that, and I don't know if Stephen and I ever played that song except for when we recorded it in Manhattan at Walleye's Place. And then we played it a few times in 94, a handful of times, and didn't really play it again until this previous past couple of years. And it was always up. People loved it. Yeah, I was looking on Setlist FM, and it's like, Like, you guys played it 79 times in total, according to Setlist FM, but probably about 20 times this last tour, maybe something like that. Okay. And I got to tell you, I found it really interesting that you picked Billmore Jive, because it's the song that you're waiting a minute, almost a full minute before the drums come in. Yeah. Right? Right. And then it's that big cacophonous, you know, like I need to sleep with the with the cymbal crash. And yeah, the song really picks up steam at that point. Right now that.Track 3:[23:39] OK, so that song, I think, is where Stephen kind of the producer or the engineer, Bryce Goggin, who. who mixed the album. We recorded it in a different place, but he mixed the album. He was giving Carl Blanc to make it as big as he wanted. Do all the tricks. Do all the production tricks. And the only thing was that there was this previous recording of the intro, like you're talking about, and I don't know if that was recorded at Bob's apartment in Hoboken or at Gary's, you know, uh, studio, um, um.Track 3:[24:24] But they had that previous recording, which he thought was great.Track 3:[24:28] But he wanted to have, you know, a different take for the rest of the song. So that's kind of how we did it. And he kind of, I know that if you could hear the raw track, you'd probably hear him saying, okay, now, you know, we're playing along. He's like, okay, now we're going to get really loud and get crazy. West, go crazy. And now we're going to go quiet. So there's no way I knew that song that well, well because we wouldn't have practiced it it's a long song it's yeah it's almost seven minutes right right it's a feel song and um i think he just kind of like talked me through it and it was just the two of us so there wasn't all that other you know instrumentation to play off of it was more just him talking singing and playing um and trying to get a i feel and it definitely got a feel good or bad it got a good it got a feel oh it's yeah it's got a great it's got a great feel to it i just i can remember going for walks when i discovered crooked rain like you know in 2000 or whenever it was uh i was way off the beaten track and um just walking around listening to crooked rain and it would get to that song and there was just i don't know there's just something about that cymbal crash into the into the you know the main thrust of the song and then bringing it down again you know as he's talking about the punks with spikes and and things like that yeah.Track 3:[25:57] Just like he's kind of narrating uh narrating a music history for like a past couple decades up to that point and um you know making it kind of bringing out the history of it you kno…

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MMT50 - 217 Sep 02, 2024

Show notes

jD is joined by Mike Hogan from the 3 songs podcast w/ Bob Nastanovich. Learn about the Meeting Malkmus origin story while Mike shares his Pavement origin story and dissects song seventeen on the countdown.Transcript:Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous father to a sister of thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out i think the day it came out this is interesting it's a really fascinating song because in some ways it's super accessible uh musically uh it leans with the pedal steel and some of the other moves it leans towards kind of country music um i will say uh as i was pondering it i i mean i i know we are in a vacuum here of people who love pavement right and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything.Track 1:[1:04] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[1:12] Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to countdown the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and a four-slice toaster I had fashioned into a time machine. Now I pull the blinds of the time curtain. Yesterday is totally getting a do-over. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Mike fucking Hogan. How the hell are you, Mike? I'm doing good, JD. JD uh it's nice to talk to you yeah it's nice to talk to you too I've listened to you you know uh over the years with Bob on the on the pod and uh we've been lonesome for you yeah I was uh you know in advance of this I was like god when did we start that podcast and I looked the first episode was August of 2017 um and we did 177 episodes the last one being December of of, uh, 2022. And I think that was the only one we did that year too. I don't know. I haven't, I haven't checked, but yeah, we were pretty, we were pretty active, uh, for a few years with some breaks in between. Um, but, uh, but yeah, um, it was fun.Track 3:[2:39] So will the podcast be dusted off at some point? Will we get the Pavement-esque reunion tour? That's kind of the open question. I wouldn't say no. We don't have any immediate plans. The last time I talked to Bob about it was probably about, I don't know, four or five months ago. And he said maybe after the new year. You know, I think we we really paused things because, you know, obviously Pavement was rehearsing and then touring and things were hectic. We actually had this I had this idea to do a different like tour diary podcast in every city. Yeah.Track 3:[3:21] Like, you know, of course, the podcast that we did was very synchronous where we would talk back and forth. We would play songs but i was i had this idea where he would asynchronously record like five or ten minutes about like i'm in kansas city and here's my experience with kansas city and then we he'd pick a song that was kansas city based and i'd pick you know but it never it never ended up working out it would have been fun maybe damn that would have been great yeah maybe on the next reunion tour maybe the next reunion tour but yeah i think you know i mean between that and you know he's had some life changes i've had some life changes we kind of just were like let's take a pause let's um maybe start fresh you know after 177 episodes it's like how many different bands can you talk about that you haven't talked about in the first 176 so uh um you know i think if we came back we would probably you know might keep the same format but allow ourselves the opportunity to revisit and almost treat it as a fresh start. Hmm. That's interesting. You heard it here first, folks. No promises, you know, but no promises either way, really. Right. That's cool. It's, you know, you're saying there's a chance.Track 3:[4:41] Cool. Well, let's get right into it. Let's talk about your pavement origin story. story? Boy, um, I think I first heard of pavement. Um, I wasn't early enough to get the first seven inch. Um, but I think maybe the first drag city seven inch, um, it was probably the first time I'd heard of them. I don't know if I even bought it at the time I was in that era. I was in college. I was at very active in the college radio station at Santa Clara University KSU. And I was a music director for a little while. And there, you know, obviously, Pavement was getting a bit of buzz. And I remember them just being this band that had put out a few singles. They were getting written up in zines. You know, there wasn't social media. So there wasn't any of that buzz at that time. And it was it was like unless you had someone that had a copy you you know It was almost impossible to even find in stores, So they had this just kind of air about them of like and and there were no photos of them There weren't even their names. It was just SM and spiral stairs, and it was just this like very.Track 3:[6:02] Mysterious like who the hell are these guys and then little bits would come out where it was like Like, oh, you know, one of them worked at the Whitney as a as a as a guide. And they recorded in this in the studio in Stockton. And, you know, the the the drummer is the guy that runs the studio. He's just this old crazy dude. You know, it was just like little bits of information would kind of come out. And I think I think really what kind of hooked me was probably the 10 inch perfect sound forever. And then by the time Slandered and Enchanted came out, it was like I was full on waiting for it. And I think the first time I saw them, the only time I saw them until the reunion tour a couple years ago, was in San Francisco at the Kennel Club a week before Slandered and Enchanted came out.Track 3:[6:56] Was released. And shit. Yes, because I worked at the radio station, we had an advanced copy. So I was I was like, vigorously listening to the record. And so totally prepared for the show. And it's funny, because I think it was written up in one of the papers, one of the San Francisco papers, because the buzz was already even big. Even though Matador was still a pretty small label at the time. It was like this local band, local ish band is kind of getting uh some attention and uh it was funny the show was sold out and gary was out front like shaking people's hands as they walked into the show like could not believe that everybody was there to see him you know he'd been trying for years and years to hit it big in the music industry and couldn't believe that these two weird college kids that came into his studio was like his venue for We're actually getting some level of success. So it was kind of cool.Track 3:[7:59] Oh, very cool. Yeah. How was that show? It was, it was amazing. It was a little, um, ramshackle as some of their shows back then could have been. Um, but I just remember, you know, because I was so excited for it. Um, I just remember being like, odd, like, wow, this is great. You know? And then I never got a chance to see them again until they did the reunion tour. Uh, it was probably 30, a little over 30 years between my first and second pavement show that's hey you know what when you see them before slant it drops you're doing pretty good right like i like i think that's phenomenal i think the article in the paper said it would be like their 20th show that they played or something like that so it was certainly one of you know because before then they were just a recording band and you know they didn't it was you know all of the i think the earlier records were just the two of them plus gary uh and so they they sort of had to figure out like how are we as a band when we're playing out live and uh you know it was early enough that i think that i was still seeing some of that evolution of what pavement would become oh that is so fucking cool i you You know, I didn't get on board until very late, very late. So they were already broken up. Like, yeah.Track 3:[9:23] So, yeah, I got on board very late. And it's just listening to all this kind of talk, which I've heard, you know, a lot. I've done a lot of these at this point, these interviews and listening to people's pavement origin stories. Uh, you know, there's a lot of people who came late, but the people who came early have really fantastic stories. Like, you know, the fact that, uh, there were a mystery, you know, and that's something when I interviewed spiral, he said they really, that was something that was really important to them. And in fact, he was disappointed when they sort of dropped the. Like he wished they could have kept going with the – I don't know how they would have done that. Played in lucha masks or something? I don't know. Daft Punk did it for how many years, right? Oh, that's a good point. Yeah. Yeah. Yeah. I don't know. Or the residents. I mean it had been done before. But yeah, that was certainly part of the mystique for me. And seeing them, like, wow, they're real people when I saw them live. It was like – this is the, you know, yeah, the reveal of the curtain.Track 3:[10:31] But yeah, and that was why when slanted, I mean, perfect, perfect sound forever, too. But especially when slanted dropped, it was like felt very fresh, felt familiar, but totally different at the same time. And that's why in some ways, I think my experience of pavement is just naturally different from somebody that experienced them later when they already had this full body of work. And you could see you could see that progression because there was just this question of where were they going and what would they do next and um i can imagine the ep that came after was like oh my god these four songs are just amazing incredible like like and and it was uh.Track 3:[11:19] Yeah it was interesting it was um a very exciting time and they were like a very important band for me in that, in that period of my life. I bet. So what, um, is your go-to record at this point? Do you have one or, I mean, I know that's a tough question because it probably changes week, week over week, but you know, just think about right now, what would you, if, if we get off the phone here and you want to just reminisce about some pavement, what are you going to throw? It's hard because, you know, I think as somebody who had that level of experience about like this mystique early on and the seven inches were and, you know, the early albums were really just so ingrained in my memory. Like, I almost don't need I listened to Slandered and Enchanted before our talk today. And it was probably the first time in a couple years that I'd listened to it. But it was like, I knew every one of those songs. So in intimately, I knew every note, every lyric, every, you know, Baba Baba, you know, like every little like, like, part of the songs in a way that the later albums.Track 3:[12:38] I'm not as intimately familiar with. So when I listen to a later record, it's almost like hearing it fresh. And I can't distance myself from my experience of like Perfect Sound Forever back when it came out, or Slanded went back when it came out. But that said, I think if I were to just be like, I wanna put on a record, um well i mean watery domestic is probably my favorite piece of work that they did but it's only four songs so it's wrong but it's so fast yeah it just is over so quickly and i think i only had it on cd i only recently bought the the vinyl of it and i didn't realize that the little like you know that little like transitional piece i didn't realize it was at the end of a song i thought it was the intro of a song because i always just listened to the cd ah and it just went i never paid enough attention to it because i didn't listen to it on shuffle or anything um and so it was almost revelatory when i got it on vinyl i was like this is like the way it's supposed to be like and then i flipped the side over um so that must have been brain busting It was kind of weird. I thought that was the intro to the song, but it was really the outro.Track 3:[14:04] Well, speaking of Pavement songs, should we get into the song that you're going to cover? Yeah, let's do it. All right. We'll be right back after listening to song number 17.Track 1:[14:19] Hey, this is Bob Nestanovich from Pavement. Thanks for listening. And now on with a countdown.Track 2:[14:28] 17.Track 3:[16:10] There you have it. Song number 17 is Zurich is Stained from the debut long play Slanted and Enchanted. Mike, is this song in fact slanted and or enchanted? Discuss. Yes, indeed. I love this song. This song, it really is. And it's sort of an oasis. I love where it appears on the record. it's coming straight out of the chaos of uh conduit for sale and right before the chaos of chelsea's little wrists and you get this like really light breezy but fast song i mean it's not a ballad it's not like here it is it is this breezy light almost feels like it would be.Track 3:[17:03] At home on the velvet underground's third record you know there's this mood to it that feels, in some ways different from earlier in the record and even what comes a little later where there's a lot of like fuzz and noise it's just this light little break um that's almost this perfect little slice of i don't even know how long it is but i'm guessing it's less than two minutes it's It's just, uh, yeah, it's, it's in and out. Yeah. It's in and out. And, and the whole time Malchmus, I don't think really pauses the vocals for more than a second or two. It's just beautiful little instrumentation with his vocals kind of just strung throughout it all. Yeah. I'm singing it in my head right now. It's right. It's, it's, uh.Track 3:[17:59] I mean, you know, and it's like the chorus keeps coming back and then he ends it with the, you know, like just it is a perfect little song. It's just a perfect slice of, and if I were to play somebody that had never heard Pavement, if I would play them, what is from a songwriting perspective, what is a quintessential Pavement song? You know, there are probably a few others that might come to mind, but this is like one of those like sleeper cuts. It's just such a perfect little song that doesn't get the buzz of like the Summer Babes or, you know, some of the more hit songs. I just I love it, though. yeah it's a it's a it's a really great song it's very different from the rest of the record for for sure it like maybe even it's like more at home on crooked rain crooked rain like you know like just sonically but uh but you're right where it hits in the record is is just is just right and And it's a refreshing little wafer, you know, before the next meal. Yes. Or the next course.Track 3:[19:22] Yeah. I think because of where it hits in the record, it feels mellower, you know? Feels in contrast to some of the other songs that come before and after it. What did you say is right before it? Conduit? Conduit, yeah. Okay, yeah. So it co…

Full show notes at the publisher

MMT50 - 218 Aug 26, 2024

Show notes

This week on the show jD welcomes Vish from his own Kreative Kontrol, if you haven't checked it out get after it!Vish discusses song 18 and shares his Pavement origin story.Transcript:Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] This week we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song, which is cool. And it's one that really holds up.Track 1:[0:25] I think, too. you. Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[0:34] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus, a wet towel, and some scrawny kid from 10th grade gym class. How will your favorite songs fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Vish from Creative Control with Vish Khanna. Dude, thanks for taking some time to do this. It means a lot. How the hell are you doing? I'm well, JD. Thanks for having me on your show. How are you doing? I'm great today. It's a little overcast here, but it's about five degrees so i'm gonna go for a walk later and uh.Track 3:[1:24] And that's a, that's, those are good times for me. Very nice. That's good. Going outside. Can't beat it. Yeah. No, you can't at all. Well, let's not beat around the bush, speaking of beat it, and get right into your Pavement Origins story.Track 3:[1:38] Talk to me about that, Vish. Well, I was trying to, you know, I knew I was coming on your show, so I figured I should try to ponder this, you know, and I, I was trying to remember. Remember, I think I first came upon the band when I read about them in Spin Magazine, like, I think before Crooked Rain came out. And I don't know what it was about that piece. This is right around the time I started getting to go to record stores. You know, I'm, what would I have been then? I would have been 15, 16. Some of us were driving so we could leave Cambridge, Ontario, where I'm from, and we could go to Kitchener and Waterloo and Toronto. They had the cooler record stores those were like uh college university towns so then we started going to record stores and then you start talking to the record store people and they tell you what they like and you respect them because they're your surrogate parents so somebody somebody somewhere along the line told me about pavement i i'm pretty sure it was the spin magazine article that i was i started devouring more and more music journalism and i think it was that so i remember owning uh slanted and enchanted and also uh the record store had the trigger cut single so i think i bought both things and i'm fairly certain about both things and uh i will say that that first single got me completely obsessed with their singles um because i think they're.Track 3:[3:07] I don't know, they're one of the greatest treasure troves of any band I can think of. I know you've probably talked about this with others, but I really value Pavement B-Sides. Like, I wasn't that surprised. I mean, I was surprised that Harness Your Hopes went kind of bonkers recently, but like, I'm not surprised. Like, Pavement B-Sides, I know some of them better than I know the album songs, to be honest with you. I just became so obsessed with how great, like, the the quality of their B-sides really spoke to me. And then, yeah, that's one of the, and then I feel like that was a gateway into like, what is Silver Jews? Like, why is this, what is Silver Jews in the pavement section? What is it? Oh, it's a, it's a project. Oh, there's Bob and Steve on the back of the album covers. So they're in this, I guess. And so, yeah, the B-side alternate pavement universe if you will really spoke to me and still does uh i find myself uh kind of you know mumbling song lyrics and and tunes and melodies from you know humming them from from all the b-side so yeah i i would i would position myself that way as someone who i get a little obsessive so it wasn't just the album uh the albums it was like i want to get all the singles so i owned every single.Track 3:[4:24] On mostly on compact disc when i was coming up of age and now i've got them all on actually you know what i ordered i ordered that thing that you ordered the box that i ordered the singles box that i have a bunch of them but i was like what the hell i'm gonna do it so the book looks good yeah everything about it looks good i love pavement so uh i just thought i would get that too and uh yeah i think that's pretty much it that's where i discovered them and then of course they blew up uh you know they're one of those bands that all your cool uh heroes were talking talking about before you even heard them you know so you'd read a interview with somebody you liked and they'd mention pavements you're like what is this pavement so really have a time and place for me word of mouth and then actually digging in i have still a sense memory of playing slanted and enchanted and hearing summer babe and you're just like what the hell so yeah i'd say that's that that that's that's got to be it i think that's it and you got to be there for the release of watery then did you as somebody who was like sort of ep and single obsessed did you pick that up when it came out i did i did pick it up i don't know if i got it right when it came out i can't say that for sure because i feel like i still came to them a little bit later um because i'm sure they were that article was 93 like i don't think it was about slanted it was just mentioned so but i got it yeah and as you may have heard me talk about it's yeah it's my it's like my favorite thing, really, in some ways. I love, and yeah, I miss Gary Young.Track 3:[5:51] I never got to meet or talk to Gary Young, but yeah, the drumming as a drummer as well, as a budding drummer, like hearing Gary's playing, that had a huge influence on me too. So yeah, that era. Put your finger on what it is, isn't it?Track 3:[6:06] Like, what it is about Gary's drumming. I love Westy. I love him. He's a great guy, and he's a great drummer. But there's something about Gary. There's something about the looseness and the showmanship of people like Gary Young. I would say here in Canada, we have Mark Gaudette, who was in Eric's trip, and his drumming, too. Like, it's punk rock, but it's a bit more technical. And it's precise, but it's loose. And it just has it. He's making an instrument. you know they have their own voice i suppose as drummers they have their own like you hear it and you're like oh that's that's that's either gary or as i mentioned mark for two examples uh or it's someone copying them you know it's someone someone kind of ripping them off so i certainly was of this learning how to play the instrument and getting into some really amazing drummers at the time uh just because i didn't take drum lessons i would just listen to things or go see bands and And certain people and their drumming had a huge impact on me. And certainly early pavement drumming, you know, I think it's an underrated facet of that band. Did you get a chance to see the Gary Dock?Track 3:[7:18] No, you know what? I haven't seen that doc. That's a good call. I've been rather swamped of late and I need to do that. Have you seen it? Yeah, it's really, it's, it's pretty fabulous. Yeah, I can imagine. You're right. I should, I don't know. I'm at a thing where I got to do so much and I process so much information and music and I can't keep up with everything. So yeah, I saw it come through and I was like, yeah, I will watch that eventually. And then before you know it, I don't think I'm alone in this where there's just so much stuff to consume, but yeah, good Good call. Good call. I'll try to track it down on, I don't know if it's on a thing, a service or whatever, a streaming service, but I'll try and watch that. Yeah, I think it is because I don't know how I would have seen it. I forgot. Yeah. Um, when, when did you finally get to, uh, see them live or did you see them live in the original sort of run? I saw them for the first time in Barrie, Ontario at Lollapalooza in 1995. This was the. Wow. Lollapalooza curated by Sonic Youth.Track 3:[8:18] So also on the bill was, it was supposed to be Sinead, or sorry, it was supposed, yeah, it was supposed to be Sinead O'Connor, but I think I attended the first show that she couldn't play because she was pregnant. And so Elastica filled in, but the day was like a mighty, mighty Boston's first time I got to see the Jesus lizard. Blizzard, uh, uh, Pavement obviously played during the day, uh, Hole played. Beck was on the lineup too, wasn't he? Yeah, I saw Beck play two sets, one on the main stage, uh, this was just ahead, uh, ahead of Odile coming up, and, um, he also did a side stage, uh, performance where I actually spoke to him, he, he came down and, uh, signed autographs, so he signed, I don't know where it is but he signed my Lollapalooza ticket stub and I asked him I actually I think I, I tripped him out a little because I'd heard that he was going to be collaborating with a Toronto musician. And when I mentioned it, he was like, oh, yeah, we have been talking about that. Like he was I kind of nardwired him.Track 3:[9:23] I didn't mean it was just a rumor. I just said it. And he was like, oh, yeah, we were talking about that. So anyway. Yeah. So, yeah. And the Far Side played and Moby played and all sorts of amazing eclectic. Yeah. Yeah, Cypress Hill was one of the headliners. Bob Nastanovich, when he was on my show, I did a little documentary about Bright in the Corners. And he talked extensively about their experiences with some of the artists and their experiences playing Lollapalooza. And Bob's amazing innovation of suggesting that instead of getting a bus, they would each get minivans. He got a great deal in some rental minivans and that way they could play and then just drive ahead to the show and not worry about the gear and all that stuff and and and they could kind of travel at their leisure and uh yeah anyway so Lollapalooza 95 is the first show then I saw them at the Phoenix in Toronto for the Bright in the Corners tour and then I saw them play uh you remember the cool house and the, sorry, for those wondering in Toronto.Track 3:[10:33] There was a venue and it had two rooms. It was called the Warehouse. And then beside it was something called the Government, a smaller room. And then the Warehouse became, it was like the RPM Warehouse or something like that. That's right. And then it changed names. It was the Cool House, but I think the Government was still there. So for Terror Twilight, as I recall, Pavement played the Government. So the smaller room on that tour. So I saw them there. And then I saw them on Toronto Island on the first reunion tour with the Broken Social scene.Track 3:[11:08] And I think that's the last time I was invited or I was supposed to go see them in Austin, Texas. And Bob hooked me up. And I think I might have even been able to attend the Austin City Limits taping. But unfortunately, I couldn't make it at the last minute. So that was a bit of a bummer. But I regret it. But, you know, it was weird, still weird pandemic times then. And I, I think there was also other stuff going on. So I didn't get to see them on this current reunion, but it still seems to be going as we're speaking. So who knows?Track 3:[11:42] Maybe I can see them somehow. now yeah yeah and we are recording this in early april so yeah there's we're not uh that's not a scoop people just in case you're listening to this in october and you're like oh christ they're coming back um they may they very may well be i just edited the bob episode and you know i sort of teased him because he's like we're done after south america and i was like come on come on yeah i'll believe you're done when i when when you're done yeah but um enough about me back to you uh i'm curious about the lola performance like so you got to see them in a government isn't intimate but it's nice um and then you got to see them in um lollapalooza in front of a big crowd what do you think of the the festival version of pavement well i mean obviously it's well documented that they didn't have the best time on that tour on some level uh in slow century there's obviously the the fracas uh you know uh where people are throwing mud at them and all sorts of a rock at steven actually uh you know i i was a kid i mean that was sensory overload i i was just going to how old was I? So 95 I was had I even turned.Track 3:[13:08] Yeah, I was not even, what was I, seven, 16 or something like that? I don't know. I was not an old, I was young. You were 76? No, wait a minute. Yeah, I was 17. So I was born, no, I was born in 77. So I hadn't yet turned 18. So I was 17. And yeah, it was just, that was a bonkers year, to be honest with you. That summer, I went to everything. I went to so many festivals.Track 3:[13:31] For all my bellyaching about my parents not letting me do stuff, they let me do a lot of stuff that summer so uh yeah i don't i think i was just overwhelmed by how many people were surrounding me and and and i got up as close as i could for pavement um and we got up really close like seeing the jesus lizard was a bit i love the jesus lizard already at that point i just love them and to see them was like they were larger than life and you know yeah for those who've never seen them or footage of them at that point, Yao would come into the crowd, you know, he would leap off the stage and crowd surf and all that kind of stuff and sing while he was doing it. So it was very immersive. And then Pavement, relatively the opposite, you know, they're on stage and the songs are great and they played well, as I recall. But on some level, I remember just making a point of getting up as close as possible and trying not to, at the same time, you know, be conscious of not bothering people as you move your way up, you know, because I was kind of annoyed at everyone running around and pushing their way forward and all that stuff. So, uh... Never made sense to me. Yeah, it just... That's my main memory of just, like, trying to... I was probably... For the Jesus Lizard and Pavement, I was probably... That was the closest I was probably, uh, to the stage. And, uh... And then otherwise, yeah, I don't know. I mean, I have...Track 3:[14:57] I have a real sense memory of the Phoenix show for Bright in the Corners for a few reasons. And I've talked about them with Bob, at least.Track 3:[15:05] Bob did an interpolation of a Cool Keith song, which I just, I was like, oh, I didn't know people knew about Cool Keith. Like I had only started listening to Cool Keith at that time. And he did. I have no clue. blue cool keith is a a really uh innovative uh underground hip-hop superstar he was in a group called ultra magnetic mcs and then he went solo as dr octagon and as cool keith has all these pseudonyms and uh to be…

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MMT50 - 219 Aug 19, 2024

Show notes

This week jD is joined by Kyra from the cornfields of Western Illinois to discuss both her Pavement origin story as well as her perspective on track 19. Transcript:Track 2:[0:00] Previously on the Pavement Top 50. Blackout. So what do you think, Jessica, from Ann Arbor? I think it is a very solid Pavement song. Yeah. Like, I think it belongs in the top 20 to 30. Okay. Because, I don't know, it hits all the right Pavement beats. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[0:27] And you're listening to The Countdown. Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminal Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballots. I then tabulated the results using an abacus, six taquitos, and a bottle of bismal. How will your favorite songs fare in the rankings? Rankings you'll need to tune in to find out so there's that this week i'm joined by pavement superfan kyra from the cornfields of western illinois illinois illinois how the fuck is it going my friend it's uh pretty fucking great thank you for asking all right well um let's let's not beat around the bush let's get right into this let's talk about your pavement origin story.Track 3:[1:27] Okay um i got into pavement in the early 90s um i um graduated high school in 1994 so that was the year oh cool all right so um so you know um yeah i was 18 years old i was getting ready to graduate high school and um i'd been hearing about pavement you know and like spin and stuff magazine spin magazine and stuff like that and it sounded cool but here in the middle of fucking nowhere cornfield um they just didn't have everything you know or um you know just things were slower to get here maybe yeah stuff like that um but it's a it's a small town western illinois i lived in a town of 800 people 801 people and um i'm right now i'm in the college town that's not far from there which is a town of like 20 000 i think okay western illinois University and that's where I live now and that's where I kind of grew up around here and ended up back here but so anyway I was a teenage kid and I was into Nirvana and Pearl Jam Soundgarden all that all that stuff Alice in Chains but I was also getting into cool stuff I had a really cool curiosity I think you know I was into uh Dinosaur Jr. I was getting into Sonic Youth and uh.Track 3:[2:43] Sugar, The Replacements, REM, Morphine, just stuff like that. I think I was getting into alternative type music. And I was also really getting into Bob Dylan around that time. Oh, wow. That's pretty diverse.Track 3:[3:00] So Pavement kind of clicked with me. I got that CD called No Alternative. It was a compilation. It had a bunch of cool bands. It had a new Nirvana song on it. I think that's why I wanted to get it, because it had a cool Nirvana. A new hidden track on it or something like that um but the pavement song was really cool it was unseen power of the picket fence which is that weird rem kind of tribute not one of their best tunes but it's fun and it's cool and it introduced me to their how goofy and uh quirky and there's there's their sound and stuff like that right right so and i thought that's cool i like that filed it away maybe, hip-pocketed it. But then I got off work. I worked at the Hardee's here in town, the fast food restaurant. I got off work, went home, and I turned on my little black-and-white TV I had in my room and watched the end of the Jay Leno show. And he had pavement as his guests on his show, and I just, they played Cut Your Hair. Yeah. And it was, I just thought, I fell in love right there. I was like, this is the coolest thing I've ever heard.Track 3:[4:17] And... And you're not wrong. Yeah, right? And it was around that time where Kurt Cobain died, too. And I was a big Nirvana fan. And shit was just really serious and heavy and kind of depressing. I was listening to a lot of Pearl Jam and Nirvana and Soundgarden and Alice in Chains. And everybody was a junkie and everybody was depressed. And pavement was a cool thing to come across around that time when I was an 18-year-old impressionable youth. because it wasn't really like that. It was fun, but it still felt very urgent, I felt. Their music felt vital and urgent and had a lot of depth and meaning for an 18-year-old kid, I think. Yeah. So it was a good breather from that serious stuff I've been listening to, and I was just instantly in love with that. And my friend, I think I went to school a couple days later, and my friend's like, hey, I bought that pavement tape that you told me about on Jay Leno or whatever. And he loaned it to me, and it was Crooked Ring, Crooked Ring. And of course, that's the greatest album ever made. So that was a pretty big one to get and get into. And I fell in love with that instantly, all those great songs. Songs, you know, Gold Sound, Silent Kid, Fillmore Jive, Ranged Life.Track 3:[5:47] Every song on that one's a banger, right? It's a masterpiece. Yeah, so I got into that. I was like, well, I got to go get more of this. So I came over here to the record store. We used to have four record stores in this town. Now we have zero. Oh, shit.Track 3:[6:02] Sucks but um anyway there's uh i came over here and bought the i saw another pavement cd and it was uh watery domestic chicken on the cover and that that's also the greatest thing ever made the greatest ep ever made i guess the greatest album ever no argument from me right and this was all within like maybe a few weeks a week or a week of each other and i just loved that i thought that was the best best thing i'd ever heard um and yeah i was just in love with paper after that And I was like, this is my band. You found your band. Yeah. And I eventually, over the next few months, started getting the other stuff. I got that Westing, which I don't know if you can see it back there, my little Steve Keen of the Westing cover. A friend gave me that. She bought it down from him in Oklahoma. But anyway, that's a great, that's a cool collection of tunes. And I was like, introduced me to their early stuff, which I thought was pretty cool. But I really like what they were doing currently more, you know, yeah, they're crooked rain stuff and you know And then I started just buying everything I could get from pavement and then I heard slanted enchanted I'm like, holy shit. This is also the greatest album ever made. So Yeah, yeah all that stuff. And then wowie zowie came out like maybe a year later, you know It wasn't very long and that one was pretty amazing too little little more of a head fuck than the other ones which is I.Track 3:[7:27] Awesome you know and i just a big fan ever since um did you convert people as well i tried you had like so that you had some sort of echo chamber to be talking about this or were you isolated with your fandom um well that's a good question because my friends some of my friends kind of dug when i dug pavement and when i played it for them but i don't think they were they clicked with it like i I did, where they were totally in love with it, but they enjoyed that album, Crooked Rain and Crooked Rain. I think I might have played them something off Debris Slide or something like that. I don't know about this one, but I remember that. I actually joined the Navy right after I graduated high school and found out in the Navy that nobody liked pavement or heard of pavement.Track 3:[8:18] I hardly met anybody. buddy um but i was traveling a lot and i would go to different towns to different record stores and find the find different pavement things so that was kind of fun and i would try to turn people onto it and it didn't really click very much i converted a few people though over the years i guess i had a roommate have people to talk to about it right yeah i had a roommate who was a drummer and i played him uh watery domestic i think and he was just blown away by the drumming I think that's Gary Young, right? Doing the crazy drumming on that one. Yeah, the drumming on that was Texas Never Whispers is so cool. And he was pretty blown away by that. He's like, this drumming is so different and not your typical drumming, I guess. So I converted a few people here and there over the years. Did you ever manage to see them live?Track 3:[9:08] I did, yeah, finally, two years ago. Oh, cool. I saw them at the Chicago Theater. Yeah, good venue? They were so good. It's a classic venue, but it's not my preferred type of venue to see them in, but it was a beautiful place, and I was seeing the greatest band ever there. They sounded really good. They sounded so good on that. Yeah, they were great. So um i saw that i saw um steven malchemist and the jicks also when they first went on tour in like 2001 and that was a really cool show yeah yeah um bob was driving the rv and uh selling t-shirts really it just seemed really like a cool little tour um i think steven's um malchemist's girlfriend was in the band kind of for a while there um and she was kind of like doing background own vocals and stuff like that so it was kind of a fun gig um yeah i saw him on the pig lib tour.Track 3:[10:13] Uh but i didn't make it out i don't i wonder where he would have played here for pig lib he played at a bar called lee's palace which is like just a great venue to you know just yeah he's into and i like those be with your people right i would rather do that than be at the show the Chicago theater but um this was at the metro where I saw in Chicago which is a it's kind of the cool venue in Chicago where all the cool bands play but um and I'm from small town it's three hours to Chicago for me a three or four hour drive um and you know it's scary in Chicago because it's hard to drive and traffic and stuff like that but that's why I didn't go to a lot of shows when I was a kid.Track 3:[10:56] Just because I'm a hillbilly and uh I um didn't make it to see them when I when I would have loved to have seen them when they were at Lollapalooza or playing small clubs and stuff like that, touring behind Slanton and Enchanted. But no, I just kind of didn't get the chance to actually see them. I remember actually my now ex-wife bought me tickets to see them just on a whim. I told her I wanted to go see them in New York when they first reunited, like the reunion in 2010. 2010, I guess it would have been. Yeah, and she actually bought tickets, but we ended up going to Jamaica and getting married instead around the same time, so I had to cancel that. I mean, that's kind of a bust.Track 3:[11:45] So I kind of missed the opportunity there, I guess. But yeah, I've just been a huge fan ever since. I always felt like all of their album releases were like an event. And I remember hanging out like when I was stationed in Texas, hanging out with some friends when Bright in the Corners came out.Track 3:[12:08] Playing it for them, and they actually really liked some of the songs on it. I remember, like, Stereo and Shady Lane and stuff like that. I thought that stuff could have been a hit. I was like, this stuff's going to be a hit, guys. And they're like, yeah, sure. And, of course, I'm always wrong. I was always wrong about that. I'm actually a radio person. I used to run the alternative rock station here in town when they had one, and I was always a champion of pavement.Track 3:[12:32] I do have a funny story, I guess, kind of funny. So I worked for the radio station here in town. there's like this local group of six radio stations yeah um and i was the um i ran the alternative station i was the music director and the dj there and then uh also was like the classic morning classic rock morning show person and um also the news kind of a news person too i just kind of did a lot of things jack of all trades or whatever but um our little station group got bought out by this uh corporate butthole hedge fund dude came down and bought the stations and then fired all the people basically but um they kind of kept me around for a couple months and i learned how to they talked told me i had to do the news so i was the news director and i had to make news stories and stuff like that which not much of a journalist but i was doing i was trying but um eventually they had they were going to fire me too and they did and i knew they were going to fire me so i did not go out without a fight and i um made this news story about how oh, the new owner was a butthole and all this stuff. But, you know, I still had like two something minutes left on my newscast.Track 3:[13:40] So I play, I'm like, oh, and here's pavement, gold sounds. And then I put gold sounds in there. And then I broadcast that out the rest of the day. They fired me across the whole area on all six of their stations. And so that went out and I exposed people to pavement and made my little...Track 3:[14:03] Snide remarks about the the butthole uh guy who bought the stations and fired everybody and, it was uh it was a good feeling you played gold sounds yeah yeah i just i just thought that was a good it was it was a good length i think it's it's it might be my favorite of their songs i i don't know what i don't have i don't think i have a favorite but i have many but um yeah that Very nostalgic. Yeah, it is. Yeah, it's just got that feel. Yeah, just something wistful about it, I guess.Track 3:[14:37] But, yeah, that was... Do you have a go-to record at this point? Like, do you have one that you'll put on, you know, when you're feeling pavement-y? Or does it depend on a specific mood? It's definitely a mood thing. It seems like Wowie Zowie is always getting played around here a lot for some reason. Um because that one's that one's big it's like the white album kind of you know favorite albums so it's a big long one with uh different moods and stuff like that and i kind of it's kind of how i am a moody person so i like the roller coaster ride of that one and i like the kind of woozy sound of a lot of the songs on that one i think it's just this beautiful sounding record and.Track 3:[15:20] Um, it's got songs I don't like on it, even like a couple that kind of, I find a little more jarring, but, uh, it's still the one I've been listening to the most, I guess. But I, um, the first three, I think are, you know, the greatest albums ever made. And, um, I like the other ones also. So I have those ones on vinyl. I don't have the last two albums on vinyl and I play a lot of vinyl. So I guess that's why I, um, but my kids are into it too. That's kind of cool. They've, uh, tick tock was the harness your hopes thing. I heard my kids listening to it and I was like, Whoa, that's so cool. And they, uh, they would like, I had a t-shirt and didn't fit me anymore. So they would, they would fight over the t-shirt. They had a couple of daughters.Track 3:[16:10] Yeah. Right. But they, uh, they did. I tried to get them a little deeper into it, but they, they know harness your hopes. Which is cool and uh i was like why what does this mean my daughter said it's for a fit check i'm like what the heck is a fit check it's like an outfit showing off your outfit yeah i didn't know that it's been around yeah yeah so that's it's over my head too i'm 50 years old yeah, so i think that's pretty cool and then i've they've gotten into it it's cool seeing younger kids get into it i see it every once in a w…

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MMT50 - RT1 Aug 16, 2024

Show notes

jD, what gives it's Friday! Well I've decided to take a pause to reflect on the list thus far. I've enlisted Allison from Portland and Elvar from Iceland to go on this journey. They will discuss, dissect and debate the list as it stands thus far. Enjoy!Transcript:Track 2:[0:15] Hey, it's J.D. here, back for another episode of the Pavement Top 50 Countdown. Hey, wait a minute. It's Friday. I can't be doing the countdown today. I just did number 20 on Monday. We're cracking the top 20.Track 2:[0:31] This coming Monday, we're going to hit song number 19, if you can believe it. We're so far down this list, it makes me cuckoo bird. because we've yet to sort of analyze the list with context. So we're going to remedy that today. I've got two people that are chomping at the bit to discuss, dissect, and talk in detail. How do you like that alliteration? About the list thus far. Song 50 to song 20. That's right. right, they are going to tear that son of a bitch limb from fucking limb and talk to you about whether songs are rated too high, too low, just right. Are songs missing from this list that should be in the 50 to 20 range? Are there songs in the 50 to 20 range that you would not have in the top 50 or should they be inside the top 50 if they're not inside the top 20 i don't know what i just said there i'm a little fucked up so there's that so let's get right to this let's waste no more time we have got allison from portland and elvar from iceland joining us elvar how the fuck are you doing, man?Track 1:[1:56] Pretty good. Pretty good. Elvar over here. Good to be here, man. Thanks for inviting me on. It's good to have you over.Track 2:[2:03] So from Icelandic, we go to Portlandic. Portland get it uh anyway uh allison from portland how are you doing motherfucker it's.Track 1:[2:14] Going great um allison over here and uh yeah thanks for thanks for having us yeah it's really great i love the pavement poster in your background by the way thank you that's pretty pretty slick um so you, know i don't think it's fair to go into the list before we get a sense of your pavement origins origin stories. We sort of need to hear those. So, Allison, we'll start with you. Yeah, I'll give a little origin story.Track 1:[2:44] So, my freshman year of college, it would have been all through high school and stuff. I was really into post-punk and just all kinds of punk rock and stuff like that. And I got really, really into the fall. And then I met a guy on an internet dating website who told me if I should, or I guess it would be an app, but he said, if you like the fall, you should listen to Pavement because the fall was one of their influences. And we can get into that and my thoughts on that opinion that some people have a little bit. But either way, I listened to Pavement and totally loved it. And it was just kind of like the soundtrack to my college career. And then since then, I've just, it always stuck with me. And over the past couple of years, getting to see him play all the reunion shows and stuff, it's just been a huge part of my life. So, yeah, it's a band that's influenced by all the stuff that I love. And did something totally unique. So yeah, that's kind of how I got into them. How cool is that? It's almost as though they were constructed in a laboratory just for Allison. That's how I feel, yeah.Track 2:[4:09] So Allison, is there anything you want to tell us about live performances you've seen? Anything like that?Track 1:[4:16] The Portland reunion show as they kicked off the tour a couple years ago. Well, I saw them two times since then. Then I saw him in Seattle and then also in Salt Lake City since then. And then hopefully seeing him, well, definitely seeing him in Seattle again later this year. So, like, cool. Oh, yeah? Oh, cool. Yeah, they're playing Bumper Shoot, so. Right, right, right. Yeah. And then I guess that'll be the end, right? Because we've got news of the Hard Quartet. Yeah.Track 1:[4:47] Yeah i think what's that alvar you haven't heard no what's that malcolm has uh announced his next band oh yeah the hard quartet yeah the hard quartet yeah i heard the hardcore set yeah how do you guys like the new track by the way i honestly haven't listened yeah you allison have you heard it yeah i like it yeah it's pretty good yeah very very gixxy for sure yeah for sure yeah i'm excited to see the rest of the record definitely i'm probably gonna wait for the whole record to drop because i like to listen to things yeah like completely when i heard the song i was like yeah it's i'm gonna i'm gonna love it in context definitely it's a context song i think you know today is all about context isn't it we're putting context to the list you know we're now i want to hear about your yes yes sure so in 2010 i was introduced to payment in my early 20s so i used to be like a rocker like i was into guns and roses when i was seven and music has always been like big for me and then this guy outney from this icelandic band fm belfast he was like hey you have to check out pavement you know like wowie sawie and i got p clip that's the first one i got okay i thought it was okay then i went to this record store and this guy was like yeah this is the best payment album gave me bright in the corners which is debatable and then i just got into it i remember just like going to youtube and listening to these like slanted and and and crooked rain, and just like, it blew my mind, you know?Track 1:[6:17] Like, it changed my life. And like I said, I was like 22 or something. So I got fairly late into the game, but I'm born in the late 80s. So...Track 1:[6:28] I saw Stephen Malkovich and the Jigs at November 19th in 2011 in Milan at a place called The Tunnel and we had a really nice interaction. I did like a shout out. I shouted out, do not feed the claustrophobic oyster which was my funny way of kind of requesting the track you know and Malkovich did like a skit like we but a lot I remember like I forget what he said but he finished it up with we don't know in songs about oysters so you know that was pretty cool so.Track 1:[7:04] And i don't know if you guys know but pavement played here last uh summer like three nights yeah and that's like a thing like wilco did it i went and saw all three wilco shows nick cave just did it because he sold out so it's like a hot shit in iceland to come and do like a vegas you know thing so so that was pretty i'm so regretful that i didn't make it i wanted to go so badly and i made some really good friends from america who i'm talking to like daily now you know like through through pain so that's awesome so yeah pavement bringing people together since 1989 1989. Definitely. Definitely. Let me say this though. They did play some of the same songs like, you know, throughout the night. What Wilco did, they played three, 23 tracks at, and never the same song. And that was mind blowing. So kudos to Wilco. I don't know if I can throw that out at the payment. Of course you can. Of course you can. That was like, like fuck, you know, so, but awesome. Awesome. Great. That's my origin story.Track 1:[8:13] All right. Well, we sound like we've got two qualified, bonafide folks here to analyze this list. So let's start at the start.Track 1:[8:25] What do you think? Have you been listening? Have you been arguing with yourself when you hear some of these songs come out and you hear these people talk about the virtues of these songs? Songs um are you pleasantly surprised are you disappointed give it to me all alvar you can start buddy a little bit of both do you want me to start with the songs who are too lower or or too high you know you you are the leader my friend let me start with this loretta scars is at number 34 and that's probably my single favorite songs of all time uh wow just i don't know just the way he You guys know the song, the way he sings it in this pleating, nonchalant tone.Track 1:[9:17] And when it kicks into full gear, I can just fucking hear eons of human history in that song, for lack of a better word. Really? And like the way he sings it, like the way he sings Loretta's scars, the way his voice like winds up on Loretta and then lazily speaks the scars. I fucking love that. That's my favorite vocal melody of all time. And I don't know why, just like if people, for the last 10 years, if people ask me, what's your favorite song? I always go to that song. It's just.Track 1:[9:57] So you're pissed at 34? 34 yeah where is it on your list it's it's definitely higher than 34 because i i love that song um i don't know i'm not super good with like the different like with like pedal talk but whatever tone um he's got on that like fuzzy slanted era guitar is like one of my favorite tones so yeah um i think loretta scars is like one of the best examples of that and um i don't one of my favorite things that malchus does with his voice is like change register a lot like kind of what you're saying and um he does it beautifully in that song um yeah i definitely think that one could have been higher but i think a lot of the slanted songs could be higher but that's my my My own preference. And the lyrics. Interesting note, at number 34, that's the first song from Slanted and Enchanted on the list. That's the lowest one. That's the lowest one. Interesting. Yeah. That's insane. That's insane. I don't know how many others are on the list. I can't tell you, but. Right. But.Track 1:[11:16] But it's cool. He's using like, Mark Musch uses two guitar tunings on this album for these guitar heads. And he's using the C, G, D, G, B, E tuning, which makes this really nice dissonance. Like he's doing pop chords, but like, you know, that's what's great about this album. You know, he's doing like pop chords, these weird left field pop structures, but with these, you know, alternative tunings that really bring this awesome, awesome flavor, you know, and Gary's on the drums.Track 1:[11:49] It's just like, I don't know. It's just a beast. She's a beast yeah i could go on about that song you know but like you know i'll just i'll just have to do like a separate youtube video on it but you know yeah definitely allison do you have one you want to pick up i was very surprised to see where is it so i can make sure i get the number right i was very surprised to see pueblo at 39 because i thought that could be way higher um it's funny because like in the 30s and 40s i i mean i guess that's still pretty high out of 100 but a lot of my absolute favorites are on here so like pueblo number 39 and starlings the slipstream at 40 those two are like two of my favorites so seeing those ranked at that level right next to each other um is a little bit interesting i think they're similar songs too um just in the way that they kind of get into this like mellow ballad um era from from that that time of pavement where he kind of leaned into the more melodic ballads a little bit.Track 1:[13:04] Uh, and it's like a lot of belting out and sort of like a climax in the song. Uh, I really associate that with those two tracks. So I was really thinking it would be higher than, um, that level. And then there's some other ones on there. I said slanted, but I guess more of what I was referring to is like the early, like Westing and like before they did, uh, more of the full length records. And it was a lot of like EPs and stuff. A lot of those early days are my favorite songs. So I thought that some of these would be a little bit higher too. Like Home would be one. Yeah. Yeah, there's very little representation on the three EPs. I'm just looking quickly here. Yeah. And. Five, six songs. Yeah, like maybe Pacific Trim. There's one from Pacific Trim. So in the top. Yeah. Gosh, in the stuff that we've listened to, I almost gave something away. But in the stuff that we've listened to so far, there's nothing from the three EPs. Oh, really? I thought Forklift was in there. Wait, do you mean the early ones? Yeah. Yeah. Yeah. What about Hackler Spray? Isn't that there?Track 1:[14:21] Hackler Spray is in the 93. It's on the top 100. It's on the top 100, but not the top 50. Oh, we're not going to the 100. Sorry, sorry, sorry. We're talking about 50, yeah. We're talking about 50, of course. Yeah, yeah, yeah. Okay. I was going over those two a lot and being like, I don't know about this, but anyways. I saw that... Can I go on? I saw that Blackout was number 20. That's easily a top five for me.Track 1:[16:49] A top five definitely and I feel that song and paired with like Motion Suggest Itself and Father of a Sister of a Thought like these three are examples of Malkmus and the band, making up this like unique style when the music and the lyrics and the melodies and the performances are all put together somewhere between indie rock and alternative country but neither, and I don't know, it's so weary and so stoned and so depressed, and I feel like even if we listen to the stuff that was going on on Crooked and the stuff that was going on Bright in the Corners, similar songs like Lorraine's Live or Finn or something.Track 1:[17:37] There's this point in time where they made the songs, and just like Pueblo, and Grounded, for me, probably top five songs ever on an album, never matched in production, and resonance just the way it sounds, the way it feels with the lyrics I haven't done psychedelics and listened to those songs but it would just really crush my soul probably in a good way and I realized that going through and I'm really listening to it and I was like wow this is the best stuff that I, and I can't really, if you guys can give me an example of something that sounds similar I would love to hear it you know like Like, like, like if I could challenge you like that, I don't know. I know I like, I'm experiencing this different differently than you guys, but like really blows my mind.Track 1:[18:28] Like, yeah, I'm trying to think, but like, wow. He is an interesting record to try and find comps on. Right. Because it's so all over the place. Yeah. It's got elements of those first EPs. Like, I think those, you know, those burst songs that are anywhere from like a minute 30 to like two 10. You know, that almost feel incomplete, but they're still awesome.Track 1:[18:50] They're on there. And then you've got something like Father to a Sister of Thought. And then you've got, like, it's just so diverse. Yeah. Yeah. The reason I love Wowie Zowie is because it really feels like they piecemealed together a record that's just like super, like you said, diverse. Verse and it has a it has a very sort of like exile on main street or um yeah yeah i mean honestly that'd be my biggest comparison just in terms of like the spirit of the record because there's so many different things going on and so many different types of songs and even like, genres almost like yes some of it is really poppy stuff some of it is like they really harken back to like the early EPs on Huawei Zhaoyi.Track 1:[19:38] Yeah would you guys never just cut it down to like a 46 two-side record have you never thought about that i would love to know the the spiral like i hope someday that comes out did he want to do that he had a track listing at some point for the record that was about an 11 song record i think okay and uh…

Full show notes at the publisher

MMT50 - 220 Aug 12, 2024

Show notes

This week on the Pavement Top 50 Countdown, jD is joined by Jessica from Ann Arbor to reveal track 20 and discuss her Pavement origin story.Transcript:Track 2:[0:00] Previously on the Pavement Top 50. Today, we're talking all about number 21, Cut Your Hair. Russell, talk to me about your relationship with this song. I love this song for a few reasons. One, I think because it's ubiquitous. And when I talk about pavement to the rest of the free world, people are like, I don't remember that band. And if I say cut your hair, people are like, yeah, I remember that. Hey, this is Westy from the.Track 3:[0:41] Pavement, and you're listening to The Countdown. hey it's jd here back for another episode of the top 50 countdown for seminal indie rock band, pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and speed, just speed how will your favorite song fare in the rankings well you'll have to tune in to find out So there's that. This week I'm joined by Pavement superfan Jessica from Ann Arbor. Jessica, how the fuck are you doing? Super fucking good. I love it. I love it. This is exciting. When people fire back an F shot at me, that's like my favorite thing. It's validation to a degree. I was wondering if you were going to say like, hey, motherfucker, since I heard that maybe you haven't had a lot of ladies yet. I haven't. I said that to, I will promise I will say that in the future. Us ladies can be motherfuckers too. Yeah, yeah. Well, let's get right into it, Jessica from Ann Arbor. Let's hear your Pavement Origins story. Okay. She's opening a tome right now, folks. I know, I didn't want to go back into childhood, but it probably is high school-ish. Okay.Track 3:[2:11] So that would be late 80s, early 90s. And I lived in Michigan, which I do again. And I liked a lot of like alternative music, but it was kind of hard to find out about it. Right. Back in the day before the internets. um so one way was i read a lot of like british music magazines like enemy and melody maker um and i would read little tidbits which comes into the first time i met pavement so um.Track 3:[2:53] Oh, and I loved R.E.M. That was like my number one, probably, favorite band. I like the Replacements and a lot of British shoegazy bands. But the week after high school, my best friend and I decided to move to Athens, Georgia. And we were 17. And we just picked up and left. And we ended up living across the street from Michael Stipe. That's pretty fucking cool. That was like a dream come true. We were 17 for a while.Track 3:[3:24] So it was like this Disney world for music lovers because there were so many cool bands. But it was a little bit hard to get into stuff like bars and things the first few months. But we met a lot of people and that helped. And then we turned 18 and then we could get into more things. things but there was like cool bands playing for four dollars like five or six nights a week it was really cool we go dancing a lot and stuff um but we had tickets to go see u2 that we bought in michigan before we left so we went back for that but then we had to drive back, because we heard pavement was playing at the 40 watt in essence really this was in 92 okay so we went to the u2 show which was pretty awesome and um wayne from uh no guards from wayne's world was like satellite linked into that show and played drums for something on mtv, So that was a random place to be. But we had to drive back to Athens, and it was like 12 or 14 hours. And we went like straight to the show.Track 3:[4:42] And it was crazy and wild and sweaty. And Gary is a band. And he was doing handstands and headstands and hanging from the rafters. And it has since been put on YouTube. So now I can watch my 17-year-old self's view of watching them. But we really wanted to talk to them because we read in Enemy or Melody Maker or that they were going to be on 90210, Beverly Hills 90210, but that they, Stephen got in a fist fight with one of the guys, one of the actors. Oh, my gosh. And so before I even heard what they sounded like, I was like, I like these guys. They beat up somebody on 90210. So that was the first thing I asked them. And it was a rumor that Scott started about Stephen. than, I think, just to fuck with the UK press or something. Which sounded, that was a pretty cool thing, too. And, yeah, that was an awesome show.Track 3:[5:52] And, yeah, I was hooked. I think that summer before that, so right after high school, is I think I got Slandered Enchanted was the first thing I heard. You got that in real time, basically. I think so because we volunteered to work for this local free magazine to review bands, and they gave us a lot of free stuff. And I think that that's where we got that. I don't know if we bought it or not.Track 3:[6:28] And then I moved back to Michigan. and i had we went to high school with jim but we weren't really friends but then we worked at a store together and then we somehow started talking found out we liked a lot of the same music, and then that's jen will be coming up on a future episode just so you know, crazy jen and she's like the super fan uber fan i'm like a robin to a batman i would think because she worked at a super cool record store and so she had all the seven inches before, and cool promo things and she knew like you know label owners and promoters and people who ran clubs and all kinds of stuff so even at you know she was a year older than me so we're still like you know well 18 19 year olds and um.Track 3:[7:27] Oh, she had the inside track. So she would like make me tapes of all her cool seven inches. So I had like, you know, the peel sessions and we had all these weird bootlegs. And then I think I went to England the year before that, but then I went again and got a lot of weird bootlegs, including some pavement ones.Track 3:[7:54] And um then we went to see them together um and she is better remembering this so she had to kind of fill me in we saw them in chicago and we've gone all over the place to see them we've gone on lots of road trips because they're very important to us yeah and um but chicago is was only about four hours away and um um we also somewhere in there i think she she wanted to remind me and i guess i'm filling in some gaps that we um we wrote them some weird fan letters, somewhere in here somewhere in like 93 or 94 which i used to do with a lot of bands and i became friends with a lot of bands from writing really weird fan letters and sending really strange presence um we would just like really exaggerate things like she says that we found a danzig fanzine or something and we just changed the words around to something but we would just pretend we were like insane for them like we would say that we would, crawl a hundred miles over broken glass just to smell their shadows.Track 3:[9:11] Knows just like really over the top weird stuff um we weren't um obviously serious um and we would just put weird toys and um gadgets and odd things and just send gift boxes to bands we liked and it always made an impression um so yeah um it's a good icebreaker if you're shy too. Jen always thinks that I was better at talking to people in bands, but I'm super duper duper duper shy either. I have to overcome like being terrified. But if you have like a funky present or something silly to do or say, then it makes it easier. And they always enjoyed that. And I think that first time we gave them some weird thing we got from a truck stop was a license plate with a Confederate flag on it, which I'm cringing at now, and it said, Ass Kickin' Southern Rock. And Westy put it on his drum kit, and that made us excited.Track 3:[10:22] And then we, I think we saw him in Detroit like the next day or the next week or something. And they let us go to the sound check, and that was very exciting. And yeah, we always tried to be like in the front row, laughing and screaming and dancing. And it was very fun. And um they they gave us cool things too like one time they gave us some stephen keen paintings that were like left over from something um really.Track 3:[11:01] We got some cool stuff um and then once we got through with like kind of like we you know gush a little bit about what songs we liked or um stuff then they would we would just like kind of act like regular people with them and we'd like go out to dinner with them or go walking around with them and it was pretty cool i bet holy crap that's fucking dynamite, it was groovy those were the salad days we made them last for a few years too, talk to me about that after that refreshing sip of water i hope it's not moonshine it's uh just Just agua. I'll try not to slurp too much in the microphone. Let's see. I had to write down some of these things because I have these big blank spaces.Track 3:[11:56] So let's see. And I'm blind because I'm old now. I'm almost 50. Me too. And let's see. Okay. Okay. I had to get some help with Jen and the internet. All right, so let's see. Then we saw him in Detroit. Oh, apparently they did two shows, an early show and a late show. That was in 94.Track 3:[12:21] So we saw him in May and October. So at this point, we'd seen him like five or six times. Then we went to see him in Cincinnati.Track 3:[12:32] And I'm trying to think. We went to this, like, we would just go to the dirtiest, nastiest places that were like out in the middle of nowhere. We could have got killed and we were in jen's like old subaru that backfired all the time and pretty sure we got a flat tire once um and it was mostly like big scary drunk guys at these shows and then it was just us little girl um but um oh i know we made shirts for them i think, i don't know if jen has or will talked about but she wanted me to tell you we made these um homemade shirts and they were on um baseball kind of shirts with like you know three-quarter sleeves they were green they're very kind of 70s retro and um our old gym teacher had a t-shirt shop so we um would go and just make weird collages and then print them out into iron-ons and then he put them on and then we do lettering and i would like sew on sequins stuff and so like yeah they were very 70s looking like they would say like you know pavement rules or pavement is number one and they would have some like album art on it or some pictures of them and or just random stuff and they really liked those and i think they signed our shirts we wore them a couple times and scott really liked him so we made him one.Track 3:[13:59] And, um, there's a picture of us wearing ours in the, um, in the pavement documentary. Oh, really? In slow century? Yeah. Yeah. It's the back of us though. Cause I think, I think, I think Scott took that picture and owned it, but we had our own pictures of our faces, which we still have. Jen has most of them.Track 3:[14:24] Um, but yeah, I made one for, well, we both made it for Scott, but yeah. Yeah, she was, I sewed on like a million like individual sequins on part of his shirt. And he liked that one a lot. And we would still, we'd give him weird presents too. There were these cool stores. There's one in Cincinnati and one in Chicago. They were called Big Fun and Uncle Fun. And they had like really weird retro toys and just weird stuff from Europe. Up like we got these really tiny harmonicas that were the box had made in occupied japan they were so tiny or and we just give them like spark guns or toys or trading cards or just weird stuff that we could find um and then you know they started knowing us every time we'd show up they'd be like hey i'm here um and that was kind of cool because then we'd know like the the sound guys and the tour managers too. So even if it was somewhere, cause I went to see him in England quite a few times. Oh, that was, so yeah, I lived in England for a couple of years in London. Um, and, um, saw him there and that was very different, you know, and then I saw them as they got bigger and bigger cause we saw them in pretty little clubs and then like bigger clubs and some theaters and stuff.Track 3:[15:51] Um, and, But it would be weird, because sometimes in London, there's other people in big, fancy bands back there, backstage.Track 3:[16:01] And I would just kind of sit quietly and be like, this is exciting. And for some reason, this isn't a very musical memory, but I remember I had been in England for a couple of years, and I missed a lot of American stuff. Yeah. Just like the, I don't know, I missed Taco Bell. And weird American stuff. And Bob had some Tic Tacs and for some reason I thought they were American and they were nowhere else. And so I got really excited and I was like, America Tic Tacs! And then we had a Tic Tac fight, um backstage um but.Track 3:[16:42] Mostly we were just i would just kind of rock out love the shows we got very excited if they ever dedicated songs to us which they would every once in a while like you know if it was like our 10th show or our 10th year or something or our 20th show um we went a lot of road trips around america i'm going to see them and um yeah it was always an amazing time i bet they became your buddies yeah do you still talk yes um it's not quite as rock and roll now i play online scrabble with bob pretty much every day you do that's my most rock and roll mom story that i have that's pretty cool that's what nerdy we are that's very cool amazing he is he's like a sweet teddy bear they're all so nice yeah um i've had and i've had a lot of good talks with all of them and um so it's pretty cool when you um well they always I say, like, don't meet your heroes, but almost every band I've met has been awesome, and, um.Track 3:[18:01] Uh i've known a lot of them for 10 20 30 years now that's very cool and so i didn't see him quite a bit during the breakup times i saw um steven and the jicks a couple times, in the early 2000s in preston school industry and that was fun because me and jen had kind of lost touch she had moved out west and i moved to england and it still wasn't really good internet days and so we were like connecting through pavement like scott would say hey yeah she's in colorado now and she has a chihuahua i would be like tell her i said hi if you see her before me.Track 3:[18:51] Um it was they're like um we kind of think of them as our big brothers i bet yeah i mean and the fact that you got to see them and their rise to prominence right like that's that's pretty cool, but i have to say you know since they never got like mega gigantic they never became like stuck-up assholes so no no yeah they've always been the same um and so i didn't see him like a of reunion-y stuff like in the like 2010s thing i think i might have been having a baby somewhere in that time gotcha and being a mom and being kind of boring um, so the last time i saw them um jen came out here and we saw him in detroit, oh that's cool at the masonic temple when was that 20 2022 or yeah yeah okay and so So that had been like basically 30 years of us going to see them off and on. And I got front row for that one, so I was very excited. And she had seen them earlier on in the tour, so she got to tell them that we were going to have our reunion. And it was pretty cool. They dedicated some songs to us, and that always makes you feel like a super fan.Track 3:[20:14] So yeah it was pretty groovy yeah I bet what's your what's your go-to record these days, um Jen and I were kind of talking about this…

Full show notes at the publisher

MMT50 - 221 Aug 05, 2024

Show notes

This week on the program, jD is joined by Russ Romandini to unveil song 21 on the Pavement Top 50 Countdown. Transcript: Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] So here we go with Texas Never Whispers. Aiden from Vermont, what are your initial thoughts about this song? Texas Never Whispers is a really cool song. Full disclosure, before you sent me that this would be the song that we were going to be talking about, it honestly wasn't one of the tracks off of Watery the Mystic that really jumped out at me. But after um after you sent it and i knew that we were gonna have to chat about it um i listened to it a little bit deeper and i i definitely found like a new appreciation for it hey.Track 1:[0:38] This is westy from the rock and roll band pavement and you're listening to the countdown.Track 3:[0:46] Hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band and Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and an air fryer. Seriously, is there anything this machine doesn't do? How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Boston Russ. Boston Russ, how the fuck are you? I'm fan-tastic. and ready to rock. This is great news because it would be a hell of a podcast if you were not ready to rock. That's right. That's right. Thanks so much for having me on. Oh, it's my pleasure. Thanks for doing this. You guys do all the heavy lifting on these, so this is fantastic for me. Let's get right to it. Let's talk about your pavement origin story. Sorry. I think my Pavement Origins story goes back to 1994.Track 3:[1:50] I'm a little late. I'm kind of a late comer in some respects. So back in 94, a good friend of mine, so I got to give him some props. His name was Sean McGovern. We called him Slappy and a few other things. He was in a band in the Boston area called Beeswax. There's some other bands in our area called Beeswax also, but he was in with a few guys. And they did AK-47 and a couple other songs. Sadly, he passed away a couple years ago. He got sick. Oh, shit.Track 3:[2:23] But back in 94, we were good friends, and we hung out a ton, and he just one day gave me this bag of CDs. He left it in my car. He's like, listen to these. And so Crooked Rain was there, and so I put it on, and Silent Kid comes on, and I'm just like.Track 3:[2:41] Who are these guys? And, you know, I played the album some. And it was just, like, I go back and I look at that time. And, like, the album release times were just, like, really, like, fast-moving parts of my life. It was, like, the end of college almost where Crooked Rain came out. It was, like, the end of my junior year. And I was doing a radio show. And I don't know. I, like, never quite linked up to, like, really featuring them prominently. And then wowie zowie comes out like two weeks before i graduated college and you know and get into like the summer in 95 and it's just like it like just blurred and so it's like i heard it like a little bit but didn't like totally like dive in not until bright in the corners came out in 97 and that like i just could not stop playing that album like just word great record and word out and And I wanted to see them in concert. I had been to a bunch of different shows for bands, like Foo Fighters. I got to see Foo Fighters when they were together for two weeks in 1995. Holy shit. They were together. Nobody knew who they were. This is my same friend. So Sean says to me, we got to go see this band play.Track 3:[3:55] Eddie Vedder's wife is doing a percussion band.Track 3:[3:59] And Eddie Vedder is going to play with Mike Watt. And Dave Grohl is going to show up. and do, he's going to play with his new band. And I was like, he's like, you got to go. And it was like this rainy Sunday afternoon. We go to this club called Avalon. So if anybody knows Boston, knows the 90s, we wore Avalon out. I mean, it was like one of the best places to go for rock bands. And Foo Fighters was the middle band. Grohl comes out on lead. And you're like, because you're like, oh, Dave Grohl, new band, going to be a drummer, right? He comes out on lead and does like, and he's holding his guitar tower in hand and it was like that one moment where it's like best ever or total train wreck and he did this as a call comes in with the first lines you know just his voice butter and from there it was it was crazy so like you know i followed like a lot of these bands and went to a lot of these shows and just didn't quite i kept missing pavement and then they broke up and i got old you and me both brother you know and it's like oh and they got together in 2010 and but my My son was like a year old, and I had really moved far from Boston at that point and totally missed the tour. And I was like, ugh, you know, and just kind of feeling like stuck. And so I would listen to, you know, Pavement a lot during the 2010s. They were a big part of Spotify, and I would play them. And I don't know, a couple of years ago...Track 3:[5:26] I was just saying to myself, it would be really great if these guys would really do a tour. Yes. And then it happened. And they came to Boston, and I got sick. No fucking way. I got sick at the end of September. I totally missed the announcement that they were coming, and then got sick, and I couldn't get tickets, and I skipped it. And I was just like, I'm totally beside myself. And I was like, all right. This is okay, because we're going to make up for it. And so, we come to the end of the calendar year in 22, and then one of the best things happened to me. My wife, her best friend calls her up and says, guess what I have? And my wife says, what? And her best friend says, I have an extra free ticket to see Taylor Swift. And my wife is a huge Swifty. All right. Okay? Huge. And, you know, but her best friend lives in Tennessee. And we're in Boston. And her best friend says, the ticket's for Tampa Bay.Track 3:[6:41] Oh, my God. So, because that's where her best friend mom lives, right? Right. So, she's just like, well, I'm going to go from Tennessee to Tampa and go to the show. Do you want to come with me? And and of course you know well i gotta tell my wife i'm like you got it's a ticket of the year i'm like this this is like you got a free ticket to this like yeah you have to go right you have to go so of course like she could i you know she got the ticket we just got her i got her a flight and you know she goes down there and has a ball right they drive they do like a 1300 mile road trip from tennessee to tampa and back they go to the smoky mountains they have like the best time ever right so right after that the ticket um you know i got out of the plane ticket, the pavement in iceland announcement comes oh yes and i'm like pavement iceland and i turned 50 and i'm like she's like, You have to do that.Track 3:[7:40] That is a great wife. Yeah. She is fantastic. And I'm like, I do have to do this, don't I? She's like, I think you do. And I'm like, it's three shows. I'm like, they'll play all the songs. They have to play all the songs just to vote because it's three shows in a row. Yeah. So I went ahead and I ended up booking the trip. And so this was like you know late late i think the release was like late january so like early february it was like a couple of weeks after they released the thing i i got tickets but i still got like fifth row and i got second row for like the last show i got really good tickets they were they were a little slow to sell out of the gate but and thankful for me because you know i'm like so i just i got a flight the flights were very reasonable and so got a flight and just said we're doing this thing. So as the year ticks by, I'm getting ready, getting ready, getting ready. And then I think it was sometime in late June, my birthday passed and all this, getting ready for the trip. And then I get the big announcement that says, in Iceland, they're going to do a walking tour with the band. I did not know this. yeah they put out a walking tour with the band so uh steve and bob participated in the walking tour.Track 3:[9:02] Um so um oh and and spiral also of course um so it was the three of them and then you would buy a record and and buy the tour uh the walk tour so 90 minutes around reykjavik um and there was a host and then they would go ahead and talk about, you know, they would just talk about the musical history of Iceland, and then you could walk around and get to meet the pavement guys. That's fantastic. There were 50 tickets, went on sale at noon. My hand was like on that button, and I was number 21. That's amazing. I could not believe I got a ticket. It and i i you know again i was like is i'm like is this hyping up to be the best trip ever i'm like sounds like i'm like what's happening here and so now we're leading up to the trip the trips at the end of july they did the shows at the end of july so sometime in july i'm on reddit i'm on the pavement channel and um sky posts up and he says who's going to iceland let's form a group, so I'm like great I'm like how about me I'm like I'm going he says hi I'm Mike from DC and I'm like I'm Russell from Boston.Track 3:[10:26] So, I jump in. Another guy, Steve from Milwaukee, jumps in and says to me, so, what do you think the weather's going to be like? I'm like, maybe like a mild Boston winter. Unfortunately, to me and Steve, that meant two different things. Sorry, Steve. Because I ended up considering that to be a little chilly. But I went a little cold. So, it was pretty funny. And so, slowly, this little group of people forms on Reddit and then goes over to WhatsApp. So the day comes, finally go ahead and fly out. Do the flight, no problem, get there. And then when you fly into Keflavik Airport, it's about 45 minutes from Reykjavik, you go and take a bus. Okay. And so, guy sits across from me, he's also from Massachusetts. His name's Curtis, and I strike up a conversation with him. And halfway through the conversation, He's like, by the way, are you here for pavement? And I'm like, yes. He's like, what gives me away? He's like, you know, you're a certain age, traveling by yourself. He's like, me too. I figured you were here for the shows.Track 3:[11:35] And I'm like, I'm on the bus and I'm not even there yet. And we're already way off and running. So we get to the Thursday show, and the moment of truth comes, and I'm walking down to Harpa Concert Hall. It's a huge glass structure. It's beautiful. If you ever see the pictures online, it was amazing. Beautiful place to play. And so I'm walking, and I'm within sight distance of the concert hall. I've already spent the day there. Reykjavik's beautiful. People are nice. Everybody's very relaxed.Track 3:[12:16] And guess who walks right by me is Mark Eibold. Really? Yep. Just walking to the venue. I'm walking to the venue. He's walking away from it. He's probably going out for maybe a quick bite to eat or something. something, you know, we got a little, we had, you know, time before they went on. He walks right by me and I'm like, Mark. And he turned around and I told him hello. And I said, you know, I was here for the shows and everything. He took a quick picture with me and, you know, and that was that. But I got to meet him and I was like, all right, I got to meet Mark. He is the elusive one. He is, he is elusive. And so, but I got to meet him and got a photo and, I mean, super nice. You know, it was like 90 seconds tops, you know, because I just didn't want to take up his time. I mean, you know, he's getting ready for the show and everything. So I was happy for that. And I went up to the concert hall and everybody just started to meet. And it was funny because I think it was Mike in the group said, Yeah.Track 3:[13:23] Okay, so here's the moment of truth. How are we all going to know, you know, who each other are since we don't know each other? Good call. So I said, all right, I'm going to go stand by one of the tables. I'm wearing bright blue pumas. You can't miss me. Because I'm also wearing this, like, bright vest. I tend to wear bright clothing sometimes. And so, like, I got this vest and I got this, like, hat and pom-pom and this whole getup. Can't miss me. I mean, I'm like screaming and everybody's dressed in like black and Reykjavik. So I'm like, I really stick out.Track 3:[13:57] I'm like, can't miss me. And so I think like the first guy that comes over is Steve and Steve's like, Russ. And I'm like, hi. And so that just kind of like broke the ice for everybody and people started to gravitate over. And, you know, like we're having a couple of beers. We're talking at the shows, you know, and just met some like really great people, you know, the merch tables there. And we're talking, you know, other people got tickets for the walk on Friday and it was amazing. And so one of the guys, Eric from New Jersey, Eric says to me, I said, you know, I got Crooked Rain with the tour. I said, but I really wanted Wowie Zowie. He's like, why don't you just buy it at the merch table, bring it with you tomorrow. They'll just sign it. I'm like, genius. Yeah. So I did that, and that ended up working out very well, because they signed both albums. So solid piece of advice from Eric. And so we did the show, and it was fantastic. They started off with Grounded, which is one of my favorites. Damn. And it was really great, because when they just break into Grounded, it's like...Track 3:[15:15] I made it, you know, and, you know, the, the, the months leading up to that were a little difficult. My mom was pretty sick. She's, you know, had, she had some tough moments last year and, uh, it was just like really emotional. I was like, holy crap. I like, I really did it. I mean, this was like 30 years in the making. Yeah. And I just, it was, you know, and it's like when you see that like pavement in Iceland thing and it's like, you look at that and it's like a lot of times you just look at those types of things and then it's like, oh, it should do And you don't end up doing it, you know, for all the reasons to not go and for all the reasons to go. And it's like, I'm here, here.Track 3:[15:59] And it was just amazing. I bet. It was just really great. They did Summer Babe. And, you know, by then, we're like, we're all friends. And, like, we're all yelling all the lyrics to the songs. And, you know, everybody's just, like, carrying on, having a good time. And, you know, go out to the bars after we're out late, having drinks. And everybody's, you know, really just getting to meet each other and have fun and, you know, learn where everybody's from. I mean, people came from Los Angeles, Jersey, D.C. There were people from Europe, Berlin, and England, and all these places. All these people just converged, and they all came by themselves. Really? Yep. Most people weren't by themselves. They all came by themselves. Wow. And so there was this group of people that had all come by themselves. And now it was like we started to become like this little unit. So now…

Full show notes at the publisher

MMT50 - 222 Jul 29, 2024

Show notes

This week on the Countdown, jD is joined by Ayden Flanagan to reveal song 22 and to share his Pavement Origin Story. Transcript: Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] So here we go with Texas Never Whispers. Aiden from Vermont, what are your initial thoughts about this song? Texas Never Whispers is a really cool song. Full disclosure, before you sent me that this would be the song that we were going to be talking about, it honestly wasn't one of the tracks off of Watery the Mystic that really jumped out at me. But after um after you sent it and i knew that we were gonna have to chat about it um i listened to it a little bit deeper and i i definitely found like a new appreciation for it hey.Track 1:[0:38] This is westy from the rock and roll band pavement and you're listening to the countdown.Track 3:[0:46] Hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band and Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and an air fryer. Seriously, is there anything this machine doesn't do? How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Boston Russ. Boston Russ, how the fuck are you? I'm fan-tastic. and ready to rock. This is great news because it would be a hell of a podcast if you were not ready to rock. That's right. That's right. Thanks so much for having me on. Oh, it's my pleasure. Thanks for doing this. You guys do all the heavy lifting on these, so this is fantastic for me. Let's get right to it. Let's talk about your pavement origin story. Sorry. I think my Pavement Origins story goes back to 1994.Track 3:[1:50] I'm a little late. I'm kind of a late comer in some respects. So back in 94, a good friend of mine, so I got to give him some props. His name was Sean McGovern. We called him Slappy and a few other things. He was in a band in the Boston area called Beeswax. There's some other bands in our area called Beeswax also, but he was in with a few guys. And they did AK-47 and a couple other songs. Sadly, he passed away a couple years ago. He got sick. Oh, shit.Track 3:[2:23] But back in 94, we were good friends, and we hung out a ton, and he just one day gave me this bag of CDs. He left it in my car. He's like, listen to these. And so Crooked Rain was there, and so I put it on, and Silent Kid comes on, and I'm just like.Track 3:[2:41] Who are these guys? And, you know, I played the album some. And it was just, like, I go back and I look at that time. And, like, the album release times were just, like, really, like, fast-moving parts of my life. It was, like, the end of college almost where Crooked Rain came out. It was, like, the end of my junior year. And I was doing a radio show. And I don't know. I, like, never quite linked up to, like, really featuring them prominently. And then wowie zowie comes out like two weeks before i graduated college and you know and get into like the summer in 95 and it's just like it like just blurred and so it's like i heard it like a little bit but didn't like totally like dive in not until bright in the corners came out in 97 and that like i just could not stop playing that album like just word great record and word out and And I wanted to see them in concert. I had been to a bunch of different shows for bands, like Foo Fighters. I got to see Foo Fighters when they were together for two weeks in 1995. Holy shit. They were together. Nobody knew who they were. This is my same friend. So Sean says to me, we got to go see this band play.Track 3:[3:55] Eddie Vedder's wife is doing a percussion band.Track 3:[3:59] And Eddie Vedder is going to play with Mike Watt. And Dave Grohl is going to show up. and do, he's going to play with his new band. And I was like, he's like, you got to go. And it was like this rainy Sunday afternoon. We go to this club called Avalon. So if anybody knows Boston, knows the 90s, we wore Avalon out. I mean, it was like one of the best places to go for rock bands. And Foo Fighters was the middle band. Grohl comes out on lead. And you're like, because you're like, oh, Dave Grohl, new band, going to be a drummer, right? He comes out on lead and does like, and he's holding his guitar tower in hand and it was like that one moment where it's like best ever or total train wreck and he did this as a call comes in with the first lines you know just his voice butter and from there it was it was crazy so like you know i followed like a lot of these bands and went to a lot of these shows and just didn't quite i kept missing pavement and then they broke up and i got old you and me both brother you know and it's like oh and they got together in 2010 and but my My son was like a year old, and I had really moved far from Boston at that point and totally missed the tour. And I was like, ugh, you know, and just kind of feeling like stuck. And so I would listen to, you know, Pavement a lot during the 2010s. They were a big part of Spotify, and I would play them. And I don't know, a couple of years ago...Track 3:[5:26] I was just saying to myself, it would be really great if these guys would really do a tour. Yes. And then it happened. And they came to Boston, and I got sick. No fucking way. I got sick at the end of September. I totally missed the announcement that they were coming, and then got sick, and I couldn't get tickets, and I skipped it. And I was just like, I'm totally beside myself. And I was like, all right. This is okay, because we're going to make up for it. And so, we come to the end of the calendar year in 22, and then one of the best things happened to me. My wife, her best friend calls her up and says, guess what I have? And my wife says, what? And her best friend says, I have an extra free ticket to see Taylor Swift. And my wife is a huge Swifty. All right. Okay? Huge. And, you know, but her best friend lives in Tennessee. And we're in Boston. And her best friend says, the ticket's for Tampa Bay.Track 3:[6:41] Oh, my God. So, because that's where her best friend mom lives, right? Right. So, she's just like, well, I'm going to go from Tennessee to Tampa and go to the show. Do you want to come with me? And and of course you know well i gotta tell my wife i'm like you got it's a ticket of the year i'm like this this is like you got a free ticket to this like yeah you have to go right you have to go so of course like she could i you know she got the ticket we just got her i got her a flight and you know she goes down there and has a ball right they drive they do like a 1300 mile road trip from tennessee to tampa and back they go to the smoky mountains they have like the best time ever right so right after that the ticket um you know i got out of the plane ticket, the pavement in iceland announcement comes oh yes and i'm like pavement iceland and i turned 50 and i'm like she's like, You have to do that.Track 3:[7:40] That is a great wife. Yeah. She is fantastic. And I'm like, I do have to do this, don't I? She's like, I think you do. And I'm like, it's three shows. I'm like, they'll play all the songs. They have to play all the songs just to vote because it's three shows in a row. Yeah. So I went ahead and I ended up booking the trip. And so this was like you know late late i think the release was like late january so like early february it was like a couple of weeks after they released the thing i i got tickets but i still got like fifth row and i got second row for like the last show i got really good tickets they were they were a little slow to sell out of the gate but and thankful for me because you know i'm like so i just i got a flight the flights were very reasonable and so got a flight and just said we're doing this thing. So as the year ticks by, I'm getting ready, getting ready, getting ready. And then I think it was sometime in late June, my birthday passed and all this, getting ready for the trip. And then I get the big announcement that says, in Iceland, they're going to do a walking tour with the band. I did not know this. yeah they put out a walking tour with the band so uh steve and bob participated in the walking tour.Track 3:[9:02] Um so um oh and and spiral also of course um so it was the three of them and then you would buy a record and and buy the tour uh the walk tour so 90 minutes around reykjavik um and there was a host and then they would go ahead and talk about, you know, they would just talk about the musical history of Iceland, and then you could walk around and get to meet the pavement guys. That's fantastic. There were 50 tickets, went on sale at noon. My hand was like on that button, and I was number 21. That's amazing. I could not believe I got a ticket. It and i i you know again i was like is i'm like is this hyping up to be the best trip ever i'm like sounds like i'm like what's happening here and so now we're leading up to the trip the trips at the end of july they did the shows at the end of july so sometime in july i'm on reddit i'm on the pavement channel and um sky posts up and he says who's going to iceland let's form a group, so I'm like great I'm like how about me I'm like I'm going he says hi I'm Mike from DC and I'm like I'm Russell from Boston.Track 3:[10:26] So, I jump in. Another guy, Steve from Milwaukee, jumps in and says to me, so, what do you think the weather's going to be like? I'm like, maybe like a mild Boston winter. Unfortunately, to me and Steve, that meant two different things. Sorry, Steve. Because I ended up considering that to be a little chilly. But I went a little cold. So, it was pretty funny. And so, slowly, this little group of people forms on Reddit and then goes over to WhatsApp. So the day comes, finally go ahead and fly out. Do the flight, no problem, get there. And then when you fly into Keflavik Airport, it's about 45 minutes from Reykjavik, you go and take a bus. Okay. And so, guy sits across from me, he's also from Massachusetts. His name's Curtis, and I strike up a conversation with him. And halfway through the conversation, He's like, by the way, are you here for pavement? And I'm like, yes. He's like, what gives me away? He's like, you know, you're a certain age, traveling by yourself. He's like, me too. I figured you were here for the shows.Track 3:[11:35] And I'm like, I'm on the bus and I'm not even there yet. And we're already way off and running. So we get to the Thursday show, and the moment of truth comes, and I'm walking down to Harpa Concert Hall. It's a huge glass structure. It's beautiful. If you ever see the pictures online, it was amazing. Beautiful place to play. And so I'm walking, and I'm within sight distance of the concert hall. I've already spent the day there. Reykjavik's beautiful. People are nice. Everybody's very relaxed.Track 3:[12:16] And guess who walks right by me is Mark Eibold. Really? Yep. Just walking to the venue. I'm walking to the venue. He's walking away from it. He's probably going out for maybe a quick bite to eat or something. something, you know, we got a little, we had, you know, time before they went on. He walks right by me and I'm like, Mark. And he turned around and I told him hello. And I said, you know, I was here for the shows and everything. He took a quick picture with me and, you know, and that was that. But I got to meet him and I was like, all right, I got to meet Mark. He is the elusive one. He is, he is elusive. And so, but I got to meet him and got a photo and, I mean, super nice. You know, it was like 90 seconds tops, you know, because I just didn't want to take up his time. I mean, you know, he's getting ready for the show and everything. So I was happy for that. And I went up to the concert hall and everybody just started to meet. And it was funny because I think it was Mike in the group said, Yeah.Track 3:[13:23] Okay, so here's the moment of truth. How are we all going to know, you know, who each other are since we don't know each other? Good call. So I said, all right, I'm going to go stand by one of the tables. I'm wearing bright blue pumas. You can't miss me. Because I'm also wearing this, like, bright vest. I tend to wear bright clothing sometimes. And so, like, I got this vest and I got this, like, hat and pom-pom and this whole getup. Can't miss me. I mean, I'm like screaming and everybody's dressed in like black and Reykjavik. So I'm like, I really stick out.Track 3:[13:57] I'm like, can't miss me. And so I think like the first guy that comes over is Steve and Steve's like, Russ. And I'm like, hi. And so that just kind of like broke the ice for everybody and people started to gravitate over. And, you know, like we're having a couple of beers. We're talking at the shows, you know, and just met some like really great people, you know, the merch tables there. And we're talking, you know, other people got tickets for the walk on Friday and it was amazing. And so one of the guys, Eric from New Jersey, Eric says to me, I said, you know, I got Crooked Rain with the tour. I said, but I really wanted Wowie Zowie. He's like, why don't you just buy it at the merch table, bring it with you tomorrow. They'll just sign it. I'm like, genius. Yeah. So I did that, and that ended up working out very well, because they signed both albums. So solid piece of advice from Eric. And so we did the show, and it was fantastic. They started off with Grounded, which is one of my favorites. Damn. And it was really great, because when they just break into Grounded, it's like...Track 3:[15:15] I made it, you know, and, you know, the, the, the months leading up to that were a little difficult. My mom was pretty sick. She's, you know, had, she had some tough moments last year and, uh, it was just like really emotional. I was like, holy crap. I like, I really did it. I mean, this was like 30 years in the making. Yeah. And I just, it was, you know, and it's like when you see that like pavement in Iceland thing and it's like, you look at that and it's like a lot of times you just look at those types of things and then it's like, oh, it should do And you don't end up doing it, you know, for all the reasons to not go and for all the reasons to go. And it's like, I'm here, here.Track 3:[15:59] And it was just amazing. I bet. It was just really great. They did Summer Babe. And, you know, by then, we're like, we're all friends. And, like, we're all yelling all the lyrics to the songs. And, you know, everybody's just, like, carrying on, having a good time. And, you know, go out to the bars after we're out late, having drinks. And everybody's, you know, really just getting to meet each other and have fun and, you know, learn where everybody's from. I mean, people came from Los Angeles, Jersey, D.C. There were people from Europe, Berlin, and England, and all these places. All these people just converged, and they all came by themselves. Really? Yep. Most people weren't by themselves. They all came by themselves. Wow. And so there was this group of people that had all come by themselves. And now it was like we started to become like this little unit…

Full show notes at the publisher

MMT50 - 223 Jul 22, 2024

Show notes

jD and Brian Glaser get together this week on the Pavement Top 50 Countdown. They of course discuss Brian's Pavement origin story and then they reveal and talk about track 23 on the countdown.Transcript: Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] A stone-cold classic. This is the eighth song on our list from Pavement's penultimate album, Bright in the Corners. At 24, it's in. Jamie, what are your initial thoughts about this song? I think I remember really liking it kind of when I, you know, when you buy Bright in the Corners, you put it on, you go through the album, and it feels like a sensible, good closing song. The name kind of gives it away.Track 1:[0:30] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown.Track 3:[0:38] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the result, choosing an abacus and a woman named Helen, who frankly looked kind of lost. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week we're joined by Pavement superfan, Brian from New Jersey. Brian, how are you doing, motherfucker? I'm doing alright. How are things in Canada? Things are just dynamite. the sky is bright blue the clouds are nice and fluffy it's sunny you know i'll take sunny even if it's a little bit below zero just uh rather than that gray shit that just you know ruins everything yeah how about you everything's great here yeah it's you know it's uh it's the weekend just getting to hang out i'm getting to talk about pavement yeah that's pretty good right, Well, let's do that then. Let's get your Pavement Origins story.Track 3:[1:52] So my Pavement Origins story, I feel like it is the most down-the-middle, ordinary one. But it's also, from listening to your podcast, it's essentially the inverse of yours. Okay. So I was a college radio DJ in the early 90s. And our college radio station, the music director, would call us into his dorm like once a week or once every other week uh all the djs would come in and he would have all of the recent releases and we would hit play and just see what was happening and what we might want to play on our radio shows and stuff like that and i remember.Track 3:[2:32] Slanted and enchanted dropping into this gathering and you know he hits play on summer babe um and And it was amazing. You know, I'm also, I'm a drummer, so I'm listening to this. And this great song, one of the hooks is the hi-hats. Yeah, that hi-hat wiggle or whatever you want to call it. What do you call that? I don't know. Wiggles as good as anything. But like, think of another song where like part of the hook is, you know, a little hi-hat flourish. So that blew my mind. And then, you know, Trigger Cut comes right after that. So I went from never hearing of this band to, you know, I'm in my, I'm probably like 19, sitting in a college dorm, listening to Slanted and Enchanted, and I am a billion percent in. Like, it's everything I like.Track 3:[3:30] It's everything I love. So, I was then just like, I was there for each record coming out, and I bought them as they came out. And I went to see the Crooked Rain tour, and I saw them on Lollapalooza, and I saw the Brighton the Corners tour. And I think by the time Bright in the Corners came out, I was a music journalist in Philadelphia. And I'm pretty sure I wrote a review of Bright in the Corners for somewhere.Track 3:[4:03] I bought Terror Twilight. So I bought all of them when they came out. I did not see – I missed the Terror Twilight show. I went to the other night of the matador anniversary show because the other one was headlined by Yola Tango and they're my number one I don't miss them uh and a buddy of mine went to the other one said that the pavement show that was when he had like the uh Malcolm has had the handcuffs dangling off of his microphone stand to show his displeasure um Um, And then, you know, after that, it just, it went from being a present tense thing to pavement went into past tense and I bought the reissues when they came out. Um, but I wasn't, when they got back together and we're playing in central park, I think my son had just been born. So I didn't go see that, but they were really just kind of a past tense thing for me. And then kind of two additional things happened. The first was the pandemic.Track 3:[5:16] And just because of the kind of music guy I am, when we got sent home to work remotely, I listen to music when I work from home and I like to set little projects or parameters for myself to make it interesting. I'll be like, today I'm only going to listen to songs that this drummer is on or whatever I'm going to do. Oh, cool. And since I thought we were just going home for like a month or two, I was like, I'm only going to listen to stuff I have on vinyl. No CDs, no streaming. It's just going to be vinyl. It'll make me stand up every 20 minutes and, you know, it'll just be like a fun little parameter because I have a bunch of vinyl, but it's not the biggest part of my collection. And the only pavement I had on vinyl, I had this extra live LP that Matador sold along with the Bright in the Corner, Nicene Creed's reissue.Track 3:[6:20] It's okay. But I also had Terror Twilight, which I had listened to. I bought it on vinyl, I listened to it, and I was like, eh, there's no spiral songs on here. It feels kind of clean. It just didn't connect. But by that time, I was listening to your podcast, and this was the only one that under my rules I could really listen to. So i listened to the shit out of terror twilight you know in 2020 so it had you know it'd been out and somewhere in the back of my head for a while but i really engaged with it um and so now i'm like all in on terror twilight all these years later and you know then they came back for their latter-day reunion shows. And my buddy and I turned 50 as they rolled into Brooklyn. And so we're like, and he lives not far from King's Theater, so we're like, we're going. And we went to one of the King's Theater nights in Brooklyn. And this is like the fourth or fifth time I've seen them. And, and, Suddenly, this was the best I'd ever seen them play.Track 3:[7:33] This is what I'm hearing. This is what I'm hearing about 2022. It was amazing. I guess I would describe when I went to those shows during the initial run, everyone was playing their parts as best they could, which was very good, but they were all just kind of doing their part of the band. Yeah. On this tour, they were together. I thought so, too.Track 3:[8:26] Enchanted in college when it came out. and we're looking at each other like we couldn't believe that this was the best pavement show we'd ever seen that's amazing it just didn't seem possible um right you know because that's not what reunion tours are for no not typically um and then i'll just add you know as part of my origin story it's been it's made me have a different extension of my origin story listening to you and the other people you have on the podcast who generally seem to have come in around Terror Twilight or even after the initial run.Track 3:[9:05] This may sound pretentious or silly or whatever you want to say, but it felt like you're not as invested in the narrative that popped up around Pavement in that initial run and that every record that came out was colored by the Pavement story. Does that make sense? Yeah, I think so. You know, because I think, especially with like Wowie Zowie Bright in the Corners and Terror Twilight, when those came out, They were part of like a reaction to what had happened the year before with them. And it was hard to listen to those just sort of on their own merits because you were listening to them as part of the narrative.Track 3:[9:50] And it's fun, like getting the chance to listen to them, not like that, sort of inspired by the way you're hearing them and your experience with them and the other people that you talk to. And it's really, it's changed my relationship with a lot of the records and a lot of the songs. Oh, wow. Do you have a specific example of a song? Well, I think I'll give an album example instead. The narrative of Bright in the Corners when it came out was, A, they got the shit back together after the wowie-zowie being all over the place. And also, everyone, maybe especially people who are music journalists, were very into the R.E.M. Connection because of the production. So I was sort of talking myself into hearing REM in that record, you know, because I'd heard Unseen Power, The Picket Fence, and I knew that they had REM's producers and all that. So I was like, I listened to it as their REM record. I've never thought of that. That's great. Yeah. Great. Well, and now I can just listen to it as, you know, here's some amazing Spiral Stairs songs and here's the band really playing together. Like that one might be the closest to how they're sounding now.Track 3:[11:18] That's a good call. Yeah. Yeah, I think so. So yeah, so that's an example of how it's changed here, getting out of the narrative. I'll also say something that colored my initial run through Pavement, and I don't think I've heard you talk about this before, is when they were at their initial peak, they were this huge and overwhelming influence on like indie rock so like i remember i was at maxwell's the week that crooked rain coming out not seeing pavement but just another band with you know two distorted guitars and a slacky attitude or whatever and in between all their songs they They talked about Crooked Rain.Track 3:[12:08] That was their stage banter. It was so... Are you serious? Yeah. It was just when Pavement did something, this small but invested community talked about it. And I remember getting the CD to review from this band called Number One Cup that no one's ever heard of. They didn't last very long. I think they only put out like one or two records. And the first song on the album, I remember kind of digging it, but feeling like it felt really familiar. So I'm playing it a few times. And I realized you could sing the lyrics to Summer Babe to this song. And they were essentially just making Pavement songs. They were completely ripping them off. Well, I don't think they were ripping them off. I think they were influenced too heavily. That's so nice. But that's the thing is like Pavement was this huge influence because-Track 3:[13:17] A lot of the other things happening at that time were, strangely enough, when you go back and listen to the Pavement catalog, was a lot noisier than Pavement.Track 3:[13:29] Archers of Loaf, Sonic Youth, Super Chunk, all that stuff, those are louder and punkier than Pavement for the most part. I'm not saying Pavement had a clean sound or anything like that. No, but Crooked Rain is pretty straightforward, you know, and then, like you said a moment ago, Bright in the Corners is, I don't understand how that didn't sell a jillion copies, you know? I know. It's such a good record. Not that the other ones aren't, but it's like mainstream good. Yeah i i mean i think my if i'm putting my critic hat on i think the answer to that is they chose the wrong single um stereo is a weird single right um i don't think anyone hearing that would be like get that right on the radio and you know this is my new pop thrill here right maybe start with shady lane yeah uh start with shady lane something like something like that, could have done it, but also I mean, honestly, cut your hair was a fluke, and I think it created this idea that Pavement could have hit singles, and maybe that just wasn't true.Track 3:[14:50] That's fair. Do you think it's true? Do you think they could have been a hit singles band?Track 3:[14:59] There's just some song every once in a while you hear it's not like father to a sister of thought um like i can see that being in like, like on a tv show like playing in the background near the end of the show and you know they're wrapping things up but no i suppose you're right few and far between there you know there's a There's a few that you can look at and say, okay, yeah, yeah, this has got the makeup of a mainstream hit song. But you're right, not many, because they were doing things that were very different than the mainstream. Very different. Yeah, and I remember going to the Lollapalooza when they were on the main stage. And you've seen the videos of people throwing mud at them and stuff like that. But part of the problem was that stage was just too big for them at that point. They can do it now, but I don't think they were ready for that.Track 3:[16:03] And you saw that show, you said, right? Not the one with the mud. I saw them in Camden, New Jersey on the Lollapalooza, you know, on that tour. And was it apparent there as well? Like it just. Yeah. Cause you know, I, I was sitting out on the lawn. It's, you know, it was touring those kinds of sheds where there's the seats up front and then a big lawn in the back and it's a summer day and you got your little pick a a mcbasket and your blanket and all that and it didn't really translate that far back in.Track 3:[16:35] A way that you know like cypress hill and sonic youth and even back who were on that tour like it translated into the bigger venue and they didn't wow that is wild stuff and i mean i don't mean that as a criticism no i think it's just you know it was the superpowers they had at the time it was you know it was more intimate um and it was you know again i don't think they had whatever it is that they've gathered up with age wisdom whatever you want to call it at this point where they can go out and you know jam on the hex or whatever for 10 minutes um and really make it work i don't think they had that in their arsenal yet no i suppose you're right.Track 3:[17:32] Yeah touring wasn't wasn't their strong strong point you know and yet it was fun and yet every show you saw or every every show that i've ever heard people talk about was amazing you know Because of the venue and because of the context and that good stuff. Yeah. And I mean, it could also be that part of their target audience is, you know, guys like me, guys like you who are, you know, ready to have that rush of emotion from, you know, from the experience that, you know, in our 20s or whatever was just kind of maybe we weren't mature enough for or open enough to. Yes. Yes. Well, should we flip the side here and talk about song number 23? Let's do it. Okay, we'll take a quick break and we'll be back with song number 23.Track 1:[18:35] Hey, this is Bob Mustanovich from Pavement. Thanks for listening. And now on with a countdown.Track 3:[21:47] Well, there it is on the Top 50 Countdown. Song number 23 is the Spiral Stairs Gem, Kennel District. Brian from New Jersey.Track 3:[21:59] Give me the goods. This is ridiculously underrated. I'm going to say this one's top five. Well, or I'll caveat that. Either this or Date with Ikea, which in my mind, they're kind of, they're like, fraternal twin songs um you gotta have a spiral song in the top five like the pavement founding documents say this…

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MMT50 - 224 Jul 15, 2024

Show notes

Jamie Parkins joins jD as his guest on today's episode of Meeting Malkmus. Jamie reveals song number 24 and tells jD about his Pavement origin story. Transcript: Track 2:[0:00] Previously on the Pavement Top 50.Track 1:[0:02] Song number 25 is our first entrant from the masterpiece, Watery Domestic. It's Shoot the Singer, One Sick Verse. David from New York, what are your initial thoughts about this song? Shoot the Singer, I think it's probably one of Pavement's most perfect songs. If you just listen to it, it's such a beautifully textured song. And the production is pretty unique, I think.Track 2:[0:30] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[0:38] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballots. I then tabulated the results using an abacus and a bag full of M&M's with the brown ones removed a la Van Halen. How will your favorite songs fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan, Jamie from Watford. Jamie, first of all, fucking great name. Second of all, how the fuck are you? I'm very good, thank you for that. it's the uh english variant of the name not the not the scottish variant but i'll take it thank you well that's my name as well so yeah there we go yeah so um let's get right into things like let's not beat around the bush here let's jump right into your pavement origin story yeah wow um, I guess I've been very lucky. So I was trying to tot up how many times I've seen pavement. I think it's 10, maybe 11. Wow.Track 3:[1:53] And then, you know, I've seen Preston School of Industry a couple of times, I've seen Steve and the Jicks. But how I fell into pavement, I think, was just serendipitous.Track 3:[2:04] So I was 15, I happened to be at a friend's house, and he said.Track 3:[2:09] Got a spare ticket for a concert tomorrow. Morrow i'd never really been sort of to a concert i think you know i've been to a couple right at that age when you're 15 you're sort of you know you you're an age where perhaps you don't need your handheld anymore and he said got a ticket for a bank or pavement yeah i'd never heard of them um and i was just starting to get into what we would call in britain kind of indie so pre-brit pop but kind of indie music so bands like carter census things mega city four these might these might mean things to some of your listeners particularly in the uk um i was like yeah great free ticket um it happened to be my birthday the next day um so i borrowed a tape you know good old uh sort of probably what it would have been a 60 minute cassette and listened to slanted for you know over and over again ahead of the gig right because you don't want to turn up at a gig and not not know anything about the music and so that was um august 92 at the marquee in um in london and I didn't know what to expect didn't know what I was walking into certainly didn't know that I was going to become like a you know a big fan of this band wow so what do you remember about the show the actual show so I guess by because of the fact I was 15 and I wasn't drinking um I should I probably remember more than than you know I would from a gig like three years ago um.Track 3:[3:37] So this is going to sound, it's going to sound a bit crazy, but, and, and having listened to the other pods, like there's a common theme here, which is just how open the band are. Right. And how welcoming and accommodating they are. And, you know, I don't, I think they always realize their sort of size and everything. Right. Then they're not, they're not filling out stadiums and they don't, you know, they don't need to be standoffish at all. So we went to the gig. I've no memory of, of, um, uh, the support band, but that's primarily because somehow Somehow, me and my friend managed to end up backstage at the Marquee. We were drinking Port Band's Red Stripe Lager.Track 3:[4:14] And next thing you know, we're talking to Gary. This is Pete Gary when he's handing out like salad and handing out plates of food. And it's pretty grotty. It's actually from a black bin bag, which is not particularly exciting or alluring. But you're there going okay this is the drummer of the band that we're about to see he's handing out food we'll have a quick chat um i i have a vague memory but i don't know if this is just like history playing tricks but i have a vague memory of either steve or spiral one of the two wearing a football top um a luton town football top which for me is a watford fan that's like one of our big rivals so i don't know again if i'm sort of making this up but i have a memory that that might have been, you know, like, why are you wearing that top? You know, and that started a conversation.Track 3:[5:09] And then next thing I know, Gary's handing my friend a bottle of water. So because we were thirsty, it wasn't a bottle of water, obviously, because it was Gary. It was a bottle of vodka. And just all it's just like, this is, this is insane. And the gig hasn't even started yet. And then the concert itself was just fantastic. I mean, you know, 15 years old, um, marquee is quite a famous London venue. You know, I think the stones have played there, you know, it's, um, it's a typically small venue with a low roof and, um, sweat dripping off the ceilings. And it's the sort of perfect place to see a band that's kind of, you know, on that upward curve. Right. Yeah, absolutely. So Jamie, talk to me about, uh, your sort of your go-to record. Do you mention that slanted was the first thing you heard and you listened the shit out of it? Um what was two-part question what was next for you and you got to live it all in real time so that's spectacular uh but what is your go-to record now so there's two separate questions there, yeah i mean stunted was definitely like the the gateway drug as they say um.Track 3:[6:17] And I was lucky you're right right I was there you know every Monday when the new album came out buy the next album you know play it to play it to the nth degree two years later the next album watch them on the following tours that support those albums so I was really really fortunate I feel very very lucky um yeah uh watery domestic I mean that was a pretty fast follow wasn't it from yeah um from slanted I think I think like a lot of people have been on your thing today that was like their high point i think just musically i think you know in the case of four songs they just nailed it they nailed it yeah but i would say the album that i come back to the most is definitely uh crooked rain crooked rain i think i don't know if it's about the age like you know i was what i would have been 17 18 then you know you're kind of really impressionable music i think it also it follows on from watery domestic really nicely there's a kind of um There's a continuity of their style. Gary is, you know, there's still bits of Gary drumming on Crooked Rain, I think, if you kind of go deep into the sleeve notes and stuff like that. So I think, for me, that's the album that, you know, like I'm rebuying my LP collection, for example, and that was the first one I got. Oh, wow. Yeah. I got slanted first. Yeah. It's an expensive habit to start again, right? Jesus, is it ever? Wow.Track 3:[7:43] So, you've seen a bunch of shows, like 10 or 11 shows. You've got Crooked Rain as your record. Is there anything else you want to share about your Pavement Origins story? What else? I've got a couple of thoughts and things I'm happy to share. I don't think they're a great festival band, is my take. Seems that way. I've not seen them. Is it Benicassin? And what was the one they did on their tour back in the famous one? Yes, right. I saw it in Porto and it was really good. They were really good there. There just i think the two times i've seen them at reading festival um and i've seen them at v festival in the uk and that kind of mid-afternoon slot open air i don't think it suits their aesthetic i don't think it suits the way that their music kind of fills the room um whereas you know i saw their last gig at brixton the the night that they kind of quit with the with the handcuffs and all of that sort of you were there yeah i'm not knowing obviously like you know, there's no social media, right? You, you kind of, you know, did I notice the handcuffs on the microphone? No. Um, um, did they look tired yes um and then you know maybe two weeks later you're reading in the music press that you know that that was their last gig and that they're moving on to different things you know.Track 3:[9:06] So at the time i didn't i didn't add up the add up everything i was seeing but um kind of with hindsight you didn't go oh yeah maybe mount must have kind of checked out a little bit and um so yeah i mean but you know as a fan right it's kind of cool to be at their so-called final gig and then they do it again and again and again right they come back.Track 3:[9:29] The um it's a shame i think we're at some of the same gigs in london then because, uh i was i was at two of the gigs last year in london or no it's not last year is it god two years ago now two years ago man yeah i'd hoped to go to manchester but um i had to sell that ticket in the end so i i took myself twice to london so i kind of thought two out of four is not bad i could have done i could have done four but you know there's bills to pay that's That's right. Yeah. Well, I love those London gigs. I thought they were, the Roundhouse is a great venue. It was really awesome. If no one's ever been, you know, it's a really interesting venue, right? And I thought they did it justice and the venue did them justice in a way. Yeah, I think so. It was great. I saw three out of the four. I missed opening night because I was in Liverpool. Right. Well, then we were definitely, that's weird, right? Because we were definitely, if you missed opening night so did i so we're at the same gigs oh that's so what a small world, well should we settle in and listen to track 24 yeah let's do it halfway through right sort of 24 halfway through the 50 or so yeah that's right yeah so let's do that we'll play the song right now and uh we'll be back on the other side hey.Track 2:[10:45] This is bob mistandovich from pavement Thanks for listening, and now on with a countdown. 24.Track 3:[16:18] Well, Jamie, here we are at song 24 on the countdown, a stone-cold classic. This is the eighth song on our list from Pavement's penultimate album, Bright in the Corners. At 24, it's Finn. Jamie, what are your initial thoughts about this song? I think I remember really liking it kind of when you buy Bright in the Corners, you put it on, you go through the album, and it feels like a sensible, good closing song. Um the name kind of gives it away right to the degree and i'll be honest i'm not one for analyzing lyrics and like if you're not one for analyzing lyrics then you've got no chance with pavement lyrics right because mountainous goes all over the shop um but listening to the album recently again i've got two things about the song one is i think the album is really interesting i think lyrically it might be pavements most interesting album i think like mountainous seems to be having a lot of fun like you know i wrote down a few of the you know just on different songs right we know we went dutch dutch on shady lane you know a voice coach taught me to sing he couldn't teach me to love all the above on transported range i just think he seems to be having a lot of fun lyrically um and they kind of flow and um you know there's elements of rhyming in there which you know paper and haven't always done but the more i've listened to this song i've got to be honest and i don't know if this is not going to make me very popular given that people voted for it but i'm kind of ambivalent about this song the more i listen to it yeah oh yeah yeah i I know, sorry. No, don't be. You're in the podcast here now, right? No, no, no.Track 3:[17:47] I'm curious to know why. I was listening to it again today to give it its dues and give it a fair chance. I think my issue with the song, first of all, it's not a bad song, right? I think, you know, I don't have many pavement songs that I would put down as being bad. I think my issue with it is that it's really slow to build up and maybe that's deliberate.Track 3:[18:09] But when you've heard the guitar solo, which is great and you love the guitar so at the end and it closes out the album and it's you know take the name right it's the fin it's the end the first half of song you're just like come on let's just get to the good bit um and i kind of feel like and so the first time you hear the song you're probably thinking this is lovely i'm enjoying the experience but once you once you've had the good bit i actually find the the the kind of first half of the song uh quite slow quite quite interminable um i know sorry sorry um i went and listened to uh a live version um from their recent tour thinking you know do they play at a different speed is it you know is it different and the kind of feeling was the same again and don't think it works if you play it mid gig as well because it kind of it drifts the guitar solo kind of fades away and and if you listen to it.Track 3:[19:06] It doesn't just finish it kind of goes and goes and goes and you can keep hearing the song all the way to the end. And it just gives the impression that like, I think it, you know, am I reading too much into it, but it feels like Mount must, you know, by this point he'd had enough in pavement and maybe this is coming out. He's talking about things that, you know, walled gardens, he wants to get out. You know, is this his way of saying it through music? Because I think terror twilight is the most mountainous and the jigs type album. Yeah. And so I wonder, you know, and I think, maybe someone on your show had already said it that it was the one where the rest of the band had the least amount of writing credit like so i always think terror twilight is almost like his first album was into the jigs and this is almost like him kind of closing out on pavement um and i'm sure that i'm definitely probably reading way too much into it but that's kind of just my it just feels a little bit like yeah this is the end i get the feeling really like the guitar solo but but why are you taking so long to get to it? Sorry. You heard it here first. Shall I publish your email address in the show? So you can get, I'm thinking I've blown any chance of an invite back for the top 10.Track 3:[20:17] But yeah, I think, I think if you're a super fan, right, you're going to like some stuff more than the others. Absolutely. And I think, you know, I've got to, I've got to be fair. I just, I, I didn't vote for it. I'm kind of, like I said, I'm kind of ambivalent towards it. Like, you know, So the Hex, which is maybe a slightly similar sounding song, kind of takes you on the same journey…

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