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    Music

    Meeting Malkmus – a Pavement podcast

    Meeting Malkmus – a Pavement Podcast is an obsessive and exhaustive deep-dive into the songs of the seminal '90s indie rock band Pavement. Working in chronological order according to the date of release, your host jD, takes a song-by-song trip through the Stockton, California group's catalog, from their very first track – You're Killing Me – through their five full-length albums and EPs, including 1992 classic "Slanted & Enchanted," their 1994 breakthrough "Crooked Rain, Crooked Rain" and their 1999 swan song "Terror Twilight." In each episode, jD hyper-focuses on one song, describing its sound, deconstructing its lyrics and detailing its context, including cool stories from the band's heyday. The goal of the show is twofold: Fold #1: To help others fully appreciate the works of the world’s greatest indie rock band, and Fold #2: to someday, perhaps meet the podcast's namesake – Stephen Malkmus.

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    Latest Episodes:
    MMT50 - 207 Nov 11, 2024
    Show notes

    MMT50 - 208: The Pavement Top 50 Countdown

    In this episode of Meeting Malkmus: A Pavement Podcast, jD and guest Andy from Birmingham dive into song #7 on the Pavement countdown. They explore SMs lyrics, Pavement’s raw indie sound, and Malkmus’s distinctive voice that continues to captivate fans. Join the discussion as they look back at Pavement’s legacy and reflect on the unique, indie charm that defines the band.

    Episode Highlights:.

    • Pavement’s Influence on Indie Rock – Andy shares his experiences discovering Pavement in the 90s and the impact of Malkmus’s American accent on British fans.

    • Pavement Live – Recalling the early 90s live performance in Birmingham where Pavement opened for Sonic Youth.

    • Birmingham’s Indie Scene – Andy describes his time growing up in Birmingham’s vibrant indie rock scene, from record shops to mosh pits.

    • Bonus – A discussion on Watery, Domestic, the EP Andy only recently discovered, and why it’s become a treasured addition to his collection.

    About the Pavement Top 50 Countdown:

    Every week, jD counts down the 50 greatest Pavement tracks as voted by fans. Listen as jD and guests break down each track, sharing personal stories, song insights, and Pavement memories. Episodes release weekly, leading up to the #1 track selected by fans.

    Connect with Us:

    • Email: jd.meetingmalkmus@gmail.com

    • Website: dewvre.com/meetingmalkmus

    • Facebook Group: facebook.com/groups/meetingmalkmus

    • Socials: @meetingmalkmus on all platforms

    Thanks for tuning in to Meeting Malkmus. Don’t miss next week’s episode as we reveal song #6 and edge closer to the top of the countdown!


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    MMT50 - 208 Nov 04, 2024
    Show notes

    MMT50 - 208: The Pavement Top 50 Countdown

    In this episode of Meeting Malkmus: A Pavement Podcast, jD Dew is joined by Pavement superfan Patrice from Richmond as they dive into song #8 on the countdown. Together, they unpack the nostalgia, indie rock essence, and lyrical introspection that makes Pavement such a beloved bandk. From origin stories to unforgettable live performances, this episode is a heartfelt exploration of Pavement’s legacy.

    Episode Highlights:

    • Pavement’s Indie Rock Impact – Discussing Stephen Malkmus’s songwriting style and the band’s journey from Slanted and Enchanted to Terror Twilight.

    • Fan Origin Stories – Patrice shares her Pavement journey, from her early days with Last.FM to traveling internationally for Pavement shows.

    • Live Show Memories – Reliving standout moments from Pavement’s 2022 tour, including the Central Park and Iceland residencies.

    • Pavement Cover Bands and Indie Scene Insights – A deep dive into the 90s revival through cover bands, concert costs, and more.

    About the Pavement Top 50 Countdown:

    Each week, jD counts down the essential Pavement tracks as chosen by fans. Don’t miss the final reveal of the Top 50 songs and insider stories about Stephen Malkmus and the band’s journey through the indie rock scene. Episodes drop every week, leading up to the top track chosen by listeners.

    Connect with Us:

    • Email: jd.meetingmalkmus@gmail.com

    • Website: dewvre.com/meetingmalkmus

    • Facebook Group: facebook.com/groups/meetingmalkmus

    • Socials: @meetingmalkmus on all platforms

    Thanks for tuning in to Meeting Malkmus. Subscribe to stay on the journey as we continue the countdown of Pavement’s most memorable tracks!


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    MMT50 - 209 Oct 28, 2024
    Show notes

    MMT50 - 209

    In this episode of Meeting Malkmus, we’re diving into the Top 50 Countdown of Pavement’s most essential tracks with our special guest, Robbie from Grimsby! Join host JD as they discuss some of Pavement’s most iconic songs, explore the evolution of the band’s sound, and reminisce about personal stories of discovering Pavement.

    Robbie shares his Pavement origin story—from being introduced to the seminal indie rock band during his college years to falling in love with albums like Crooked Rain and Wowie Zowie. Together, they discuss why albums like Bright in the Corners may take time to appreciate and how the narrative around these classic records has evolved.

    Key Segments:

    • [1:57] – Robbie’s Pavement Origin Story: Discover how Robbie from Grimsby found Pavement during the Twilight era and why Crooked Rain became his favorite.

    • [4:31] – The Slow Burn of Bright in the Corners: Robbie reflects on how this album grew on him over time, and why Wowie Zowie clicked instantly.

    • [7:28] – Ranking Albums: Robbie reveals his current go-to Pavement album, why Slanted and Enchanted holds a special place and the emotional connection that certain albums carry.

    • [23:43] – Free Association in Pavement Lyrics: Robbie dissects the free-associative lyrics of Pavement, sharing his theories on Stephen Malkmus’s writing process.

    Join us as we geek out on Pavement songs, dissect indie rock history, and debate the Top 50 Pavement Countdown. Is your favorite track ranked where it should be? Find out as JD and Robbie hash it out!

    Stay Connected with Meeting Malkmus:

    • Twitter: @meetingmalkmus

    • Facebook: facebook.com/groups/meetingmalkmus

    • Website: dewvre.com/meetingmalkmus

    • Email: jd.meetingmalkmus@gmail.com

    Don’t forget to tune in next week as we continue the Top 50 Countdown of the greatest Pavement tracks, chosen by you!

    This episode was a fun journey through the seminal indie rock band’s catalog. If you’re a diehard Pavement fan, this episode is a must-listen!


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    MMT50 - 210 Oct 21, 2024
    Show notes

    Welcome to another episode of Meeting Malkmus, where we’re counting down the Top 50 Pavement songs as voted by fans. This week, we dive into song #10 on the list, the fan-favorite “Elevate Me Later” from Crooked Rain, Crooked Rain. Join host jD and special guest Jen Echo as they reminisce about the band’s seminal moments, tour stories, and the unique relationship fans have with Pavement’s music.


    From Pavement’s early days and Slanted and Enchanted to their cult status in 90s alternative music, this episode is filled with personal fan anecdotes, live concert memories, and a deep dive into why this indie rock band still resonates decades later. Whether you’re a long-time fan or new to the band, this episode will give you a fresh perspective on Pavement’s iconic songs.


    Episode Highlights:


    • [00:05] – Introduction to the Pavement Top 50 Countdown: Recap of the journey so far, and the importance of “Elevate Me Later” in the Pavement discography.

    • [01:55] – Jen Echo shares her Pavement origin story and how she first discovered the band while working at an independent record store in the 90s.

    • [03:22] – Discussing the mystery behind Pavement’s cryptic early years and the appeal of albums like Slanted and Enchanted.

    • [04:41] – The story of how Pavement built their underground reputation, including details from their early singles and why they connected with indie rock fans before mainstream success.

    • [05:56] – Jen recounts her experience seeing Pavement live in Columbus, Ohio, in 1992, during the Slanted and Enchanted tour.

    • [07:24] – Fan stories from Crooked Rain, Crooked Rain tour stops, including surreal concert experiences and a backstage moment with Stephen Malkmus.

    • [09:06] – The history of Pavement’s live performances and how the band evolved over the years, with a focus on the energy of early concerts.

    • [10:36] – Jen recalls attending a 1994 concert where fans encountered the band before the show, marking one of her earliest in-person experiences with the group.

    • [13:09] – The iconic moment when Pavement played an entire set of chronological songs from their discography in a rare Milwaukee show, surprising even their most dedicated fans.

    • [16:13] – What Pavement meant to the indie rock scene, with a focus on their DIY ethos and how their music resonated with both critics and underground fans.

    • [20:10] – Jen’s personal anecdotes about being one of the few female superfans during Pavement’s early years and her unique backstage experiences with the band.

    • [22:32] – The emotional weight of Pavement’s 1999 shows, leading up to their first breakup, and how fans, including Jen, coped with the band’s hiatus.

    • [23:00] – Discussion on how Pavement’s 2010 reunion tour brought their music to a new generation of listeners and re-energized their fanbase.

    • [25:35] – jD and Jen explore the deep-cut tracks from Slanted and Enchanted and Watery, Domestic, and how these B-sides influenced Pavement’s lasting legacy.

    • [29:06] – Final thoughts on the enduring popularity of “Elevate Me Later” and why it deserved its place in the Top 10.

    • [30:00] – Reflections on Pavement’s role in the 90s alternative music scene, including their influence on indie bands that followed.


    Key Topics Covered:


    • Pavement songs: Breaking down “Elevate Me Later” and why it stands out in the Top 50 Pavement countdown.

    • Indie rock culture: How Pavement helped define the 90s alternative music scene.

    • Behind-the-scenes stories from Pavement’s tours and their connection with superfans.

    • Stephen Malkmus and Scott Kannberg (Spiral Stairs): Personal fan interactions with these key members of the band.

    • Nostalgic fan anecdotes about catching Pavement at pivotal moments during the Crooked Rain, Crooked Rain and Slanted and Enchanted tours.


    Follow and Join the Conversation:


    • Instagram & Twitter: @meetingmalkmus

    • Facebook: facebook.com/groups/meetingmalkmus

    • Website: www.dewvre.com/meetingmalkmus


    Be sure to connect with other Pavement fans, share your favorite tracks, and stay updated on future episodes of the countdown! Don’t forget to subscribe and leave a review.


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    MMT50 - RT2 Oct 18, 2024
    Show notes

    MMT50 - RT2

    In this episode of Meeting Malkmus, JD hosts a roundtable discussion with Pavement superfans as they break down the Pavement Top 50 countdown. From their live experiences to deep dives into SM's lyrical genius, join the conversation on Pavement‘s top songs and memories from the band’s iconic albums like Wowie Zowie, Crooked Rain Crooked Rain, and Terror Twilight.

    Time Stamps & Highlights:

    • [0:15] JD introduces the roundtable, where the group will discuss Pavement’s Top 50 countdown from songs 50 through 11.

    • [0:29] Jimmy shares his excitement about scoring tickets to Pavement Live in New York and what he expects from the show.

    • [4:03] Highlight: Jimmy talks about his excitement for “Give It a Day” making the list, describing it as one of his favorites in the 30s.

    • [4:44] Chris celebrates Blue Hawaiian making the top 50, despite its unusual sound compared to other Pavement songs.

    • [7:00] Boston Russ discusses his love for “Motion Suggests” and his memorable experience seeing Pavement play it live.

    • [8:08] JD and the group reflect on the Watery Domestic EP and how songs like Greenlander would have been even better if extended into a 10-inch record.

    • [10:28] Discussion: The group digs into the appeal of Pavement’s lesser-known tracks like Texas Never Whispers and Linden Lions.

    • [12:46] Chris critiques Box Elder and Easily Fooled for being too simplistic compared to Pavement’s more evolved songs.

    • [13:07] Highlight: The group discusses Half a Canyon and how it fared on other Pavement podcasts.

    • [14:29] Nostalgia: The group reminisces about seeing Pavement live and how their songs evolved during their 2022 tour.

    • [18:33] Boston Russ shares a story about hearing The Hex in Iceland, creating a magical fan moment.

    • [25:15] Chris reflects on discovering Pavement in 2004 and wonders how fan age demographics affect the Pavement Top 50 list.

    • [27:42] Discussion: The evolution of Pavement from their early lo-fi tracks like Slay Tracks to their more produced albums like Terror Twilight.

    • [32:24] The group speculates which Pavement songs will make the top 10.

    • [35:16] The impact of Crooked Rain Crooked Rain and tracks like Range Life and Gold Soundz in Pavement’s legacy.

    • [39:04] Boston Russ gives a shoutout to his friend Sasha, who finally heard AT&T live after multiple attempts.

    • [45:25] Final roundtable: Everyone guesses what they think will be the number one Pavement song in the Top 50 Countdown.

    Key Takeaways:

    • Fans of Pavement are deeply passionate about their favorite songs, and discussions like these reveal how eclectic the band’s music truly is.

    • The band’s diverse sound across albums like Wowie Zowie, Slanted and Enchanted, and Crooked Rain Crooked Rain has created lasting memories for fans.

    Connect with Us:

    • Twitter & Instagram: @meetingmalkmus

    • Facebook: Meeting Malkmus Facebook Group

    • Website: Meeting Malkmus on Dewvre

    Join the conversation, share your favorite Pavement memories, and stay tuned for the next episode of Meeting Malkmus!



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    MMT50 - 211 Oct 14, 2024
    Show notes

    MMT50 - 211

    In this week’s episode of Pavement Top 50 Countdown, host jD is joined by Pavement superfan Martel for a deep dive into one of the top tracks in the band’s catalog as the countdown continues to edge closer to the Top 10.

    Martel shares his Pavement origin story, recalling the magic of discovering the band back in 1994 when he first heard the Crooked Rain album. From teenage weekends at record shops to hearing those first iconic notes, Martel reflects on the life-changing moment when he became hooked on Pavement. He also recounts memories of the band’s live performances, from major festivals like Reading to more intimate shows, including their legendary 1999 gig in Hull.

    jD and Martel discuss the unique melodic style and abstract lyrics of the featured track, diving into the mysteriousness and artistic creativity that defines Stephen Malkmus’s songwriting. They explore how Pavement’s music, much like the band itself, holds layers of meaning that reveal themselves over time. The two also touch on Pavement’s other standout albums, including Slanted and Enchanted, Wowie Zowie, and Watery Domestic, appreciating how the band’s work continues to stand the test of time.

    Listeners will enjoy thoughtful conversations about the band’s place in 90s alternative music, the allure of their cryptic album artwork, and the continued fan devotion seen during the band’s reunion tour.

    Tune in to hear the next track on the countdown and join jD and Martel as they celebrate the legacy of Pavement, one essential song at a time.

    Key Topics:

    • [00:52] Martel’s first encounter with Pavement’s music through Crooked Rain

    • [02:20] Pavement’s distinctive sound, songwriting, and cryptic lyrics

    • [05:17] Iconic live performances from Reading Festival to their intimate 1999 Hull gig

    • [06:23] The enduring legacy of albums like Slanted and Enchanted and Wowie Zowie

    • [17:11] The excitement around Pavement’s reunion tour and hopes for future music from Stephen Malkmus

    Don’t miss the countdown as we get closer to unveiling the Top 10 tracks!

    Connect with Us:

    Follow the podcast on social media and stay up to date:

    • Instagram and Twitter: @meetingmalkmus

    • Facebook: facebook.com/groups/meetingmalkmus

    Join the conversation, share your thoughts on Pavement’s music, and let us know where your favorite tracks land on the countdown!


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    MMT50 - 212 Oct 07, 2024
    Show notes

    Yes, I have incorporated all the keywords into the show notes. Here is the updated version with all the keywords included:---**Show Notes: MMT50 - 212**Hey there, Pavement aficionados! jD is back with another episode of our Top 50 Countdown on the *Meeting Malkmus* podcast, exploring the essential tracks by the seminal indie rock band, **Pavement**. This week, we're diving into track number 12 on the countdown.Joining jD is Pavement superfan **Tim from Portland**, and trust us, you don't want to miss this one. It's a rollercoaster ride through **'90s indie rock** nostalgia, **Pavement concert stories**, and a heartfelt plea to support live music.---**Episode Highlights:****[0:00] Introduction and Tim's Pavement Origin Story**- **Discovering Pavement through the College Music Journal:** - Tim shares how he first stumbled upon Pavement in the summer of '94 through the *College Music Journal*, a pivotal moment in his journey into **'90s indie rock**. - *"Yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones... been cranking it ever since."*- **First Impressions of 'Crooked Rain, Crooked Rain':** - His immediate obsession after purchasing Pavement's seminal album, *Crooked Rain, Crooked Rain*. - *"Right out of the gate, this album was different, and I applauded that."***[1:57] Early Live Shows and Military Gear Coincidence**- **First Pavement Concert Experience in the San Diego Music Scene:** - Tim talks about seeing Pavement live for the first time in January '96 at Montezuma Hall, San Diego State University—a highlight in his **Pavement concert memories**. - **Silkworm as the Opening Act:** - The concert featured **Silkworm** as the opening act, adding to the night's **indie music nostalgia**. - *"We decided to dress up... everyone put on some sort of military garb."*- **Serendipitous Moment with the Band:** - The hilarious coincidence of the band also wearing military attire, showcasing the quirky connection between Pavement and their fans. - *"We all looked at them and then at each other and just started laughing."***[4:13] Following the Band and Memorable Performances**- **Photographing Pavement at Bimbo's 365 Club:** - Tim recalls capturing the band during a show at **Bimbo's 365 Club in San Francisco**, adding to his collection of **Pavement fan experiences**. - *"I have some great shots from there... there was definitely, you know, kind of a whole San Francisco vibe going on."*- **Tibetan Freedom Concert Adventure [7:11]:** - Get the lowdown on Tim's experience at the massive **Tibetan Freedom Concert** in San Francisco, featuring a lineup that included **Sonic Youth** and cemented **Pavement's influence on indie rock**. - *"There were, I think, like a hundred thousand people there... It was a total bottleneck of a festival."***[9:05] Unforgettable Gigs and Onstage Antics**- **Mark Ibold's Onstage Incident:** - Hear about bassist **Mark Ibold's** mysterious onstage moment in Pomona, one of the more intriguing **Pavement concert stories**. - *"He couldn't play; he couldn't finish a song... the show ended shortly after that."*- **Bob Nastanovich's Live Performances:** - Discussing **Bob Nastanovich's** energetic contributions during live shows, highlighting the band's dynamic stage presence.**[11:01] Accidental HBO Appearance**- **HBO Reverb Special Featuring Pavement:** - Learn how Tim unknowingly became part of the **HBO Reverb Pavement** special during a gig at Cane's in San Diego, a unique highlight in his **Pavement concert memories**. - *"We didn't even know that was happening... Spiral was like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it."***[12:20] Deep Dive into Track #12**- **Why Track #12 Matters in Pavement's Discography:** - Tim breaks down why this song is in his personal top five, offering insightful **Pavement song analysis**. - *"This song, you know, it's awesome. It's got rockets; it goes."*- **Personal Connection and Indie Music Nostalgia:** - How the song's themes resonate with Tim's own travels and experiences across California, enhancing his **indie music nostalgia**. - *"I know all the places it talks about... Hearing this the first times, we were just like, 'Who are these guys? What are they doing singing about our places?'"*- **The Quintessential Pavement Vibe:** - Discussing how Pavement's songs often mean everything and nothing all at once, reflecting their unique place in **alternative rock**. - *"It has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."***[18:49] The Pavement Ethos and Live Music Today**- **Stephen Malkmus and the Band's Stance on Fame:** - Reflect on **Pavement's** unique approach to art over commercial success, and how **Stephen Malkmus** embodies this ethos. - *"They lean more art rather than commercialized... They always look painfully uncomfortable."*- **Memorable 2010 Reunion and 2022 LA Show:** - Tim and jD reminisce about the **Pavement 2010 reunion tour** and their first meeting at the epic **Pavement 2022 LA show**, standout events in the **Pavement fan community**. - *"Everybody that was there really wanted to be there... It just checked all the boxes for me."***[29:11] Support Live Music: An Impassioned Plea**- **Get Out and Go to Local Music Venues:** - Tim urges listeners to support live music by attending shows at local venues and supporting **local music venues in Portland** and beyond. - **Quote:** *"Go out, spend some money, and support the arts. When you go to a concert—even if you only stay for four songs—it has a positive impact on your body and your soul."*- **Local Venue Shoutouts in the Portland Music Scene:** - Tim mentions his favorite spots in the **Portland music scene**: Turn Turn Turn, the Kenton Club, and the Fixin' To, encouraging listeners to experience the thriving local music scene.---**Join the Conversation:**- **Twitter:** [@meetingmalkmus](https://twitter.com/meetingmalkmus)- **Facebook Group:** [facebook.com/groups/meetingmalkmus](https://facebook.com/groups/meetingmalkmus)- **Website:** [jd.meetingmalkmus.com](http://jd.meetingmalkmus.com)---**Extra Nuggets:**- **Exclusive Live Recording:** - Tim shares a rare live version of a song from Pavement's Toronto show. It's raw, it's real, and it's right here on the *Meeting Malkmus* podcast.- **Fun Fact:** - Did you know jD used an abacus and a goat with an extra leg to tabulate your Top 20 ballots in the **Pavement Top 50 Countdown**? Don't ask.- **Akin to a Pavement Band Interview:** - This episode feels like an intimate **Pavement band interview**, offering deep insights into the band's history and impact on **indie music**.- **Indie Music Podcast Community:** - As part of the broader **indie music podcast** scene, *Meeting Malkmus* continues to bring you in-depth discussions and interviews with **Pavement superfans** and insiders.---So grab your headphones, crank up the volume, and let's get amped together on this **indie rock** journey through Pavement's legacy.---Transcript: [0:00] Previously on the Pavement Top 50: That's right, song number 13 on the countdown is "Shady Lane," J vs. S. Ralph from Lincolnshire, what is your initial thought about this song?"Well, it's an amazing song. It's an amazing song. I mean, I think it might be—maybe I'm putting it third on my ranking of 'Brighten the Corners.' And I would almost say, you know, 'Brighten the Corners' is my favorite Pavement, so it is super up there. It's brilliant.""Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown."[0:39] "Hey, it's JD here, back for another episode of our Top 50 Countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an abacus and a goat with an extra leg—don't ask. How will your favorite song fare in the ranking? You'll need to tune in to find out, so there's that."This week, we're joined by Pavement superfan Tim from Portland. Tim, how's it going, motherfucker?""Hey, hey, hey, it's going, motherfucker. It's going great.""That was very Canadian of me, motherfucker. Let's get right to it; let's not mess around here, let's not dilly-dally. Talk to me about your Pavement origin story.""Who? I discovered them through—I believe through College Music Journal, which was a publication back in the '90s. It was kind of—""I don't think so.""Okay. It was like a half-sized magazine, so I think it was an evolution from zines. I don't know. Anyways, I read a record review of 'Crooked Rain.'"[1:57] "And that's when I was introduced to them. So this was, you know, '94—summer of '94 probably—because I had just left uni and got a house with friends. And yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones. I would get this College Music Journal and read reviews and go buy albums; that was kind of my thing. So yeah, went down and got 'Crooked Rain' and have been cranking it ever since.""Yeah. So what was it like the first time you spun it?""Oh man, I loved it. You know, I had just graduated from uni; I was an art and business major of all things, and I was into everything that wasn't normal—trying, anyways. And that's what Pavement was for me, you know? Right out of the gate, this album was different, and I applauded the—I don't know, there's this sense of, like Beavis and Butthead said, trying and not trying, and I love that about this. I recently heard Jack Black say—somebody asked him what kind of bands he's into, and he's like, 'I only want to listen to bands'—this is an old interview—but he said, 'I only want to listen to bands who kick ass, who fucking take names.' And I was like, oof, I wonder if Jack Black's a Pavement fan because they do—they do, but they don't. But I love that about them."[3:40] "That, to me, oozed alternative. So yeah. But I didn't see them play live for, oh, a year and a half later. I was just this morning looking up shows I went to.""Oh, really?""Yeah. About half the shows I went to were before 2000 and half after. So the first time I saw them was in San Diego in '96 in January, and that was really fun. Just a quick story on that one."[4:13] "I went with a gang of friends, and they were playing at San Diego State University at this place called Montezuma Hall. I would say it holds like, I don't know, 500 people or something—not big. We were all pre-partying and talking about what we were going to wear; we decided to dress up. So everybody put on some sort of military garb—fatigues, whether pants or shirts or hats or what have you—which kind of looked like normal cool kid wear at the time. Then we go to the show, and Pavement walked out on stage, and they were in full military gear. Steve West had a safari hat with mosquito mesh draped over his shoulders, and he had his raccoon eyes—you know, paint around his eyes—and everybody was wearing military stuff, all the guys in the band.""Did you guys catch wind of that beforehand?""No, it was totally coincidental. We all looked at each other because we knew they were dressed up—they went out of their way—and we all looked at them and then at each other and just started laughing. It was a comical moment, and that was such a good show. JD, kind of like our LA show in May of '22, that first show in January of '96 was fucking awesome. They went nuts. After their encore, Malkmus said something to the effect of—they came back out and he was like, 'San Diego, huh? San Diego's alright. You guys think San Diego's okay? Yeah, San Diego's alright.' And then he said something like, 'Let's fucking fuzz out San Diego.' And then they just went into their last three songs.""Wow.""And just destroyed them. They were so, so good. I kind of followed them a little bit after that. I saw them in San Francisco weeks later; it was so fun for me, I had to get more.""Were they playing 'Brighten' stuff at this point? Because 'Brighten' was going to come out next year. Was it pretty much all 'Wowee'?""You know, I had a couple setlists pulled up. I have to go back and look. I'm not sure.""And my other question is, that San Diego show—was it opened by Silkworm?""Yeah, that was the one. They came out with, I don't know, '30s or '40s-looking sailor suits.""What the hell?""Like Navy sailor suits.""I guess San Diego, huh?""They looked cute. At the time, we had an amazing army surplus store downtown, and I just figured these guys went and hit it up."[7:11] "That's awesome.""None of them seemed sober that night. They were going for it. I saw them play in San Francisco after that and actually photographed that show at Bimbo's 365. I have some great shots from there.""Is that a good venue?""Yeah, it was cool. A cool bar-club, smallish—you know, medium-small size. There was definitely a whole San Francisco vibe going on. I brought some friends to that one from San Diego as well; instant fans. Then the Tibetan Freedom Concert in San Francisco the next summer.""You saw that?""Yeah.""That was kind of typical, you know, festival-type Pavement show.""Sure.""Quick and dirty. We were way in the back."[8:11] "Lots of people?""Oh, hordes. I think there were like a hundred thousand people there or something.""Holy shit.""It was giant. We were kind of there for the whole experience—you know, Beastie Boys.""So they did a show in New York City and one in San Francisco?""Yeah, June of '96.""How have we never talked about this before? I don't think we've ever talked about you going to Tibetan Freedom.""Yeah, it was amazing. I drove my truck and had like four people in the back of the camper shell. We just piled in, and it literally took us like five hours to drive two miles to get out of the city. It was a total bottleneck of a festival. That was one of my first festivals where I thought, 'You know, might not really need to go to festivals,' but I continued."[9:05] "The next time I saw them was the following year at this club called Soma in San Diego. That was a great show—small to medium-sized again. They didn't play in San Diego a whole heck of a lot. Then I saw them at the Glass House in Pomona, which is out in the desert east of LA. Ibold, at one point during the show, just kind of lost it—like his brain left his body.""Or he had a serious gear malfunction?""Because he couldn't play, and the show kind of ended.""Yeah, he couldn't play, he couldn't finish a song—he just couldn't do it. The show ended shortly after that. I remember everybody on stage going, 'What's the deal? What's going on?' Malkmus or Ibold had some sort of breakdown or meltdown. Something happened. Stuf…

    Full show notes at the publisher

    MMT50 - 213 Oct 01, 2024
    Show notes

    This week jD welcomes Ralph to the pod to discuss his Pavement origin story and to reveal song number 13!Transcript:Track 2:[0:00] Previously on the Pavement Top 50. This week, we're on the horn with AT&T. How are you feeling about song number 14, Rachel, from Portland? I love AT&T. The song is super fun. I really love the way in which, like, the verses go into this, the, you know, when he goes into the, like, whatever, whatever, and there's a kind of screaming thing in it. And it almost feels like the whole song could be complete. And then it starts again with the second verse, which I really love. It takes you on a really cool journey. And I also love, to me, there's so much meaning in it. And there's also so much that I don't understand and feels a little bit nonsensical to me. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[0:54] And you're listening to The Countdown. hey it's jd here back for another episode of our top 50 countdown for seminal indie rock band pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and two marshmallows shaped like mushrooms also they were actual mushrooms how will your favorite song fare air in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by pavement superfan Ralph from Lincolnshire. Dude, thanks for taking some time to do this with me. How the fuck are you? Oh, I'm good. It's great to be here. It's great to have you. It's a dream. Oh, you got to dream bigger, baby. You got to dream bigger. There's nothing bigger than meeting mammoths.Track 3:[1:54] Well, let's get right into it. Let's hear about your pavement origin story. Okay. okay so uh well so so my dad is really into music he has like a record shop and everything and he grew up in the 90s so he loves it so i i grew up most of my life you know on like various tapes and stuff just hearing two pavement songs i heard stereo and range life a lot so they're like burnt into my brain i only really got uh you know explored further than those two in uh i think it was like october november 2022 so not very long ago okay yeah ever since then it's been you know a burning intensity of pavement wow a burning intensity yeah so what is your what is your go-to at this point like what record do you go to or how many times has that changed what order did you go through the records in talk to me baby so i mean i so i started out uh when i very first died i listened to um quarantine the past the best oh that's a that's a smart move just to discover them you know and uh so i think the first one that i really liked uh other than those two was um unseen power of the picket fence which is a weird choice because it was i don't know why they put on the best of i'm really glad they did.Track 3:[3:20] Tough to get your, it was sort of tough to get your hands on. Yeah. Because Quarantine of the Past was released on vinyl. So, you know, sometimes they throw us a bone that way, right? Yeah, definitely. Yeah, they're good to us. But I would say, I think my first album that I really loved was Bright in the Corners. And then I just very slowly discovered all of them kind of one by one. All right, talk to, I'm a big Bright in the Corners fan. So talk to me about your experience with Bright in the Corners. Oh, it's just, I think it just flows so well. I think that's my favorite thing about it. Compared to all the other albums, it just flows beautifully song into song. And I really like that there's two Spiral songs, you know, Love Spiral there. And I think as well, just having the two openers and then collide together and then kind of flow into all these kind of more mellow tracks really works. I really like that, I think. What's your favorite track on that record? Okay, do you have one? Ooh, my favorite. I think I'm going to have to go stereo. Yeah, I'm going to say stereo, but I really like Starlings of the Slipstream. I guess stereo, because you've got all that indoctrination. Inculcation. Oh, that's a good one. Yes, yes. So, yeah.Track 3:[4:43] Gosh where do we go next so you started creeping into the next records do you what was your next favorite what was the next one that you listened to that sort of just went what in the fuck am i listening to i don't know but i love it yeah i think uh i think probably wowie zowie i think yeah because yeah that makes sense just it's just amazing i think it really fits it's almost.Track 3:[5:09] Cliche to say but it really fits the ethos of pavement doesn't it because they're all just scattered everywhere and it doesn't make any sense but it's just beautiful yeah there's some gorgeous songs on that record mother to a sister of thought yeah love it love it although single choice maybe not the best single choice for commercial purpose i suppose yeah i suppose well said good point my dad maintains that um kennel district should have been single really yeah interesting yeah i can't think of many scott songs that are yeah as a single one is that i mean i mean they have uh painted soldiers as a as a music video yeah it wasn't a single was it i don't think so it wasn't a single for them anyway it might have been a single from the brain candy record oh yeah yeah maybe which was the kids in the hall and that's why they made the video but i yeah i'm not i'm not sure yeah that would be great that's one of my favorite one of my favorite favorite songs when i saw spiral last live um i was like oh can you please pay play painted soldiers and he was like oh man we haven't rehearsed that in a long time and then they played it they pulled it out at the horseshoe tavern in toronto and it was fucking fantastic and uh.Track 3:[6:28] And then they took it on the road with them. Like, I mean, in the 2022 tours. Did they? Which by virtue of the next question, I've got to ask you, have you ever seen them live? Did you go out on the 2022 tour at all? So, I saw them in, I think it was July of last year at a Blue Dot Festival. Oh, cool. Yeah, in Cheshire. So, that was great. That was so exciting. Yeah, I bet. Yeah, my first big festival. How big was the festival? How big a festival? Uh, it was, I don't know. I don't know how to judge it. It was, it was fairly big. It had, uh, I think Grace Jones was headlining the others, but Pavement were headlining. So there was nothing probably bigger than Pavement on that.Track 3:[7:11] Uh, yeah, yeah, it was, it was pretty good. Probably like maybe three main stages, I think. Oh, wow. That's very cool. How long did Pavement play? Uh, they played maybe, maybe 50 minutes or something. Yeah, it was pretty good. I was happy with it the cool thing about blue dot is that it's uh right next to the jojo bank telescope so there's this gigantic like dish like kind of you know for i don't know um radio telescope yeah yeah right behind them and they projected onto it as they played that's really cool oh that's fucking badass yeah that's very cool and i suppose that's why it's called the blue dot festival too yeah yeah they discovered some some i don't know space object yeah i bet they had a really cool thing actually they had um like a listening party where they interview a pavement where they listened to wowie zowie all the way through and pavement talked about it they did like uh like a director's commentary yeah yeah on the whole of wowie zowie it was great and they like i saw people.Track 3:[8:15] Filming it at the festival but i've never seen it released and i'd love to have it released oh me too i'm gonna have to scour youtube for that pressure pavement yeah i have that kind of power of course, what um what what sorts of things did you learn do you remember any nuggets oh what have you learned uh i feel that i can't i'm doing a disservice to payment here but But I think Scott Kamburg's mom used to teach someone or something, someone who was famous. I can't really remember. Oh, man. They were a bit down on, what's Scott's last track on Wauwizawi?Track 3:[9:01] Path to Canyon? No. No, it was. Oh, my God. No, Western Homes. Western Homes. Yes. Yeah, they were saying that they'd never played Western Holmes apart from like once or something. And they were saying it was a shame because I feel like they should play that more. It's pretty cool. Yeah. Yeah, I like his contribution. Yeah, of course. I wouldn't be caving him without it. No, because, I mean, if you think of the early stuff, like, he was on, you know, like, he was doing a lot. Like, I don't know if it was 50-50, but it was, like, a lot more, you know? Yeah, definitely. I mean, I think, wasn't it for the first EP, he wrote, like, a lot of the instrumentation or something, and then Mountmas came and did some, like, lyrics on it and sang on it? But I think originally it was going to be a different project. Oh fuck you know i have to have known that because i've talked to scott five times so i'm sure we've talked about it but damn is my memory bad gee whiz well what do you think should we uh flip this sucker over and get to the track of the week number 13 oh i'm excited i think you should yeah all right well we'll do that right after this hey.Track 2:[10:19] This is bob mustanovich from pavement Thanks for listening, and now on with a countdown.Track 3:[14:19] That's right. Song number 13 on the countdown is Shady Lane, J vs. S. Ralph from Lincolnshire. What is your initial thought about this song? Well, it's an amazing song. It's an amazing song. I mean, I think if it wasn't going to, yeah, I think it might be, maybe I'm putting it third on my ranking of Brighton the Corners. And oh wow i would almost say you know brand the concert's my favorite pavement so it is super up there it's it's a brilliant it's a brilliant song i think the lyrics are the best thing for me really i think just uh obviously there's so many moments like uh when you're talking about god and you know and when he's talking about um uh you're the what's that that amazing lyric right at the start uh you're the uh you've been chosen as an extra to the.Track 3:[15:18] Right an extra adaptation of the sequel to your life that is right yes and how he just gets all the syllables on in as one big long kind of statement so good yeah it is it is really cool i think i have i have a question though uh what is an emery board an emery board is like what you would use to file your nails oh it's almost like it's almost like a very fine sandpaper but it's on like a it's on like a tooth or a tongue depressor you know yeah that shape it's that shape and then it's like i say it's got grit on it to file your nails oh yeah see that so that changes the entire song for me now the entire song oh my god whole new ways his own nail nail oriented avenues of interpretation right right i think it is as well um one of three steven mountainous written songs to include uh references to oysters we have uh cold sun who has ever said the world is my oyster i feel like an info stuck in a cloister and uh do not.Track 3:[16:29] Feed the oyster of course so i i see it as like one of a little trio of uh oyster based songs that is great i have to remember when i put this episode out to include that question in social media how many songs about oysters does sm have and see if i see how many people get it right whatever the answer is it's uh he doesn't have enough we need to pressure him to write more We need to write more. He's too busy searching for the pearls, baby. Oh, yeah. That's it. Yeah.Track 3:[17:04] I think the thing about Bright in the Corners as well is that it has so many things that you could have used as singles, you know, so many standout just... Iconic songs so it's not even fair really it's not even fair on so many other brilliant tunes like day with ikea say you know or uh even um even finn i think finn would be a mental single oh yeah i just think um it's uh so it's kind of unfair i'm bright in the corners it's too good, it really is it really is and and going back to finn for a second and jesus fucking christ is that song good okay that's all i have to say about that um.Track 3:[17:46] What's your take on the whole j versus s piece to the title do you have a take on that yeah i love this i love this and payment do this i think i think in other times as well they kind of add little bits on to songs and it's just great and i love how it's you know like a frankenstein's monster of a song with two separate songs because on the um on the music video i was watching it on youtube and probably when they originally did it they don't put j versus s on so it's like it's its own other thing you know it's like to be treated with equal respect um but i really like it i think it flows into the next song well right so your your interpretation is that it is that that tale that outro yeah yeah it's an outro but i think we should uh yeah we should respect it equally okay i can get behind that i can get behind that yeah because it's not even like it's parenthetical it's it's straight up j versus s yeah it's important enough to be in the title i mean that's right what do you who do you think j is and who do you think s is oh uh who do we think Oh, who do we think Jay, um, uh, Julius Caesar versus, um, uh, uh.Track 3:[19:13] Superman. Yeah.Track 3:[19:17] It's like a fight. It's a fight that they envisioned. Oh, man. Just don't have that fight in the middle of the month. Yeah, you gotta leave it till the end. They waited to listen to the song before. That's right.Track 3:[19:32] So, is this song, and I know the context is tough. We record these much earlier on. And you haven't heard the vast majority of the list at this point. But to your experience, this song at number 13, is it rated? Is it underrated? Is it overrated? Is it overrated?Track 3:[19:52] You see i suppose 13 is ridiculously high for a song to achieve um i mean how many payment songs are there there's over 100 there's many songs but absolutely i think i think even considering that it is underrated by this list i think it should be higher wow it's a great song you really do like right in the corners uh-huh jeepers that's great well do you have anything that you need to plug uh ralph from lincolnshire uh i don't think i do i don't think no that's cool pavement plug them up yeah listen to them cool not not by chance making the trip to south america are you uh no i wish i was i wish i was me too uh i i kind of i don't know i don't know i i hope either they continue with like a whole many years worth more dates or they just go with uh you know we'll We'll start touring independently because I want to see Solo Mountainous. That'd be cool. Yeah. Yeah, he's very good. Very fucking good. All right, dude. It's been great talking to you today. And I really appreciate your time. And next week we're going to get to song number 12. So stay tuned for that one. Oh, it's heating up. That's right. Definitely heating up.Track 3:[21:15] Use that hot water to wash your goddamn hands.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

    Full show notes at the publisher

    MMT50 - 214 Sep 23, 2024
    Show notes

    We've got Rachel from Portland in the house this week on The Pavement Top 50 Countdown. Rachel and jD discuss her Pavement origin story and unveil song number 14. TranscriptTrack 2:[0:00] Previously on the Pavement Top 50. And there it is at track 15 from Wowie Zowie, Rattled by the Rush. What are your thoughts on Rattled by the Rush, Ross from Fife? Well, I already said since I came to it last, Wowie's not my jam. I love it. It's still a Pavement album. It's never the one that I go to. Right. and Rattled by the Rush might be the last pavement hit that I actually heard oh really? Yeah, I don't think I heard it until at some point in the early 2000s I bought, I can't remember what it's called the DVD, Slow Century Slow Century, yeah I think maybe that's the first time I ever heard it oh, because they showed the video on that Yeah, I can't remember if it's the proper video or not. I know that they had to re-release the video because it was making people sick. People used to be such fucking pussies. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[1:14] And you're listening to The Countdown. Hey, it's J.D. Here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots. I then tabulated the results using an abacus and a calculator watch operated by the power of friendship. How will your favorite song fare in the rankings? You'll need to tune in to find out. So there's that. This week, I'm joined by pavement superfan Rachel from Portland. How the fuck is it going, Rachel? Going pretty well, JD. Thanks for having me. No, it's my pleasure. It's good to have you here. Well, let's not waste any time and get right to it. Rachel from Portland. Talk about your pavement origin story.Track 3:[2:07] Hmm. Well, I first started listening to Pavement in high school and I am sure Cut Your Hair was the first song that I heard and it's just so catchy. And I don't even remember like where I heard it. I'm sure it was maybe on the, maybe on the radio, but it really grabbed me. There's something about just that it's so happy and it's so silly and I'm a very silly person and really gravitate towards that kind of music. So I got really curious about Pavement, but you know, Back in the 90s, CDs were really expensive. This was before I've heard a lot of people on your show talk about downloading tracks from Napster. I think I'm a little bit older than that, or maybe I'm a little technically not inclined.Track 3:[2:51] So I made a lot of mixtapes with a tape recorder next to the radio to record songs off the radio. Um so i actually don't really i don't have a super clear memory of of like how it evolved from there i know there were a few other pavement songs that i heard and really liked like specifically trigger cut and and you know just some of the other really um happy ones but but i was also you know um you know getting really into the grateful dead and and other things so i didn't i didn't really pursue my love of pavement a lot but it but it always had this really special place in my heart. I think that when you, uh, the music that you listen to when you're growing up, it kind of just never, like, it always takes you back to that place in a certain way.Track 3:[3:38] Um, so, uh, fast forward and I was, I was in high school, so I was a little too, um, you know, at that point I was kind of like going off and seeing some concerts. I never got to see pavement at that point. Um, but then, uh, fast forward a bunch of years when they got back together for their, reunion tour in 2010, and they'd released... Oh, your dog is so cute. Oh, just a second. Just one second. I'm sorry. Okay. Yes?Track 3:[4:10] Hello? That doesn't typically happen, because typically the door is locked, and that means I'm recording, so I apologize. Now I'll be doing some editing. Are they? Yes, no problem. So they got back to there for their reunion tour and they released Quarantine the Past, Um, which, yeah, which is, is really interesting because in some ways, you know, the albums, there, there aren't some bands I listened to the albums like straight through and some I kind of pick and choose the songs and pavement. I really love listening to the albums themselves, um, and kind of each song in context of the album though. Sometimes I'll, you know, I, I like them more and more. So, um, I, they were coming to, they were coming just outside of Portland to Troutdale that year, and I'm pretty sure it was sold out. And I just had this feeling of like, I have to go. It just like wouldn't, kind of wouldn't leave me. And so I ended up buying tickets from some like strangers off of Craigslist. And I can't remember which of my friends was supposed to go with me, but whoever was supposed to go couldn't make it. And the day before the show, I randomly had, I was going to hang out with a woman that I had met through the yoga studio where I teach. And we were hanging out at her house. It was like our first friend hangout. And I saw that she had pavement tickets on her fridge. Like they were paper tickets.Track 3:[5:40] And I said, are you going to the pavement show tomorrow? She said, yes, I love pavement. And I was like, can I go with you? And so I ended up going with her and her crew to the show. And it was one of, it was at the time, and this was 2010, I've been to a lot of concerts, but it was one of the, the like best shows I've been to in terms of just the energy on the stage and the way it just, the way it made me feel so alive and just so like joyful, you know, with, and, and one thing I love about Pavement is kind of this, this range of emotions that they go through. They have this very, you know, there's this whole thing about them being like slackers and being, you know, but, but they're very smart and they're very silly. And they kind of go from, you know, they kind of, they kind of go from these, like, they go through some really deep themes in their songs. So, you know, which we'll talk about when we get to our song for today. So I, I was after that, I was just so I was so hooked again. And I started like devouring the albums a little bit more and more. And so at that point, I started listening to them a lot more. And then they came back in 2022 to the same venue in Troutdale, Oregon.Track 3:[6:47] And I was so excited. I mean, I bought the tickets as soon as they went on sale. I couldn't wait. And it was a great show. It really, really was so fun. But I couldn't actually, from where I was standing in the venue, I couldn't really see what was going on on stage, which is kind of a bummer because they're so fun to watch them and their interactions. Um but after that show I just had this feeling that was 22 and I had this feeling of I I need I need more pavement I need more pavement now and so I looked at their whole tour schedule and it was like Australia and and I just couldn't do it there was no there was no way I could like drop my whole life to to go on pavement tour you know and they and they just don't I mean they were playing a lot that year but they don't.Track 3:[7:30] They don't play that much generally. And so in January of 23, when I saw them announce Iceland in July, I was like, I'm free those days. And then the cincher was that there's a nonstop flight from Portland to Reykjavik. I was like, nonstop. Really? Yeah, there's a lot of nonstop flights. That's beautiful. And there were a lot of bands at the time that were doing residencies at Harpa, like Papin did. Disco Biscuits did one. um freeze mcgee did one and wilco did one so um and a bunch of my friends are into those those bands and they had gone um for those shows so i just booked the flight and i and i was just like i'm gonna go i bought the tickets for the show and i bought specifically um the front row of the balcony because i really really wanted to see everything that was happening on stage um Um, and I was planning on going alone, you know, just cause there's so many bands that, you know, when I go see shows, I love going with friends and, you know, I'm, I'm a big fish fan and there's so many people in the world who are, who are into fish and they, and so like, when I go see fish, I have to decide, like, should I go with these fish friends or this friend with pavement? There's like, none of my friends are into, almost none of my friends are into pavement, um, which is, which is really sad. And so, um, I was just going to go. You've got some work ahead of you. Well, yeah, yeah, for sure.Track 3:[8:56] And so, but two of my girlfriends really wanted to go to Iceland. And so they joined me on the trip and we ended up extending the trip a little bit. And we went around the whole, we rented a camper van and went around the whole island for a week, which was just out of this world. And I'm so grateful to, and neither of these women like pavement. They both came with me to the first show, but they were not into it. But one of them did all of the planning. She did all of this research and planned out our entire trip around the island. And all I did was listen to as much pavement as I could possibly get my hands on for one.Track 3:[9:35] And so we had an amazing trip. They came to the first show. They weren't into it. And they didn't come to the other shows, which was fine because I'm like, I got to read. I got to read really hard. But I met some really lovely people, other pavement fans. There and the shows were beautiful they played quite a few repeats which were um the second night felt a little like i expected some repeats the second night it felt a little disappointing i was like how could there be so many repeats but by the third night they were mostly repeating stuff that i really like so i was okay with it um and i knew they were gonna do that you know i kind of expected it um there's a it's tough because they took what 70 70 songs on the road I forget. Somebody told us it was either 60 or 70. I was just re-listening to the episode with Steve West that I think maybe came out very recently. And he said 60. He said they took 60 songs on the road. That's who it was. Yeah. Yeah. And then they play 30 songs a night. So you're going to get some repeats. Yeah. Yeah. Which I expected. They did advertise B-sides and rarities for Iceland.Track 3:[10:42] There were only so many, but it still was wonderful. And Harpa is a gorgeous venue. It's beautiful. It was also really funny. There's like no security in Iceland, you know? And so like, I'm so used to like hiding all my things when I go into a show. And like you know nobody they barely looked at my ticket that was pretty funny yeah it was um they they were they were lovely shows i had a really sweet moment um uh i think it was after the first show i was walking with my friends we were maybe a lot we were maybe two blocks from the venue and it's you know it's it's late at night but it's still light out because it was july in iceland and i saw this this kid he was probably maybe seven years old he looked like he He was, I don't know if he was Icelandic or if he was somehow related to the band. I think I've seen pictures of him in the front row from those shows. So maybe he was connected somehow.Track 3:[11:37] But he was this kid and he was walking, I think, with his mother. And we were a few blocks from the venue. And I hear the kid just like, I hear him singing like, do, do, do, do, do, do, do, do, do, do, do, do, do. And I just perk up and I start singing it with him. And he looks at me and his eyes just light up. And I was like, there's this connection that happens when people, you know, when it's this, it's familiarity. And we just, we didn't speak any words. We just had this like these huge smiles at each other and kept singing it as we were walking. So it was really cute. The magic of pavement. Wow. Cool. I really feel that.Track 3:[12:14] Yeah. Oh, and then, and then after that, you know, they, they, they played those Brooklyn shows. I really wanted to go to them, but I couldn't go because I had to be in New York the next week. I actually had jury duty that week, so I just couldn't get to New York to go to the Brooklyn shows last year. But then this year, and then they played South America this year. I was like, I can't get to those either. I've got a lot of dreams of traveling for music that I can't quite make happen. But then they just played Bumbershoot in Seattle, which is only three hours away. way. And I was like, I was really torn because one of my dear friends was having a big blowout for his 50th birthday that same night. And I was just like, the pavement's not going to play that much longer, I don't think. And he said, I would never fault you for going to see music. So I went by myself. I took the train up to Seattle and had such a great time. And part of the reason I actually wanted to come on your podcast was one of the things that was so interesting to me about being at that show was, After being mostly in the balcony in Iceland, I did go down to the floor for the third night of that run. But I was determined. I was like, I want to be front row center for this show.Track 3:[13:33] And the way that the Bumper Shoot is this really great festival. It's set up in Seattle Center. It's really beautiful. And so I was standing kind of to the outside of the stage where they were going to play as the band before them was finishing. And as soon as they were done, I kind of started walking towards the middle. And there was a spot on the rail I could have taken, but it was off to the side. I really wanted to be more central. So I went all the way to the center and I ended up, you know, like fourth or fifth row. But it was still an hour before they were going to start. And so there were all these people who were also crowding around, like waiting for them. And so a bunch of us ended up sitting down and just chatting. And these two people that I was sitting with and who I talked to a lot, And we, you know, we saved space for each other during that time. It was so fascinating. The, it was this, it was this man and this woman and she had, she had just three weeks ago turned 21.Track 3:[14:28] And, and I know I just, I couldn't believe it. And so I asked her, and so I was like, tell, tell me how you got into pavement, you know, channeling you Diddy. And, and so we had this amazing conversation just about how she got into pavement and her favorite songs and everything. thing. And one of the things that I thought was so interesting, you know, we all know that, you know, pavement's having this TikTok resurgence. I'm not even on TikTok, so I don't know, you know, like all that stuff. But, but it was so interesting to me that there are, you know, and, and, oh, and almost all the, there was a lot of people who were, I'd say in my age range, slightly older than me, you know, maybe like in their fifties who were there, who were like really enjoying the show. But all the, most of the people who are right around me were, were in their twenties and it was so fascinating. And so the idea to me that there are people who, there are people who love pavement, like who are, who, who love pavement and love talking about pavement and love seeing pavement as much as I do, but have a completely different relationship with cut your hair than, than I do, you know, or t…

    Full show notes at the publisher

    MMT50 - 215 Sep 16, 2024
    Show notes

    This week on the pod, jD sits down with Ross to discuss his Pavement origin story and reveal track 15. Transit: Track 2:[0:00] Previously on the Pavement Top 50. Coming in at number 16, it's Fill More Jive. It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know, is that surprising? Is that surprising to you? You no i'd rather pick bill more jive over over cut your hair but i mean cut your hair is the pop song so yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know uh-huh cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought yeah i say a deeper cut because i don't think we we did it in 2010, okay and we hadn't done it for years in the 90s like i think we did it in 94 and maybe they did it with Gary too before me.Track 2:[1:23] So I would say it's a deep cut live, but in terms of, you know, records, you know, for people to really enjoy, it's a pretty great number.Track 3:[1:46] Hey, it's Shady here, back for another episode of our Top 50 Countdown for sentimental indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and an abacus for dummies book. How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Ross from Fife. How the fuck are you doing, Ross from Fife? I'm good. Good from Fife.Track 3:[2:24] Excellent. This is good news. It's always nice to talk pavement with somebody, especially when they're doing well. Well, I don't get enough chances here to talk about anything pavement, so. Well, we're going to do that right now. Let's hear your pavement origin story. Story um well the very first time i heard pavement and this only came back to me in the last couple of weeks uh as i was thinking about you know this interview um and either it was either late 99 or early 2000s my high school girlfriend put major leagues on a mixtape you remember when you used to make mixtapes for you know for sure for your crush or your significant other at the time or whatever yeah she she made me a mixtape with uh major leaks and i i liked it it didn't set me off on my journey or anything you know but that's that's the first time i'm definitely aware of having heard Pavement. Right. A couple of years later, one of my friends.Track 3:[3:38] It was right about the time of, like, Eminem was huge. Dr. Dre had just released 2001. Yeah. Snoop Dogg was big. One of my friends flipped almost overnight from being an indie rock fan to a hip-hop fan. Oh, wild. So, yeah, I guess he was giving away his old CDs that he didn't listen to anymore or whatever. And he gave me Terror Twilight. It was a... I can't remember if he thought, right, Ross would like this or if he was just getting rid of it, you know? Yeah. But it really took me by surprise. I really liked it.Track 3:[4:27] At the time I was technically homeless. I wasn't living on the streets or whatever. I was crashing on people's couches. I was going through the sort of system like halfway houses and whatever. So I didn't have much possessions. but one of the one things I did have was Terror Twilight, and I would listen to it all the time while playing my Nintendo Game Boy or whatever and, it kind of felt like a it felt like a secret you know like my secret, because I'd never met another single living soul who had heard of Not just the album, but the band. I remember round about, it would have been the back end of 2001.Track 3:[5:28] Just pre-9-11, which seems weird, but that's the way that I remember this particular. I was on a lunch break at my first job, and I read a review of the first Malcolm A Soul album.Track 3:[5:49] And the review spent more time talking about Pavement than it did, you know, his new band, basically stating that, you know, these guys are legends, just they didn't get their due or whatever. No, I agree with that. So, yeah, a year later or whatever, I've got Terra Twilight, I love it. These guys are such enigmas to me you know this is before I was on the internet I couldn't Wikipedia them, I couldn't you know, there was no YouTube, stuff like that and by the way all this is, well some of this is on your 17th or 18th episode Krelvid User, you read out my letter oh gosh I had totally forgotten about that I remember I have a terrible memory you asked for submissions because back then a lot of the songs were quite short or even non-existent so yeah I got day drunk one day.Track 3:[7:10] I'd been out with colleagues and I thought I'm going to write JD a letter and tell him how I yeah so.Track 3:[7:20] My next the next part of the story is, I knew about the re-releases I think at some point, I don't know why I bought Sebado 3, the re-release of that album and, the album on the front it had a sticker with some sort of blurb from a music journalist saying that, This album, along with Pavement, created the blueprint for American indie. Jesus, high praise. Again, that just put it in my head. And I didn't even like Sebado Free that much. I quite like the band altogether, but I don't think it's a great album. So round about that time we're still talking about 2002 3, 4 maybe I don't have a great memory either, I go to Glasgow to watch a British band Rubin, I don't think they're around.Track 3:[8:30] Anymore but their first couple of albums were pretty good we go to King Tut's Wawa Hut, which is quite a famous venue because it's where uh oasis got signed by creation really yeah oh cool um it's a tiny place you can only fit you know two three hundred people in it maybe even then that might be a fire hazard uh but even before before the gigs played and the the venue's underground, it's like in a basement, before the gig me and a couple of friends are upstairs and I'm going through the jukebox, they've got one of these sort of.Track 3:[9:20] They're old fashioned now, but at the time they were quite modern, the jukeboxes where the album covers flip over in front of you, you know? Yeah. And I find a pavement, Slandered and Enchanted, and it's like, oh, that's that band, that's Territorial, you know, I keep hearing about them. So I stick five songs on, don't even hear them because, you know, the bar's so crowded, so noisy. But still it sticks in my head I want to learn more you know so a short time after that, I'm shopping locally in the nearest sort of large town.Track 3:[10:09] And I go into MVC it's a I don't know if it was an offshoot of HMV. I don't know if you've got any of this in Canada or not. You did have HMV at one time. Yeah, but they're all gone now anyway. And I find a copy of the Crooked Rain re-release. Okay. But it's like £25 or something. I was making decent money at the time. I had my first proper well-paying job. I had disposable income I was no longer homeless, But I'm not going to spend £25 on this CD I've got no idea if it's good or it's bad There's like 50 tracks So I know I'm probably going to get some sort of value for money.Track 3:[11:06] I leave. I think nothing else of it. About half an hour later, I go around the corner, and there's this independent record store sleeves. People in Fife will mourn it forever. It's gone now as well, as most independent record stores probably are. But in there, I find a copy of the re-release for £5. What? yeah it's a bit battered it's a bit broken as I think all pavement records should be, but yeah no questions asked I immediately buy it.Track 3:[11:52] I read on the bus home I read the, sort of the booklet that comes with it which just the whole time it's just adding to the mystique you know because I think Malkmus writes, I think it's from an old like, article he writes like an explanation for each song and it's never quite clear if he's just taking the piss or not, he says about stop breathing is a bit of a tennis match I was like, why wouldn't it be, you know? So, yeah, that night, the Saturday night, it burned in my memory. I mentioned this in the Creelvid user video as well.Track 3:[12:46] All my friends are going out on the town which was never an exciting occasion, but this night especially I put my foot down and said I'm not coming out I've got to paint a wall which I did, I had a wall to paint in my living room or wherever but my main reason for staying in was I wanted to listen to Crooked Ruin, Wow So I get everything ready I get A couple of beers ready Like take a couple of bong hits Or whatever I used to do that by then.Track 3:[13:28] And I get the I get the CD ready And the stereo you know And as soon as I switch it on I'm just transfixed, Like The intro to Silent Kid Or Silent Kit whatever they call it is still one of the most exciting pieces of music to me. It's fucking spectacular. Yeah, but I'd never heard a band do that. I know they've got a reputation of not giving a fuck, and a lot of bands tried to affect that feeling back then, but this is the first time I'd ever truly heard it. Yeah, yeah. Just the build-up and you hear them talking to each other and it's like, we're just going to leave that in? And it's like, yeah, of course we are. That's the recording, you know. And I just sat down on the edge of the couch, just staring at the stereo.Track 3:[14:35] And then every song after that just added to the... It was... Yeah, it was the most exciting night of music I've ever had. Oh, Jesus, that gives me goosebumps. And for, like, a good maybe six months after that, I think it's all I listened to. Crooked Rain, Crooked Rain, Crooked Rain. And of course there was a lot to listen to because it was the re-release so I got all the.Track 3:[15:10] I got all the demos of B-Sides as well and this was, perhaps, you could call it their golden era you know it had another one of my favourite pavement tracks Grounded, it had the demo of that so you got like a sort of, you know a sneak peek of what was to come, but yeah after that I think all my friends got sick of me, talking about pavement going on about pavement and it still happens quite a lot these days, you'd hear a new song on the radio and I'd say that's just a fucking pavement rip off, you know it still happens to this day I hear a song and I think, nah, you're the biggest band in Britain just now, probably, or Wet Lake, you heard them? No, I've not. Oh, they went really viral a couple of years ago with their first video, which is She's Long. Yeah. But yeah, they're big. They're quite popular in my work. I'll run Night Shift. Sometimes the radio sucks. Sometimes it's pretty cool.Track 3:[16:33] But yeah, they were getting played in the radio quite a bit. I went and listened to their album. And the final track on the album is called Supermarket. Okay. And I'm not going to call it a pavement ripoff, but it's definitely pavement inspired. Really? Yeah. It's like they sat down and thought, like, let's write a pavement song, you know? Not rip off a Pavement song, but let's write an homage. Yeah. You can go and check it out afterwards. It's kind of Wally's Alley-ish. Huh. But yeah. What's your go-to record at this point? Oh, that's always going to be Crooked Rain. Yeah? Always. Just because of those memories? Because of the night it blew me away, you know? Yeah. Second, I would say, was Slanted. That's the record I came to next.Track 3:[17:27] Believe it or not, probably my least favorite, and there is no least favorite, it's still a pavement record. Probably the one I go to least is Wowie. Oh, yeah? And I think that's just because that's the one I came to last. Right.Track 3:[17:46] But yeah, I was thinking of weird pavement stuff to tell you. After all, the very first time I listened to WALL-E, or not the first time I listened to it, but probably my favorite song on WALL-E is Father.Track 3:[18:04] Father to a Sister of Thought. Fucking brilliant song, yeah. And in that song, they mention Corpus Christi. Right. Right. The very first time I heard that song, I was driving my car. And they mentioned the Corpus Christi part. And straight away, I receive a phone call from my dad who was working in Corpus Christi. Get out of here. Yeah, seriously. That's fucked. He was in Texas, and he phones me, and I've just heard this Corpus Christi line. Like, what the hell? and I didn't even pull over to take the phone call, which is technically illegal. Well, I'm going to turn you in. Another thing is it was weird with pavement. Once I knew of them, once I... Go into them i saw them everywhere it's like oh yeah it's like when you've never heard a word before and you hear a new word and suddenly you just hear it everywhere you know right um so yeah the other sort of weird kind of thing is uh a couple years after that i'm moved to.Track 3:[19:26] They call it a city it's not really a city dundee in scotland not a nice not a nice place, so I'd start sort of dating this girl I can't even remember if we were dating at the time, she was a bit weird I realised far too late that she was highly autistic but we were math students so that comes to the territory, and one of the weirdest things about her is she was obsessed with this cartoon from the 90s, Space Ghost. Okay, yeah. So one day we go out for coffee, and just before we go to the coffee shop, I go and buy the Bright in the Corners re-release. And what are the last two songs on it? Space Ghost. Space Ghost theme, yeah. I think that made her like me more, you know. So it went in my favor. Nicely done. Well, what do you say we get into listening to track number 15? What is that? Well, we're not going to tell you until after this break. Okay. All right, we'll be right back.Track 2:[20:53] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown.Track 3:[25:25] And there it is at track 15 from Wowie Zowie, Rattled by the Rush. What are your thoughts on Rattled by the Rush, Ross, from Fife? Well, I already said since I came to it last, Wowie's not my jam.Track 3:[25:47] I love it. It's still a pavement album. It's never the one that I go to. Right. and Rattled by the Rush might be the last pavement hit that I actually heard. Oh, really? Yeah. I don't think I heard it until at some point in the early 2000s. I bought, I can't remember what it's called now, the DVD. Slow Century. Slow Century, yeah. Yeah. I think maybe that's the first time I ever heard it. Oh because they showed the video on that right yeah I can't remember if it's the proper video or not I know that they had to re-release the video because it was making people sick, people used to be such fucking pussies, yeah um and I don't dislike the song or anything um if it's number 15 that's kind of surprising it wasn't in my top 20 No. It probably would be in my top 50. Okay. It sounds like I'm hating here. I'm not hating. No. At all.Track 3:[27:07] Well, you definitely think it…

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