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    TV & Film

    LOST Podcast: The Transmission

    A fan podcast focused on ABC’s hit TV series, “Lost.”

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    Latest Episodes:
    I Do Nov 09, 2006
    Show notes

    People whom I love and respect thought last week’s story was great, but it did nothing for me. Those same people were disappointed by “I Do,” and I thought it was a damn good episode. One thing I’m learning? The fact that people still have strong opinions, either way, is testament to the staying power of this show. And while I’m no “shipper,” this semi-season finale is cementing the fact that I’m into “LOST” for the characters. I’m curious about the sci-fi side, the mythology, the clues, the conspiracies. But I’ll take a deep character episode like “I Do” over a voodoo mystery any day. And Jen? She didn’t hate Kate at all this week. In fact, she rather liked her. And that, my friends, is saying a lot.

    Let’s get this out of the way first. Kate’s in love with Jack. And Jack’s in love with Kate. Whatever prompted her to jump Sawyer’s bones, it wasn’t love. It may have been pure survival instinct. Or it may have been part of a deal, one she made with Ben on the beach that has yet to be revealed.

    Remember, Ben told her in “Tale of Two Cities” that the “next two weeks” were going to be unpleasant. Tonight, soon after Jack tells Ben to get stuffed, Juliet tells Pickett that something was moved up, before “the two weeks” were over. I don’t think Jack’s refusal to do the surgery was what forced their hand… but rather, the revelation that Ben would need surgery immediately. I think they knew they would be able to get Jack into the O.R., they just had to do it sooner than planned. Likely using Sawyer and Kate to do it.

    But, oh, these characters. Episodes like “I Do” remind me of what we liked about them, and wondered about them, in Season One. We see that Sawyer has indeed been broken, and his weakness is, of all things, love (be it Kate or Clementine). And that Jack the crying surgeon indeed has a spine. As I mentioned, Kate somehow managed to evade Jen’s ire this week, despite the bad wig and dirty cage sex (“Actually, I liked the dirty cage sex,” she confesses), so they must have done something right with her character as well. The moment she and Jack first see each other in the Hydra was all you needed to see. Evangeline Lilly actually acting. More, please!

    And Ben and Juliet? So far, spectacular additions to the cast. We see Ben looking more sinister than ever in one scene, and looking totally impotent and helpless in another. Juliet, meanwhile, is immediately my favorite female character on “LOST.” She’s not a pretty face, she’s not a bitch or badass, she’s not a stereotype at all. She’s nuanced and rich and I cannot wait to learn more about her.

    I also love how Alex is being handled. Popping in and out, an insider and an outsider, much like her mother Danielle. Ben asking about her before going into surgery tells us there is something significant between them, likely (yet another) complex father-figure relationship. It would also explain why she can be such a pain in the ass, yet still be allowed to cause mayhem throughout Otherland. I don’t get how she thought she’d be able to talk to Ben about Karl by sneaking back onto Alcatraz with a slingshot, though.

    The weakest part of the episode — and the part where I think most fans were expecting much, much more — were the brief scenes with Sayid, Locke, and… those two. I admit, the jungle scenes were lacking, awkward, and may as well have been omitted completely. At least we had our first direct conversation about “the monster,” even if it didn’t give us anything we didn’t already know. That we close with Locke’s fixation on a Jesus Stick message tells us that he’s again finding purpose and direction, even if it’s just his overactive imagination.

    Is it the “best episode ever” that the ABC marketing staff promised it would be? Nah. Is it a major cliffhanger? Perhaps not, though we were certainly on the edges of our seats. (The moment where Sawyer is on his knees, Kate pleading, the “LOST Theme” rising to a crescendo? I admit, I was totally sucked in.) But it was a strong serving of what I think “LOST” does best, and definitely makes me think the next 13 weeks will be very, very hard to endure.

    Notes & Notions:

    • Did Ben engineer Jack’s escape specifically to let him witness Kate and Sawyer together? We think so. “Nothing happens in that place that Ben doesn’t want to have happen,” says Jen. I did find it odd that Alex was the instrument of Jack’s escape, though.
    • Tampa, Florida is becoming another major “LOST” hub. Hibbs sought out Sawyer in Season One ostensibly to settle up for “the Tampa job.” And now Kevin was a cop in Miami/Dade, filling out paperwork on a Tampa fugitive. And, of course…
    • Who is Jacob? Pickett groused that Ben was putting his life in the hands of one of “them,” and not only that, but someone who “wasn’t even on Jacob’s list.” Jacob apparently drafted the first list of names, and Ben — discovering a spinal surgeon among the survivors — made a little addition. This implies that Jacob is higher on the Others’ totem pole than Ben, and perhaps the “him” we’ve wondered about since Season Two. For what it’s worth, there was a person named Jacob in “The Lost Experience.”
    • So what got Locke so excited? The message on the stick was, “Lift up your eyes and look north,” and below it, “John 3:05.” Except that that line isn’t from John 3:05, but rather Genesis 13:14-17. John 3:05 reads, “Jesus answered, Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God.” Read both scriptures here. What does it mean in the show? Probably that Locke will climb a mountain, look north, and see Alcatraz.
    • Ben gives Jack his word that Jack will get off “this island” after the surgery. Not only is Ben a proven liar, he’s also got an easy out. He can just ship Jack from Alcatraz back to the main island and technically hold up his end of the deal.
    • I love that there’s now another entry in the “Juice Theory” that SamG posted to The Fuselage a while back. Kate laced Jack’s drink to make him sleep in Season One, and helped Sun try and drug Jin (getting Michael instead) to keep him on the island in Season Two. Tie that to the prominent mention of juice by the Marshall on the plane, and we’ve got a heck of a trend going. And so far, Kate has only used this trick with good intentions.
    • Locations: Kate went shopping for “taco day” at the Times Supermarket on Beretania Street. She got married at St. Clement’s Church in Makiki.
    • Music: “Slowly” by Ann-Margret.

    Links:

    • “I Do” Discussion Threads from TheFuselage.com and Lost-Forum.com

    The Cost of Living Nov 02, 2006
    Show notes

    Jen liked it. I didn’t. I can’t think of another episode of “LOST” where our opinions so clearly diverged. Jen felt the show was finally putting out after playing hard to get for so long, and liked that nagging questions were finally addressed. I thought the whole episode was awkwardly paced, poorly written, and amounted to an embarassing stumble in what has otherwise been a surprisingly strong season. Yes, some very big reveals were served up, and for those starved for answers, “The Cost of Living” was probably filling. I just wish it could be more filet mignon, and less Big Mac. And with the promos for next week’s half-season finale unabashedly proclaiming it the best episode ever, I’m very, very worried.

    Mr. Eko died. And suddenly, he was a bad person and deserved his violent fate. Up until now, his presumed journey toward redemption was nuanced and dramatic. His drastic switch to evil tonight was jarring and rushed. There are rumors that Adewale Akinnuoye-Agbaje wanted off the show (or was no longer wanted on it), and perhaps Mr. Eko’s demise was neccessarily abrupt. They went down the checklist: Why was he in London? Why was he inspired to build a church? Even so, of all the character deaths so far, the end of Mr. Eko’s story arc was immensely unsatisfying. Even if the real world forced the hand of the show’s creators, I expected better.

    Perhaps Mr. Eko’s backstory and death was unceremoniously shoved into an otherwise promising episode. And indeed, what transpired on the island was significant. But even those moments seemed uneven. Drastic editing, or poor writing? I’d guess the former, but what made it to the screen hints at the latter.

    All right, all right, let’s start with the juicy stuff.

    We see the smoke monster. There’s nothing hidden and mysterious about it now — it looms large and kicks ass. And Mr. Eko’s conversation with Locke about what each saw confirms the tantalizing doublespeak by Damon and Carlton a while back, implying that “the monster” doesn’t look the same to everyone. Locke adds a bright, white light to his previous description of something immensely beautiful. But the creature that stalked and finally executed Mr. Eko was very much the opposite.

    We get a peek into yet another station, this one containing a man with an eye patch.

    We learn, as suspected, that Ben is dying, that Jack has the upper hand, that Juliet’s resemblance to Sarah was no coincidence, and above all, that Juliet dislikes Ben enough to enlist a near stranger to end his reign and his life.

    There were little things I liked, too. I imagine only Michael Emerson could deliver the line “shot to sunshine” and still appear menacing. Ben’s exchange with Jack about believing in god was surprisingly effective. And while the funeral scene and its white tunics was bizarre, a random oldies tune always makes things all right. And it implies our Others have some kind of spiritual bent… or Viking link.

    But.

    Nikki and Paolo? They truly make me want to kick over the television. Their lines are so contrived, it’s almost like they were superimposed on the episode like “Clippit,” spelling things out like we’re all idiots. That scene in The Pearl where she points out the other monitors, and Locke goes “D’oh!” was about as painful as any I’ve seen in this show.

    But even some of our old friends seemed to be missing their usual grace. Hurley is used to spell out exactly why Locke isn’t like Jack in the inclusiveness department. Locke responds to the man in the eye patch with a cheesy quip (“I guess he’ll be expecting us!”) that would’ve made the late, great Jerry Orbach wince. Sayid just seemed dopey, dropped in primarily to be told, “Don’t confuse coincidence with fate.”

    And the way in which Juliet got her secret message to Jack? I suppose it was clever. But I wasn’t feeling it. Along with everything else, it seemed about as subtle as a Mack truck.

    True, “The Cost of Living” is the lead-in to the half-season finale, and traditionally, those episodes have been weak… basically a catch-all bin to put down some markers in advance of the big show. I guess to really appreciate next week’s episode, we basically needed to know that Juliet wants Ben dead, that there’s another station with a creepy man inside, and that the smoke monster is back. And now we know, and now we wait.

    Whew. To be fair, Jen’s busy writing her NaNoWriMo novel right now, so obviously this analysis is biased quite strongly in my grumpy-ass favor. I’d earnestly love to hear from those of you who loved “The Cost of Living.” Because I’d rather think I just missed the point and got it wrong, than think “LOST” could take such a wrong turn.

    Links:

    • “The Cost of Living” discussion threads at Lost-Forum.com and TheFuselage.com.

    Every Man For Himself Oct 25, 2006
    Show notes

    A strong episode, and one focused on a perennial favorite. While Jen has flashback fatigue for some of the original crew, she felt Sawyer’s story genuinely added more to his character. The question is, between the flashback and the island, did we see Sawyer con his way out of prison but get conned by Ben? Or perhaps we’ll later learn he was actually conned twice? And a few minutes are spared for the survivors on the beach, so we can get to know (and dislike?) Paulo better, and get further evidence of Desmond’s premonitions.

    Okay, so maybe the fact that Sawyer was conning “Costanza” (I love that!) and was in cahoots with the warden was totally obvious. It was still paced and presented well, gave us another book reference (“Of Mice and Men,” wonderfully referenced again at the end of the episode), and gave us the tantalizing possibility that Sawyer could be a daddy. It would be just so trite and perfect that we simply bask in the reveal that he’s actually got a sense of honor in leaving some money to little Clementine. (Echoed on the island as Ben points out that his weak point is Kate, not self preservation.) But Cassidy’s conned him before, and it seems quite likely she conned him again. There’s definitely more of their story to tell.

    On the island, Sawyer surpasses the bears in smarts in coming up with a plan to electrocute his captors, but finds out the hard way they’re being watched. Unlike the prison con, I thought Ben’s pacemaker bunny con was well done. (Given the way critters are exterminated on this show, I was starting to worry that “LOST” would end up on PETA’s hit list.) We get Kate’s utterance that she loves Sawyer… but she quickly recants. So does she, or doesn’t she? Jen doesn’t care, but forced to speculate by her husband, figures that Kate was indeed telling the truth. Me? Well, I’m no fan of Evangeline Lilly’s alleged acting ability, but something about the moment she tells Sawyer she didn’t mean it makes me believe her. Perhaps, indeed, there’s a little Jack love in her skinny little heart.

    In fact, to be fair, there were some decent insights into Kate’s character tonight. Well, I thought so, anyway. From her dismay at Sawyer’s glee over Colleen’s injury, to her picking up on Sawyer’s silence and refusal to fight back — saying that his apparent need to lie is scarier than anything she’d expect from the Others.

    Remember, Kate was “Born to Run.” What does it say that she didn’t?

    Was Juliet’s decision to bring Jack in to save Colleen, ostensibly against Ben and Danny’s wishes, really spontaneous? Or part of a larger plan? Jen thinks it’s all on the level, and certainly the Others couldn’t have expected Colleen to be shot. It certainly adds weight to the sense that Juliet and Ben aren’t on the same page. Still, the spinal tumor X-ray makes it clear to Jack that he’s there to play spinal surgeon. And I got the feeling from Ben’s command to leave Jack to stew with Colleen’s body that he wanted to affect Jack’s psyche somehow. I think they wanted Jack to fail.

    We also think that “malfunctioning” intercom is also part of the plot. He’s not overhearing anything they don’t want him to.

    Key piece of dialogue tonight? Tom complaining to Ben (in that “hell in a handbasket” way) that the communications link (to the outside world?) has been down since the sky turned purple. Oh, yeah, and the mention of a submarine.

    If you’re counting, “Every Man for Himself” marks the second episode out of four where Kate gets naked. “She was kinda orange, too,” Jen notes. It was gratuitous the first time, and now it’s just getting tired. (Fortunately, again, Sawyer defuses the moment, this time with a cold shower.) Anyone want to take bets on whether we’ll see Nekkid Kate a third time before the six-episode “pod” is over?

    Speaking of episode titles, the explicit utterance of “Every Man for Himself” was awkward enough. To have Kate attempt to infuse the phrase “Live Together, Die Alone” with some kind of dramatic weight was downright cringeworthy.

    Oddly enough, while Charlie’s snarky retorts were a fun touch in the mystical, voodoo Locke episode last week, they came across as flat and callous this week. With only a couple of lines, he was about as unlikable as golfing Paulo was. Seriously, what’s with the “new characters”? I wish they’d just Artz them and move on.

    The existence of a second island was, of course, the biggest reveal. If it seemed implausible that the Others little suburban enclave could have gone undetected, a whole offshore land mass going unnoticed seems even more ridiculous. But. It’s clear we still have no idea how big the main island is. Nor do we know, frankly, if it even is an island. We only have some sketchy characters’ word that it is.

    A separate island, and the prospect of a second group of Others, definitely creates some huge possibilities for the next two episodes. Yet already I’m dreading having to wait until Feb. 7, 2007 to pick up the story again.

    • Love the “Pulp Fiction” call out with the giant needle, including the close up and the countdown.
    • So, Juliet is a fertility doctor. Jen pointed out that Jack’s wife Sarah may have been trying to conceive. Perhaps Sarah was a patient? Perhaps Jack was picked for his spinal surgeon skills before ever getting on that plane?
    • Jen also noticed one of the Others in the operating room was named Jason. That’s number three, after the guy Ana Lucia shot and the name of one of Kate’s accomplices in the bank robbery.
    • Where is the Pala Ferry, or rather, where are the barracks? We heard it referenced in The Pearl orientation tape, but that was on the “main island,” along with the long pier. If you were a DHARMA worker on the main island and had to take a ferry to get home, does that imply the barracks are on another island? Possibly “Alcatraz”? Or was the Others’ quaint valley town the barracks? If so, how does the ferry figure into the daily commute at all?
    • Locations: Halawa Prison, the same location used for Desmond’s flashback last season, and Makapu’u Point, the ridge above the Others’ fake camp.

    Further Instructions Oct 19, 2006
    Show notes

    After two episodes firmly grounded in the real world, “LOST” throws a curve with “Further Instructions,” echoing some of the other decidedly mystical stories of seasons past. Specifically, tonight’s story seemed to be a third act, after “Deux Ex Machina” (1×19) and “Question Mark” (2×21), revisiting the underlying arc of faith and redemption. Those who love the spiritual and metaphorical side to the story probably cheered that “LOST” is back. Those hungry for details about the mysteries in the foreground, however, were probably disappointed.

    It was great to see Boone again, a character whose strengths seem so much more evident in hindsight. And there was a lot packed into Locke’s vision at the Sydney airport. It was a cryptic overview of the survivors and their respective situations, with more than a few hints of things to come. Desmond as the pilot, having some power but wasting his energies with selfish pursuits. Charlie and Claire and Aaron, at peace… for now. Hurley behind the counter, ever helpful. Jin and Sun lost and in conflict, with Sayid to show the way. And Jack, Kate and Sawyer threatened by Ben (and Kate and Sawyer distracted with flirting), but Locke unable to help them until he cleans up the mess he made for Eko.

    I don’t quite know what to make of Charlie, and Jen most certainly could live without him. It seems as if his stock took a sharp dip toward the end of Season Two, but after surfacing in a daze after the hatch blew up, he’s suddenly back on his feet and as wry and snarky as ever. For a character who is supposed to be tortured and conflicted, he certainly didn’t seem to spend too much time on the dark side. That said, he was definitely the best match for Locke in this episode, keeping things grounded when Locke went all voodoo.

    And yes, Locke is back. Jen actually cheered. For the wimp-turned-badass we all fell in love with in Season One, it was a bit frustrating to watch as he lost direction and, frankly, got a bit whiny in Season Two. And as flashback/island parallels go, this one did a good job of illustrating the journey Locke has taken, both on the island and throughout his life. But on both sides, the picture is incomplete. After all, we didn’t see Locke clean up his mess on the farm, and he’s just getting started on the island. I’m curious how people will interpret the “farmer versus hunter” dichotomy, and Danny’s assertion that Locke is a “good person” and not a killer. How Locke now answers the call to reunite his island family will, I think, give us a final answer as to his true nature.

    It was a relief to see Mr. Eko and Desmond and Hurley again, though there really never was any doubt about their return. When it comes to questions and answers, Desmond’s recollection of a speech yet to be given certainly adds another entry to the former bin. Especially when you realize that Desmond was throwing rocks on the beach when Locke actually gives the speech. Is he clairvoyant? Did he take a trip through time? The only thing we know the hatch “implosion” did for sure was take his clothes. Jen was certainly tickled by that. And he looked just adorable in Hurley’s shirt.

    And did Mr. Eko talk to Locke under the tree, or not? I think his comments came from the same place Boone’s did. Wherever that is.

    Almost as an afterthought, as the episode drew to a close, we’re introduced to two more survivors, Paulo and Nikki. Their sudden prominence was a bit jarring, especially given the familiarity with which Locke tossed out their names, along with the names of Jack, Kate, and Sawyer. I guess our cast of characters is growing, though it’s unclear if they’re just more redshirts like Dr. Arzt, or temporary players like Ana Lucia and Libby. I’m fairly certain they won’t become one of the “merry band of adventurers.”

    Notes and Notions:

    • The eyeball opening returns. After being missing in action for half a season, we’ve now seen it at the start of two out of three episodes so far. This was a definite mirror of the first shot of the first episode, and given Locke’s speech at the end, it’s clear the message is, “Locke now leads the survivors.”
    • What did we see in that cave? Apart from Eko and an angry polar bear? A toy dump truck, and a bunch of skeletons and DHARMA logos. Wonder if there’s a link to “Adam and Eve” in the cave from Season One? Anyone see any black and white stones?
    • Speaking of the polar bear… Jorge Garcia had mentioned, during our lunch, that polar bear technology had advanced since the creature appeared in Season One. But considering how much detail was obscured with jump cuts and close ups, I guess it still wasn’t as convincing as they’d have liked.
    • Both Locke and Sun have had someone at gunpoint, and both their targets told them they weren’t murderers. Who would have thought it would be Sun who would pull the trigger, and that Locke would back down?
    • Geronimo Jackson makes a cameo, and we get additional confirmation of the era they’re from. The man who asks Eddie about the shirt, though, seemed to be more than just a little familiar with the band. Any bets on whether we’ll see him again?
    • Locke’s California drivers license listed his address as being in San Francisco. We also see the Golden Gate Bridge in Locke’s airport vision on the brochure Sawyer is holding. The Golden Gate Bridge last appeared on the wall of the psychic Rose and Bernard visited in Australia in “S.O.S.“
    • Odd that Locke lost the ability to speak, then regained it, just like he lost the ability to walk, and regained it as well. It makes you wonder if his disabilities are physical, or purely psychological.
    • Locations: The farm Locke lived on was the lychee farm in Mililani Mauka. And, of course, the airport was again the Hawaii Convention Center. It was neat to finally see the scene I saw them filming a month ago.

    We’re Good! Oct 16, 2006
    Show notes

    We certainly had an… interesting day, with early-morning earthquakes and an island-wide blackout. Fortunately for us, and most of Hawaii, there were no fatalities or serious casualties. Lots of property damage, mostly on the Big Island, and folks will be cleaning up for a while. But for the most part, it’s just one of those crazy things that will fuel small talk for weeks to come. We were offline, but wandering about town, and I was posting some photos from my smartphone, if you’re curious. Mahalo a nui loa for all the kind e-mails and messages.


    The Glass Ballerina Oct 12, 2006
    Show notes

    I think Jen was about ready to turn off the television when Sawyer started ogling Kate. But it was worth hanging on for the last two minutes. So, the Others are neither as isolated nor as infallible as they first appeared, Alex resurfaces with a tantalizing link with the mysterious Karl, we see a darker side to Sun while Jin’s character grows richer, and Ben controls and sees everything but still needs something from our survivors. We still haven’t seen much of the grand plan, but it’s clear as ever there is one.

    I couldn’t resist watching the Red Sox scene a few times. Definitely one of the high points of the entire series. It was an important grounding moment in the positioning of the island and the story in the real world, but still done cleverly and with an emotional wallop. (Matthew Fox is surprising us this season.) It seems almost too convenient, of course, given Jack’s father’s fondness for the Red Sox line, but I’ll take it. What was curious to me was how Ben seemed somewhat detached from the significance of what he was reporting. From saying, “Your fellow Americans” to appearing completely unaware of the cultural significance of the Red Sox win, I’m inclined to believe him when he says he’s lived his whole life on the island. He’s tuned into the outside world, but isn’t a part of it.

    The re-programming seems to be working on Jack, too. From giving him a glimmer of hope in the outside world, to relenting in his need to know and control everything, I fear that he just might be turned, and that he (and not Sawyer and Kate) is the one survivor the Others want the most. Considering what they got Michael to do, one has to wonder just what they’re hoping he’ll do for them.

    Something is definitely up with Kate. The tough, murderous fugitive is suddenly dazed and mousy? Jen’s convinced she’s up to something, and has been ever since she got caught in the jungle and ended up being the perfect tool to disarm Jack and Sawyer. And indeed, again, Kate’s the reason Sawyer drops the gun. Then again, we’re given the impression that Sawyer was just sizing them up, and wasn’t aiming for a full-scale confrontation just then. And just as Jack’s being slowly reprogrammed in The Hydra, it seems putting Kate in a dress is part of a larger plan to subjugate her. Something happened between breakfast on the beach and the cage, and it just might have been enough to break her.

    Speaking of tough characters that suddenly seem impotent, just where was Sayid’s military training in coming up with his ambush plan? While I was glad to see more of our friends (after the season premiere was limited to the three captives), it seemed the entire subplot with Sayid, Jin and Sun felt wasted, just to mirror the “Sun betrays Jin” flashback in the present.

    But, Sun has now joined the ranks of killers among the survivors, and interestingly, Colleen met her end the same way Libby and Shannon did. (And they’re all blondes, Jen notes.) We also now know Jin’s English comprehension is improving, and that the Others — for all their resources — really wanted that boat.

    As for the flashback? The “glass ballerina” referenced in the title shows us, I guess, that Sun’s sense of honor is not as strong as Jin’s — particularly as we learn that, so far, Jin has not killed for his father in law. The “did they or didn’t they” question was answered, further putting Sun in the “bad people” camp, and putting the question of paternity front and center. I liked how the “who knows what” map got twisted into knots — Jin has no idea why Jae was targeted, nor that Sun was unfaithful. And do Mr. Paik or Sun know that Jin didn’t kill Jae?

    Well, I think he didn’t, anyway. I think the pearl necklace means suicide. Jen thinks we may learn otherwise later.

    It was good to see Alex again, and further evidence that she’s not particularly loyal. That she’s concerned about Karl suggests that he’s indeed an outsider or being punished in some way, and not a plant to mess with Sawyer. They both seem to be the youngest Others around, which makes me wonder if Karl has a backstory similar to Alex’s.

    Speaking of prisoners, who were the other rock movers? Bad Others like Karl? Or the other Others, the burlap-sack wearing, kid stealing, silent walking variety. Although we’ve learned that the Others like to put on a show, I’m even more convinced now there’s another group out there. Stealing kids from the Tailies certainly wasn’t among the instructions Ben gave to Goodwin.

    And I guess the ‘shippers were thrilled to see “The Kiss,” though once again it was just a ploy. The conversation back at the cages, though, shows that Kate and Sawyer have clear kinship in the troublemaking department, and that there’ll indeed probably be a romantic connection down the line — just as it seems the Others want it.

    Notes and Notions:

    • The brief scene where Sawyer smirks over spotting two Others having a domestic moment (Colleen kisses Danny goodbye) was a nice touch. Knowing that the Others had soft spots was probably what emboldened Sawyer to stir things up later.
    • Sayid’s line about requiring two prisoners, using one to control the other, certainly illustrates a lot of the tactics we’ve seen throughout “LOST.”
    • Benjamin Linus? Given the show’s obsession with meaningful names, this one’s a mystery. Anagram? A combination of historical or fictional characters?
    • We got another datapoint in the “who knows Sawyer’s real name” set (following Michael’s confusion over the Others’ list). So Kate didn’t know? Guess our survivors aren’t as chatty as we sometimes think (or hope).
    • Numbers: Jae Lee’s apartment number was 1516. But why did the elevator say “2”?
    • Locations: They returned to The Contemporary Museum gallery inside the First Hawaiian Center for Mr. Paik’s office, but it was definitely set up differently — they even left some of the gallery artwork in place. Jae’s funeral was at the pagoda at Honolulu Memorial Park in Nuuanu. The rock moving worksite looked like the lychee farm in Mililani Mauka. Sun’s childhood home looked a bit like Susan Lloyd’s house in Australia, didn’t it?

    Links:

    • “The Glass Ballerina” discussion at TheFuselage.com and Lost-Forum.com

    A Tale of Two Cities Oct 05, 2006
    Show notes

    Tonight’s much-anticipated airing of the Season Three premiere of “LOST” was actually our second look at it, as we were among the thousands who enjoyed the sneak preview on Waikiki Beach over the weekend. And while the beach premiere was a blast, enjoying and analyzing an episode in one’s living room is a very different experience. I can definitely say I came away liking “A Tale of Two Cities” better than I initially did. Jen, meanwhile, loved it both times.

    It was a strong opening act, but it was just an opening act, setting the stage for the pseudo-miniseries we’re getting this year. Though there were some moments of levity, it was nice to return to the menacing gloom I’ve grown to love, and while I’m certainly curious about our other survivors, I’m glad they limited the episode to Jack, Kate, and Sawyer. And this was definitely one of Matthew Fox’s strongest showings. Newcomer Elizabeth Mitchell, meanwhile, was fantastic. I’m immediately curious about her story.The opening sequence was certainly an eye-popper. At first just a tribute to the Season Two premiere, we’re disoriented and dazzled as we figure out where and when we are. A widebody jet breaking up in a clear blue sky isn’t something you’ll get in any other primetime TV show. And it was cool seeing how our friends “Benry,” Ethan, and Goodwin first started down the path to our survivors.

    Jack’s flashback story is straightforward and illustrative. We see how low he spirals as his marriage dissolves, and the roots of the irrational side we’ve seen on The Island. The “cell phone” scene was a great way to jump into a favorite fan theory: that his father was having an affair with his wife. Jack thought Christian destroyed his marriage, but Jack’s mistrust ends up crushing Christian’s soul. And unlike some flashbacks, his journey is clear. He goes from having to know and control everything about his life and Sarah, to wanting simply to know whether Sarah is happy.

    As for developments on The Island? It definitely seems like Kate’s “big choice” is going to be much more than just a minor shipper plot point. She asks about Sawyer first, and ends up in an adjacent cage. (I sincerely hope we’re not about to get into “DHARMA Captive Breeding Program” territory.) And speaking of favorite fan theories, we finally find The Hydra station, the “underwater hatch.” (Jay and Jack, rejoice!) And Sawyer’s rat-in-a-cage scenes were fun… if not a bit too cheesy. Souza on the loudspeaker, fish crackers with a DHARMA imprint, and poor Karl.

    At first glance, there didn’t seem to be much in the way of answers to bigger questions. But the implications of two plot points and a couple of short conversations deserve some study. The reaction to the plane crash, for one, seems to imply that the Others were surprised on one hand (the crash wasn’t a scheduled specimen delivery), but that they had some protocols in place — something they had training for, even if they didn’t expect to ever have to use it. And Juliet’s file? Perhaps the Others aren’t as forgotten or isolated as some has thought. Seems like they’re still connected to the mothership somehow, able to collect names and obtain thick dossiers.

    As for conversations, there’s the book club scene where Juliet and Adam argue about whether Juliet should pick a book Ben wouldn’t like (by, of course, Stephen King), and secondly, Jack’s chat with Juliet, in which both Jack and Juliet refer to the DHARMA Initiative as “they,” and Juliet makes clear that whatever operation is in place now is not what it was initially. Whatever Ben and Juliet and friends are plotting now, it’s probably quite a deviation from the original plan.

    As I mentioned, I had my gripes about “A Tale of Two Cities” at first, but I’m also coming to terms with the fact that fans sometimes set their expectations too high. And those of us who endlessly speculate or seek out spoilers probably ruin the fun for ourselves sometimes. I’m learning to let go, and enjoy the ride.

    Notes and Notions:

    • The Others’ village, and the charade Juliet, Adam and friends were failing to play reminded me a lot of an episode of Alias (also a J.J. Abrams show) titled “Liberty Village.” It was about a wholly fabricated suburb built in Russia to train agents to infiltrate a typical American neighborhood. The objective? Acquisition of an EMP weapon. Hatch magnet, anyone?
    • Another Kate in a shower scene! Big surprise.
    • A poster on The Fuselage picked up on a strong food theme in this episode. Juliet’s burnt muffins and sandwich toothpicks, Jack’s stubborn refusal to submit for food and water, Kate’s nice breakfast (followed by who knows what), Sawyer’s struggle for water and grain…
    • What was the deal with Karl? An Ana Lucia-like plant? An Other who went astray?
    • What was the Stephen King book? Adam dismissed it as religious hokum lacking metaphor. Carrie? The Stand?
    • The Stephen King shoutout was cute, but I wonder… will he be flattered, or annoyed? After all, while he’s a big fan of the show, he recently chided the show’s creators for trying too hard (he was not a fan of the four-toed statue).
    • Music notes: “Downtown” by Petula Clark, a good match with the Mama Cass song that opened Season Two. And Glenn Miller’s “Moonlight Serenade” made a repeat appearance in Jack’s car (the same song Sayid and Hurley picked up on the beach via shortwave).
    • Location notes: The Others’ village looked like Camp Erdman in Mokuleia on the North Shore, Sawyer’s cage and the facility Kate was taken from looked like the old aviary at Paradise Park in Manoa Valley. Sarah’s school was Palolo Valley Recreation Center, the lawyer’s office was First Hawaiian Tower downtown (same location as Jin’s father-in-law’s office), and the police station was the old police building on Merchant Street.

    LPN Interview: Daniel Dae Kim and Jorge Garcia Sep 20, 2006
    Show notes
    Play

    A special segment produced for the LOST Podcasting Network. Fan favorites Jorge Garcia and Daniel Dae Kim sit down to talk about “LOST” — and plenty of other stuff, too. The hour-long conversation covers Season Two, the summer hiatus, and of course the in-progress production of Season Three… plus their thoughts on character deaths, acting challenges, the spread of spoilers, and fan interaction. There’s even talk of video games, music, sports, and life in Hawaii. It was a real treat to spend time with these two great guys, and I hope you enjoy this exclusive interview for fans, by a fan. To download this segment, click the “Pod” icon below, or cut-and-paste the following URL:

    http://media.libsyn.com/media/hawaii/lpn20060920.mp3

    Download 1:11:51/49MB MP3 — Technorati: podcast, lost, jorge garcia, daniel dae kim


    LPN Review: “Finding Lost: The Unofficial Guide” Sep 15, 2006
    Show notes
    Play

    A special segment produced for the LOST Podcasting Network. Jen offers a sneak preview of “Finding Lost: The Unofficial Guide” by Nikki Stafford, due out next week. To download this segment, click the “Pod” icon below, or cut-and-paste the following URL:

    http://media.libsyn.com/media/hawaii/lpn20060915.mp3

    Download 7:09/6MB MP3 — Technorati: podcast, lost


    Lost Stuff Sep 03, 2006
    Show notes

    After an agonizingly long summer break, “LOST” Season 3 is almost upon us. Of course, the final stretch is often the hardest part. Fortunately, there is some fresh “LOST” stuff out there to help quench our cravings.

    • LOST Season 2 DVD – The Extended Experience: Holding the #1 sales rank at Amazon.com for a while now, chances are you’ve ordered this. But if you haven’t, what are you waiting for? The episodes are worth owning already, but it’s the extras that’ll really knock you out. Check out the latest episode of The LOST Podcast with Jay and Jack to get the early scoops on the seven-disc set.
    • Finding Lost – The Unofficial Guide: This new book from Nikki Stafford is due out later this month. Jen and I got an early preview, and she says it’s her favorite “unofficial” book yet (and there have been several). And no, her praise has nothing to do with the fact that some of the photographs featured in the book were taken by from some dork she knows.
    • Getting Lost – Survival, Baggage, and Starting Over in J. J. Abrams’ Lost: Renowned author Orson Scott Card opens with the proposition that “LOST” is the best television series of all time, and several writers then share their take on various aspects of the show. This collection of essays is a quick read, with a hint of snark that will make any forum lurker feel right of home.
    • Lost Podcasting Network: If you’re not subscribed to the LPN and haven’t checked in for a while, be sure to give a listen to some of the new “LOST” podcasts that have surfaced over the summer. When Season 3 gets going, there’ll probably be a week’s worth of stuff to listen to for each new episode… the perfect way to pass the time until the next one!

    “LOST” returns on Oct. 4… at least for most people. Of course, we in Hawaii will get a few days’ jump on Season 3 with a sneak-preview on Sept. 30. I know, we suck.


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